664:, that layers over the bodysuit, and scenery—projected onto the velvet pieces—layered on top. In the second act, Velour's story is about her transforming and maturing, she wears another bodysuit that ultimately helps her morph into a tree from her childhood. Velour stated, “all of the beautiful fabric choices, the way things move, and the way things sparkle in the light...those are the things that Diego is really passionate about, so he was able to improve upon my ideas in incredible ways.”
286:“to take some pressure off myself by creating playful and maybe a little ridiculous aliases.” He wore them exclusively for his first four years in the city, later shooting a series called Gay Superheroes, with them as the basis. He says it was also dangerous to go out in drag during these times, but was mixing and collaborating with “amazing queer performers.”
648:. Each song was released on its own day, with a corresponding video; later she did a series of twelve pop-up concerts across the U.S. tied to each song. She collaborated with other artists on various aspects of the video and live performances, and commissioned Montoya to do a series of dresses for the effort; the live shows were filmed for a concert release.
25:
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For
Montoya, the finale outfit and performance brought in a “flood of requests” for his couture and increased his Instagram followers five-fold to over 10,000. Montoya said it led to “new opportunities and kind of changed my life,” he was still working out of his room and had to throw away his bed to
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with "Ascend With You," a 3,000-square-foot hanging sculpture piece. Montoya said of returning to his neighborhood, "Miami specifically is super-kitsch...It’s all pastel colors and neon, and that kind of playfulness is definitely in my work.” In May 2016 Montoya won Best Visual Artist at the
Brooklyn
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from 2010 to 2015, producing entire spaces. He first attended MIXNYC in 2006 and got more networked and involved; he designed a t-shirt for the 2008 festival, staff uniforms for 2009, and was asked to design the space starting in 2010. He either staged his installations at home, where he had a sewing
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station, or had a temporary space. There would be a frenzy to complete everything in place, it was open to the public for a week, then taken apart. He worked on a series in the mid-2010s, Future
Rituals, merging costume design and environment art, “to make interactive vignettes.” According to
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tour which started in
Australia and New Zealand in January, and later throughout the U.S. In it she revives a vaudeville-era conceit of something going wrong with the show, then having to go on with the show anyway—but with technology as the show is multimedia with
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Velour stated, “Diego’s influence is as much his own
Peruvian heritage as my Russian fantasy … but the result feels timeless — both futuristic and historical; deeply ornamented but also very graphic and simple; hugely varied but also
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526:“His designs are beautiful and sculptural … so much more than clothes. I think of everything he creates for me as a piece of art… It feels very lucky and surreal that I now have the largest Diego Montoya collection in the world.”
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463:. They had intended for shades of regal vampire red but had to change to colors that would not blend in with the theater’s background. Later Velour would have Montoya deconstruct it and rework it “for a queen on the go.”
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He cites this period as having the most growth artistically; taking weeks to construct, they were in “massive warehouses or abandoned theaters” and were usually collaborative efforts. He was the design director for the
303:.” The piece was from two friends, writer/director Josh William Gelb, and choreographed by Katie Rose McLaughlin. He took a fluid approach with all four Claras in all white contrasted to the industrial surroundings.
614:
started in 2009 the female illusion was more central to the queens look, passing as a woman was almost enough. As of 2019, every aspect is exaggerated, with the custom garments costing from $ 2,000-10,000.
348:’s Art School, Montoya “creates hyper visual pieces that are both opulent and bizarre exploring themes of ritual and subcultural.” For several seasons Montoya had his own fashion line with pieces at the
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416:. Montoya says, "I'm obsessed with things that are beautiful but in an aggressive way," noting many of his pieces are heavily ornamented. "It's just what I'm naturally drawn to. I identify as a
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For the finale, Velour contacted
Montoya again, and they collaborated to create a red carpet entrance look, as well as an outfit for the competition performance. The entrance look was a “
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noted Velour as a perfect muse for
Montoya as she has a reputation for more cerebral drag— “taking the history of the genre and pulling it apart to reconstruct and move it forward”.
