Knowledge (XXG)

Direction of movement

Source 📝

28: 57: 444:"Inside turn" is most intuitively clear if initially the couple is in an open single-handhold position facing each other, and the name corresponds to the direction of the lead. To lead the inside turn, the leader moves the follower's arm inside, and conversely for the outside turn. In other positions the term is not so clear, therefore in some dances, some prefer to use this term according to its usage in 328: 122: 432:. An "inside turn" is a turn that begins with the held hands (often the leader's left and the follower's right) moving toward the "inside" of the couple (along the imaginary line between the centers of the partners); an "outside turn" is the opposite. The turns may be performed in numerous ways and using different handholds. In dances such as swing and salsa, 440:
turns typically refer to underarm turns performed by the follower. In these dances the follower's right arm is normally used to lead a turn (most commonly by the leader's left arm, but sometimes by the leader's right arm when a cross-hand or "handshake" position is used), an inside turn is normally a
104:
if the dancer's feet are oriented in the opposite direction and the dancer is moving backwards with respect to their body. For example, "backing DC against LOD" means that a dancer is moving diagonally to the center against the line of dance, but as they are dancing backwards, the feet (and, roughly,
43:), directions of progressive movement, in particular directions of steps, can be indicated either in relation to the room or in relation to the body position. Directions of turns, although there are only two of them, may also be indicated in several ways. 213:: The leader (man) is said to face 12 o'clock immediately before a figure starts. Then directions can be described by saying, for example, that the direction of the second step is 3 o'clock, and the direction of the third step is between 4 and 5 o'clock. 112:
refers explicitly to the direction the feet are pointing, which is useful if they are not, or not yet, aligned with the orientation of the body. For example, a dancer can be pointing DW while facing the wall.
278:
A commonly stated theory of the origin of the term is that considering the right-shifted position in a couple (even more pronounced in older times) and the counter-clockwise direction of travel along the
483:
are alternating inside and outside turns, although the direction of the rotation is the same. Therefore, it is common to name the turning figure according to the direction of the first turning step.
441:
left (counter-clockwise) turn, while an outside turn is a right (clockwise) turn. However, if the follower's left arm is used to initiate the turn, the intended direction of turning may be opposite.
283:, the right turns are easier to perform, they are more "natural". This is especially true at the corners of the dance floor: the amount of the right turn is effectively only 713: 31:
Leader (man) backing diagonal wall and about to step diagonally back (i.e., towards the wall); follower (lady) facing diagonal wall. Explanation see below.
520: 479:
The latter definition is unambiguous, but in other contexts it is only applicable to a single footstep. For example, according to this definition,
345: 125:
Basic directions of step with respect to body position. Here, the left foot is the moving foot and the right foot is the supporting foot.
744: 411: 392: 424:
The terms "inside turn" and "outside turn" apply only to an individual turn of a partner, not to a turn of a couple. They occur in
364: 492: 138: 134: 27: 371: 349: 187: 378: 717: 608: 595: 569: 360: 338: 692: 480: 524: 220:
points: Assuming that the dancer faces North at any moment, one may say, e.g., "take a step North-West".
