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Ding Dong, Ding Dong

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802:, the two face labels similarly alternated between a picture of Harrison and one of Arias. Combined with the positioning of "Ding Dong" as the opening track on side two, this detail gave the impression that the song represented Harrison's ushering-in of his future wife and a farewell to Boyd. In the album's inner-sleeve credits, Harrison listed one of the guitarists on the track as "Ron Would if you let him", a reference to Wood's brief affair with Boyd before she took up with 746: 1155: 391:". It similarly took Harrison several years to turn two inspirational lines of verse from carvings in the house's drawing room into song lyrics. These lines provided the repeated verse in "Ding Dong, Ding Dong": "Ring out the old, ring in the new" – which he took from the carving to the left of the fireplace – and "Ring out the false, ring in the true" – from the one to the right. In his 1980 autobiography, 405: 419:– "Yesterday, today was tomorrow / And tomorrow, today will be yesterday" – came from another pair of inscriptions from Crisp's time at Friar Park. Harrison found these lines in what he called "the garden building", carved in stone around two matching windows. The only other lyrics in "Ding Dong, Ding Dong" are the song title, repeated four times to serve as its 1091:. Simon Leng views the song as an "intermittently amusing rocker", but with the perilous state of Harrison's voice on the recording, "Ding Dong" would have benefited from "hibernating another winter". Author Robert Rodriguez opines that whereas Harrison's "rough-hewn" vocals on "Dark Horse" had enhanced that song, his " 922:
We've come to expect something with more substance than this glorified nursery rhyme from one of the most important musicians of the decade. True, it's catchy with a full chunky sound to bounce it along, but with an undeniable infectiousness of the sort normally associated with chicken pox or measles
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On release, the song met with an unfavourable response from many music critics, while others considered its musical and lyrical simplicity to be a positive factor for a contemporary pop hit. For the first time with one of his singles, Harrison made a promotional video for "Ding Dong", which features
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box set in September 2014. Described as "a hoot" by Robert Rodriguez, it conveys what Harrison deemed the "comical" aspect of the song. Leng describes the clip as "sporadically amusing" and says of its content: "As the audiences at the Dark Horse Tour concerts were about to discover, the only 'old'
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The majority of music critics were unimpressed with "Ding Dong, Ding Dong", and its release came in the wake of unfavourable reviews for the North American tour. In keeping with the song's message, Harrison refused to celebrate the past in his concerts by pandering to nostalgia for the Beatles, and
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described the single as a "rocking replacement for 'Auld Lang Syne,' featuring some of George's most inspiring production". The reviewer said that "Optimism reigns supreme and the driving beat makes anything seem possible" and highlighted the "spectacular finale with chimes, saxes and guitars
1052:, Lindsay Planer writes of "Ding Dong, Ding Dong": "While arguably simplistic, both lyrics and tune boast Harrison's trademark optimism, especially during the affable and repeated chorus of 'Ring out the old/Ring in the new/Ring out the false/Ring in the true.'" Harrison biographer 816:. Madinger and Easter write that the single did "remarkably well", however, given that it was issued too late to take advantage of holiday-season programming. Harrison's single enjoyed more success internationally, climbing to number 10 in the Netherlands and number 12 in Belgium. 342:
I was just sitting by the fire, playing the guitar, and I looked up on the wall, and there it was, carved into the wall in oak ... I thought, "God, it took me years of looking at that before I realised it was a song" … has got all these great things written all over the place.
806:. He also acknowledged Frank Crisp for having provided "spirit" on the recording. In another farewell to the past, Harrison signed the so-called "Beatles Agreement" papers in New York on 19 December, further severing the four former bandmates from the group's legal identity. 985:
s reviewer deemed the track an "Extremely listenable performance" and added: "George has a genuine hit sound to offer here that's just right for those early January time-to-change resolutions. Catchy, heavily percussive production in Harrison's uptempo
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on 2 November. Described by Leng as "growled", Harrison's rough-sounding singing on "Ding Dong" shows the effects of a long-standing throat problem. Due to a combination of overexertion and abuse, this condition worsened, leading to him contracting
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Harrison is also seen walking around the grounds of Friar Park. In these scenes, he wears scruffy, present-day attire that represents "his own, new identity", according to Leng, who likens Harrison's appearance to the character on the cover of
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colour film for "Ding Dong, Ding Dong", the first time he made a promotional clip for one of his singles. The film was little seen at the time of release; it was first broadcast in January 1975, on UK television, and then on the French network
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singles out "Ding Dong, Ding Dong" as the one song that "embarrasses" on an album that is otherwise "packed with beautiful, small-scale moments". Trynka labels it "George's own Frog Chorus", with reference to McCartney's 1984 children's song,
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theme. Harrison later described the song as "very optimistic", and suggested: "Instead of getting stuck in a rut, everybody should try ringing out the old and ringing in the new … sing about it, but they never apply it to their lives."
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artists. Harrison's track still receives airplay over the Christmas–New Year period. Unlike "Happy Xmas", however, and, to a lesser extent, "Wonderful Christmastime", "Ding Dong" never achieved the status of a perennial holiday classic.
912:, but it really is very slight." Harrison's standing there was not helped by the presence of "I Don't Care Anymore" on the B-side, due to its casual delivery and the literal message in the song title. In a more favourable review, for 1529:
With the winding down of Apple Records from 1973, Harrison spent considerable time trying to set up his own record company, Dark Horse. Like his former Beatles bandmates, Harrison remained an Apple artist until the expiration of his
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album, however, author Simon Leng recognises this haste as an example of Harrison abandoning his careful approach to his own music over the 1973–74 period, while remaining a "painstaking craftsman" on his concurrent projects with
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Harrison had told Geffen that he would be retaining much of his original guide vocal, which was recorded during a period when, according to Boyd and to Harrison's later admission, his overindulgence with alcohol and cocaine was
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scenes of him miming to the track at Friar Park while dressed in a variety of Beatle-themed costumes. The song still receives occasional airplay over the holiday season. The video appears on the DVD in Harrison's eight-disc
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that Crisp had inscribed around the property, 70 or more years before. A four-line verse beginning "Scan not a friend with a microscopic glass" particularly resonated with Harrison, who eventually used it in his 1975 song
869:" guitar orchestra … chiming bells, and an unnamed army of backup singers intoning the cheerleader chorus … The bad news was that Harrison's voice was on the road to oblivion, and the critics didn't get the joke at all. 4762: 1556:
For these keyboard and percussion parts, Harrison credited himself as, variously, Hari Georgeson, Jai Raj Harisein and P. Roducer, which were pseudonyms he also used for his many contributions to Splinter's
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in January 1974, shortly before travelling to India to visit Shankar and escape his unhappy domestic situation with Boyd. The purpose of the tape was to find a distributor for albums by Harrison's future
670:, together with a female choir, matched the arrangement on "I Wish It Could Be Christmas Everyday", which was heavily influenced by Spector's sound. Having incorporated aspects of Spector's technique on 1277:
with his yellow-and-red Om flag – a gesture that was the opposite of Boyd's when she learned of Harrison's affair with Maureen Starkey. The video was directed by Harrison and filmed by Nick Knowland.
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promotional discs to US radio stations, containing a 3:12 edit of the song. The single was available in a picture sleeve consisting of the song lyrics printed on an off-white background, with stamped
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s Robert Ham refers to the song as "a Christmas anthem … that is as infectious as McCartney's 'Wonderful Christmastime' and as globally minded as Lennon's 'Happy Xmas (War Is Over)'". Conversely,
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The sessions coincided with a period of domestic turbulence at Friar Park, with Harrison and Boyd both involved in extramarital affairs. They saw in the 1973–74 New Year with a party at Starr's
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album, Harrison's vocals on the recording were hampered by a throat condition, due partly to his having overextended himself on business projects such as his recently launched record label,
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Harrison appears in a range of Beatles-related costumes while miming to the track. His attire in these scenes represents a chronology of periods in the band's career – starting with the
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as "Just stuff and nonsense", adding: "You keep looking for saving graces, for words of enthusiasm to pass on – 'Ding Dong', you begin to think, for all its inane lyrics, has some
634:. Some authors claim that with "Ding Dong", Harrison set out to create a seasonal "classic", in an attempt to match the British chart success of "Happy Xmas" and particularly of 1611:", Harrison remained good friends with Boyd and Clapton. Boyd recalls him joining her and Clapton at the latter's house in England for their Christmas Day meal in December 1974. 4757: 415:
Authors Chip Madinger and Mark Easter describe "Ding Dong" as the "quickest song" that Harrison ever wrote, in terms of time spent on the composition. The words for the song's
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A similarly late release for Lennon and Ono's "Happy Xmas (War Is Over)" in December 1971 had limited that single's commercial success in America. While not eligible for the
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dismissed the song as "meticulously-played emptiness, a charmless reworking of the traditional peal o' bells" before concluding: "A pox on it." Writing in his 1977 book
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described it as "sweetly simplistic" and "a sterling stab at a Christmas anthem … that deserved far better than its low Top 40 chart placings in the U.S. and Britain".