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For the performance they created an “ornate and beautiful,” but "kinda scary" white dress she wore for the winning performance. Her ensemble included
Montoya's tearaway and pearl “
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412:), the show started airing in March 2017 with Montoya's designs as her entrance look. Velour had fallen in love with Montoya's headpieces and masks that he would post on
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1299:"Sasha Velour on Instagram: "Ep. 14 "It's Not Right, But It's OK" Lip-sync Dress and Mask: @diegomontoya3d with help from @madelinmusic Earrings: @ISLYNYC From the…""
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622:“a trilogy of works that explores how we watch, hear, and perform emotion”—directed by Katherine Brook for the Tele-Violet company with the TAK ensemble at the
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and has a lot of things that I love, but is also aggressive." Montoya builds on the character or persona a queen has created and designs with that in mind.
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mask held together by magnets that she cracked open like an egg to reveal her face.” They attempted a futuristic egg effect as Velour had been called the
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738:, excess, and color of Miami, where he was raised after moving from Lima, Peru, as well as the drag queens and club kids he encountered growing up.”
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in
February. Shangela is the first drag queen to walk the Oscar's red carpet, a long tradition for film stars, in drag; she was dressed in an “icy
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660:. For the first act Montoya designed a couture full bodysuit in red, and covered with jewels; each number has its own costuming, half in white
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728:-inspired “golden number, dripping in jewels,” that she commissioned for the London red carpet premiere of the movie. In May 2019
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from the protagonist's perspective “at age 6, 20, 40, 80 all happening at the same time performed at this former glass factory in
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229:, including his acrobat boyfriend; it “helped hone an aesthetic based on ‘savage beauty.’" After graduating in 2004, he moved to
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225:, “She was all over my storyboards.” Montoya gained experience designing for performers in school working with the college's
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art form, “In sensibility, in approach, in its imagination: This is queer art.” He cites as an early inspiration the 1981
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1167:"Que(e)ries: Talking To The Organizers Of MIX NYC, The Queer Film Festival That Does It Like Nobody Else – IndieWire"
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270:. Montoya found the drag scene in New York City stale in the mid-2000s, moving there in 2004, until the
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1867:"BWW Review: Forget Brooklyn. Opera Philadelphia World Premieres Show Only the Dead Know Philadelphia"
289:
Initially when he moved to New York City, he worked in fashion for several years while freelancing in
761:
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1483:
1479:"RuPaul's Drag Race Winner Sasha Velour to Open Showstopping Smoke and Mirrors Tour in San Antonio"
1327:"Sasha Velour Spills the Secrets of Her Out of This World RuPaul's Drag Race Season 10 Finale Look"
1233:"Check Out the Most Eye-Popping Looks From the 2016 Brooklyn Nightlife Awards—and Find Out Who Won"
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make room for more dresses. Within two years he was able to forego his restaurant job, and open a
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899:"Meet Diego Montoya, The Visionary Designer Behind Sasha Velour, Shangela, And Kameron Michaels"
496:-inspired drag that had long existed off the show” was put on equal footing with more popular “
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262:). “It was so obnoxious and beautiful to me.” He was also inspired by the joyfulness of
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1542:"Sasha Velour on her current tour, 'Drag Race' successors, life on the road and more"
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1359:"Abrons Arts Center to Present Tele-Violet's THE POWER OF EMOTION: THE APARTMENT"
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In
December 2015 he presented as part of “Superfine! House of Art and Design" at
293:. One costuming project was for Clara's Nutcracker, a re-imagined abstraction of
1049:"Superfine! Bold New Satellite Show Adds To Little Haiti's Art Basel Attraction"
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Nightlife Awards. As of October 2018, Montoya has done art installations at
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1011:"Meet the Designer Behind Sasha Velour's 'Futuristic Drag Monster' Fashion"
694:). Montoya had ten days to make the dress, including five days of his team
335:” installations and costumes for galleries, stores and “queer performers.”
