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460:, all controlled by switches in the drawer. The square wave and full-wave rectified sine wave can be further adjusted by sliders in the drawer. On the Seventh model, a dial at the top of the drawer adjusts the balance between white noise and the other waveforms. A second dial adjusts the balance between the three speakers. A switch chooses between the keyboard and ribbon.
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314:, after which he embarked on a world tour. In 1937, the ondes Martenot was displayed at the Exposition Internationale de Paris with concerts and demonstrations in an ensemble setting with up to twelve ondists performing together at a time. Beginning in 1947, the ondes Martenot was taught at the Paris Conservatory, with Martenot as the first teacher.
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that it would likely remain obscure: "The fact is that any instrument with no institutional grounding of second- and third-raters, no spectral army of amateurs, will wither and vanish: how can it not? Specialist virtuosos may arrive to tackle the one-off novelty ... but there's no meaningful level of
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Further adjustments can be made using controls in the body of the instrument. These include several dials for tuning the pitch, a dial for adjusting the overall volume, a switch to transpose the pitch by one octave, and a switch to activate a filter. The drawer of the seventh model also includes six
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commissioned the synthesiser company
Analogue Systems to develop a replica of the ondes Martenot, as he was nervous about damaging his instrument on tour. The replica, called the French Connection, imitates the ondes Martenot's control mechanism, but does not generate sound; instead, it controls an
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The ondes
Martenot's electronics are fragile, and it includes a powder which transfers electric currents, which Martenot would mix in different quantities according to musicians' specifications; the precise proportions are unknown. Attempts to construct new ondes Martenot models using Martenot's
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of a keyboard below the wire to indicate pitch. This model also had a "black fingerguard" on a wire which could be used instead of the ring. It was held between the right thumb and index finger, which was played standing at a distance from the instrument. When played in this way, the drawer is
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said: "The ondes martenot is probably the most musical of all electric instruments ... Martenot was not only interested in sounds. He wanted to use electricity to increase and control the expression, the musicality. Everything is made by the musician in real time, including the control of the
563:, Messiaen used it to create "shimmering, swooping musical effects". This symphony featured the ondes Martenot and piano as soloists against the backdrop of a large orchestra. It is widely renowned as a masterpiece, and its fame associated the ondes Martenot with Messiaen. Messiaen's widow,
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wrote that original ondes
Martenot models were "all but impossible to obtain or afford, and unless you can stump up 12,000 Euros for one of Jean‑Loup Dierstein's new reproduction instruments, the dream of owning a real Ondes is likely to remain such". In 2012, the Canadian company
667:. A British pupil of Jeanne Loriod, John Morton of Darlington (1931-2014), performed his own ondes instrument in works by Messiaen, Milhaud, Honegger and Bartok, amongst others, at the Royal Albert Hall and elsewhere in the 1970s, as well as on television and radio.
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synthesisers. Martenot was uninterested in mass-producing the ondes
Martenot, which may have contributed to its decline in popularity following initial interest. Jean-Louis Martenot, Maurice Martenot's son, created new ondes Martenot models. In 2009, the
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The ondes
Martenot is unique among electronic musical instruments in its methods of control. The ondes Martenot can be played with a metal ring worn on the right index finger. Sliding the ring along a wire produces "theremin-like" tones, generated by
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when moved from side to side. This was introduced in the 1930s with the 84-key fourth version of the instrument. Subsequent versions had 72 keys. Combined with a switch that transposes the pitch by one octave, these instruments have a range from
1144:, as part of a "futuristic electric music movement that never went remotely as far as its pioneers dreamed ... proponents of the new wired music delighted in making previously unimaginable noises". The French classical musician
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The score of The Black Rider calls for an eclectic pit of such instruments as the toy piano, the pocket trumpet, the Stroh violin, the Ondes
Martenot, the glass harmonica, the Cristal Baschet, the drunk piano and the musical
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began selling a synthesizer with an interface based on the ondes
Martenot pitch ring and intensity key. In 2017, the Japanese company Asaden manufactured 100 Ondomo instruments, a portable version of the ondes Martenot.
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He shows me some of the instruments in the ensemble: there's a glass harmonica, which looks like a giant ribbed glass vase tipped on one side, and an ondes
Martenot, the tremulous 1920s electronic instrument.
