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396:'s orders, the party has formed an alliance with the other groups. In fact, Hugo realizes that the plan Hoederer was negotiating earlier, and which he was supposed to prevent, has been carried out. Hoederer's initiative was too premature, though, so the party had to kill him. After Hoederer's plan was adopted, the party rehabilitated his reputation, intending to commemorate him as a great leader and hero.
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445:, Hugo's 19-year-old wife. She keeps out of politics, referring to herself as someone brought up to simply "put flowers in vases". At first, she treats the approaching murder as a game, which does not help Hugo's confidence, but then she tries desperately to prevent it. When Hugo is jailed she at first keeps in touch but then breaks off communication and stops using her married name.
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536:. The 'Parti Proletarian' is the communist party to which most of the main characters in the story belong. They are fighting for "une société sans classes" ("a classless society"). The other two parties mentioned in this play are the Regent's Fascist government which supports Germany and the 'Pentagone' which is made up of the middle classes.
415:, a former member of the Illyrian parliament and a leading figure in the Socialist Proletarian Party. He has a very trusting nature and even remains friendly with Hugo after he realizes the young man is there to kill him. He offers to help Hugo sort out his internal conflicts. His plans are based on the political reality of the situation.
439:). His father is a leading businessman and, since he comes from a wealthy background, most members of the party dismiss him as an intellectual who does not even know what poverty is really like. Hugo is anxious to prove his worth to them, especially Louis and Olga, and he sees killing Hoederer as a way to achieve this.
361:, one of those who sent Hugo to commit the murder, discreetly visits Hugo and Jessica. A conversation between Olga and Jessica reveals that Olga threw the bomb as a warning for Hugo. Olga warns Hugo that his current pace is too slow, and that unless he assassinates Hoederer soon, she'll replace him with someone else.
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phallus, hinting that Hugo may suffer from erectile dysfunction and is unable to please her. Ten days pass and the negotiations begin with the other parties. When
Hoederer almost reaches a deal with the members of the class that he loathes, Hugo is on the point of reaching for his gun until a bomb explodes.
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Hugo insists that the party must remain pure. He maintains that they, the
Communists, must seize power, but Hoederer's expedient methods are not acceptable, especially since they involve collaborating with "class" enemies and deceiving their own forces. Once Hugo and Jessica are alone, Jessica tries
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of a leading politician. The story is told mainly in the form of a flashback, with the killer describing how he carried out his mission. The killer's identity is established from the beginning, but the question is whether his motivations were political or personal. Thus, the play's main theme is not
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Over time, however, both Hugo and
Jessica succumb to Hoederer's charm and manner. Although he disagrees with Hoederer's policies, Hugo believes that Hoederer could help him cross from boyhood to manhood and resolve his internal conflicts. Hoederer, who is now aware that Hugo is there to kill him on
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Hugo realizes that, despite Olga's statements to the contrary, if he continues to live and remain a member of the party, his assassination of
Hoederer will be meaningless. Olga tries desperately to convince him to live, but Hugo is intent on dying. When the hitmen knock on the door, Hugo announces
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Olga listens to Hugo's account of the murder and the events surrounding it. Hugo did not kill
Hoederer out of jealousy for Jessica but because he thought that Hoederer was not sincere when he said that he wanted Hugo to stay with him in order to mentor him: "I killed him because I opened the door.
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While in prison Hugo receives gifts, which he guesses are from those who sent him to kill
Hoederer. These gifts motivate Hugo, but he finds that some of the gifts are poisoned chocolates. When Hugo is released on parole, he finds himself stalked by the party's enemies and takes refuge with Olga.
