Knowledge (XXG)

Dieter Froese

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grant that enabled him to move to the United States, where he filed for and received permanent residence status in 1969. He was part of the first wave of artists to move into raw industrial loft spaces in lower Manhattan in the 1970s, for use as live/work spaces.
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He was also a video producer, having founded Dekart Video in Manhattan, with his wife Kay Hines. They created videos for leading museums such as the
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The Eye of Power: The Art of Dieter Froese, in the book Dieter Froese, Unpräzise Angaben, Not a model for big brother's spy-cycle
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through the first years of the 21st century. The large scale installation deploys real and dummy
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He began exhibiting his work in the early 1970s, and was included in the inaugural exhibition at
147: 555:"Installation view of Dieter Froese's "Installation '90 Degree Re-Stage/Loop' A(Dina) B(Carol)"" 242:
presence of surveillance and its associated cultural control. In the exhibition catalog for the
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and monitors that track viewers' movement through various rooms in the museum. Inspired by
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Froese's work has been written about in the following books,
876:"Dieter Froese, The Piece in the Country (Failure Piece #2)" 738:
Benthien, Claudia; Lau, Jordis; Marxsen, Maraike M. (2018).
210:, that premiered in 1988, at the Stadtisches Kunstmuseum in 174:). His father was a cheesemaker. During the final months of 150:
artist who also worked in film, sculpture, and photography.
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Imprecise Details — Not a Model for Big Brother's Spy Cycle
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Froese's work is included in the permanent collections of
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in 1990. The content of the work addresses the history of
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Imprecise Details: Not a Model for Big Brother's Spy Cycle
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Froese was born on October 9, 1937, outside the town of
394:. International Center of Photography. 23 February 2016 105: 93: 85: 77: 65: 42: 23: 182:and they eventually took shelter with family near 897:"Ten in situ, Object: Part of the Art Collection" 89:video installation, sculpture, photography, film 335:Froese died in New York from cancer in 2006. 8: 856:. Museo Nacional Centro de Arte Reina Sofía 707:Digital Currents: Art in the Electronic Age 290:Digital Currents: Art in the Electronic Age 812:. ZKM Center for Art and Media, Karlsruhle 683:"Artist Dieter Froese Dies at Sixty-eight" 360: 358: 356: 354: 352: 350: 348: 323:; Neue Berliner Kunstverein (n.b.k.), the 129: 1979⁠–⁠2006) 31: 20: 899:. Museum of New Zealand Te Papa Tongarewa 321:Museo Nacional Centro de Arte Reina Sofía 214:. Later it was shown in New York at the 344: 325:Museum of New Zealand Te Papa Tongarewa 285:, and many other international venues. 804: 802: 514:. Experimental TV Center. 17 June 2011 445:. Los Angeles Contemporary Exhibitions 434: 432: 7: 248:Los Angeles Contemporary Exhibitions 206:. He is known for his installation, 37:Dieter Froese, courtesy of Kay Hines 216:International Center of Photography 14: 775:Pop Goes the Decade: The Eighties 298:Pop Goes the Decade: The Eighties 535:. New Museum of Contemporary Art 319:, Karlsruhle; LUX, London; the 146:) (1937-2006) was a pioneering 126: 470:. Bonn: Stadisches Kunstmuseum 267:New Museum of Contemporary Art 1: 741:The Literariness of Media Art 294:The Literariness of Media Art 204:P.S.1 Contemporary Art Center 317:ZKM Center for Art and Media 930:German installation artists 832:"Collection: Dieter Froese" 577:"Dieter Froese (1937-2006)" 365:Weiner, Tim (4 July 2006). 194:In 1964, Froese received a 961: 772:Harrison, Thomas (2017). 162:, in the former state of 30: 16:Video installation artist 704:Lovejoy, Margot (2004). 661:Kunstforum International 655:Daniels, Dieter (1987). 624:Daniels, Dieter (1987). 557:. White Columns Archive 464:Hanhardt, John (1986). 492:. Museum of Modern Art 744:. London: Routledge. 710:. London: Routledge. 253:Froese exhibited his 945:German photographers 925:German video artists 626:"Post-Kaufhaus CCTV" 605:(13): 8. Summer 1996 599:"Hallwalls, Buffalo" 259:Museum of Modern Art 228:surveillance cameras 144:Hans-Dietrich Froese 60:Tilsit, East Prussia 47:Hans-Dietrich Froese 413:Frieling, Rudolph. 