1100:, as well as his scores for Gerry Anderson's TV series, such as Fireball XL5. One of Gray's instruments (a valve model 6 from 1969) was inherited and restored by film composer François Evans who used it in
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removed from the instrument and placed on a bench next to the player. Maurice
Martenot's pedagogical manual for the ondes Martenot, written in 1931, offers instruction on both methods of playing.
738:" and "Where I End and You Begin". Radiohead have performed versions of their songs "How to Disappear Completely" and "Weird Fishes / Arpeggi" using several ondes Martenots. On their 2001 album
516:, but nerve-jangling when gleefully abused". Greenwood described it as "a very accurate theremin that you have far more control of ... When it's played well, you can really emulate the voice."
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285:, and developed the ondes Martenot in an attempt to replicate the accidental overlaps of tones between military radio oscillators. He hoped to bring the musical expressivity of the
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1110:, and occasionally records with this instrument in his soundtracks. Evans studied ondes Martenot under Pascale Rousse-Lacordaire, pupil of Maurice Martenot and Jeanne Loriod.
503:; when a note is played in tune, it resonates a particular string, producing chiming tones. It was first presented alongside the sixth version of the ondes Martenot in 1950.
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and 300 pieces of chamber music. The instrument was also popular in French theatres such as the Comédie-Française, the Théâtre
National Populaire and the Folies-Bergère.
1008:(2015) as it "brings a certain melancholy, almost a human voice, and it instantly creates a particular atmosphere". Other film scores that use the ondes Martenot include
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212:. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the
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Greenwood's smear is scored for large ensemble and two ondes Martenots, early electronic instruments that Greenwood often uses with Radiohead. ...
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310:. He embarked on a number of performance tours to promote it, beginning in Europe before going to New York. In 1930, he performed with the
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buttons, which change the pitch by different intervals. These can be combined to immediately raise the pitch by up to a minor ninth.
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Units were manufactured to order. Over the following years, Martenot produced several new models, introducing the ability to produce
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429:. A drawer allows manipulation of volume and timbre by the left hand. Volume is controlled with a touch sensitive glass "lozenge".
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makes extensive use of the Ondes Martenot, which Adès says "could be considered the voice of the exterminating angel".
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entry at the ground floor, and, what's worse, no fallback possibility of rank careerism if things don't turn out."
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was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly
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reported that the last ondes Martenot was manufactured in 1988, but that a new model was being manufactured.
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studied the instrument with Martenot in Paris, and used it in his soundtracks for 1960s films including
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vibrato, the intensity, and the attack. It is an important step in our electronic instrument lineage."
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vocals on the song "You and Whose Army?". In 2011, Greenwood composed a piece for two ondes Martenots,
487:, producing a metallic timbre. It was used by the first ondes Martenot quartets in 1932. Another, the
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Les Cloches d'Atlantis. Musique électroacoustique et cinéma. Archéologie et histoire d'un art sonore
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he had originally intended to use a theremin, but was unable to find a musician who could play one.
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Howard Shore, Hugo – Original Score, CD booklet, published by Paramount Pictures in the year 2011
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in 1935, in which the ondes Martenot's unique sonority was used to augment the string section.
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The ondes Martenot is used in many classical compositions, most notably by the French composer
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learned about the ondes Martenot through Bennet, and used it in scores for films including
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described the ondes, along with other early electronic instruments such as the theremin,
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The ondes Martenot is used in more than 100 orchestral compositions. The French composer
2176:"Christine Ott Brings the Ondes Martenot to New Heights with the Mesmerizing 'Chimères'"
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Methode pour l'enseignement des ondes musicales: instrument radio-électrique martenot
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2003:
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Ratsimandresy, Nadia (December 2014). "Interaction, onde Martenot and Répertoire".
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1399:"Jeanne Loriod, Who Transformed Electronic Wails Into Heartfelt Music, Dies at 73"
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as a "champion" of the ondes Martenot. He first used it on Radiohead's 2000 album
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295:, the ondes Martenot visually resembles a cross between an organ and a theremin.
