Knowledge (XXG)

Distractive markings

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608: 125: 17: 115:... have a few sharp black markings in their mainly immaculate white costumes. These evidently serve as what may be called 'distractive' or 'fixed dazzling' marks. They are, in most cases, too small to show except in a very near view—when, by their sharp but isolated and noncommittal conspicuousness, they tend to draw and hold the eye's attention, in a sense, to dazzle it, so that it less readily discerns the faintly shown snow-white body of their wearer. 193:. Both mechanisms require conspicuous marks. However, the two mechanisms are different, and according to Dimitrova require different kinds of marking. For distraction, the markings should be small and should avoid the prey's outline so as to take attention away from it, whereas disruptive markings should contact the outline so as to break it up. 43:
animals or military vehicles by drawing the observer's attention away from the object as a whole, such as noticing its outline. This delays recognition. The markings necessarily have high contrast and are thus in themselves conspicuous. The mechanism therefore relies, as does camouflage as a whole,
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is limited, and stimuli effectively compete for attention. They note, too, that bright features are preferentially given attention in human vision, so it is possible the same happens in other species. Another possible explanation according to Dimitrova is lateral masking, suppression of peripheral
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There is an apparent conflict between background matching and disruptive markings. Background matching relies on choosing coloration and brightness similar to the background, but disruptive markings must stand out from the background. Dimitrova and colleagues note that Thayer suggested that such
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mechanisms to delay detection or recognition of the prey. These distractive markings serve as camouflage by distracting the predator's attention from recognising the prey as a whole, for example by keeping the predator from identifying the prey's outline. Experimentally, search times for
55:, another mechanism for delaying recognition that also relies on conspicuous markings. Distractive markings however need to be small and to avoid outlines, to avoid drawing attention to them, whereas disruptive markings work best when they touch the outline, breaking it up. 136:
For camouflage to succeed, an individual has to pass undetected, unrecognized or untargeted, and hence it is the processing of visual information that needs to be deceived. Camouflage is therefore an adaptation to the perception and cognitive mechanisms of another
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perception; this is known to be strong, again in human perception, when a (single) high-contrast stimulus is provided, but it is doubtful whether a pattern containing small distractive markings could form such a stimulus.
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increased when artificial prey had distractive markings. The researchers, M. Dimitrova and colleagues, note that Thayer's suggestion that such marks take up the predator's attention is plausible, since
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markings must be small; this, they argue, would enable the markings to fit in with background matching at any great distance, and would prevent predators from learning a
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and distractive camouflage both rely on conspicuous markings, but differ in their mechanisms, and therefore in the most effective size and position of the markings.
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Concealing Coloration in the Animal Kingdom: An Exposition of the Laws of Disguise Through Color and Pattern; Being a Summary of Abbott H. Thayer's Disclosures
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Many prey animals have conspicuous high-contrast markings which paradoxically attract the predator's gaze, like other camouflage mechanisms, especially
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Distractive camouflage marks are sometimes called dazzle markings, but the mechanism differs from
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on deceiving the cognition of the observer, not in blending with the background.
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marks are sometimes called dazzle markings, but the mechanism differs from
189:, followed by many other researchers, conflated distractive markings with 1237: 803: 315:"Concealed by conspicuousness: distractive prey markings and backgrounds" 160: 1376: 1348: 1273: 642: 627: 375:
Philosophical Transactions of the Royal Society B: Biological Sciences
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Philosophical Transactions of the Royal Society B: Biological Sciences
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Dimitrova, M.; Stobbe, N.; Schaefer, H. M.; Merilaita, S. (2009).