1611:"Shangela makes history as first-ever drag queen on the Oscars red carpet"
1676:"As Drag Goes Mainstream, Queer Fashion Designers Reap Business Benefits"
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In September 2019, Montoya's costumes were part of the world premiere of
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1266:"Sasha Velour Passes The Crown Tonight, But Her Reign's Only Just Begun"
819:"Sasha Velour's Fashion Designer Dishes on Her Daring 'Drag Race' Looks"
618:
In October 2017, Montoya's costumes were used for the world premiere of
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when he was ten, and when he was fifteen he started going to the city's
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mermaid gown with draped details and asymmetrical gold beading,” (seen
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315:. The shift got him thinking about designing “more conceptually about
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as one of the most fashion-forward competitors” the series has seen.
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suit also produced by Montoya. Shangela was a supporting actress in
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or Insta-glamorous” drag forms. The finale set a ratings record for
1839:"Met Gala 2019: 10 Designers and Labels Who Redefined Camp Fashion"
698:. Shangela walked the red carpet with her longtime friend, actress
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538:, with a Montoya-designed dress that invoked an alien version of
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area started transforming with what he characterized as a “more
150:(born 1982 or 1983 (age 41–42)) is an American
137:
1745:"Shangela Just Walked the Oscars Red Carpet with Jenifer Lewis"
1811:"The Drag Queen Lady Gaga Personally Cast in 'A Star Is Born'"
539:
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18:
278:” and experimental voice. For his own outfits he wore custom
651:
In late 2018 Montoya again worked with Sasha Velour for her
749:, “a genre-bending performance” opera performed as part of
724:. In September 2018, Shangela also wore a Montoya dress, a
1712:"Shangela Talks Being the First Drag Queen at the Oscars"
1575:"Sasha Velour's New Show Unpacks The 'Magic Act' of Drag"
1511:"Sasha Velour's Smoke & Mirrors to make London debut"
459:, a vivacious beautiful young woman who falls victim to
166:” installations and costumes for galleries, stores, and
510:’s Coco Romack stated “without a doubt, go down in
319:
and environments.” He started doing nightlife event
395:for an unnamed purpose, which turned out to be the
311:In the late 2000s he was hired full-time designing
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83:
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1643:"OTT extravagance dominated the Oscars red carpet"
162:, creating “larger-than-life”, “innovative”, and “
629:In October 2018 jazz singer-composer and bassist
482:queen, it covered her entire head. According to
420:artist, and I think a lot of that visibility is
524:
522:design studio with five employees. Velour said
1200:"Eight Artists to Watch During Miami Art Week"
331:creating “larger-than-life,” “innovative, and
91:born 1982 or 1983 (age 41–42)
8:
16:American visual artist, and fashion designer
217:. He chose as his muse during this period,
1150:: CS1 maint: location missing publisher (
387:In late 2016, a “popular Brooklyn queen,”
73:
1388:"Esperanza Spalding's "12 Little Spells""
554:Montoya has since collaborated with more
62:Learn how and when to remove this message
1477:Nelson, Kelly Merka (October 14, 2019).
640:her seventh studio album, a twelve-part
1930:Peruvian emigrants to the United States
1865:Sasanow, Richard (September 24, 2019).
1439:"Esperanza Spalding's 12 Little Spells"
965:Imrie-Situnayake, Amber (Spring 2016).
794:
773:
341:MIXNYC Queer Experimental Film Festival
1705:
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1540:DiGuglielmo, Joey (November 7, 2019).
1198:Martinez, Nicole (November 18, 2015).
1143:
307:Installation art: late 2000s-mid 2010s
1776:Goodman, Elyssa (December 27, 2018).
1743:Street, Mikette (February 24, 2019).
1710:Street, Mikelle (February 25, 2019).
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620:The Power of Emotion: The Apartment—
380:Collaboration with Sasha Velour for
1778:"Top Queer Fashion Moments of 2018"
1297:Velour, Sasha (September 4, 2017).
391:, contacted Montoya to create some
1609:Glauert, Rik (February 25, 2019).
1165:Knegt, Peter (November 12, 2013).