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Interview with Dan Goldwasser, originally published on SoundtrackNet, July 2000
659:. She performed internationally in more than 500 works, created 85 works for a
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of ondes she formed in 1974, and wrote a three-volume book on the instrument,
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84:
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Jonny Greenwood's "smear" to Receive US Premiere at New York's SONiC Festival
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Martenot first demonstrated the ondes Martenot on April 20, 1928, performing
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used the ondes Martenot in his soundtrack for the 1932 French animated film
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72-note rail-mounted keyboard capable of producing vibrato by lateral motion
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2608:
Method for Teaching the Ondes Martenot: Martenot's Radioelectric Instrument
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did not use the ondes Martenot often, but it did appear in the premiere of
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2474:
Brought an Obscure, Avant-Garde Piece of Classical Music to Rikers Island"
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The ondes Martenot is sometimes claimed to have been used in the original
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most notable work including the ondes Martenot was his dramatic oratorio,
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or by moving a ring along a wire, creating "wavering" sounds similar to a
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Ondes Martenot background and history and list and links to some ondists.
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used the instrument in the soundtrack to the comedy science fiction film
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545:, for six ondes, and went on to use it in several more works, including
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269:, patented in the same year as another early electronic instrument, the
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The ondes Martenot (French for "Martenot waves") is one of the earliest
17:
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estimated that more than 1,000 works had been composed for the ondes.
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500:
845:, believed to be the first use of electronic music in film. In 1936
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A recording of the Ondomo, an instrument based on the ondes Martenot
1156:, fewer than 100 people have mastered the ondes Martenot. In 1997,
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2233:. Cambridge and New York: Cambridge University Press. p. 333.
726:
701:
385:
374:
339:
286:
213:
1468:. Upper Saddle River, New Jersey: Prentice Hall. pp. 12–13.
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The ondes Martenot is the subject of the 2013 Quebec documentary
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A version called Ondéa was also created in the 2000s. In 2011,
651:, the ondes' most celebrated performer was the French musician
208:
The ondes Martenot was invented in 1928 by the French inventor
2397:"The french composer Christine Ott on the waves of Manta Ray"
2540:"Ondomo is revitalising a 90-year-old electronic instrument"
1702:
1700:
819:
The ondes Martenot has featured in many films, particularly
142:
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for ondes Martenot and piano which were published in 2001.
321:
by moving the keys, a feature adapted in the 1970s by some
157:
148:
128:
2283:
Interview with Randall D. Larson, originally published in
1077:, where a musician plays the ondes Martenot to inmates on
781:" (2007–2013). Bloch performed ondes Martenot on the 2009
2025:
Orton, Richard; Davies, Hugh (2001). Davies, Hugh (ed.).
512:, the ondes Martenot "can be as soothing and moving as a
367:
The third model, unveiled in 1929, had a non-functioning
1220:, corrected edition (New York: W. W. Norton, 1975): 377.
875:
introduced the ondes Martenot to American cinema in his
811:, an avant-garde album using only the ondes Martenot.
2071:"Hear the Surreal Instruments of the Met's New Opera"
241:. It has also been used by contemporary acts such as
166:
154:
131:
1958:(2001). "Varèse, Edgard (Victor Achille Charles)".
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1171:original specifications have had variable results.
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2362:"Evolution: Interview with Lucile Hadzihalilovicz"
46:An ondes Martenot (seventh generation model, 1975)
907:featured the instrument, as did the first-season
2335:, Tim Burton's Misunderstood Sci-Fi Masterpiece"
576:Other composers who used the instrument include
273:. It was invented in 1928 by the French cellist
2635:The New Grove Dictionary of Music and Musicians
1334:"The Searchers: Radiohead's unquiet revolution"
1218:Musical Instruments: A Comprehensive Dictionary
730:, and it appears in Radiohead songs including "
655:(1928–2001), who studied under Martenot at the
2588:Technique de l'onde electronique type martenot
1120:; the part was in fact performed by a singer.
665:Technique de l'Onde Electronique Type Martenot
201:. A player of the ondes Martenot is called an
3136:
2709:
548:Trois petites liturgies de la présence divine
8:
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2296:
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1782:
1780:
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1061:. It is used in a performance of Messiaen's
223:used it in pieces such as his 1949 symphony
2526:Maurice Martenot: Luthier de l'électronique
2115:Tom Waits' Black Rider Extends Again at ACT
1366:Maurice Martenot: Luthier de l'Electronique
1067:in an episode from the third season of the
436:. Later models can simultaneously generate
3143:
3129:
3121:
2735:
2716:
2702:
2694:
2610:] (in French). Paris: Alphonse Leduc.