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Rather than the smash hit that Harrison had hoped for, "Ding Dong" was only moderately successful. The single peaked at number 38 in Britain and number 36 on America's
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condemned Harrison for releasing an album with his voice blown and for his apparent disdain towards the Beatles' legacy. He dismissed the song as "a raspy stab at '
463: 972:, "surpassing it, at times, with its clarity of production and lovely songs", and he praised "Ding Dong", the title track and the Harrison–Ron Wood collaboration " 4229: 4002: 2268: 766: 73: 3335: 737:
as he simultaneously completed his vocals for the album in Los Angeles and rehearsed for the tour. The female backing singers on the track remain uncredited.
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mansion – which was an "absolute dud" of a night, according to their friend Chris O'Dell, due to Harrison having openly declared his love for Starr's wife,
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series, Ian Inglis comments that the song had neither the "overt political message" of Lennon's Christmas single nor the "unashamed commercialism" of
365: 1203: 674:, Harrison's aim with "Ding Dong, Ding Dong", according to Leng, was an update of the Wall of Sound that reflected "the glam rock mood of the day". 3164: 4027: 3934: 1608: 4305: 4283: 286:. The song's "Ring out the old, ring in the new" refrain has invited interpretation as Harrison distancing himself from his past as a member of 1247:
album cover, by appearing naked save for an acoustic guitar and a pair of furry boots. Another change of costume and instrument, to denims and
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many in the mainstream music press criticised the poor state of his voice and his decision to feature Ravi Shankar so heavily in the program.
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In addition to setting up the new record label and finishing the Splinter and Shankar albums, Harrison was trying to find a distributor for
423:. Sung in imitation of a clock chiming, the chorus lyrics, combined with the message of those of the verse, lend the composition an obvious 3880: 2721: 476:
all but over by the summer of 1973, Harrison now wanted to be "one of the boys, not a spotlight-grabbing philosopher", according to Leng.
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acknowledges the traditional pop merits of the song while explaining its underachievement: "With a chirpy-chirpy cheapness worthy of
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triple album, released in November 1970, by which time he had begun incorporating into his new compositions some of the homilies and
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album. Harrison mimes the final choruses inside the house, filmed in close-up and surrounded by a cast of "dwarfs, gnomes and other
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singles that were major UK hits over the winter of 1973–74. Leng cites the inclusion on the finished version of "Ding Dong" of
271:". The song became only a minor hit in Britain and the United States, although it was a top-twenty hit elsewhere in the world. 4747: 4742: 4591: 4498: 1062:, 'Ding Dong, Ding Dong' had all the credentials of a Yuletide smash but none that actually grabbed the public." Writing for 4410: 4364: 3809: 1222: 541: 3690:
Miss O'Dell: My Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, Eric Clapton, and the Women They Loved
4349: 3000: 2261: 2195: 1265: 1226: 1213: 923:... Curiously, records of such banality have a habit of selling in their zillions and this is bound to be a biggie. Hit. 468: 1624:
Hot 100, since the magazine compiled a separate Christmas Singles listing in 1971, "Happy Xmas" peaked at number 36 on
1181: 1100: 846: 328: 4655: 4119: 4044: 3320: 2981: 951:, only "Ding Dong, Ding Dong" registered with him after three listens, but only due to his incredulity at the lyrics. 829: 4265: 4243: 4060: 3913: 3098: 777: 559: 80: 4272: 3332: 1252: 388: 198: 1651:
The choice of flag on any given day during this period was indicative of his level of spiritual devotion. Author
1132:", and adds: "its clunking glam evokes those horrible 70s TV shows where DJs drool over dollybirds in hotpants." 4342: 4320: 3873: 2949: 1493: 939: 623: 604:, in his subsequent work on the track. Harrison's musical arrangement reflects the influence of the 1963 album 462:. Preceding this change, elements of the British media had ridiculed Harrison's continued association with the 251:
from 1963. In addition, some Harrison biographers view "Ding Dong" as an attempt to emulate the success of two
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record label. He added two songs of his own on the tape, with introductory comments about "Ding Dong".
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characters". At the end of the clip, he is seen at the flagpole on the roof of the house, replacing a
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and the FPSHOT logo. The record's A-side face label included a photo of Harrison's new girlfriend,
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rued that "the exquisite, painstaking arrangements" of Harrison's earlier albums were absent from
776:" had already been issued in advance of the album, "Ding Dong" was coupled with the instrumental " 4353: 4181: 4049: 3733: 2986: 1626: 1260: 1076: 1033: 996: 663: 659: 554: 440: 393: 299: 274:
Harrison took the lyrics to "Ding Dong" from engravings he found at his nineteenth-century home,
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The Beatles Solo: The Illustrated Chronicles of John, Paul, George, and Ringo After the Beatles
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nymphomaniacs, all doing backing vocals by the end of the day, and it's gonna be wonderful.
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Harrison detailed his more intense feelings on the end of their marriage in another song, "
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Harrison created a massive arrangement for "Ding Dong, Ding Dong" that included a revived "
769:", a non-album track that Harrison recorded in a single take, specifically for the single. 4584: 4476: 4115: 3574: 3556: 3339: 3316: 3171: 2413: 2272: 1429: 1293: 1218: 1040:, and labelled "Ding Dong" "a string of greeting-card clichés with trite music to match". 824: 789: 698: 459: 408: 353: 218: 167: 156: 148: 45: 1642:
McCartney's song was a top-ten hit in the UK over 1979–80, but failed to chart in the US.
1534:-affiliated recording contract in January 1976, at which point he signed with Dark Horse. 466:, and some music critics had objected to the overtly spiritual content of his 1973 album 1207:
uniform from 1967. During these scenes, he plays a mix of guitars, including his famous
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called "Ding Dong" "repetitive and dull" and accused Harrison of complacency, while the
833:, which the company issued after Harrison had moved on to Dark Horse Records. Following 4276: 4207: 1572: 1392: 1331: 1194: 1080: 934: 792:, above the song information, whereas the UK single had Harrison's face on both sides. 545: 502: 420: 41: 4084: 1011:
now has a rock counterpart as Harrison gallops in with a future New fears perennial."
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It's one of them repetitious numbers which is gonna have 20 million people, with the
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Harrison recorded the rhythm track for "Ding Dong, Ding Dong" at his home studio,
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s Top 100 singles chart, as did "Ding Dong" on the same chart three years later.
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Adapted from Harrison's original handwritten credits, as reproduced in the 2014
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when he felt in tune with his goals … a skull and crossbones when he did not".
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in May that year. The video was issued officially on disc eight of Harrison's
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in Britain and some other European countries, and the second single, after "
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The Love There That's Sleeping: The Art and Spirituality of George Harrison
4702: 3751: 3449: 2679: 2203: 2024: 1656: 1381: 1307: 1301: 1049: 1021: 710: 690: 631: 348:– George Harrison, on the inspiration behind "Ding Dong, Ding Dong", 1974 315: 3543:
Here Comes the Sun: The Spiritual and Musical Journey of George Harrison
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Dave Thompson, "The Music of George Harrison: An album-by-album guide",
622:, while more recently Spector had co-produced the Apple Records single " 780:" and released two days before Christmas (as Apple 1879). Apple issued 643: 264: 713:
and percussion, the last of which included tubular bells (or chimes),
3927: 2777:"Review: The George Harrison Remasters – 'The Apple Years 1968–1975'" 1517: 1417: 1142: 762: 718: 490: 1251:, supports his stated rejection during the tour of early-'70s era, " 662:
electric guitars, similar to the Slade hit, while Harrison's use of
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production technique of his former collaborator, American producer
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All Together Now: The First Complete Beatles Discography 1961–1975
3165:"George Harrison's First Six Studio Albums to Get Lavish Reissues" 1248: 1238: 1153: 753:
In the United Kingdom, "Ding Dong, Ding Dong" was released as the
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Mystical One: George Harrison – After the Break-up of the Beatles
2676:"George Harrison > Charts & Awards > Billboard Singles" 2486: 2484: 3530:, Rolling Stone Press/Simon & Schuster (New York, NY, 2002; 1543:
In December 1972, Apple had reissued the 1963 Christmas disc as
1234: 987: 682: 4088: 3862: 411:, whose wood and stone carvings at Friar Park inspired the song 3796:
Working Class Mystic: A Spiritual Biography of George Harrison
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terms a "respectable" chart run in America, Apple distributor
368:" as a tribute to the property's original owner, an eccentric 364:, Oxfordshire, in January 1970, and soon afterwards composed " 4763:
Music published by Oops Publishing and Ganga Publishing, B.V.