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described distractive markings in his 1909 book on camouflage,
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Distractive markings were first noticed by the American artist
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in 1909, but the mechanism was for a century confused with
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Proceedings of the Royal Society B: Biological Sciences
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Proceedings of the Royal Society B: Biological Sciences
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List of countries that prohibit camouflage clothing
840: 831: 791: 719: 680: 673: 615: 521: 177:and then detecting prey with that type of marking. 134: 85: 499: 8: 365:Merilaita, Sami; Scott-Samuel, Nicholas E.; 215: 213: 708:Concealing-Coloration in the Animal Kingdom 420:"Cognition and the evolution of camouflage" 80:Concealing-Coloration in the Animal Kingdom 1333: 904: 897: 873:Middle East Command Camouflage Directorate 858:Camouflage clothing in Trinidad and Tobago 837: 677: 506: 492: 484: 1089:Six-Color Desert Pattern (Chocolate Chip) 443: 394: 338: 280: 209: 7: 418:Skelhorn, John; Rowe, Candy (2016). 1232:Marine Corps Combat Utility Uniform 142:S. Merilaita, N. E. Scott-Samuel, 14: 623:As evidence for natural selection 734:Lucien-Victor Guirand de ScĂ©vola 606: 556:Coincident disruptive coloration 230:. New York: Macmillan. pp.  28:'s black markings on its white 1304:Operational Camouflage Pattern 770:Adaptive Coloration in Animals 473:Adaptive Coloration in Animals 186:Adaptive Coloration in Animals 1: 1101:Australian Disruptive Pattern 1365:Diffused lighting camouflage 1250:Universal Camouflage Pattern 883:USN WWII camouflage measures 1310:Netherlands Fractal Pattern 1244:Tactical Assault Camouflage 1077:Disruptive Pattern Material 1458: 1173:Camouflage Central-Europe 1167:Desert Camouflage Pattern 604: 583:Multi-spectral camouflage 759:Johann Georg Otto Schick 255:; Merilaita, S. (2009). 1149:Desert Night Camouflage 702:Abbott Handerson Thayer 75:Abbott Handerson Thayer 49:Abbott Handerson Thayer 22:Abbott Handerson Thayer 694:The Colours of Animals 688:Edward Bagnall Poulton 578:Multi-scale camouflage 436:10.1098/rspb.2015.2890 387:10.1098/rstb.2016.0341 371:"How camouflage works" 331:10.1098/rspb.2009.0052 273:10.1098/rstb.2008.0216 148: 132: 117: 59:Distractive camouflage 33: 1442:Camouflage mechanisms 1286:Multi-Terrain Pattern 1268:Airman Battle Uniform 1065:Rhodesian Brushstroke 665:Underwater camouflage 551:Disruptive coloration 191:disruptive coloration 183:, author of the 1940 127: 53:disruptive coloration 19: 1403:Dazzled and Deceived 568:Distractive markings 546:Counter-illumination 83:. Thayer wrote that 73:The American artist 37:Distractive markings 1292:Australian Multicam 1095:U.S. "M81" Woodland 853:Aircraft camouflage 848:Military camouflage 561:Disruptive eye mask 325:(1663): 1905–1910. 