1002:decided to use the instrument in her film
522:described its sound as a "haunting wail".
31:
2304:"Bernstein biography from official site"
1706:
1679:cité de la musique philharmonie de paris
1634:
1259:"Hey, What's That Sound: Ondes Martenot"
471:Martenot produced four speakers, called
412:Later versions added a real functioning
2039:10.1093/gmo/9781561592630.article.20343
1974:10.1093/gmo/9781561592630.article.29042
1925:10.1093/gmo/9781561592630.article.18674
1881:10.1093/gmo/9781561592630.article.13298
1209:
921:used it for scores for films including
567:, arranged and edited four unpublished
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2095:, Nonesuch Records, 17 October 2011,
1854:
1772:, vol. I, ch. "Preface", pp. VI–XVII.
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1592:
1590:
1588:
1586:
1252:
1250:
1248:
1246:
180:
7:
2590:(in French). Paris: Alphonse Leduc.
1830:Hill, Peter; Simeone, Nigel (2005).
1721:, vol. I, ch. "Preface", pp. XVI–XX.
1487:
1485:
1459:
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1455:
1453:
1392:
1390:
1388:
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1300:"Analogue Systems French Connection"
1293:
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1283:
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1244:
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1236:
1234:
1232:
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1228:
1226:
432:Early models can produce only a few
289:to his new instrument. According to
3037:List of instruments by Harry Partch
2069:Cooper, Michael (24 October 2017).
1997:Keeler, Stephen (7 December 2014).
1748:, vol. I, ch. "Preface", p. XX–XXI.
495:laced with strings tuned to all 12
27:Early electronic musical instrument
2528:. Beauchesne éditeur. p. 367.
2193:. Paris: Éditions MF. p. 119.
1675:"Détail du document Ondes Marenot"
1434:. 26 December 2009. Archived from
1397:Martin, Douglas (19 August 2001).
1257:McNamee, David (12 October 2009).
25:
2329:Jones, Ralph (13 December 2021).
1820:, vol. I, ch. "Preface", p. VIII.
1694:, vol. I, ch. "Preface", p. XIII.
1609:"Ondes Martenot: An Introduction"
1216:Sibyl Marcuse, "Ondes Martenot",
709:playing an ondes Martenot in 2010
3323:Experimental musical instruments
3031:Experimental Musical Instruments
2725:Experimental musical instruments
2660:
2410:Dunlevy, T'cha (13 March 2013).
1664:, vol. I, ch. "Preface", p. VII.
1607:Battaglia, Andy (6 March 2014).
841:) by Austro-Hungarian filmmaker
121:
40:
1736:, vol. I, ch. "Preface", p. XX.
1649:, vol. I, ch. "Preface", p. XV.
857:, played by Martenot's sister,
801:. In 2020, the French composer
636:in Paris; he also replaced the
3318:Electronic musical instruments
3159:electronic musical instruments
2443:Features a Unique Performance"
2243:Ross Care and Lukas Kendall, "
2174:Ingalls, Chris (27 May 2020).
1566:"Ondes Musicales by Dierstein"
1298:Reid, Gordon (February 2002).
1152:According to music journalist
808:Chimères (pour Ondes Martenot)
401:, and cabinet containing both
189:("musical waves") is an early
1:
1787:Reynolds, Simon (July 2001).
678:estimated that there were 15
191:electronic musical instrument
3313:Continuous pitch instruments
2412:"Review: Le chant des Ondes"
2205:"Brian Easdale at the Proms"
2151:"A whole new aria for Damon"
2149:Ivan Hewett (23 June 2007),
1867:Spratt, Geoffrey K. (2001).
1551:, vol. I, "Preface", p. III.
539:. Messiaen first used it in
1064:Quartet for the End of Time
779:Monkey: Journey to the West
736:How to Disappear Completely
456:sine waves, in addition to
3349:
2578:. Naxos Records, 8.555779.
2209:www.powell-pressburger.org
2189:Philippe Langlois (2012).
861:. It was used by composer
475:, for the instrument. The
2889:Blackpool High Tide Organ
2524:Laurendeau, Jean (2017).