897:Katz, Evan Ross (April 11, 2019).
34:tone or style may not reflect the
14:
1950:21st-century American LGBT people
1809:Fallon, Kevin (October 8, 2018).
1674:Katz, Evan Ross (June 11, 2019).
1264:Dresden, Hilton (June 28, 2018).
1047:Padgett, Tim (December 2, 2015).
756:For their work in the HBO series
817:Street, Mikelle (July 2, 2017).
530:In June 2018 Velour crowned the
44:guide to writing better articles
23:
1945:Florida State University alumni
1879:from the original on 2020-10-28
1837:Goodman, Elyssa (May 1, 2019).
1790:from the original on 2019-10-19
1757:from the original on 2019-02-25
1724:from the original on 2019-02-26
1688:from the original on 2019-06-11
1655:from the original on 2019-02-26
1623:from the original on 2019-03-07
1585:from the original on 2019-10-15
1573:Saxena, Jaya (March 21, 2019).
1554:from the original on 2019-11-07
1521:from the original on 2019-10-19
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1339:from the original on 2019-05-13
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1245:from the original on 2019-10-18
1212:from the original on 2015-11-19
1179:from the original on 2019-10-19
1118:Schoonover, Karl (2016-12-09).
1099:from the original on 2018-09-22
1086:"Artist Lecture: Diego Montoya"
1061:from the original on 2015-12-05
1023:from the original on 2017-07-18
977:from the original on 2016-04-02
831:from the original on 2019-09-10
325:site-specific art installations
252:wedding dress of Princess Diana
182:. His family immigrated to the
1325:Price, Lydia (June 29, 2018).
1009:Romack, Coco (July 17, 2017).
1:
1386:Kenny, Tom (7 January 2019).
734:noted his influences as “the
667:As a first, Montoya designed
352:Prince Street Project Space.
242:Early career: 2004-late 2000s
209:; he found himself sketching
1955:Primetime Emmy Award winners
610:.” Montoya notes that when
550:Further works, 2017-present
1986:
1915:American fashion designers
1122:. Galt, Rosalind. Durham.
1091:Carnegie Mellon University
437:gown with a corresponding
346:Carnegie Mellon University
178:Diego Montoya was born in
1120:Queer cinema in the world
1960:LGBT people from Florida
246:Montoya notes drag as a
199:Florida State University
174:Early life and education
658:live projection mapping
38:used on Knowledge (XXG)
1970:American queer artists
1965:Peruvian LGBTQ artists
644:based on parts of the
528:
266:, and the darkness of
42:See Knowledge (XXG)'s
1920:American LGBT artists
1651:. February 25, 2019.
1093:, College of Fine Art
1445:. December 8, 2018.
1412:"Esperanza Spalding"
762:Primetime Emmy Award
760:, Montoya has won a
702:, who wore a custom
447:Francis Ford Coppola
362:Leslie-Lohman Museum
1484:San Antonio Current
558:queens including: “
368:, Same Art Museum,
1940:Artists from Miami
1443:19th Hole Magazine
1416:Esperanza Spalding
1367:. October 11, 2017
751:Opera Philadelphia
690:2019-03-07 at the
631:Esperanza Spalding
624:Abrons Arts Center
592:Bob the Drag Queen
520:Bushwick, Brooklyn
382:RuPaul’s Drag Race
366:Abrons Arts Center
329:recycled materials
219:performance artist
160:recycled materials
1925:Artists from Lima
1517:. June 26, 2019.
753:'s O19 festival.
716:(2018) alongside
653:Smoke and Mirrors
488:, Velour's “more
321:art installations
268:Alexander McQueen
260:Elizabeth Emanuel
145:
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138:DiegoLovesYou.com
124:Years active
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564:Kameron Michaels
327:. He works with
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313:window displays
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1579:Garage Vice
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568:Asia O’Hara
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476:hand-beaded
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102:Nationality
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1899:Categories
1421:2019-04-15
1397:2019-01-09
789:References
758:We're Here
747:Let Me Die
673:red carpet
669:Shangela's
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