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combination that likely reflects the donor's wishes. Of the four scenes, the top two are of a double height, the bottom two separated by the edge of the throne in place of a decorative band. They depict, from left to right, top to bottom, the
159:, inscribed IOH(ann)ES PICTOR FECIT HOC OPUS / FR(atri) TOBALDI, attesting to its creation by Giovanni the Painter, and dated 1309. Three or four other crucifixes are identified as being by the same artist, influenced by that (
589:
454:
493:
948:
24:
207:, Giovanni da Rimini's career and the beginnings of the fourteenth-century Riminese School have been reconstructed by scholars in recent decades, beginning with the 1935 exhibition
924:
597:
489:
943:
285:
in 2015, under an agreement that would see it loaned back to the benefactor for the remainder of his lifetime, with triennial displays at the
Gallery, the first in 2017.
262:
258:
701:[Giovanni da Rimini: Madonna and Child with two angels and Saints Francis, Michael, Augustine, Catherina, and Clare] (in Italian). Pinacoteca Comunale di Faenza
462:
988:
852:
238:
883:
765:
644:
912:
246:
968:
983:
801:
59:
490:"Storie di Cristo (NativitĂ , Crocifissione, Deposizione nel sepolcro, Discesa al Limbo, Marie al sepolcro, Resurrezione, Giudizio finale)"
372:
116:
69:
826:
573:
497:
766:"RCEWA Case 4 (2014–15): Left wing of a diptych with episodes from the Lives of the Virgin and other Saints, by Giovanni da Rimini"
148:
278:
200:
919:
519:
699:"Giovanni da Rimini, Madonna col Bambino, due Angeli e i SS. Francesco, Michele Arcangelo, Agostino, Caterina e Chiara"
168:
978:
673:
172:
958:
192:
860:
379:, Rome. Separated by decorative bands, the six zones of equal size depict, from left to right, top to bottom, the
963:
314:
196:
776:
565:
318:
973:
156:
802:"Giovanni da Rimini: Left wing of a diptych with episodes from the lives of the Virgin and other saints"
728:
652:
396:
723:[Giovanni da Rimini: Frescoes in the Campanile Chapel of Sant'Agostino, Rimini] (in Italian).
772:
523:
384:
152:
346:
310:
416:
371:
The right wing of the diptych formed part of the
Sciarra Collection until 1897 and is now in the
306:
234:
160:
559:
254:
953:
569:
392:
380:
376:
326:
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204:
143:
between 1292 and 1336. This
Giovanni is thought to be the same as the artist of the inscribed
120:
73:
856:
698:
458:
421:
334:
282:
230:
112:
34:
928:
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619:
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in 2015. Giovanni's panel paintings include what is probably half of a second diptych,
102:
81:
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937:
724:
648:
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721:"Giovanni da Rimini, affreschi nella cappella del campanile in S. Agostino a Rimini"
888:
297:
180:
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805:
677:
592:[The Rimini School and paintings of the fourteenth century] (in Italian).
250:
184:
269:" and in excellent condition, and of "outstanding significance for the study of
527:
302:
226:
195:). Also attributed to Giovanni are wall paintings in the Campanile Chapel of
623:
322:
176:
330:
270:
144:
111:, dated to 1300–1305, of which the left wing is in the collection of the
338:
107:
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46:
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830:
593:
342:
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140:
84:; 52.5 centimetres (20.7 in) by 34.5 centimetres (13.6 in)
53:; 54.5 centimetres (21.5 in) by 36.5 centimetres (14.4 in)
647:[Christ on the Cross, by Giovanni da Rimini] (in Italian).
827:"Last chance to keep rare 14th century Italian painting in the UK"
884:"Rare painting secured for UK in unique deal with cosmetics heir"
561:
The Grove
Encyclopedia of Medieval Art and Architecture, Volume 2
351:
Behold the Lambe of God, which taketh away the sinne of the world
622:[Crucifix by Giovanni da Rimini (1300)] (in Italian).
358:
203:), similarly showing Giotto's influence. Once confused with
261:
was placed on the painting, on the grounds of it meeting "
139:(master), is known from legal documents to have lived in
492:[Scenes from the Life of Christ] (in Italian).
455:"Scenes from the Lives of the Virgin and other Saints"
273:
painting in Rimini". With the financial assistance of
288:
The "jewel-like" painting, showing the influence of
220:
Scenes from the Lives of the Virgin and other Saints
31:
Scenes from the Lives of the Virgin and other Saints
914:
Scenes from the Life of the Virgin and other Saints
345:in-between. John the Baptist's scroll reads ECCE /
949:Collection of the Galleria Nazionale d'Arte Antica
383:, with Christ's first bath in the foreground, the
245:thereafter, the painting passed by descent to the
337:in the wilderness, proclaiming the coming of the
313:temple standing over the saint's empty tomb, the
317:, above a crowd of onlooking saints and angels,
590:"La Scuola riminese e i dipinti del XIV secolo"
321:disputing with the philosophers before Emperor
8:
620:"Il Crocefisso di Giovanni da Rimini (1300)"
494:Ministero per I beni e le attivitĂ culturali
484:
482:
480:
349:/ ECCE / Q(u)I TO(l) / LIT (peccata mundi)
265:" 2 and 3, being of "outstanding aesthetic
522:[Crucifix by Giovanni da Rimini].
