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105:. It is divided into 7 books and consists of 95 pieces, although if one considers, as Pisador did, each one of the parts of the compositions as a separate work, the book contains a total of 186 pieces. Pisador worked on the book for six years. 58 of the 95 are for voice and vihuela, and 37 are for vihuela solo.
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of
Monterrey. He would not return to Salamanca until 1551, after his wife died in September 1550. He settled in Salamanca in the care of his mother and his younger brother. He had charge of the economic affairs of the family and the position of majordomo/administrator in the city of Salamanca, once
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music which had occupied him up to then. When the father returned to
Salamanca a short time later, he had a change of opinion, supported the other brother, and forced Diego to leave the family home. It is known that in 1553, Diego sold the house and that in 1557 father and son were still at odds.
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around the years 1509 or 10. He was the oldest son of Alonso
Pisador and Isabel Ortiz, who married in 1508. Ortiz's father, Alfonso III of Fonseca, Archbishop of Santiago, was a great patron of music. Alonso Pisador worked as a notary in the audience of the archbishop and, in 1524, he moved to
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At the death of his mother, Diego inherited the lion's share of the family fortune, which upset his younger brother. Initially, the father sided with Diego in this dispute, but he threatened to marry and abandon his work on the book of
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Roa, Francisco, GĂ©rtrudix, Felipe (2003), El libro de mĂșsica de vihuela de Diego
Pisador, (3 vols.), PygmaliĂłn. 84-84556-156546-N. Includes facsimile, study, and transcription.
221:
195:
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Rubio, Samuel (1983), Historia de la mĂșsica española. Vol 2. Desde el Ars Nova hasta 1600, pp. 227â229, Madrid: Alianza
Editorial. 84-206-6474-X.
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Little is known of the details of
Pisador's life, not even the exact dates of his birth and death. It is known that he was born in
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51:, possibly Alonso de Acevedo y ZĂșñiga, who was also a grandson of Alfonso III. In 1526 Pisador took
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Pisador, Diego, Libro de musica de vihuela, GenĂšve : Minkoff
Reprint, 1973.
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48:
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47:, following his steps. There he entered the service of the count of
112:(or intabulations) for vihuela of works by other composers such as
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In 1552, he published a book of works for vihuela titled
55:, but did not continue in an ecclesiastical career.
108:As was common at the time, many of the works are
178:Reimpression de l'edition de Salamanque, 1552.
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62:following Alonso de Acevedo y ZĂșñiga as the
196:International Music Score Library Project
22:(1509/10? â after 1557) was a Spanish
7:
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222:Spanish male classical composers
16:Spanish vihuelist and composer
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212:Spanish Renaissance composers
58:In 1532, his father moved to
192:Free scores by Diego Pisador
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99:Libro de mĂșsica de vihuela
92:Libro de mĂșsica de vihuela
81:Libro de mĂșsica de vihuela
165:Music in the Renaissance
118:Juan GarcĂa de Basurto
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227:People from Salamanca
122:Mateo Flecha el viejo
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67:held by his father.
26:and composer of the
103:Philip II of Spain
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144:, V. Fontana and
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142:Jacques Arcadelt
126:Josquin des Prez
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217:Vihuela players
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167:. Norton, 1954.
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134:Adrian Willaert
130:Nicolas Gombert
101:, dedicated to
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186:External links
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161:Reese, Gustave
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146:Costanzo Festa
110:transcriptions
90:Title page of
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20:Diego Pisador
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152:Bibliography
114:Juan VĂĄsquez
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53:minor orders
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138:Jean Mouton
28:Renaissance
206:Categories
64:corregidor
49:Monterrey
40:Salamanca
24:vihuelist
198:(IMSLP)
194:at the
73:vihuela
60:Galicia
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45:Toledo
172:ISBN
34:Life
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