220:Thayer, Gerald H.; 1409:Stealth technology 919:Splittertarnmuster 814:Thomas N. Sherratt 430:(1825): 20152890. 381:(1724): 20160341. 133: 34: 1429: 1428: 1390: 1389: 1386: 1385: 1325: 1324: 1137:Camouflage Daguet 1010: 1009: 863:Dazzle camouflage 827: 826: 729:Mary Taylor Brush 573:Motion camouflage 541:Active camouflage 367:Cuthill, Innes C. 267:(1516): 481–488. 222:Thayer, Abbott H. 89:snow-land animals 1449: 1334: 905: 898: 838: 744:Norman Wilkinson 739:John Graham Kerr 678: 610: 598:Urban camouflage 508: 501: 494: 485: 478: 477: 464: 458: 457: 447: 415: 409: 408: 398: 362: 353: 352: 342: 310: 295: 294: 284: 249: 236: 235: 217: 166:visual attention 146: 1457: 1456: 1452: 1451: 1450: 1448: 1447: 1446: 1432: 1431: 1430: 1425: 1414:Cloaking device 1382: 1353: 1321: 1220: 1214: 1125:Type 87 (China) 1045: 1039: 1006: 980:(1917 aircraft) 972:Camouflage tree 960: 931:Rauchtarnmuster 910: 887: 878:Ship camouflage 823: 787: 783:Timothy O'Neill 778:Geoffrey Barkas 715: 669: 611: 602: 593:Snow camouflage 588:Self-decoration 517: 512: 482: 481: 466: 465: 461: 417: 416: 412: 364: 363: 356: 312: 311: 298: 251: 250: 239: 219: 218: 211: 206: 147: 141: 122: 71: 32:as distractive. 30:snow camouflage 12: 11: 5: 1455: 1453: 1445: 1444: 1434: 1433: 1427: 1426: 1424: 1423: 1422: 1421: 1416: 1406: 1398: 1396: 1392: 1391: 1388: 1387: 1384: 1383: 1381: 1380: 1374: 1368: 1361: 1359: 1355: 1354: 1352: 1351: 1346: 1340: 1338: 1331: 1327: 1326: 1323: 1322: 1320: 1319: 1313: 1307: 1301: 1295: 1289: 1283: 1277: 1271: 1265: 1259: 1253: 1247: 1241: 1235: 1224: 1222: 1216: 1215: 1213: 1212: 1206: 1200: 1194: 1191:wz. 93 Pantera 1188: 1182: 1176: 1170: 1164: 1158: 1152: 1146: 1140: 1134: 1128: 1122: 1116: 1110: 1104: 1098: 1092: 1086: 1080: 1074: 1068: 1062: 1056: 1049: 1047: 1041: 1040: 1038: 1037: 1031: 1025: 1018: 1016: 1012: 1011: 1008: 1007: 1005: 1004: 999: 993: 987: 981: 975: 968: 966: 962: 961: 959: 958: 952: 946: 940: 934: 928: 925:Platanenmuster 922: 915: 913: 902: 895: 889: 888: 886: 885: 880: 875: 870: 865: 860: 855: 850: 844: 842: 835: 829: 828: 825: 824: 822: 821: 819:Martin Stevens 816: 811: 806: 801: 795: 793: 789: 788: 786: 785: 780: 775: 774: 773: 761: 756: 754:Leon Underwood 751: 749:Everett Warner 746: 741: 736: 731: 725: 723: 717: 716: 714: 713: 712: 711: 699: 698: 697: 684: 682: 675: 671: 670: 668: 667: 662: 661: 660: 655: 650: 640: 635: 633:Decorator crab 630: 625: 619: 617: 613: 612: 605: 603: 601: 600: 595: 590: 585: 580: 575: 570: 565: 564: 563: 558: 548: 543: 538: 536:Countershading 533: 527: 525: 519: 518: 513: 511: 510: 503: 496: 488: 480: 479: 459: 410: 354: 296: 237: 234:–152, 246–247. 