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George Harrison on George Harrison: Interviews and Encounters
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Revolution in the Head: The Beatles' Records and the Sixties
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uniform in a scene from the "Ding Dong, Ding Dong" film clip
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George Harrison and Ravi Shankar's 1974 North American tour
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You Never Give Me Your Money: The Beatles After the Breakup
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While My Guitar Gently Weeps: The Music of George Harrison
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Harrison's workload ensured that he was rushing to finish
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The Beatles Diary Volume 2: After the Break-Up 1970–2001
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s CD release in 1992, the song was unavailable in newly
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describes the two options as "a banner featuring OM in
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Jim Miller, "Dark Horse: Transcendental Mediocrity",
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As outlined to Geffen, Harrison went on to adopt the
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singalong and released in December 1974 on his album
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Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980
2990:, 4 January 1975, p. 11 (retrieved 9 December 2021). 2671: 2669: 2289: 2287: 4694: 4665: 4643: 4636: 4608: 4576: 4551: 4537: 4515: 4486: 4468: 4435: 4428: 4374: 4330: 4297: 4253: 4217: 4195: 4155: 4133: 4126: 4037: 4012: 3994: 3951: 3905: 3898: 3854:
Harrison's 1974 music video for the song on YouTube
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Eight Arms to Hold You: The Solo Beatles Compendium
2809: 2807: 2795:Peter Doggett, "George Harrison: The Apple Years", 2396:David Cavanagh, "George Harrison: The Dark Horse", 166: 154: 140: 128: 112: 100: 90: 61: 51: 40: 23: 3705:The Solo Beatles Film & TV Chronicle 1971–1980 3069:, 24 September 2014 (retrieved 28 September 2014). 2783:, 23 September 2014 (retrieved 28 September 2014). 2732: 2730: 2015: 2013: 2011: 2009: 2007: 1939: 1937: 3296:, 2 September 2014 (retrieved 28 September 2014). 3178:, 2 September 2014 (retrieved 28 September 2014). 2392: 2390: 2172: 2170: 1799: 1797: 431:Harrison's other singles from the early 1970s – " 3379:"Single – George Harrison, Ding Dong, Ding Dong" 3342:, homepage1.nifty.com (retrieved 11 April 2014). 3208: 3206: 3204: 3202: 3141: 3139: 3137: 3135: 3133: 3131: 3129: 2508:Timothy White, "George Harrison: Reconsidered", 2323:"George's original sleeve design for the album 1864: 1862: 517:earlier in the year. The recording engineer was 4768:Song recordings with Wall of Sound arrangements 3460:, Trewin Copplestone Publishing (London, 1978; 2943:Mike Jahn, "The Lighter Side: George Harrison, 2474: 2472: 2470: 2468: 2281:, 19 July 1973, p. 54 (retrieved 18 July 2016). 1821: 1819: 1817: 1815: 1813: 1811: 1809: 1186:that he wanted to 'ring out' was the Beatles." 863: 850:Harrison reissues, released in September 2014. 693:onto the 1973 rhythm track, as well as his own 580: 340: 3762:), Race Point Publishing (New York, NY, 2013; 3105:, 8 October 2014 (retrieved 27 November 2014). 2791: 2789: 2634: 2632: 2319: 2317: 2315: 2313: 1852: 1850: 1848: 1846: 1844: 1842: 1840: 1682: 1680: 1678: 1676: 1674: 1296:– lead vocals, twelve-string acoustic guitar, 1225:") that Clapton had used on the recording of " 513:(both on drums) – all of whom had appeared on 4100: 3874: 3579:George Harrison: Living in the Material World 3563:, Chronicle Books (San Francisco, CA, 2002 ; 2160: 2158: 2156: 2154: 2152: 2150: 2148: 2146: 2144: 2142: 1997: 1995: 1993: 1211:12-string, as used in the Beatles' 1964 film 8: 4406:"Love Comes to Everyone" / "Soft Touch" (US) 3677:, 44.1 Productions (Chesterfield, MO, 2000; 3545:, John Wiley & Sons (Hoboken, NJ, 2006; 1599:Despite the message of some of the songs on 1241:. Harrison also re-creates Lennon and Ono's 1135:In December 1999, while promoting his album 610:, which contained Spector-produced songs by 4758:Song recordings produced by George Harrison 3629:, Chicago Review Press (Chicago, IL, 2020; 2335:, 2014; produced by George Harrison), p. 8. 827:omitted the song from its 1976 compilation 819:Despite "Ding Dong" having had what author 4640: 4432: 4130: 4107: 4093: 4085: 3902: 3881: 3867: 3859: 3780:, 498 Productions (New Orleans, LA, 2005; 3471:Harry Castleman & Walter J. Podrazik, 3099:"George Harrison: The Apple Years 1968–75" 2724:, dutchcharts.nl (retrieved 10 July 2013). 2652: 2650: 2411:Mat Snow, "George Harrison: Quiet Storm", 2198:A Christmas Gift for You from Phil Spector 1603:, particularly in his reinterpretation of 1366: 761:on 6 December 1974 (as Apple R 6002). The 705:, and a second acoustic guitar, played by 255:anthems from the 1973–74 holiday season: " 29: 20: 1237:while, behind him, an Indian man plays a 1095:impression" did nothing for "Ding Dong". 697:. Further overdubs included baritone and 366:Ballad of Sir Frankie Crisp (Let It Roll) 4067:Ravi Shankar's Music Festival from India 3596:, Guernica Editions (Toronto, ON, 2006; 3475:, Ballantine Books (New York, NY, 1976; 2737:"George Harrison – Ding Dong, Ding Dong" 2722:"George Harrison – Ding Dong, Ding Dong" 2021:"George Harrison 'Ding Dong, Ding Dong'" 1578:Ravi Shankar's Music Festival from India 749:US trade ad for the single, January 1975 401:as the original source for these lines. 4028:His Name Is Legs (Ladies and Gentlemen) 3722:, Backbeat Books (Milwaukee, WI, 2010; 3688:Chris O'Dell (with Katherine Ketcham), 3381:, charts.de (retrieved 3 January 2013). 3333:"George Harrison: Chart Action (Japan)" 2739:, ultratop.be (retrieved 10 July 2013). 1670: 1520:", which he also recorded at this time. 1509: 50: 39: 4622:"Cheer Down" / "Poor Little Girl" (UK) 3609:The Words and Music of George Harrison 2717: 2715: 1158:Harrison (centre), dressed in his red 709:. Harrison also contributed on organ, 4204:Give Me Love (Give Me Peace on Earth) 2293:Michael Gross, "George Harrison: How 2046:, 1974; produced by George Harrison). 