2251:, FSM online liner notes
1426:"Jeanne Loriod 1928–2001"
1178:of the English rock band
720:of the English rock band
39:
3051:Designers of instruments
2614: 979-0-04-617828-3.
2594: 979-0-04-626275-3.
2576:Music for ondes Martenot
2399:. LFE. 7 September 2017.
1834:. Yale. pp. 74–75.
865:in the ballet music for
229:, and his sister-in-law
60:Technical specifications
2231:A History of Film Music
1966:Oxford University Press
1104:'s first feature film:
917:. The English composer
691:The Exterminating Angel
554:Saint François d'Assise
185:, "Martenot waves") or
2783:Long-string instrument
1999:"John Morton obituary"
1911:Drake, Jeremy (2001).
1614:Red Bull Music Academy
1495:Leonardo Music Journal
1464:Chadabe, Joel (1997).
1000:Lucille Hadžihalilović
919:Richard Rodney Bennett
892:The Loretta Young Show
855:Le roman d'un tricheur
838:
798:Random Access Memories
710:
619:Jeanne d'Arc au bûcher
409:
383:
364:in the seventh model.
348:
312:Philadelphia Orchestra
277:. Martenot had been a
267:electronic instruments
193:. It is played with a
2989:Electroencephalophone
2638:, 1st ed., edited by
2331:"The Oral History of
2229:Mervyn Cooke (2008).
1789:"Walking on Thin Ice"
1091:Dr Who and the Daleks
1084:The British composer
705:
670:The English composer
644:with ondes Martenot.
560:Turangalîla-Symphonie
389:
378:
346:
226:Turangalîla-Symphonie
3328:Keyboard instruments
3214:Instrument amplifier
2669:at Wikimedia Commons
2648:Macmillan Publishers
2632:: "Ondes martenot",
2472:Mozart in the Jungle
2441:Mozart in the Jungle
2247:Billion Dollar Brain
2122:.com, archived from
2112:(9 September 2004),
1368:(Dervy Livres, 1996)
1107:A Fistful of Fingers
1074:Mozart in the Jungle
924:Billion Dollar Brain
542:Fête des belles eaux
393:from left to right:
336:Sounds and technique
182:[ɔ̃dmaʁtəno]
2798:Springtime (guitar)
2650:, 1980, pp. 237–242
2156:The Daily Telegraph
1508:10.1162/LMJ_a_00195
1438:on 26 December 2009
1029:There Will Be Blood
815:Film and television
732:The National Anthem
454:full-wave rectified
416:; the keys produce
2984:Electrocardiophone
2961:Singing Tesla coil
2504:La.M.P. Film Music
2480:. 13 December 2016
2270:2012-02-29 at the
2253:Film Score Monthly
2076:The New York Times
2031:Grove Music Online
1961:Grove Music Online
1917:Grove Music Online
1873:Grove Music Online
1869:"Honegger, Arthur"
1799:on 4 February 2012
1404:The New York Times
1332:(21 August 2001).
1011:A Passage to India
960:The Black Cauldron
882:Lawrence of Arabia
871:. French composer
711:
657:Paris Conservatory
519:The New York Times
410:
384:
349:
3300:
3299:
3229:Speaker enclosure
3187:52. Amplification
3118:
3117:
2979:The Walking Piano
2874:
2873:
2665:Media related to
2600:Martenot, Maurice
2310:on 6 October 2014
2048:978-1-56159-263-0
1983:978-1-56159-263-0
1934:978-1-56159-263-0
1913:"Milhaud, Darius"
1890:978-1-56159-263-0
1841:978-0-300-10907-8
1760:, vol. II, p. 72.
1709:, pp. 14–15.
1637:, pp. 39–40.