208: 207: 205: 202: 139: 121: 118: 70: 67: 24:described the 13: 10: 9: 6: 4: 3: 2: 1454: 1443: 1440: 1439: 1437: 1420: 1417: 1415: 1412: 1411: 1410: 1407: 1405: 1404: 1400: 1399: 1397: 1393: 1378: 1375: 1372: 1371:Yehudi lights 1369: 1366: 1363: 1362: 1360: 1356: 1350: 1347: 1345: 1342: 1341: 1339: 1335: 1332: 1328: 1317: 1314: 1311: 1308: 1305: 1302: 1299: 1296: 1293: 1290: 1287: 1284: 1281: 1278: 1275: 1272: 1269: 1266: 1263: 1260: 1257: 1254: 1251: 1248: 1245: 1242: 1239: 1236: 1233: 1229: 1226: 1225: 1223: 1217: 1210: 1207: 1204: 1201: 1198: 1195: 1192: 1189: 1186: 1183: 1180: 1177: 1174: 1171: 1168: 1165: 1162: 1159: 1156: 1153: 1150: 1147: 1144: 1141: 1138: 1135: 1132: 1129: 1126: 1123: 1120: 1117: 1114: 1111: 1108: 1105: 1102: 1099: 1096: 1093: 1090: 1087: 1084: 1081: 1078: 1075: 1072: 1069: 1066: 1063: 1060: 1057: 1054: 1051: 1050: 1048: 1042: 1035: 1032: 1029: 1026: 1023: 1020: 1019: 1017: 1013: 1003: 1000: 997: 994: 991: 990:Denison smock 988: 985: 984:Telo mimetico 982: 979: 976: 973: 970: 969: 967: 963: 956: 953: 950: 947: 944: 941: 938: 935: 932: 929: 926: 923: 920: 917: 916: 914: 912: 906: 903: 899: 896: 894: 890: 884: 881: 879: 876: 874: 871: 869: 866: 864: 861: 859: 856: 854: 851: 849: 846: 845: 843: 839: 836: 834: 830: 820: 817: 815: 812: 810: 809:Innes Cuthill 807: 805: 802: 800: 797: 796: 794: 790: 784: 781: 779: 776: 772: 771: 767: 766: 765: 762: 760: 757: 755: 752: 750: 747: 745: 742: 740: 737: 735: 732: 730: 727: 726: 724: 722: 718: 710: 709: 705: 704: 703: 700: 696: 695: 691: 690: 689: 686: 685: 683: 679: 676: 672: 666: 663: 659: 656: 654: 651: 649: 646: 645: 644: 641: 639: 638:Flower mantis 636: 634: 631: 629: 626: 624: 621: 620: 618: 614: 609: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 574: 571: 569: 566: 562: 559: 557: 554: 553: 552: 549: 547: 544: 542: 539: 537: 534: 532: 529: 528: 526: 524: 520: 516: 509: 504: 502: 497: 495: 490: 489: 486: 475: 474: 469: 468:Cott, Hugh B. 463: 460: 455: 451: 446: 441: 437: 433: 429: 425: 421: 414: 411: 406: 402: 397: 392: 388: 384: 380: 376: 372: 368: 361: 359: 355: 350: 346: 341: 336: 332: 328: 324: 320: 316: 309: 307: 305: 303: 301: 297: 292: 288: 283: 278: 274: 270: 266: 262: 258: 254: 248: 246: 244: 242: 238: 233: 229: 228: 223: 216: 214: 210: 203: 201: 199: 198:motion dazzle 194: 192: 188: 187: 182: 178: 176: 170: 167: 162: 157: 153: 145: 144:I. C. Cuthill 138: 130: 126: 119: 116: 114: 110: 109:snow buntings 106: 102: 99:, the boreal 98: 94: 90: 84: 82: 81: 76: 68: 66: 64: 63:motion dazzle 60: 56: 54: 50: 45: 42: 38: 31: 27: 23: 18: 1419:Invisibility 1401: 1179:Soldier 2000 1059:Tiger stripe 1002:Ghillie suit 955:Leibermuster 949:Erbsenmuster 937:Palmenmuster 768: 706: 692: 567: 471: 462: 427: 423: 413: 378: 374: 322: 318: 264: 260: 226: 195: 184: 179: 175:search image 171: 149: 135: 103:and ... the 93:Arctic hares 86: 78: 72: 58: 57: 46: 36: 35: 1131:wz. 89 Puma 1083:wz. 68 Moro 986:(1929 tent) 943:Sumpfmuster 799:Roy Behrens 792:Researchers 721:Camoufleurs 253:Stevens, M. 1358:Prototypes 1344:Berberys-R 1330:Technology 1161:Tropentarn 1028:Strichtarn 901:Up to WWII 658:Aggressive 531:Camouflage 515:Camouflage 476:. Methuen. 