1576:(1974) and overseeing a new project, 1075:In his 2010 book on Harrison for the 728:in October 1974 before beginning his 648:I Wish It Could Be Christmas Everyday 445:Give Me Love (Give Me Peace on Earth) 332:box set, released in September 2014. 282:– a legacy of its eccentric founder, 269:I Wish It Could Be Christmas Everyday 217:" is a song by English rock musician 7: 4306:This Guitar (Can't Keep from Crying) 4284:This Guitar (Can't Keep from Crying) 3644:, Hal Leonard (Milwaukee, WI, 2006; 3611:, Praeger (Santa Barbara, CA, 2010; 2919:, IPC Ignite! (London, 2005), p. 92. 2917:: Beatles – The Solo Years 1970–1980 2109:Madinger & Easter, pp. 442, 444. 1895:Madinger & Easter, pp. 434, 444. 1044:Retrospective assessments and legacy 544:of "Ding Dong" on a tape he sent to 376:. Harrison included the song on his 3740:, McGraw-Hill (New York, NY, 1978; 3707:, Premium Förlag (Stockholm, 2012; 1304:, organ, percussion, backing vocals 918:, Chris Irwin wrote of the single: 3798:, Quest Books (Wheaton, IL, 2011; 3692:, Touchstone (New York, NY, 2009; 3458:The Beatles: An Illustrated Record 3436:Wonderful Today: The Autobiography 2353:Madinger & Easter, pp. 442–43. 1017:The Beatles: An Illustrated Record 372:lawyer and horticulturalist named 14: 3778:The Beatles Solo on Apple Records 3673:Chip Madinger & Mark Easter, 3438:, Headline Review (London, 2007; 3401:, Continuum (New York, NY, 2006; 3352:"SA Charts 1969–1989 Songs (C–D)" 2881:, 21 December 1974; available at 2871:Bob Woffinden, "George Harrison: 2490:Castleman & Podrazik, p. 144. 1233:portion shows Harrison playing a 1193:black leathers, followed by 1963 968:matched the critically acclaimed 4753:Songs written by George Harrison 3511:, It Books (New York, NY, 2011; 730:North American tour with Shankar 397:, Harrison credits English poet 4619:" / "That's What It Takes" (US) 4239:" / "I Don't Care Anymore" (UK) 3816:, Omnibus Press (London, 2003; 3416:, Omnibus Press (London, 2001; 1978:, 2008 (subscription required). 947:wrote that of all the songs on 3581:, Abrams (New York, NY, 2011; 3310:100 Singles, 22 February 1975" 3078:Paul Trynka, "George Harrison 2934:, 13 February 1975, pp. 75–76. 2550:Madinger & Easter, p. 443. 1791:Madinger & Easter, p. 444. 1545:Phil Spector's Christmas Album 1352:– saxophones, horn arrangement 18:1974 single by George Harrison 1: 4601:" / "Breath Away from Heaven" 4508:" / "Unknown Delight" (Japan) 4021:Can't Stop Thinking About You 3814:Phil Spector: Out of His Head 2700:Madinger & Easter, p. 66. 2206:(retrieved 28 December 2012). 772:In the United States, where " 4403:" / "Soft-Hearted Hana" (UK) 4061:Shankar Family & Friends 3981:It Is 'He' (Jai Sri Krishna) 2297:Whipped Up a Winning Tour", 2264:Living in the Material World 1486: 1472: 1227:While My Guitar Gently Weeps 560:Shankar Family & Friends 515:Living in the Material World 469:Living in the Material World 247:technique, particularly his 4544:"Shanghai Surprise" (promo) 4045:George Harrison discography 3493:, Sanctuary (London, 2003; 3321:Library and Archives Canada 3010:. 4 January 1975. p. 1 2303:, March 1975; available at 1904:Leng, pp. 144–46, 148, 149. 830:The Best of George Harrison 563:by Shankar, and Splinter's 4789: 4625:"Poor Little Girl" (promo) 4365:Woman Don't You Cry for Me 4242:"Ding Dong, Ding Dong" / " 3323:(retrieved 11 April 2014). 3059:The Apple Years: 1968–1975 2982:"Cash Box Singles Reviews" 2853:Rodriguez, pp. 58–59, 238. 2682:(retrieved 11 April 2014). 2663:(retrieved 11 April 2014). 2327:" (sample album credits), 1477: 1463: 1427: 1098:Among reviews of the 2014 540:Harrison included a rough 336:Background and composition 3834:, Proteus (London, 1981; 3662:, Pimlico (London, 1998; 3369:, 1 February 1975, p. 35. 3338:23 September 2012 at the 3028:Carr & Tyler, p. 113. 2657:"Artist: George Harrison" 2644:, 25 January 2002, p. 17. 2402:, August 2008, pp. 43–44. 2027:(retrieved 19 July 2016). 1229:" in September 1968. The 1077:Praeger Singer-Songwriter 681:call-and-response guitar 174: 28: 4343:Learning How to Love You 4321:Learning How to Love You 4266:Hari's on Tour (Express) 4244:Hari's on Tour (Express) 3914:Hari's on Tour (Express) 3088:, November 2014, p. 105. 3046:Rodriguez, pp. 201, 411. 2885:(subscription required). 2757:Schaffner, pp. 188, 191. 2307:(subscription required). 1877:George Harrison, p. 162. 1834:George Harrison, p. 279. 1803:George Harrison, p. 280. 1731:Olivia Harrison, p. 268. 1713:George Harrison, p. 208. 778:Hari's on Tour (Express) 624:Happy Xmas (War Is Over) 607:A Christmas Gift for You 81:Hari's on Tour (Express) 4773:British Christmas songs 3170:23 October 2017 at the 3080:The Apple Years 1968–75 2661:Official Charts Company 2514:, November 1987, p. 65. 2417:, November 2014, p. 72. 1758:George Harrison, p. 37. 1085:Wonderful Christmastime 1048:In his song review for 1014:In the 1978 edition of 472:. With his marriage to 389:The Answer's at the End 4560:Got My Mind Set on You 4401:Love Comes to Everyone 3315:6 October 2014 at the 2586:Huntley, pp. 118, 121. 2384:Leng, pp. 147–48, 155. 2271:3 October 2017 at the 2251:Schaffner, pp. 159–60. 2185:Clayson, pp. 343, 479. 2127:Woffinden, pp. 74, 85. 2091:Leng, pp. 153–54, 165. 2036:Inner sleeve credits, 1931:Clayson, pp. 306, 324. 1382:Ultratop Singles Chart 1201:, and then the iconic 1163: 1138:I Wanna Be Santa Claus 925: 871: 750: 588: 412: 356:purchased the 33-acre 345: 24:"Ding Dong, Ding Dong" 4748:Apple Records singles 4743:George Harrison songs 4524:I Don't Want to Do It 4448:Writing's on the Wall 3363:"The Singles Chart", 3196:Badman, pp. 144, 146. 3154:Pieper, pp. 146, 344. 2953:, April 1975, p. 101. 2691:Badman, pp. 144, 151. 2577:Spizer, pp. 265, 267. 2568:Woffinden, pp. 84–85. 2541:Spizer, pp. 269, 270. 2532:Spizer, pp. 265, 269. 2523:Badman, pp. 142, 146. 1749:Greene, pp. 165, 171. 1157: 1130:We All Stand Together 920: 748: 464:Hare Krishna movement 407: 231:. It was the album's 96:23 December 1974 (US) 4685:Stuck Inside a Cloud 4656:All Things Must Pass 4652:My Sweet Lord (2000) 4415:Your Love Is Forever 4237:Ding Dong, Ding Dong 4230:I Don't Care Anymore 4003:I Don't Care Anymore 3960:Ding Dong, Ding Dong 3230:MacDonald, p. 264fn. 2862:Clayson, pp. 343−44. 