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Hugo is angered, especially since the party has deceived its own members. In Hugo's view, the fact that they are at war and have likely saved a hundred thousand lives makes no difference. What matters now, he decides, is that
Hoederer should die not for a woman like Jessica, but rather for his
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Hoederer's plan is to enter government with the other parties but to leave them with the key ministerial posts. Once the war is over a number of unpopular but necessary policies will have to be implemented in order to rebalance the economy. These policies will cause problems for the right-wing
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move in with
Hoederer, who is charming and trusting by nature. Hugo then becomes his secretary. Although Hugo tries to convince Jessica that he is in earnest about the murder, she treats the whole thing as a game. Indeed, at first she sees the gun not as a murder weapon but as a metaphor for a
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Louis' orders, is willing to help Hugo solve his problems. He is not, however, so keen on
Jessica, whose attraction to him seems more physical. When he kisses her to relieve her attraction, Hugo sees their intimate moment and kills Hoederer.
558:, decided to make his new policies very pro-Germany and pro-Italy, a bit like how Hoederer wanted to join with the other parties to try to evolve as a country and stay on everyone's good side to get his own party's point across.
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to convince Hugo that he was persuaded by
Hoederer's view. Hugo, however, is convinced that his agreement with Hoederer's vision is all the more the reason to kill Hoederer because Hugo could convince others.
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forces may exacerbate the situation. Hoederer points out that people do not like occupying foreign armies, even liberating ones, and the feeling will be passed on to the government introduced by the invaders.
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No one is killed, but Hugo is furious, believing that the bomb attack suggests that those who sent him do not trust him to assassinate Hoederer. He gets drunk and almost gives the game up to Hoederer's
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government, allowing the left-wing groups, including the Communists, to seize power more easily. Currently, the Communists do not have enough support to gain power, and the expected arrival of the
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which Sartre espoused, but many have taken it as a straightforward political drama. Right-wingers welcomed it as anti-communist, and left-wingers attacked it for the same reason. When the
331:, another party leader, has decided that Hoederer must die. He grudgingly agrees to let Hugo, who has more commitment than experience, carry out the assassination of Hoederer.
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is the extent to which it is a play too rooted in themes of politics and existentialism, and whether, as a consequence, it becomes inaccessible for the average spectator.
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was an actual country of classical antiquity, whose territory included modern Albania, North Macedonia, Kosovo, Greece, Serbia and surroundings.) The country, an ally of
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Olga concludes that Hugo will be more useful alive than dead. However she also reveals that the policy that Hoederer proposed has been adopted after all. On
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that he has not killed Hoederer yet, but he will kill him and then himself. Hugo then kicks open the door.
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A political drama set in the fictional country of Illyria between 1943 and 1945, the story is about the
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770:"Review: Dirty Hands: A Brexistential Crisis | Culture | the Cambridge Student"
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has a lot to do with this play and how it was written. Illyria (also the location of
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policies—lying to the rank and file and jeopardizing the soul of the party.
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intellectual who joined the party's Communist faction under the name of
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643:. It was performed again later in 2000 in Britain under the title of
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Non-French versions of the play have had other titles, including
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That's all I know", "Jealous? Perhaps. But not for Jessica."
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was released in France in 1951 Communists threatened the
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711:. 11 March 1982. p. 49 – via BBC Genome.
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56:. Unsourced material may be challenged and removed.
813:No Exit' and three other plays by Jen-Paul Sartre
1275:Witness to My Life & Quiet Moments in a War
655:as Hoederer. The director of this performance,
307:, a party leader, has proposed talks with non-
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675:government. In 2017, the play was adapted by
471:, fighting the Regent of Illyria and his pro-
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1350:Place Jean-Paul-Sartre-et-Simone-de-Beauvoir
539:Hungary at that time was ruled by a Regent,
547:in 1932. Gömbös wanted to co-operate with
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687:, to comment on the politics of the post-
116:Learn how and when to remove this message
1283:War Diaries: Notebooks from a Phony War
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627:In 1982, the play was performed at the
1122:Imagination: A Psychological Critique
276:country, during the latter stages of
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601:Underlying the critics' response to
216:. It was first performed on 2 April
54:adding citations to reliable sources
1136:Sketch for a Theory of the Emotions
749:Features > Being and Nothingness
685:Dirty Hands: A Brexistential Crisis
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631:in London under the title of
543:who appointed Prime Minister
1159:Existentialism Is a Humanism
1129:The Transcendence of the Ego
532:) was presumably based upon
21:Dirty Hands (disambiguation)
1061:The Devil and the Good Lord
727:September 10, 2010, at the
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592:invasion of Czechoslovakia
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1386:Plays by Jean-Paul Sartre
1037:The Respectful Prostitute
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843:(La Putain respectueuse).