1431:The Musical Times
1364:Jean Laurendeau:
889:created cues for
885:(1962). Composer
843:Berthold Bartosch
788:Truelove's Gutter
773:(2004–06) and in
647:According to the
570:Feuillets inédits
493:resonance chamber
382:playing technique
344:
304:Poème symphonique
300:Dimitrios Levidis
113:
112:
16:(Redirected from
3340:
3224:Guitar amplifier
3145:
3138:
3131:
3122:
3060:Baschet Brothers
2851:Amplified cactus
2736:
2718:
2711:
2704:
2695:
2689:
2687:
2685:
2675:"Ondes Martenot"
2664:
2615:
2595:
2579:
2558:
2557:
2555:
2553:
2536:
2530:
2529:
2521:
2515:
2514:
2512:
2510:
2496:
2490:
2489:
2487:
2485:
2466:
2460:
2459:
2457:
2455:
2435:
2429:
2428:
2426:
2424:
2417:Montreal Gazette
2407:
2401:
2400:
2393:
2387:
2384:
2378:
2377:
2375:
2373:
2358:
2352:
2351:
2349:
2347:
2326:
2320:
2319:
2317:
2315:
2306:. Archived from
2300:
2289:
2280:
2274:
2262:
2256:
2241:
2235:
2234:
2226:
2220:
2219:
2217:
2215:
2201:
2195:
2194:
2186:
2180:
2179:
2171:
2165:
2164:
2146:
2140:
2139:
2133:
2131:
2106:
2100:
2099:
2087:
2081:
2080:
2066:
2060:
2059:
2057:
2055:
2027:"Ondes martenot"
2022:
2016:
2015:
2013:
2011:
1994:
1988:
1987:
1964:(8th ed.).
1952:
1946:
1945:
1943:
1941:
1908:
1902:
1901:
1899:
1897:
1864:
1858:
1852:
1846:
1845:
1827:
1821:
1815:
1809:
1808:
1806:
1804:
1795:. Archived from
1784:
1773:
1767:
1761:
1755:
1749:
1743:
1737:
1731:
1722:
1716:
1710:
1704:
1695:
1689:
1683:
1682:
1671:
1665:
1659:
1650:
1644:
1638:
1632:
1626:
1625:
1623:
1621:
1605:, vol. I p. VI;
1600:
1581:
1580:
1578:
1576:
1564:(15 July 2011).
1558:
1552:
1546:
1540:
1534:
1528:
1527:
1489:
1480:
1479:
1461:
1448:
1447:
1445:
1443:
1422:
1416:
1415:
1413:
1411:
1394:
1369:
1362:
1356:
1355:
1353:
1351:
1342:. Archived from
1326:
1317:
1316:
1314:
1312:
1295:
1276:
1275:
1273:
1271:
1254:
1221:
1214:
913:(1965) theme by
904:The Outer Limits
847:Adolphe Borchard
598:Charles Koechlin
594:Marcel Landowski
537:Olivier Messiaen
345:
275:Maurice Martenot
221:Olivier Messiaen
210:Maurice Martenot
184:
179:
173:
169:
164:
163:
160:
159:
156:
153:
150:
147:
144:
141:
137:
136:
133:
130:
127:
44:
32:
21:
3348:
3347:
3343:
3342:
3341:
3339:
3338:
3337:
3303:
3302:
3301:
3296:
3248:(radioelectric)
3247:
3246:53. Oscillation
3241:
3199:Electric guitar
3182:
3166:
3149:
3119:
3114:
3112:Michel Waisvisz
3068:Nicolas Collins
3046:
3018:
2965:
2939:
2906:
2870:
2856:Cristal baschet
2837:
2812:
2808:Viola organista
2727:
2722:
2683:
2681:
2673:Ball, Malcolm.