239:Algernon Percy, 4th Duke of Northumberland
944:Paintings in the National Gallery, London
191:, in the Pinacoteca Comunale di Faenza (
645:"Giovanni da Rimini, Cristo crocifisso"
439:
760:
758:
756:
754:
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674:"Giovanni da Rimini: Painted Crucifix"
296:, comprises four scenes in an unusual
553:
551:
549:
547:
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237:, was acquired as being by Giotto by
189:The Virgin and Child with Five Saints
171:), in the Museo della cittĂ , Rimini (
7:
989:Paintings of the Ascension of Christ
449:
447:
445:
443:
253:in 2014 for ÂŁ5.7 million, including
115:, London, and the right that of the
16:Pair of paintings in London and Rome
325:, and a pairing of the episodes of
281:, the painting was acquired by the
91:Among the paintings attributed to
14:
233:, and subsequently by Pietro and
373:Galleria Nazionale d'Arte Antica
209:La pittura riminese del Trecento
117:Galleria Nazionale d'Arte Antica
70:Galleria Nazionale d'Arte Antica
58:
23:
520:"Crocifisso Giovanni da Rimini"
969:Paintings based on the Gospels
921:Scenes from the Life of Christ
558:Hourihane, Colum, ed. (2012).
366:Scenes from the Life of Christ
66:Scenes from the Life of Christ
1:
984:Paintings of John the Baptist
167:: the "Diotallevi” Crucifix (
179:; another in San Francesco,
882:Mark Brown (28 July 2015).
859:. July 2015. Archived from
247:12th Duke of Northumberland
175:); another in San Lorenzo,
1005:
225:The diptych's left wing,
725:Fondazione Federico Zeri
649:Fondazione Federico Zeri
315:Coronation of the Virgin
566:Oxford University Press
401:Three Marys at the Tomb
249:, before being sold at
183:; and a fourth sold at
853:"Saved for the nation"
335:Saint John the Baptist
241:in 1853, for ÂŁ100. At
157:Mercatello sul Metauro
729:University of Bologna
653:University of Bologna
197:Sant'Agostino, Rimini
101:. 1292–1336) are two
773:Arts Council England
259:temporary export bar
151:) in San Francesco (
863:on 5 September 2015
624:Comune di Talamello
979:Paintings of Jesus
927:2015-10-02 at the
417:Giuliano da Rimini
393:Descent into Limbo
235:Vincenzo Camuccini
127:Giovanni da Rimini
93:Giovanni da Rimini
959:Italian paintings
833:. 29 October 2014
735:on 1 October 2015
600:on 1 October 2015
524:Museo del Metauro
500:on 2 October 2015
465:on 2 October 2015
377:Palazzo Barberini
263:Waverley Criteria
205:Giovanni Baronzio
135:(painter), later
121:Palazzo Barberini
74:Palazzo Barberini
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459:National Gallery
451:
426:Neri da Rimini (
422:Pietro da Rimini
341:, with a winged
283:National Gallery
231:Barberini family
113:National Gallery
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35:National Gallery
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307:Saint Augustine
255:buyer's premium
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347:AGN(us) / DEI
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889:The Guardian
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865:. Retrieved
861:the original
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835:. Retrieved
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809:. Retrieved
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784:. Retrieved
777:the original
737:. Retrieved
733:the original
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703:. Retrieved
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681:. Retrieved
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602:. Retrieved
598:the original
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532:. Retrieved
528:the original
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502:. Retrieved
498:the original
467:. Retrieved
463:the original
397:Resurrection
370:
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298:iconographic
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279:Estée Lauder
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181:Sassoferrato
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399:, with the
385:Crucifixion
938:Categories
435:References
403:, and the
389:Entombment
309:, above a
303:Apotheosis
227:once owned
131:Giovanni,
895:1 October
867:4 October
837:1 October
811:1 October
806:Sotheby's
786:1 October
739:1 October
705:1 October
683:1 October
678:Sotheby's
658:1 October
629:1 October
604:1 October
534:1 October
504:1 October
469:1 October
323:Maxentius
277:, son of
251:Sotheby's
185:Sotheby's
177:Talamello
954:Diptychs
925:Archived
411:See also
381:Nativity
331:stigmata
271:Trecento
145:crucifix
123:, Rome.
339:Messiah
292:and of
229:by the
137:maestro
108:diptych
78:tempera
47:gilding
43:tempera
831:Gov.uk
572:
395:, the
391:, the
387:, the
357:1.29,
343:cherub
311:Gothic
294:Giotto
165:Giotto
141:Rimini
133:pictor
103:panels
45:, and
780:(PDF)
769:(PDF)
267:value
163:) of
897:2015
869:2015
839:2015
813:2015
788:2015
741:2015
707:2015
685:2015
660:2015
631:2015
606:2015
570:ISBN
536:2015
506:2015
471:2015
355:John
333:and
257:. A
82:wood
51:wood
361:).
359:KJV
305:of
155:),
80:on
49:on
39:oil
940::
886:.
855:.
829:.
804:.
771:.
749:^
727:,
676:.
651:,
564:.
544:^
479:^
457:.
442:^
428:it
407:.
375:,
215:.
201:it
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161:it
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149:it
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98:fl
76:;
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41:,
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