841:The Respectful Prostitute
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1085:The Condemned of Altona
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937:The Roads to Freedom
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19:For other uses, see
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1306:Bad faith (
1243:" (1971–72)
1215:(1947–1976)
1053:Dirty Hands
997:screenplays
968:In the Mesh
835:Dirty Hands
815:(full text)
803:Dirty Hands
647:, starring
635:, starring
610:Dirty Hands
596:Warsaw Pact
576:Dirty Hands
524:Shakespeare
427:Raskolnikov
419:Hugo Barine
359:Olga Lorame
321:Nationalist
301:Hugo Barine
201:Dirty Hands
131:Dirty Hands
1376:1948 plays
1365:Categories
904:Novels and
780:2017-05-12
695:References
645:The Novice
618:Red Gloves
594:by fellow
590:after the
479:The Prince
431:Dostoevsky
408:Characters
345:bodyguards
153:1948-04-02
136:Written by
76:newspapers
1345:Situation
1267:The Words
1077:Nekrassov
1013:The Flies
995:Plays and
829:The Flies
757:Routledge
598:forces.
423:bourgeois
309:Socialist
297:Communist
106:July 2011
1236:" (1953)
1229:" (1952)
1222:" (1948)
1208:" (1946)
1190:" (1989)
1183:" (1983)
1169:" (1957)
1138:" (1939)
1131:" (1936)
1124:" (1936)
976:Intimacy
922:The Wall
725:Archived
679:for the
465:Liberals
413:Hoederer
305:Hoederer
295:A young
1294:Related
1021:No Exit
1005:Bariona
823:No Exit
739:website
735:at the
663:or the
581:cinemas
534:Hungary
499:Charles
489:Georges
473:Fascist
443:Jessica
336:Jessica
325:Germans
317:liberal
313:Fascist
282:Illyria
270:Illyria
220:at the
193:Illyria
190:Setting
151: (
90:scholar
1286:(1984)
1278:(1983)
1270:(1964)
1262:(1959)
1162:(1946)
1154:(1943)
1146:(1940)
1104:(1984)
1096:(1965)
1088:(1959)
1080:(1955)
1072:(1953)
1064:(1951)
1056:(1948)
1048:(1947)
1040:(1946)
1032:(1945)
1024:(1944)
1016:(1943)
1008:(1940)
987:(1961)
979:(1949)
971:(1948)
963:(1949)
955:(1945)
947:(1945)
917:(1938)
914:Nausea
857:
689:Brexit
588:Prague
562:Legacy
503:Frantz
461:Karsky
429:(from
394:Moscow
370:Soviet
319:- and
206:French
175:French
92:
85:
78:
71:
63:
691:era.
485:Slick
449:Louis
329:Louis
226:Paris
180:Genre
166:Paris
97:JSTOR
83:books
1069:Kean
855:IMDb
667:and
639:and
620:and
509:Ivan
501:and
493:Leon
491:and
467:and
455:Olga
264:Plot
240:and
218:1948
69:news
853:at
755:at
751:by
669:New
665:Old
526:'s
433:'s
280:. (
258:why
254:who
252:on
224:in
52:by
1367::
624:.
616:,
612:,
487:,
299:,
292:.
244:.
236:,
208::
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889:e
882:t
875:v
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94:·
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