2801:, April 2001, p. 39. 2709:Spizer, pp. 61, 269. 2136:Clayson, pp. 345–46. 2055:Doggett, pp. 208–09. 1886:Clayson, pp. 322–23. 1199:grey collarless suit 1166:Harrison compiled a 970:All Things Must Pass 859:Contemporary reviews 767:I Don't Care Anymore 640:Merry Xmas Everybody 379:All Things Must Pass 294:. As on much of the 257:Merry Xmas Everybody 249:Christmas recordings 215:Ding Dong, Ding Dong 190:Ding Dong, Ding Dong 94:6 December 1974 (UK) 74:I Don't Care Anymore 4444:All Those Years Ago 4361:It's What You Value 3738:The Beatles Forever 3592:Elliot J. Huntley, 3252:Leng, pp. 143, 154. 2844:, pp. 44, 126, 129. 2831:Leng, pp. 154, 166. 2604:Greene, pp. 208–09. 2462:Leng, pp. 153, 154. 2375:Kahn, pp. 183, 186. 1961:Leng, pp. 147, 153. 1913:Greene, pp. 200–02. 1722:Boyd, pp. 144, 145. 1605:the Everly Brothers 1494:Media Control Chart 1182:Apple Years 1968–75 1030:The Beatles Forever 1001:thundering along". 874:– Author Simon Leng 867:Awaiting on You All 701:saxophone parts by 666:, two drummers and 664:baritone saxophones 329:Apple Years 1968–75 4562:" / "Lay His Head" 4173:"What Is Life" / " 4050:Dark Horse Records 3734:Nicholas Schaffner 3718:Robert Rodriguez, 3541:Joshua M. Greene, 3395:Dale C. Allison Jr 3187:Rodriguez, p. 201. 3123:Rodriguez, p. 191. 3057:"George Harrison: 3001:"Hits of the Week" 2964:"Top Single Picks" 2962:Bob Kirsch (ed.), 2912:Chris Hunt (ed.), 2813:Schaffner, p. 178. 2748:Rodriguez, p. 128. 2344:Schaffner, p. 179. 2262:"George Harrison, 2194:Dennis MacDonald, 1943:Rodriguez, p. 142. 1214:A Hard Day's Night 1164: 1034:Nicholas Schaffner 990:vein … Get on it, 854:Critical reception 751: 555:Dark Horse Records 458:and the vocal duo 413: 300:Dark Horse Records 170:singles chronology 4720: 4719: 4716: 4715: 4632: 4631: 4495:I Really Love You 4424: 4423: 4394:Soft-Hearted Hana 4339:Crackerbox Palace 4082: 4081: 3990: 3989: 3832:The Beatles Apart 3822:978-0-7119-9864-3 3804:978-0-8356-0900-5 3768:978-1-937994-26-6 3728:978-1-4165-9093-4 3713:978-1-4092-8301-0 3698:978-1-4165-9093-4 3635:978-1-64160-051-4 3617:978-0-313-37532-3 3587:978-1-4197-0220-4 3551:978-0-470-12780-3 3517:978-0-06-177418-8 3444:978-0-7553-1646-5 3407:978-0-8264-1917-0 3261:Boyd, pp. 174–75. 2626:Boyd, pp. 187–88. 2444:Boyd, pp. 175–76. 2242:Williams, p. 166. 2176:Leng, pp. 153–54. 1972:"George Harrison" 1502: 1501: 1407:MegaChart Singles 1322:– acoustic guitar 1316:– electric guitar 1310:– electric guitar 1068:in January 2002, 1059:Red Rose Speedway 485:Initial recording 211: 210: 207: 206: 35:US picture sleeve 4780: 4641: 4528:Queen of the Hop 4433: 4131: 4109: 4102: 4095: 4086: 4073:The Place I Love 4038:Related articles 3995:Non-album B-side 3903: 3883: 3876: 3869: 3860: 3810:Richard Williams 3382: 3376: 3370: 3361: 3355: 3349: 3343: 3330: 3324: 3303: 3297: 3286: 3280: 3277: 3271: 3268: 3262: 3259: 3253: 3250: 3244: 3237: 3231: 3228: 3222: 3221:Clayson, p. 252. 3219: 3213: 3210: 3197: 3194: 3188: 3185: 3179: 3176:rollingstone.com 3161: 3155: 3152: 3146: 3143: 3124: 3121: 3115: 3112: 3106: 3095: 3089: 3076: 3070: 3053: 3047: 3044: 3038: 3037:Clayson, p. 344. 3035: 3029: 3026: 3020: 3019: 3017: 3015: 3005: 2997: 2991: 2979: 2973: 2960: 2954: 2941: 2935: 2926: 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p. 112. 2098: 2092: 2089: 2083: 2080: 2074: 2071: 2065: 2062: 2056: 2053: 2047: 2034: 2028: 2019:Lindsay Planer, 2017: 2002: 1999: 1988: 1985: 1979: 1976:Rock's Backpages 1968: 1962: 1959: 1953: 1950: 1944: 1941: 1932: 1929: 1923: 1920: 1914: 1911: 1905: 1902: 1896: 1893: 1887: 1884: 1878: 1875: 1869: 1868:Allison, p. 140. 1866: 1857: 1854: 1835: 1832: 1826: 1823: 1804: 1801: 1792: 1789: 1768: 1767:Huntley, p. 123. 1765: 1759: 1756: 1750: 1747: 1741: 1740:Snow, pp. 24–25. 1738: 1732: 1729: 1723: 1720: 1714: 1711: 1705: 1704:Clayson, p. 299. 1702: 1696: 1693: 1687: 1684: 1660: 1649: 1643: 1640: 1634: 1632: 1618: 1612: 1597: 1591: 1587: 1581: 1564: 1558: 1554: 1548: 1541: 1535: 1527: 1521: 1514: 1441:UK Singles Chart 1370:Chart (1974–75) 1367: 1116: 984: 899: 875: 839: 592: 566:The Place I Love 526:Tittenhurst Park 362:Henley-on-Thames 349: 176: 175: 159: 145: 124: 123: 119: 66: 33: 21: 4788: 4787: 4783: 4782: 4781: 4779: 4778: 4777: 4723: 4722: 4721: 4712: 4690: 4661: 4628: 4604: 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2907: 2903:Spizer, p. 260. 2902: 2898: 2893: 2889: 2870: 2866: 2861: 2857: 2852: 2848: 2840:The Editors of 2839: 2835: 2830: 2826: 2821: 2817: 2812: 2805: 2794: 2787: 2781:The Second Disc 2774: 2770: 2766:Badman, p. 473. 2765: 2761: 2756: 2752: 2747: 2743: 2735: 2728: 2720: 2713: 2708: 2704: 2699: 2695: 2690: 2686: 2674: 2667: 2655: 2648: 2637: 2630: 2625: 2621: 2613:The Editors of 2612: 2608: 2603: 2599: 2595:Badman, p. 139. 2594: 2590: 2585: 2581: 2576: 2572: 2567: 2563: 2559:Spizer, p. 265. 2558: 2554: 2549: 2545: 2540: 2536: 2531: 2527: 2522: 2518: 2507: 2503: 2498: 2494: 2489: 2482: 2478:Spizer, p. 269. 2477: 2466: 2461: 2457: 2452: 2448: 2443: 2439: 2434: 2430: 2425: 2421: 2410: 2406: 2395: 2388: 2383: 2379: 2374: 2370: 2362:The Editors of 2361: 2357: 2352: 2348: 2343: 2339: 2322: 2311: 2292: 2285: 2273:Wayback Machine 2259: 2255: 2250: 2246: 2241: 2237: 2233:Spizer, p. 342. 2232: 2228: 2223: 2219: 2214: 2210: 2193: 2189: 2184: 2180: 2175: 2168: 2163: 2140: 2135: 2131: 2126: 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3021: 2992: 2974: 2955: 2936: 2921: 2905: 2896: 2887: 2864: 2855: 2846: 2833: 2824: 2815: 2803: 2785: 2775:Joe Marchese, 2768: 2759: 2750: 2741: 2726: 2711: 2702: 2693: 2684: 2665: 2646: 2628: 2619: 2606: 2597: 2588: 2579: 2570: 2561: 2552: 2543: 2534: 2525: 2516: 2501: 2499:Inglis, p. 49. 2492: 2480: 2464: 2455: 2453:Allison, p. 7. 2446: 2437: 2428: 2419: 2404: 2386: 2377: 2368: 2355: 2346: 2337: 2309: 2283: 2253: 2244: 2235: 2226: 2217: 2208: 2196:"Phil Spector 2187: 2178: 2166: 2138: 2129: 2120: 2111: 2102: 2093: 2084: 2082:Inglis, p. 45. 2075: 2066: 2057: 2048: 2029: 2003: 1989: 1980: 1970:Steven Rosen, 1963: 1954: 1945: 1933: 1924: 1922:Inglis, p. 43. 1915: 1906: 1897: 1888: 1879: 1870: 1858: 1856:Inglis, p. 46. 