603:Avalanche Magazine 371:The New York Times 220:video surveillance 148:video installation 417:. MedianKunstNetz 257:art works at the 137: 136: 952: 909: 908: 906: 904: 893: 887: 886: 884: 882: 872: 866: 865: 863: 861: 850: 844: 843: 841: 839: 828: 822: 821: 819: 817: 806: 797: 796: 794: 792: 769: 763: 762: 760: 758: 735: 729: 728: 726: 724: 701: 695: 694: 692: 690: 679: 673: 672: 670: 668: 652: 646: 645: 643: 641: 621: 615: 614: 612: 610: 595: 589: 588: 586: 584: 573: 567: 566: 564: 562: 551: 545: 544: 542: 540: 529: 523: 522: 520: 519: 508: 502: 501: 499: 497: 486: 480: 479: 477: 475: 461: 455: 454: 452: 450: 444: 436: 427: 426: 424: 422: 410: 404: 403: 401: 399: 392:"Culture Medium" 388: 382: 381: 379: 377: 362: 327:, among others. 283:Kunstmuseum Bonn 130: 128: 112:Hildegarde Lutze 96: 56: 54: 35: 21: 960: 959: 955: 954: 953: 951: 950: 949: 915: 914: 913: 912: 902: 900: 895: 894: 890: 880: 878: 874: 873: 869: 859: 857: 852: 851: 847: 837: 835: 830: 829: 825: 815: 813: 810:"Dieter Froese" 808: 807: 800: 790: 788: 786: 771: 770: 766: 756: 754: 752: 737: 736: 732: 722: 720: 718: 703: 702: 698: 688: 686: 681: 680: 676: 666: 664: 654: 653: 649: 639: 637: 623: 622: 618: 608: 606: 597: 596: 592: 582: 580: 575: 574: 570: 560: 558: 553: 552: 548: 538: 536: 533:"Dieter Froese" 531: 530: 526: 517: 515: 512:"Dieter Froese" 510: 509: 505: 495: 493: 490:"Dieter Froese" 488: 487: 483: 473: 471: 463: 462: 458: 448: 446: 442: 438: 437: 430: 420: 418: 412: 411: 407: 397: 395: 390: 389: 385: 375: 373: 364: 363: 346: 341: 333: 313: 196:Ford Foundation 192: 156: 133: 132: 124: 120: 94: 81:German-American 73: 70: 61: 58: 57:October 1, 1937 52: 50: 49: 48: 38: 26: 17: 12: 11: 5: 958: 956: 948: 947: 942: 937: 932: 927: 917: 916: 911: 910: 888: 867: 845: 823: 798: 784: 764: 750: 730: 716: 696: 674: 647: 616: 590: 568: 546: 524: 503: 481: 456: 440:"Surveillance" 428: 405: 383: 343: 342: 340: 337: 332: 329: 312: 309: 263:Whitney Museum 191: 188: 172:western Russia 155: 152: 135: 134: 122: 118: 117: 116: 115: 113: 109: 107: 103: 102: 97: 91: 90: 87: 86:Known for 83: 82: 79: 75: 74: 71: 67: 63: 62: 59: 46: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 957: 946: 943: 941: 938: 936: 933: 931: 928: 926: 923: 922: 920: 898: 892: 889: 877: 871: 868: 855: 849: 846: 833: 827: 824: 811: 805: 803: 799: 787: 785:9781440836671 781: 777: 776: 768: 765: 753: 751:9781351608701 747: 743: 742: 734: 731: 719: 717:9781134397297 713: 709: 708: 700: 697: 684: 678: 675: 662: 658: 651: 648: 635: 631: 627: 620: 617: 604: 600: 594: 591: 578: 572: 569: 556: 550: 547: 534: 528: 525: 513: 507: 504: 491: 485: 482: 469: 468: 460: 457: 441: 435: 433: 429: 416: 409: 406: 393: 387: 384: 372: 368: 361: 359: 357: 355: 353: 351: 349: 345: 338: 336: 330: 328: 326: 322: 318: 310: 308: 306: 301: 299: 295: 291: 286: 284: 280: 276: 272: 271:White Columns 268: 264: 260: 256: 251: 249: 245: 241: 237: 234:'s notion of 233: 232:George Orwell 229: 225: 221: 217: 213: 212:Bonn, Germany 209: 205: 200: 197: 189: 187: 185: 181: 177: 173: 169: 165: 161: 153: 151: 149: 145: 141: 140:Dieter Froese 114: 111: 110: 108: 104: 101: 98: 92: 88: 84: 80: 76: 68: 64: 45: 41: 34: 29: 25:Dieter Froese 22: 19: 901:. 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ARTFORUM 630:Mediamatic 518:2023-05-13 339:References 240:panoptical 154:Early life 53:1937-10-01 275:Hallwalls 222:from the 184:Nuremberg 119:Kay Hines 246:show at 236:dystopia 224:Cold War 180:Red Army 72:New York 903:31 July 881:31 July 860:31 July 838:31 July 816:31 July 791:31 July 757:31 July 723:31 July 689:31 July 667:31 July 640:31 July 609:31 July 583:31 July 561:31 July 539:31 July 496:31 July 474:31 July 449:31 July 421:31 July 398:31 July 376:31 July 168:Sovetsk 166:, (now 131:​ 123:​ 106:Spouses 782:  748:  714:  296:; and 265:, the 261:, the 190:Career 160:Tilsit 142:(born 834:. 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Index


video installation
Tilsit
East Prussia
Sovetsk
western Russia
World War II
Red Army
Nuremberg
Ford Foundation
P.S.1 Contemporary Art Center
Bonn, Germany
International Center of Photography
video surveillance
Cold War
surveillance cameras
George Orwell
dystopia
panoptical
Los Angeles Contemporary Exhibitions
multi-media
Museum of Modern Art
Whitney Museum
New Museum of Contemporary Art
White Columns
Hallwalls
LACE
Kunstmuseum Bonn
Smithsonian
ZKM Center for Art and Media

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