2672:
2657:
2622:
2620:Further reading
2598:
2582:
2570:
2562:
2561:
2551:
2549:
2548:. 22 April 2017
2538:
2537:
2533:
2523:
2522:
2518:
2508:
2506:
2498:
2497:
2493:
2483:
2481:
2468:
2467:
2463:
2453:
2451:
2439:"New Season of
2437:
2436:
2432:
2422:
2420:
2409:
2408:
2404:
2395:
2394:
2390:
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2343:
2328:
2327:
2323:
2313:
2311:
2302:
2301:
2292:
2281:
2277:
2272:Wayback Machine
2263:
2259:
2242:
2238:
2228:
2227:
2223:
2213:
2211:
2203:
2202:
2198:
2188:
2187:
2183:
2173:
2172:
2168:
2148:
2147:
2143:
2129:
2127:
2126:on 29 June 2011
2110:Robert Simonson
2108:
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2089:
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2084:
2068:
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2063:
2053:
2051:
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2024:
2023:
2019:
2009:
2007:
1996:
1995:
1991:
1984:
1956:Griffiths, Paul
1954:
1953:
1949:
1939:
1937:
1935:
1910:
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1584:
1574:
1572:
1570:thomasbloch.net
1560:
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1297:
1296:
1279:
1269:
1267:
1256:
1255:
1224:
1215:
1211:
1206:
1176:Jonny Greenwood
1126:
943:Elmer Bernstein
934:Secret Ceremony
898:One Step Beyond
829:Arthur Honegger
821:science fiction
817:
770:The Black Rider
718:Jonny Greenwood
707:Jonny Greenwood
700:
602:Florent Schmitt
578:Arthur Honegger
533:
531:Classical music
528:
491:speaker, has a
440:, peak-limited
428:
424:
356:circuits using
340:
338:
263:
255:Jonny Greenwood
235:science fiction
187:ondes musicales
177:
171:
167:
138:
124:
120:
47:
28:
23:
22:
15:
12:
11:
5:
3346:
3344:
3336:
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3330:
3325:
3320:
3315:
3305:
3304:
3298:
3297:
3295:
3294:
3289:
3284:
3279:
3278:
3277:
3267:
3265:Ondes Martenot
3262:
3257:
3251:
3249:
3243:
3242:
3240:
3239:
3238:
3237:
3231:
3226:
3221:
3219:Bass amplifier
3211:
3206:
3204:Electric piano
3201:
3196:
3190:
3188:
3184:
3183:
3181:
3180:
3178:Tracker action
3174:
3172:
3168:
3167:
3150:
3148:
3147:
3140:
3133:
3125:
3116:
3115:
3056:Pierre Bastien
3054:
3052:
3048:
3047:
3045:
3044:
3039:
3034:
3026:
3024:
3020:
3019:
3017:
3016:
3011:
3006:
3004:Ondes Martenot
3001:
2996:
2991:
2986:
2981:
2975:
2973:
2967:
2966:
2964:
2963:
2958:
2953:
2947:
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2927:
2922:
2916:
2914:
2908:
2907:
2905:
2904:
2897:
2892:
2884:
2882:
2880:Hydraulophones
2876:
2875:
2872:
2871:
2869:
2868:
2863:
2858:
2853:
2847:
2845:
2839:
2838:
2836:
2835:
2834:
2833:
2822:
2820:
2818:Membranophones
2814:
2813:
2811:
2810:
2805:
2800:
2795:
2790:
2785:
2780:
2775:
2770:
2765:
2763:Gittler guitar
2760:
2755:
2750:
2744:
2742:
2733:
2729:
2728:
2723:
2721:
2720:
2713:
2706:
2698:
2692:
2691:
2670:
2667:Ondes Martenot
2656:
2655:External links
2653:
2652:
2651:
2621:
2618:
2617:
2616:
2596:
2584:Loriod, Jeanne
2580:
2560:
2559:
2545:Sound on Sound
2531:
2516:
2491:
2461:
2430:
2402:
2388:
2379:
2366:Electric Sheep
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2017:
1989:
1982:
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1541:
1529:
1481:
1474:
1466:Electric Sound
1449:
1417:
1370:
1357:
1346:on 25 May 2007
1339:The New Yorker
1318:
1305:Sound on Sound
1277:
1222:
1208:
1207:
1205:
1202:
1192:Sound on Sound
1130:New York Times
1125:
1122:
816:
813:
783:Richard Hawley
699:
696:
649:New York Times
624:Darius Milhaud
586:Darius Milhaud
532:
529:
527:
524:
514:string quartet
426:
422:
337:
334:
279:radio operator
262:
259:
117:ondes Martenot
111:
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91:Synthesis type
88:
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35:Ondes Martenot
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3234:Larsen effect
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3156:
3155:Electrophones
3153:
3146:
3141:
3139:
3134:
3132:
3127:
3126:
3123:
3113:
3109:
3105:
3104:Leon Theremin
3101:
3097:
3096:Luigi Russolo
3093:
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2827:
2826:Friction drum
2824:
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2809:
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2649:
2645:
2641:
2640:Stanley Sadie
2637:
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2631:
2627:
2626:Richard Orton
2624:
2623:
2619:
2613:
2609:
2605:
2601:
2597:
2593:
2589:
2585:
2581:
2577:
2574:(July 2004).
2573:
2572:Bloch, Thomas
2569:
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2178:. Popmatters.