1836: 1827: 1805: 1793: 1769: 1760: 1751: 1742: 1733: 1724: 1715: 1706: 1697: 1688: 1669: 1667: 1664: 1662: 1661: 1644: 1635: 1613: 1592: 1582: 1573:Little Malcolm 1559: 1549: 1536: 1522: 1508: 1506: 1503: 1500: 1499: 1496: 1489: 1488: 1485: 1484:Singles Chart 1475: 1474: 1471: 1461: 1460: 1457: 1447: 1446: 1443: 1437: 1436: 1433: 1432:Singles Chart 1428:South African 1425: 1424: 1421: 1420:Singles Chart 1413: 1412: 1409: 1402: 1401: 1398: 1388: 1387: 1384: 1377: 1376: 1371: 1364: 1361: 1360: 1359: 1358:– female choir 1353: 1347: 1341: 1335: 1332:Klaus Voormann 1329: 1323: 1317: 1311: 1305: 1282: 1279: 1151: 1148: 1081:Paul McCartney 1045: 1042: 935:Auld Lang Syne 927:Jim Miller of 862: 860: 857: 855: 852: 742: 739: 672:Material World 579: 546:Asylum Records 537: 534: 503:Klaus Voormann 486: 483: 481: 478: 339: 337: 334: 223:New Year's Eve 209: 208: 205: 204: 195: 186: 172: 171: 164: 163: 160: 152: 151: 146: 138: 137: 132: 126: 125: 114: 110: 109: 104: 98: 97: 92: 88: 87: 85: 84: 77: 69: 67: 59: 58: 49: 48: 38: 37: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 4785: 4774: 4771: 4769: 4766: 4764: 4761: 4759: 4756: 4754: 4751: 4749: 4746: 4744: 4741: 4739: 4736: 4734: 4731: 4730: 4728: 4708: 4704: 4700: 4699: 4697: 4693: 4686: 4682: 4679: 4675: 4674:My Sweet Lord 4671: 4670: 4668: 4664: 4657: 4653: 4649: 4648: 4646: 4642: 4639: 4635: 4624: 4621: 4618: 4614: 4613: 4611: 4607: 4600: 4596: 4593: 4589: 4587:" / "Zig Zag" 4586: 4582: 4581: 4579: 4575: 4568: 4567:Devil's Radio 4564: 4561: 4557: 4556: 4554: 4550: 4543: 4542: 4540: 4536: 4529: 4525: 4521: 4520: 4518: 4514: 4507: 4503: 4500: 4496: 4492: 4491: 4489: 4485: 4478: 4474: 4473: 4471: 4467: 4460: 4456: 4452: 4449: 4445: 4441: 4440: 4438: 4434: 4431: 4427: 4416: 4412: 4408: 4405: 4402: 4398: 4395: 4391: 4388: 4384: 4380: 4379: 4377: 4373: 4366: 4362: 4358: 4355: 4351: 4347: 4344: 4340: 4336: 4335: 4333: 4329: 4322: 4318: 4314: 4311: 4307: 4303: 4302: 4300: 4296: 4289: 4285: 4281: 4278: 4274: 4270: 4267: 4263: 4259: 4258: 4256: 4252: 4245: 4241: 4238: 4234: 4231: 4227: 4223: 4222: 4220: 4216: 4209: 4205: 4201: 4200: 4198: 4194: 4187: 4183: 4179: 4176: 4175:Apple Scruffs 4172: 4169: 4165: 4164:My Sweet Lord 4161: 4160: 4158: 4154: 4147: 4143: 4142:My Sweet Lord 4139: 4138: 4136: 4132: 4129: 4125: 4121: 4117: 4110: 4105: 4103: 4098: 4096: 4091: 4090: 4087: 4075: 4074: 4070: 4068: 4065: 4063: 4062: 4058: 4056: 4053: 4051: 4048: 4046: 4043: 4042: 4040: 4036: 4029: 4025: 4022: 4018: 4017: 4015: 4011: 4004: 4000: 3999: 3997: 3993: 3982: 3978: 3975: 3971: 3968: 3964: 3961: 3957: 3956: 3954: 3950: 3943: 3939: 3936: 3935:Bye Bye, Love 3932: 3929: 3925: 3922: 3918: 3915: 3911: 3910: 3908: 3904: 3901: 3897: 3893: 3892: 3884: 3879: 3877: 3872: 3870: 3865: 3864: 3861: 3855: 3852: 3851: 3847: 3841: 3840:0-906071-89-5 3837: 3833: 3829: 3828:Bob Woffinden 3826: 3823: 3819: 3815: 3811: 3808: 3805: 3801: 3797: 3793: 3790: 3787: 3786:0-9662649-5-9 3783: 3779: 3775: 3772: 3769: 3765: 3761: 3757: 3753: 3750: 3747: 3746:0-07-055087-5 3743: 3739: 3735: 3732: 3729: 3725: 3721: 3717: 3714: 3710: 3706: 3703:Jörg Pieper, 3702: 3699: 3695: 3691: 3687: 3684: 3683:0-615-11724-4 3680: 3676: 3672: 3669: 3668:0-7126-6697-4 3665: 3661: 3657: 3656:Ian MacDonald 3654: 3651: 3650:1-4234-0609-5 3647: 3643: 3639: 3636: 3632: 3628: 3624: 3621: 3618: 3614: 3610: 3606: 3603: 3602:1-55071-197-0 3599: 3595: 3591: 3588: 3584: 3580: 3576: 3573: 3570: 3569:0-8118-3793-9 3566: 3562: 3558: 3555: 3552: 3548: 3544: 3540: 3537: 3536:0-7432-3581-9 3533: 3529: 3525: 3524:Rolling Stone 3521: 3518: 3514: 3510: 3506: 3505:Peter Doggett 3503: 3500: 3499:1-86074-489-3 3496: 3492: 3488: 3485: 3482: 3481:0-345-25680-8 3478: 3474: 3470: 3467: 3466:0-450-04170-0 3463: 3459: 3455: 3451: 3448: 3445: 3441: 3437: 3433: 3429: 3426: 3423: 3422:0-7119-8307-0 3419: 3415: 3411: 3408: 3404: 3400: 3396: 3393: 3392: 3387: 3380: 3375: 3372: 3368: 3367: 3360: 3357: 3353: 3348: 3345: 3341: 3337: 3334: 3329: 3326: 3322: 3318: 3314: 3311: 3309: 3302: 3299: 3295: 3291: 3285: 3282: 3276: 3273: 3267: 3264: 3258: 3255: 3249: 3246: 3242: 3241:Rolling Stone 3236: 3233: 3227: 3224: 3218: 3215: 3209: 3207: 3205: 3203: 3199: 3193: 3190: 3184: 3181: 3177: 3173: 3169: 3166: 3160: 3157: 3151: 3148: 3142: 3140: 3138: 3136: 3134: 3132: 3130: 3126: 3120: 3117: 3111: 3108: 3104: 3100: 3097:Paul Trynka, 3094: 3091: 3087: 3086: 3081: 3075: 3072: 3068: 3067: 3062: 3060: 3052: 3049: 3043: 3040: 3034: 3031: 3025: 3022: 3009: 3002: 2996: 2993: 2989: 2988: 2983: 2978: 2975: 2971: 2970: 2965: 2959: 2956: 2952: 2951: 2950:High Fidelity 2946: 2940: 2937: 2933: 2932: 2931:Rolling Stone 2925: 2922: 2918: 2916: 2915:NME Originals 2909: 2906: 2900: 2897: 2894:Leng, p. 158. 2891: 2888: 2884: 2880: 2879: 2874: 2868: 2865: 2859: 2856: 2850: 2847: 2843: 2842:Rolling Stone 2837: 2834: 2828: 2825: 2822:Kahn, p. 183. 2819: 2816: 2810: 2808: 2804: 2800: 2799: 2792: 2790: 2786: 2782: 2778: 2772: 2769: 2763: 2760: 2754: 2751: 2745: 2742: 2738: 2733: 2731: 2727: 2723: 2718: 2716: 2712: 2706: 2703: 2697: 2694: 2688: 2685: 2681: 2677: 2672: 2670: 2666: 2662: 2658: 2653: 2651: 2647: 2643: 2642: 2635: 2633: 2629: 2623: 2620: 2617:, pp. 44, 46. 2616: 2615:Rolling Stone 2610: 2607: 2601: 2598: 2592: 2589: 2583: 2580: 2574: 2571: 2565: 2562: 2556: 2553: 2547: 2544: 2538: 2535: 2529: 2526: 2520: 2517: 2513: 2512: 2505: 2502: 2496: 2493: 2487: 2485: 2481: 2475: 2473: 2471: 2469: 2465: 2459: 2456: 2450: 2447: 2441: 2438: 2435:Leng, p. 115. 2432: 2429: 2423: 2420: 2416: 2415: 2408: 2405: 2401: 2400: 2393: 2391: 2387: 2381: 2378: 2372: 2369: 2365: 2364:Rolling Stone 2359: 2356: 2350: 2347: 2341: 2338: 2334: 2333:Apple Records 2330: 2326: 2320: 2318: 2316: 2314: 2310: 2306: 2302: 2301: 2296: 2290: 2288: 2284: 2280: 2279: 2278:Rolling Stone 2274: 2270: 2267: 2265: 2257: 2254: 2248: 2245: 2239: 2236: 2230: 2227: 2221: 2218: 2212: 2209: 2205: 2201: 2199: 2191: 2188: 2182: 2179: 2173: 2171: 2167: 2164:Leng, p. 154. 2161: 2159: 2157: 2155: 2153: 2151: 2149: 2147: 2145: 2143: 2139: 2133: 2130: 2124: 2121: 2115: 2112: 2106: 2103: 2097: 2094: 2088: 2085: 2079: 2076: 2073:Boyd, p. 177. 2070: 2067: 2061: 2058: 2052: 2049: 2045: 2044:Apple Records 2041: 2040: 2033: 2030: 2026: 2022: 2016: 2014: 2012: 2010: 2008: 2004: 2001:Leng, p. 153. 1998: 1996: 1994: 1990: 1987:Kahn, p. 186. 1984: 1981: 1977: 1973: 1967: 1964: 1958: 1955: 1952:Leng, p. 150. 