109:, also exploiting Greek modes, in an appealing style of greater homogeneity than that of many of his Greek contemporaries. Levidis was more impressed by Debussy's harmonic brevity as shown in his last works. He was a notable experimenter with novel combinations and new instruments: His interest in new sounds led him to be among the first to write for the
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and at the Music Lyceum. In 1934, he founded the
Phaleron Conservatory, later subsumed into the Hellenic Conservatory, and he was president of the Union of Greek Composers (1946–1947). He was in Paris again from 1947 to 1948.
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121:) and conducted by Rhene-Baton. The soloist was Maurice Martenot, performing for the first time in public on an electronic device of his own invention. Following its impressive debut, the conductor
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G. Leotsakos: ‘O Dimitrios
Levidis ke to aenigma tis “Mikris fantasias”’ , foreword to D. Levidis: *Little Fantasia (Athens, 1982) ; repr. in Moussikologhia, no.1 (1986), 9–25
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P.K. Bouboulidis: Neohellines moussourgoi: I. Dimitrios
Levidis: symvoli eis tin historian tis neohellenikis moussikis (Athens, 1949)
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F. Anoyanakis: ‘I moussiki stin neoteri
Hellada’, in K. Nef: Eisagogi eis tin istorian tis moussikis (Athens, 1958), 590–92
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After his return to Greece in about 1932, Levidis was appointed to the
Ministry of Education to teach at the
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He descended from an aristocratic family with
Byzantine roots in Constantinople. Levidis studied in Athens,
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T B Holmes, Electronics and
Experimental Music:Pioneers in Technology and Composition. p.68, 2002
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He wrote abundantly, in many genres, with a refined technique combining
Straussian harmony and
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Poeme
Symphonique, pour solo d'Ondes Musicales et Orchestre, op.43-B (1928)
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brought
Martenot to the United States to perform the Levidis work with the
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Nicolas Slonimsky: NEW MUSIC IN GREECE Musical Quarterly.1965; LI: 225–235
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A.S. Theodoropoulou: ‘Dimitrios Levidis’, Nea estia, xlix (1951), 819 only
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S.K. Spanoudi: ‘Levidis, Dimitrios’, Helios, xii (Athens, c1950), 168 only
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G. Sklavos: ‘Dimitrios Levidis’, Helleniki dimiourgia, viii (1951), 67–8
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129:. This led to a tremendous flurry of composition for the device.
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The New Grove Dictionary Of Music and Musicians. Macmillan 1980
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The Talisman of The Gods op.41 ballet. (incomplete) (1925–1945)
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Prize for his Piano Sonata op.16. After a short period in
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Erste Griechische Romantische Piano Sonate op.16 (1908)
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National and Kapodistrian University of Athens alumni
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La Terre dans l'Espace. Symphonic Poem for Orchestra
238:The Music Review, Geoffrey Newton Sharp. 1940
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291:Everyman's dictionary of music p. 321
379:French military personnel of World War I
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188:L' illiade, Orch. Oratorio. (1942–1943)
267:"Greek History: May | WindyCity Greek"
94:and took French nationality in 1929.
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384:20th-century French male musicians
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170:Chant payen for oboe and strings
185:4 tableaux en un acte op.45(?)
167:4 Persian Rubajats (1912–1914)
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176:Patre et Nymphe (1924) Ballet
394:20th-century Greek musicians
389:19th-century Greek musicians
213:"Lèvidis, Dimitry 1886-1951"
247:Musical Times , winter 2001
173:Divertissement op.25 (1911)
161:Preludes In d. minor (1910)
86:(1910–1932), served in the
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374:Greek emigrants to France
359:Greek classical composers
296:Oxford Companion to Music
164:Divertissent Orch. (1911)
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62:. His teachers included
30:; 8 April 1885 or 1886,
323:Biographical Dictionary
155:Piano Impromptus (1902)
127:Philadelphia Orchestra
369:French male composers
354:Musicians from Athens
134:Hellenic Conservatory
145:(List not Complete)
42:, later naturalized
182:De Profundis (1929)
123:Leopold Stokowski
115:Poème symphonique
28:Δημήτριος Λεβίδης
20:Dimitrios Levidis
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364:French composers
288:Phonoarchive.org
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64:Friedrich Klose
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16:Greek composer
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36:Palaio Faliro
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339:1880s births
321:The Harvard
274:. Retrieved
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217:worldcat.org
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344:1951 deaths
119:Paris Opéra
92:World War I
88:French Army
76:Franz Liszt
68:Felix Mottl
333:Categories
276:2018-08-26
199:References
50:Background
141:Work list
325:of Music
104:Ravelian
56:Lausanne
46:(1929).
38:) was a
90:during
98:Career
80:Greece
60:Munich
44:French
32:Athens
113:(his
84:Paris
24:Greek
294:The
70:and
58:and
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22:(
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