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1707:Martenot 1931
1703:
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1635:Martenot 1931
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1134:teleharmonium
1131:
1128:In 2001, the
1123:
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1111:
1109:
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1079:Rikers Island
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640:parts of his
639:
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607:
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3080:Yuri Landman
3029:
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2971:Quintephones
2944:Plasmaphones
2899:
2887:
2773:Home Swinger
2740:Chordophones
2682:. Retrieved
2679:Malcolm Ball
2678:
2644:John Tyrrell
2633:
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2563:
2550:. Retrieved
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2421:. Retrieved
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2370:. Retrieved
2368:. 6 May 2016
2365:
2356:
2344:. Retrieved
2338:
2333:Mars Attacks
2332:
2324:
2312:. Retrieved
2308:the original
2287:#13/14, 1985
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2208:
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2054:12 September
2052:. Retrieved
2030:
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2004:The Guardian
2002:
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1959:
1950:
1940:12 September
1938:. Retrieved
1916:
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1896:12 September
1894:. Retrieved
1872:
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1857:, p. 7.
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1797:the original
1792:
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1618:. Retrieved
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1573:. Retrieved
1569:
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1303:
1268:. Retrieved
1264:The Guardian
1262:
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1097:Doppelgänger
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1021:
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983:
978:My Left Foot
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970:
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954:Ghostbusters
952:
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890:
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832:
825:horror films
818:
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775:Damon Albarn
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239:horror films
224:
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55:1928–present
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3270:Synthesizer
3194:Bass guitar
3100:Adolphe Sax
3076:Bart Hopkin
3072:Ivor Darreg
2935:Whirly tube
2920:Folgerphone
2831:Lion's roar
2788:Moodswinger
2630:Hugh Davies
2552:5 September
2509:22 November
2423:28 November
2346:17 December
2314:11 February
2285:CinemaScore
2214:7 September
2010:9 September
1818:Loriod 1987
1770:Loriod 1987
1758:Loriod 1987
1746:Loriod 1987
1734:Loriod 1987
1719:Loriod 1987
1692:Loriod 1987
1662:Loriod 1987
1647:Loriod 1987
1603:Loriod 1987
1549:Loriod 1987
1539:, p. .
1537:Loriod 1987
1270:7 September
1158:Mark Singer
948:Heavy Metal
887:Harry Lubin
849:used it in
755:The ondist
686:Thomas Adès
672:Hugh Davies
479:features a
362:transistors
323:Yamaha GX-1
308:Paris Opera
283:World War I
81:vacuum tube
3307:Categories
3292:Trautonium
3171:51. Action
3064:Ken Butler
3042:Floppotron
3009:Swarmatron
2956:Rijke tube
2925:Klaxophone
2912:Aerophones
2901:Wave Organ
2866:Waterphone
2843:Idiophones
2793:Sound icon
2778:Kaisatsuko
2732:Gaiaphones
2646:, London,
2484:27 October
2478:Flavorwire
2454:27 October
2159:, London,
1855:Bloch 2004
1575:27 January
1475:0133032310
1330:Ross, Alex
1204:References
1185:oscillator
1160:wrote for
1138:trautonium
1086:Barry Gray
1058:Wavemakers
827:. In 1934
777:'s opera "
759:toured in
716:described
642:Ecuatorial
614:Honegger's
557:. For his
477:Métallique
473:diffuseurs
458:pink noise
395:Métallique
391:Diffuseurs
369:simulacrum
354:oscillator
253:guitarist
94:heterodyne
85:transistor
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2999:Mellotron
2994:Kraakdoos
2951:Pyrophone
2895:Sea organ
2861:Daxophone
2768:Gravikord
2684:23 August
2372:3 October
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1183:external
1180:Radiohead
1174:In 2000,
1154:Alex Ross
1116:Star Trek
1049:Manta Ray
1005:Evolution
998:Director
984:Composer
837:(French:
805:released
793:Daft Punk
761:Tom Waits
722:Radiohead
688:'s opera
680:concertos
633:Amériques
497:semitones
434:waveforms
407:Résonance
403:Principal
251:Radiohead
243:Daft Punk
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3014:Theremin
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2758:Fotdella
2753:Bazantar
2748:Aquavina
2602:(1931).
2586:(1987).
2268:Archived
2120:Playbill
1832:Messiaen
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1524:57567194
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