17: 548: 385: 271:" describes a right or clockwise turn of the dance couple. This usage originated from the names of 56: 671: 449: 280: 68: 629: 497: 193:
forward in CBMP (i.e., the moving foot is placed directly in front of the supporting foot),
36: 196:
forward and across in CBMP (i.e., the moving foot crosses in front of the supporting foot),
473: 469: 461: 650: 429: 310:
of the turn, having the longer way to move, and the partner dancing backward is on the
738: 40: 268: 172:
forward and slightly leftward (for the left foot) or rightward (for the right foot)
425: 327: 181:
back and slightly leftward (for the left foot) or rightward (for the right foot)
589: 121: 464:) turn is the turn in the direction towards the working leg. Accordingly, an 453: 293:
of a full turn, and the amount of the left turn is effectively as much as
303:, because the LOD changes its direction by 90 degrees to the left (CCW). 352: in this section. Unsourced material may be challenged and removed. 217: 100:
if the dancer's feet are pointing in the direction of the movement, or
472:) turn is the turn in the direction towards the support leg. See also 445: 64:
Dancers can align their bodies and move in any of these directions:
272: 210: 120: 55: 26: 321: 591:
How to Dance Waltz Natural Turn from WDSF PD Champions
117:
Basic directions of step with respect to body position
250:
turns (not to be confused with a dancer being on the
60:
Basic directions of movement with respect to the room
52:
Basic directions of movement with respect to the room
275:
moves and was transferred to other, similar dances.
693:"How to do a Dance Turn: Reverse and Natural Turns" 452:rather than arm style. In ballet, when describing 129:These are described in one of the following ways. 543: 541: 306:The partner dancing forward is said to be on the 105:the body) are pointing diagonally to the wall. 515: 513: 8: 89:diagonal center against LOD (DC against LOD) 92:diagonal wall against LOD (DW against LOD) 412:Learn how and when to remove this message 18:Direction of movement (ballroom dancing) 672:"What Is Natural About A Natural Turn?" 509: 96:These directions may be taken either 7: 350:adding citations to reliable sources 523:. DanceCentral.info. Archived from 240:(left or counter-clockwise) turns, 236:(that is, right or clockwise) and 144:in one of the primary directions: 47:Directions of progressive movement 25: 716:. Ballroom Guide. Archived from 493:Glossary of ballroom dance terms 326: 337:needs additional citations for 229:Ballroom dancing distinguishes 175:side(ways) and slightly forward 141:, the next step may be placed 1: 714:"Inside and Outside of Turns" 188:contra body movement position 178:side(ways) and slightly back 39:(and in some other types of 761: 263:Natural vs. reverse turns 745:Ballroom dance technique 318:Inside vs. outside turns 202:back and across in CBMP. 598:. Retrieved 2020-04-30. 570:"Directional movements" 361:"Direction of movement" 695:. SocialBallroom.dance 169:in a hybrid diagonal: 126: 61: 32: 653:. BallroomDancers.com 572:. BallroomDancers.com 551:. BallroomDancers.com 124: 59: 30: 346:improve this article 158:in a diagonal line: 133:With respect to the 83:diagonal center (DC) 611:. DanceCentral.info 521:"Alignment diagram" 225:Directions of turns 161:diagonally forward, 127: 86:diagonal wall (DW) 62: 33: 632:. Merriam-Webster 422: 421: 414: 396: 16:(Redirected from 752: 729: 728: 726: 725: 710: 704: 703: 701: 700: 689: 683: 682: 680: 679: 668: 662: 661: 659: 658: 647: 641: 640: 638: 637: 626: 620: 619: 617: 616: 605: 599: 592: 587: 581: 580: 578: 577: 566: 560: 559: 557: 556: 545: 536: 535: 533: 532: 517: 498:Outline of dance 417: 410: 406: 403: 397: 395: 354: 330: 322: 302: 301: 297: 292: 291: 287: 164:diagonally back, 37:ballroom dancing 21: 760: 759: 755: 754: 753: 751: 750: 749: 735: 734: 733: 732: 723: 721: 