204:References 152:masquerade 129:Disruptive 105:ptarmigans 41:camouflage 1155:Flecktarn 1044:Late 20th 996:Frog Skin 764:Hugh Cott 653:MĂĽllerian 616:In nature 181:Hugh Cott 161:blue tits 156:cognitive 120:Mechanism 113:snowy owl 39:serve to 26:snowy owl 20:In 1909, 1436:Category 1337:Deployed 1316:Xingkong 1238:MultiCam 1230:(2001) ( 1015:Post-war 939:(c 1941) 893:Patterns 833:Military 804:Tim Caro 648:Batesian 470:(1940). 454:26911959 405:28533458 369:(2017). 349:19324754 291:18990673 224:(1909). 140:—  87:several 1395:Related 1377:Adaptiv 1349:Nakidka 1274:Type 07 1234:(2002)) 1221:century 1046:century 978:Lozenge 643:Mimicry 628:Crypsis 523:Methods 445:4810834 396:5444062 340:2674505 282:2674077 137:animal. 101:weasels 69:History 1379:(2011) 1373:(1943) 1367:(1941) 1318:(2019) 1312:(2019) 1306:(2015) 1300:(2015) 1298:HunCam 1294:(2014) 1288:(2010) 1282:(2008) 1276:(2007) 1270:(2007) 1264:(2007) 1258:(2006) 1256:ESTDCU 1252:(2004) 1246:(2004) 1240:(2002) 1228:MARPAT 1211:(1998) 1205:(1998) 1199:(1997) 1197:CADPAT 1193:(1993) 1187:(1993) 1185:TAZ 90 1181:(1993) 1175:(1991) 1169:(1990) 1163:(1990) 1157:(1990) 1151:(1990) 1145:(1990) 1139:(1989) 1133:(1989) 1127:(1987) 1121:(1984) 1115:(1984) 1109:(1983) 1107:TAZ 83 1103:(1982) 1097:(1981) 1091:(1981) 1085:(1969) 1079:(1969) 1073:(1967) 1067:(1965) 1061:(1962) 1055:(1958) 1053:Jigsaw 1036:(1968) 1030:(1960) 1024:(1947) 1022:Lizard 998:(1942) 992:(1941) 974:(1915) 957:(1945) 951:(1944) 945:(1943) 933:(1939) 927:(1937) 921:(1931) 909:German 841:Topics 674:People 452:  442:  403:  393:  347:  337:  289:  279:  111:, the 107:, the 1209:Flora 1113:Dubok 965:Other 681:Early 97:foxes 91:... 1219:21st 1071:ERDL 1034:KLMK 911:WWII 450:PMID 401:PMID 345:PMID 287:PMID 95:and 1280:EMR 1262:M05 1203:M98 1143:M90 1119:M84 440:PMC 432:doi 428:283 391:PMC 383:doi 379:372 335:PMC 327:doi 323:276 277:PMC 269:doi 265:364 232:151 1438:: 448:. 438:. 426:. 422:. 399:. 389:. 377:. 373:. 357:^ 343:. 333:. 321:. 317:. 299:^ 285:. 275:. 263:. 259:. 240:^ 212:^ 65:. 507:e 500:t 493:v 456:. 434:: 407:. 385:: 351:. 329:: 293:. 271::

Index


Abbott Handerson Thayer
snowy owl
snow camouflage
camouflage
Abbott Handerson Thayer
disruptive coloration
motion dazzle
Abbott Handerson Thayer
Concealing-Coloration in the Animal Kingdom
snow-land animals
Arctic hares
foxes
weasels
ptarmigans
snow buntings
snowy owl

Disruptive
I. C. Cuthill
masquerade
cognitive
blue tits
visual attention
search image
Hugh Cott
Adaptive Coloration in Animals
disruptive coloration
motion dazzle

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