1949: 1946: 1940: 1938: 1934: 1928: 1925: 1919: 1916: 1910: 1907: 1901: 1898: 1892: 1889: 1883: 1880: 1874: 1871: 1865: 1863: 1859: 1853: 1851: 1849: 1847: 1845: 1843: 1841: 1837: 1831: 1828: 1822: 1820: 1818: 1816: 1814: 1812: 1810: 1806: 1800: 1798: 1794: 1788: 1786: 1784: 1782: 1780: 1778: 1776: 1774: 1770: 1764: 1761: 1755: 1752: 1746: 1743: 1737: 1734: 1728: 1725: 1719: 1716: 1710: 1707: 1701: 1698: 1692: 1689: 1683: 1681: 1679: 1677: 1675: 1671: 1665: 1658: 1654: 1648: 1645: 1639: 1636: 1629: 1628: 1623: 1617: 1614: 1610: 1609:Bye Bye, Love 1606: 1602: 1596: 1593: 1586: 1583: 1579: 1575: 1574: 1569: 1563: 1560: 1553: 1550: 1546: 1540: 1537: 1533: 1526: 1523: 1519: 1513: 1510: 1504: 1497: 1495: 1491: 1490: 1483: 1482: 1476: 1469: 1468: 1462: 1458: 1456: 1454: 1449: 1448: 1444: 1442: 1439: 1438: 1434: 1431: 1426: 1422: 1419: 1415: 1414: 1410: 1408: 1404: 1403: 1399: 1397: 1395: 1390: 1389: 1385: 1383: 1379: 1378: 1372: 1369: 1368: 1362: 1357: 1354: 1351: 1348: 1345: 1342: 1339: 1336: 1334:– bass guitar 1333: 1330: 1327: 1324: 1321: 1318: 1315: 1312: 1309: 1306: 1303: 1299: 1298:slide guitars 1295: 1292: 1291: 1290: 1288: 1280: 1278: 1276: 1272: 1268: 1267: 1262: 1256: 1254: 1250: 1246: 1245: 1240: 1236: 1232: 1228: 1224: 1221:(christened " 1220: 1216: 1215: 1210: 1206: 1205: 1200: 1196: 1192: 1187: 1184: 1183: 1178: 1177:Midi Premiere 1174: 1169: 1161: 1156: 1149: 1147: 1144: 1140: 1139: 1133: 1131: 1126: 1125: 1120: 1113: 1112: 1107: 1103: 1102: 1096: 1094: 1090: 1086: 1082: 1078: 1073: 1071: 1070:Dave Thompson 1067: 1066: 1061: 1060: 1055: 1051: 1043: 1041: 1039: 1035: 1031: 1027: 1023: 1019: 1018: 1012: 1010: 1006: 1005: 999: 998: 993: 989: 981: 980: 975: 971: 967: 963: 962: 958:, writing in 957: 956:Michael Gross 954:By contrast, 952: 950: 946: 942: 941: 940:High Fidelity 936: 932: 931: 930:Rolling Stone 924: 919: 917: 916: 911: 907: 903: 902:Bob Woffinden 896: 895: 890: 886: 881: 876: 870: 868: 858: 853: 851: 849: 848: 843: 836: 832: 831: 826: 822: 817: 815: 813: 807: 805: 801: 798: 793: 791: 787: 783: 779: 775: 770: 768: 764: 760: 756: 747: 740: 738: 736: 731: 727: 722: 720: 716: 712: 708: 704: 700: 696: 695:slide guitars 692: 688: 684: 680: 675: 673: 669: 668:tubular bells 665: 661: 657: 653: 649: 645: 641: 637: 633: 629: 626:" single, by 625: 621: 617: 613: 609: 608: 603: 599: 598:Wall of Sound 593: 587: 585: 578: 576: 572: 568: 567: 562: 561: 556: 551: 547: 543: 535: 533: 531: 527: 522: 520: 519:Phil McDonald 516: 512: 508: 504: 500: 496: 492: 484: 479: 477: 475: 471: 470: 465: 461: 457: 452: 451: 446: 442: 438: 434: 433:My Sweet Lord 429: 426: 422: 418: 410: 406: 402: 400: 399:Lord Tennyson 396: 395: 390: 385: 381: 380: 375: 371: 367: 363: 359: 355: 350: 344: 335: 333: 331: 330: 323: 321: 317: 313: 309: 305: 301: 297: 293: 289: 285: 281: 277: 272: 270: 266: 262: 258: 254: 250: 246: 245:Wall of Sound 242: 238: 234: 230: 229: 224: 220: 216: 200: 196: 191: 187: 182: 178: 177: 173: 169: 165: 161: 158: 153: 150: 147: 144: 143:Songwriter(s) 139: 136: 133: 131: 127: 115: 111: 108: 105: 103: 99: 93: 89: 82: 78: 75: 71: 70: 68: 65: 60: 57: 56: 47: 43: 32: 27: 22: 16: 4738:1974 singles 4599:This Is Love 4479:" / "Greece" 4236: 4168:What Is Life 4071: 4059: 3974:Far East Man 3959: 3921:Simply Shady 3889: 3831: 3813: 3795: 3792:Gary Tillery 3777: 3774:Bruce Spizer 3759: 3755: 3737: 3719: 3704: 3689: 3674: 3659: 3641: 3640:Simon Leng, 3626: 3608: 3607:Ian Inglis, 3593: 3578: 3560: 3542: 3527: 3523: 3508: 3490: 3487:Alan Clayson 3472: 3457: 3435: 3413: 3398: 3374: 3366:Record World 3364: 3359: 3347: 3328: 3307: 3301: 3293: 3284: 3275: 3266: 3257: 3248: 3240: 3235: 3226: 3217: 3192: 3183: 3159: 3150: 3119: 3110: 3093: 3085:Classic Rock 3083: 3079: 3074: 3064: 3058: 3055:Robert Ham, 3051: 3042: 3033: 3024: 3012:. Retrieved 3008:Record World 3007: 2995: 2985: 2977: 2967: 2958: 2948: 2944: 2939: 2929: 2924: 2913: 2908: 2899: 2890: 2876: 2872: 2867: 2858: 2849: 2841: 2836: 2827: 2818: 2796: 2780: 2771: 2762: 2753: 2744: 2705: 2696: 2687: 2639: 2622: 2614: 2609: 2600: 2591: 2582: 2573: 2564: 2555: 2546: 2537: 2528: 2519: 2509: 2504: 2495: 2458: 2449: 2440: 2431: 2422: 2412: 2407: 2397: 2380: 2371: 2363: 2358: 2349: 2340: 2331:CD booklet ( 2328: 2324: 2300:Circus Raves 2298: 2294: 2276: 2263: 2256: 2247: 2238: 2229: 2220: 2211: 2197: 2190: 2181: 2132: 2123: 2114: 2105: 2096: 2087: 2078: 2069: 2060: 2051: 2037: 2032: 1983: 1966: 1957: 1948: 1927: 1918: 1909: 1900: 1891: 1882: 1873: 1830: 1763: 1754: 1745: 1736: 1727: 1718: 1709: 1700: 1691: 1653:Gary Tillery 1647: 1638: 1625: 1621: 1616: 1600: 1595: 1585: 1571: 1562: 1552: 1544: 1539: 1525: 1512: 1492:West German 1481:Record World 1479: 1465: 1452: 1393: 1355: 1289:CD booklet: 1286: 1284: 1264: 1257: 1242: 1230: 1212: 1209:Rickenbacker 1202: 1188: 1180: 1176: 1165: 1159: 1136: 1134: 1124:Classic Rock 1122: 1109: 1105: 1099: 1097: 1088: 1074: 1063: 1057: 1054:Alan Clayson 1047: 1037: 1029: 1015: 1013: 1009:Guy Lombardo 1004:Record World 1002: 995: 977: 974:Far East Man 969: 965: 961:Circus Raves 959: 953: 948: 938: 928: 926: 921: 915:Melody Maker 913: 909: 905: 892: 882: 878: 872: 864: 845: 834: 828: 821:Bruce Spizer 818: 811: 808: 804:Eric Clapton 796: 794: 790:Olivia Arias 771: 758: 752: 725: 723: 715:sleigh bells 676: 671: 620:Darlene Love 616:the Crystals 612:the Ronettes 605: 602:Phil Spector 595: 589: 584:Phil Spector 581: 564: 558: 550:David Geffen 539: 523: 514: 494: 488: 467: 456:Ravi Shankar 448: 437:What Is Life 430: 417:middle eight 414: 392: 377: 352: 346: 341: 327: 324: 295: 273: 241:Phil Spector 226: 214: 212: 189: 53: 15: 4707:Marwa Blues 4678:Let It Down 4658:" (jukebox) 4354:Pure Smokey 4208:Miss O'Dell 4182:Bangla Desh 4120:discography 3758:(Volume 3: 3623:Ashley Kahn 3432:Penny Junor 3428:Pattie Boyd 3163:Kory Grow, 3014:12 February 1568:Apple Films 1344:Ringo Starr 1338:Jim Keltner 1326:Gary Wright 1271:Pythonesque 1261:Jethro Tull 1253:Bangla Desh 1244:Two Virgins 1231:Sgt. Pepper 1204:Sgt. Pepper 1195:mop-top wig 1191:Hamburg-era 1160:Sgt. Pepper 1119:Paul Trynka 1104:reissue of 1101:Apple Years 1093:Father Time 1007:said that " 883:In the UK, 847:Apple Years 782:white label 755:lead single 628:John Lennon 571:the Beatles 536:Overdubbing 511:Jim Keltner 507:Ringo