712: 711: 707: 698: 696: 691: 690: 686: 677: 675: 674:. Round Dancing 670: 669: 665: 656: 654: 649: 648: 644: 635: 633: 628: 627: 623: 614: 612: 607: 606: 602: 590: 588: 584: 575: 573: 568: 567: 563: 554: 552: 547: 546: 539: 530: 528: 519: 518: 511: 506: 489: 418: 407: 401: 398: 355: 353: 343: 331: 320: 299: 295: 294: 289: 285: 284: 265: 227: 139:supporting foot 119: 54: 49: 23: 22: 15: 12: 11: 5: 758: 756: 748: 747: 737: 736: 731: 730: 705: 684: 663: 651:"Natural turn" 642: 630:"Reverse turn" 621: 609:"Natural turn" 600: 582: 561: 537: 508: 507: 505: 502: 501: 500: 495: 488: 485: 430:American style 420: 419: 334: 332: 325: 319: 316: 264: 261: 260: 259: 241: 226: 223: 222: 221: 214: 207: 206: 205: 204: 203: 200: 197: 194: 184: 183: 182: 179: 176: 173: 167: 166: 165: 162: 156: 155: 154: 151: 148: 118: 115: 94: 93: 90: 87: 84: 81: 78: 75: 72: 53: 50: 48: 45: 24: 14: 13: 10: 9: 6: 4: 3: 2: 757: 746: 743: 742: 740: 720:on 2020-05-14 719: 715: 709: 706: 694: 688: 685: 673: 667: 664: 652: 646: 643: 631: 625: 622: 610: 604: 601: 597: 593: 586: 583: 571: 565: 562: 550: 544: 542: 538: 527:on 2020-04-28 526: 522: 516: 514: 510: 503: 499: 496: 494: 491: 490: 486: 484: 482: 481:chaînés turns 477: 475: 474:rond de jambe 471: 467: 463: 459: 455: 451: 447: 442: 439: 435: 431: 427: 416: 413: 405: 394: 391: 387: 384: 380: 377: 373: 370: 366: 363: –  362: 358: 357:Find sources: 351: 347: 341: 340: 335:This section 333: 329: 324: 323: 317: 315: 314:of the turn. 313: 309: 304: 282: 281:line of dance 276: 274: 270: 262: 257: 253: 249: 245: 242: 239: 235: 232: 231: 230: 224: 219: 215: 212: 208: 201: 199:back in CBMP, 198: 195: 192: 191: 189: 185: 180: 177: 174: 171: 170: 168: 163: 160: 159: 157: 152: 149: 146: 145: 143: 142: 140: 136: 132: 131: 130: 123: 116: 114: 111: 106: 103: 99: 91: 88: 85: 82: 79: 76: 73: 70: 69:line of dance 67: 66: 65: 58: 51: 46: 44: 42: 41:partner dance 38: 29: 19: 722:. Retrieved 718:the original 708: 697:. Retrieved 687: 676:. Retrieved 666: 655:. Retrieved 645: 634:. Retrieved 624: 613:. Retrieved 603: 585: 574:. Retrieved 564: 553:. Retrieved 549:"Alignments" 529:. Retrieved 525:the original 478: 465: 457: 443: 437: 433: 426:Latin dances 423: 408: 399: 389: 382: 375: 368: 356: 344:Please help 339:verification 336: 311: 307: 305: 277: 269:natural turn 266: 255: 251: 247: 243: 237: 233: 228: 128: 109: 107: 101: 97: 95: 63: 34: 448:, based on 258:of a turn). 153:side(ways), 74:against LOD 724:2020-04-30 699:2020-04-30 678:2020-04-30 657:2021-05-19 636:2020-04-30 615:2020-04-30 576:2020-04-30 555:2020-04-30 531:2020-04-30 504:References 454:pirouettes 402:April 2012 372:newspapers 267:The term " 254:or on the 77:center (C) 470:en dedans 462:en dehors 108:The term 739:Category 487:See also 450:footwork 190:(CBMP): 147:forward, 110:pointing 80:wall (W) 596:YouTube 458:outward 438:outside 428:and in 386:scholar 308:outside 298:⁄ 288:⁄ 256:outside 248:outside 238:reverse 234:natural 218:compass 137:of the 102:backing 466:inward 446:ballet 434:inside 388:  381:  374:  367:  359:  312:inside 252:inside 244:inside 98:facing 456:, an 393:JSTOR 379:books 273:waltz 211:clock 150:back, 71:(LOD) 436:and 365:news 246:and 135:line 594:on 348:by 216:By 209:By 186:in 35:In 741:: 540:^ 512:^ 476:. 727:. 702:. 681:. 660:. 639:. 618:. 579:. 558:. 534:. 468:( 460:( 415:) 409:( 404:) 400:( 390:· 383:· 376:· 369:· 342:. 300:4 296:5 290:4 286:3 20:)

Index

Direction of movement (ballroom dancing)

ballroom dancing
partner dance

line of dance

line
supporting foot
contra body movement position
clock
compass
natural turn
waltz
line of dance

verification
improve this article
adding citations to reliable sources
"Direction of movement"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
Latin dances
American style
ballet
footwork

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.