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advice to the various local authorities and local cultural partners. Their missions cover all the sectors of activity of the ministry: Literature, music, plastic arts, dance, theater, cinema and audiovisual, scientific and technical culture, museums, archives and heritage. They are therefore the regional representatives of all the
Ministry's departments.
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The headquarters of the various DRACs are located for the most part in the same cities that host the regional prefecture, with the notable exception of
Normandy (Rouen is the prefecture but the headquarters of the Normandy DRAC is in Caen) and the Occitanie region (Toulouse is the prefecture, but the
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Beyond the application of the directives of the central administration in each of these domains, the coherence of a global policy in the regions rests on them. They ensure the communication and the implementation of all the interventions of the ministry according to the objectives common to all the
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In 1968, Malraux asked Claude
Charpentier to think about the constitution of regional directorates. His mission led to the creation of five experimental DRACs from 1969, in Île-de-France, Rhône-Alpes, Alsace, Provence-Alpes-Côte d'Azur and Corsica. Jacques Duhamel and Jacques Rigaud ratified their
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André Malraux created in each region a
Regional Committee for Cultural Affairs (CRAC) by the circular of February 23, 1963. It includes a person in charge of each field of action of the ministry: architecture and archaeology, archives, cinema, artistic creation, artistic education, museums, theater
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The DRACs are placed under the authority of the regional prefects and, for certain attributions, of the department prefects. They are in charge of implementing, at the regional level, the priorities defined beforehand by the
Ministry of Culture and Communication. They also provide expertise and
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In order to carry out these actions, each department has a regional headquarters and territorial units. The regional director of cultural affairs is surrounded by a team with a wide range of scientific, technical, artistic and administrative skills. This team includes thematic advisors for the
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Departmental units of architecture and heritage (UDAP) (architects of the buildings of France): services in charge in each department of the scientific and technical control on the ground of the
Historic buildings, the surroundings of the historic buildings, the sites and the promotion of the
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Pôle Création-Diffusion: contributing to the encouragement of artistic creation (theater, music, dance, plastic arts) and the economy of cultural industries (cinema-audiovisual, books and reading) and gathering the advisors responsible for these sectors.
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In 2010, the DRACs merge with the departmental services of architecture and heritage. They are governed by decree no. 2010-633 of June 8, 20103. In the overseas departments and regions, these services are called "Direction des
Affaires culturelles".
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The
Regional Inventory Service, in charge of the general inventory of cultural heritage, has been placed under the responsibility of the region since January 1, 2007, in application of law no. 2004-809 of August 13, 2004.
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different fields of action of the ministry, such as the advisor for books and reading, or the advisor for museums. Each regional office has an information and documentation center open to the public.
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Service régional de l'archéologie (SRA) : in charge of the control of archaeological sites and preventive excavations;
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Regional
Conservation of Historic Monuments (CRMH): in charge of the legal protection of historic monuments;
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56:, managed by the "Conservation régionale des Monuments historiques"), museums, cinema, theatre, and art.
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headquarters of the
Occitanie DRAC is split in two, one part in Toulouse and the other in Montpellier).
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and music, cultural action. Their role was to coordinate national policy at the local level.
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Each department includes, among others, the following services:
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on February 23, 1963, it is in-charge of historical buildings (
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sectors and indicated as priorities by the minister, namely:
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generalization, effective under Françoise Giroud, in 1977.
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Territorial development and the expansion of audiences;
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