Starr 499:Gary Wright 474:Pattie Boyd 441:Bangla Desh 394:I, Me, Mine 374:Frank Crisp 360:estate, in 320:Jim Keltner 308:Ringo Starr 292:Pattie Boyd 288:the Beatles 284:Frank Crisp 280:Oxfordshire 233:lead single 157:Producer(s) 4733:1974 songs 4727:Categories 4617:Cheer Down 4506:Dream Away 4387:Soft Touch 4262:Dark Horse 4226:Dark Horse 3967:Dark Horse 3891:Dark Horse 3454:Tony Tyler 2945:Dark Horse 2873:Dark Horse 2329:Dark Horse 2325:Dark Horse 2295:Dark Horse 2039:Dark Horse 1666:References 1601:Dark Horse 1356:uncredited 1320:Mick Jones 1287:Dark Horse 1217:, and the 1150:Promo clip 1106:Dark Horse 1089:Dark Horse 1038:Dark Horse 1026:Tony Tyler 966:Dark Horse 949:Dark Horse 906:Dark Horse 842:remastered 835:Dark Horse 797:Dark Horse 786:Om symbols 774:Dark Horse 759:Dark Horse 735:laryngitis 726:Dark Horse 707:Mick Jones 679:overdubbed 495:Dark Horse 480:Production 450:Dark Horse 425:New Year's 358:Friar Park 296:Dark Horse 276:Friar Park 237:Dark Horse 228:Dark Horse 181:Dark Horse 55:Dark Horse 4687:" (promo) 4594:" (promo) 4569:" (promo) 4455:Teardrops 4383:Blow Away 4350:True Love 4317:This Song 4310:Māya Love 4288:Māya Love 4186:Deep Blue 3942:Māya Love 3561:I Me Mine 2969:Billboard 1622:Billboard 1453:Billboard 1430:Springbok 1416:Japanese 1391:Canadian 1375:position 1350:Tom Scott 1314:Alvin Lee 1281:Personnel 1255:George". 979:Billboard 945:Mike Jahn 889:John Peel 812:Billboard 703:Tom Scott 687:Alvin Lee 677:Harrison 660:distorted 656:harmonium 652:glam rock 501:(piano), 384:aphorisms 370:Victorian 312:Alvin Lee 304:Tom Scott 253:glam rock 4703:Any Road 4118:singles 4013:Outtakes 3952:Side two 3906:Side one 3752:Mat Snow 3528:Harrison 3450:Roy Carr 3336:Archived 3313:Archived 3168:Archived 3103:TeamRock 2987:Cash Box 2680:AllMusic 2641:Goldmine 2511:Musician 2366:, p. 44. 2269:Archived 2204:AllMusic 2025:AllMusic 1657:Sanskrit 1627:Cash Box 1470:Top 100 1467:Cash Box 1380:Belgian 1308:Ron Wood 1302:clavinet 1266:Aqualung 1175:'s show 1065:Goldmine 1050:AllMusic 1022:Roy Carr 997:Cash Box 904:derided 711:clavinet 691:Ron Wood 650:" – two 632:Yoko Ono 505:(bass), 460:Splinter 316:Ron Wood 91:Released 4592:Cloud 9 4499:Circles 3625:(ed.), 3388:Sources 3061:Review" 1590:common. 1455:Hot 100 1346:– drums 1340:– drums 1328:– piano 937:'". In 814:Hot 100 795:On the 741:Release 644:Wizzard 557:acts – 443:" and " 265:Wizzard 203:(1975) 194:(1974) 185:(1974) 4417:" (UK) 4411:Faster 4396:" (US) 4389:" (UK) 4367:" (UK) 4356:" (UK) 4345:" (US) 4312:" (UK) 4290:" (US) 4268:" (UK) 4246:" (US) 4232:" (US) 4177:" (US) 4170:" (UK) 4148:" (US) 3928:So Sad 3838:  3820:  3802:  3784:  3766:  3760:George 3744:  3726:  3711:  3696:  3681:  3666:  3648:  3633:  3615:  3600:  3585:  3567:  3549:  3534:  3515:  3497:  3479:  3464:  3452:& 3442:  3430:(with 3420:  3405:  1557:album. 1518:So Sad 1418:Oricon 1405:Dutch 1143:Motown 910:spirit 763:B-side 719:zither 642:" and 491:FPSHOT 421:chorus 263:, and 113:Length 83:" (US) 76:" (UK) 64:B-side 42:Single 4705:" / " 4676:" / " 4654:" / " 4637:2000s 4526:" / " 4497:" / " 4457:" / " 4446:" / " 4429:1980s 4413:" / " 4385:" / " 4363:" / " 4352:" / " 4341:" / " 4319:" / " 4308:" / " 4286:" / " 4275:" / " 4264:" / " 4228:" / " 4206:" / " 4184:" / " 4166:" / " 4144:" / " 4127:1970s 3899:Songs 3066:Paste 3004:(PDF) 2399:Uncut 1631:' 1505:Notes 1249:dobro 1239:sitar 1115:' 1111:Paste 992:jocks 983:' 898:' 838:' 765:was " 757:from 699:tenor 683:riffs 636:Slade 575:Apple 548:boss 278:, in 261:Slade 259:" by 135:Apple 130:Label 102:Genre 4695:2003 4666:2002 4644:2001 4609:1989 4577:1988 4552:1987 4538:1986 4516:1985 4487:1983 4469:1982 4436:1981 4375:1979 4331:1977 4298:1976 4254:1975 4218:1974 4196:1973 4156:1971 4134:1970 3836:ISBN 3818:ISBN 3800:ISBN 3782:ISBN 3764:ISBN 3742:ISBN 3724:ISBN 3709:ISBN 3694:ISBN 3679:ISBN 3664:ISBN 3646:ISBN 3631:ISBN 3613:ISBN 3598:ISBN 3583:ISBN 3565:ISBN 3547:ISBN 3532:ISBN 3513:ISBN 3495:ISBN 3477:ISBN 3462:ISBN 3440:ISBN 3418:ISBN 3403:ISBN 3016:2023 2414:Mojo 2042:LP ( 1373:Peak 1235:tuba 1223:Lucy 1197:and 1168:16mm 1083:'s " 1024:and 994:." 988:guru 717:and 689:and 658:and 646:'s " 638:'s " 630:and 618:and 509:and 439:", " 435:", " 318:and 267:'s " 107:Rock 4273:You 3434:), 3308:RPM 3082:", 2947:", 2878:NME 2875:", 1607:' " 1532:EMI 1498:31 1487:49 1478:US 1473:36 1464:US 1459:36 1450:US 1445:38 1435:20 1423:68 1411:10 1400:63 1396:100 1394:RPM 1386:12 1263:'s 1173:TF1 1121:of 894:NME 887:DJ 885:BBC 685:by 542:mix 243:'s 199:You 44:by 4729:: 3842:). 3830:, 3824:). 3812:, 3806:). 3794:, 3788:). 3776:, 3770:). 3754:, 3748:). 3736:, 3730:). 3715:). 3700:). 3685:). 3670:). 3658:, 3652:). 3637:). 3619:). 3604:). 3589:). 3577:, 3571:). 3559:, 3553:). 3538:). 3526:, 3519:). 3507:, 3501:). 3489:, 3483:). 3468:). 3456:, 3446:). 3424:). 3409:). 3397:, 3319:, 3292:, 3201:^ 3174:, 3128:^ 3101:, 3063:, 3006:. 2984:, 2966:, 2806:^ 2788:^ 2779:, 2729:^ 2714:^ 2678:, 2668:^ 2659:, 2649:^ 2631:^ 2483:^ 2467:^ 2389:^ 2312:^ 2286:^ 2275:, 2202:, 2169:^ 2141:^ 2023:, 2006:^ 1992:^ 1974:, 1936:^ 1861:^ 1839:^ 1808:^ 1796:^ 1772:^ 1673:^ 1570:' 1300:, 1108:, 1032:, 1020:, 943:, 900:s 800:LP 721:. 614:, 573:' 521:. 322:. 314:, 310:, 306:, 201:" 192:" 183:" 122:41 4709:" 4701:" 4683:" 4680:" 4672:" 4650:" 4615:" 4597:" 4590:" 4583:" 4565:" 4558:" 4530:" 4522:" 4504:" 4501:" 4493:" 4475:" 4461:" 4453:" 4450:" 4442:" 4409:" 4399:" 4381:" 4359:" 4348:" 4337:" 4323:" 4315:" 4304:" 4282:" 4279:" 4271:" 4260:" 4235:" 4224:" 4210:" 4202:" 4188:" 4180:" 4162:" 4140:" 4108:e 4101:t 4094:v 4030:" 4026:" 4023:" 4019:" 4005:" 4001:" 3983:" 3979:" 3976:" 3972:" 3969:" 3965:" 3962:" 3958:" 3944:" 3940:" 3937:" 3933:" 3930:" 3926:" 3923:" 3919:" 3916:" 3912:" 3882:e 3875:t 3868:v 3306:" 3018:. 2266:" 2200:" 1580:. 1128:" 387:" 213:" 197:" 188:" 179:" 120:: 118:3 79:" 72:"

Index


Single
George Harrison
Dark Horse
B-side
I Don't Care Anymore
Hari's on Tour (Express)
Genre
Rock
Label
Apple
Songwriter(s)
George Harrison
Producer(s)
George Harrison
Dark Horse
You
George Harrison
New Year's Eve
Dark Horse
lead single
Dark Horse
Phil Spector
Wall of Sound
Christmas recordings
glam rock
Merry Xmas Everybody
Slade
Wizzard
I Wish It Could Be Christmas Everyday

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