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what did I do I saw you miserable devil I saw you and I was deceived and I believed miserable devil I thought I needed you, and I thought I was tempted by the devil and I know no temptation is tempting unless the devil tells you so. And you wanted my soul what the hell did you want my soul for, how do you know I have a soul, who says so nobody says so but you the devil and everybody knows the devil is all lies, so how do you know how do I know that I have a soul to sell how do you know Mr. Devil oh Mr. Devil how can you tell you can not tell anything and I I who know everything I keep on having so much light that light is not bright and what after all is the use of light, you can see just as well without it, you can go around just as well without it you can get up and go to bed just as well without it, and I I wanted to make it and the devil take it yes you devil you do not even want it and I sold my soul to make it. I have made it but have I a soul to pay for it.
2055:
132:’ relationship to Mephisto, Faustus and Marguerite Ida and Helena Annabel, and the pairings of minor characters (Boy and Dog, Boy and Girl, Dog Mephisto and Viper, Country Woman Viper and MIHA, the Man from Overseas and Faustus, he and MIHA). The text does not allow for a stable diagramming or coherent identities. Like the speech-headings in
213:
What do I care there is no here nor there. What am I. I am Doctor
Faustus who knows everything can do everything and you say it was through you but not at all, if I had not been in a hurry and if I had taken my time I would have known how to make white electric light and day-light and night light and
233:
Despite this opening, Stein proceeds to marginalize the
Faustian struggle between good and evil within the breast of Man, which is traditionally played out through the relation between Faustus and Mephistopheles, in favour of a conflict (if the play can be said to have a dramatic conflict in the
176:
associated with traditional dramatic literature (from which each of these practitioners have displayed varying degrees of independence). Like
Beckett, Stein is interested in an aesthetic of surfaces - of formal elements interacting in space - which do not serve the traditional purpose of the
76:
Stein wrote the piece during what critics often refer to as the final or narrative period of her playwriting career. From 1932 onwards, she had begun to rediscover and reintegrate stories into her dramatic writing, an element hitherto she had worked to exclude. In a letter to
222:
Yes dear Doctor
Faustus yes of course you have a soul of course you have, do not believe them when they say the devil lies, you know the devil never lies, he deceives oh yes he deceives but that is not lying no dear please dear Doctor Faustus do not say the devil
140:
texts, Stein describes her characters in a number of different ways, suggesting some degree of multiplicity in her conception of dramatic character (most explicitly present in the multiple characterization of "Marguerite Ida and Helena
Annabel").
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does not resemble that which is traditionally thought to constitute a play. The progressive development of a coherent plot that unfolds through the interaction between a configuration of figures is just discernible. These include
238:
Stein - a highly-experimental modernist writer - dramatizes an archetypal modernist myth (of Man's uneasy relationship with his machines) from the competing - and gendered - perspective(s) of the multiple woman.
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The piece opens with
Faustus (his precise name shifts and alters throughout the piece) looking out from the doorway to his study, which streams with intense white light from beyond, when Mephisto appears:
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and the ambiguity in its textual composition produce elements unanchored from a referential process towards any reality other than its own occasion; it suggests a fully self-referential performance.
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The play adopts a number of textual strategies that presuppose a relationship to performance, though it is performance conceived in a distinctly modernist way: as
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I think I got it." Despite her newfound use for narrative, Stein did not, as scholar Betsy Alayne Ryan states, "leap foolishly into ordinary comprehensibility."
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by
Gertrude Stein. Ed. Carl van Vechten. Baltimore and London: The Johns Hopkins University Press, 1995.
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99:(1937), and he commissioned a new text from her, intending to compose the music himself. She wrote
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511:"LAB 1: Doctor Faustus Lights the Lights | Department of Theatre Arts | University of Pittsburgh"
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435:. Catharine R. Stimpson and Harriet Chessman, eds. New York: Library of America, 1998, p. 840
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traditional sense of the word) between
Faustus and "Marguerite Ida and Helena Annabel." In
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388:. Ed. Carl van Vechten. Baltimore and London: The Johns Hopkins University Press, 1995.
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343:. Theater and Dramatic Studies Ser., 21. Ann Arbor and London: UMI Research Press.
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2015:
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499:"Doctor Faustus Light the Lights | Yale College Arts". Retrieved Feb 20, 2019.
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in 2019 as a senior project production for Ryan
Seffinger and Emil Ernström.
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473:"Production: Doctor Faustus Lights the Lights". Retrieved March 7, 2018.
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for
Berners in 1938, but he was unable to write the score. In 1949
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262:, directed by Maxine Klein and with music by Marilyn Pasekoff, at
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201:—The devil what the devil what do I care if the devil is there.
311:"They Watch Me as They Watch This": Gertrude Stein's Metadrama
455:. Tim Page, ed. New York: Library of America, 2016, p. 1114
324:
Marranca, Bonnie. 1994. "Introduction: Presence of Mind." In
252:) in 1951, at the launch of the college's theatre program.
181:. The aesthetic assumptions about performance embodied in
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The libretto premiered as a play at Beaver College (now
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considered writing the music, but he was dissuaded by
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Exploits and Opinions of Dr. Faustroll, Pataphysician
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313:. Philadelphia: University of Pennsylvania Press.
218:Mephisto coming nearer and trying to pat his arm.
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673:If I Told Him: A Completed Portrait of Picasso
277:in 2011 as a student directing thesis project.
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40:. The text has become a rite of passage for
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373:. Barrytown NY: Station Hill Arts, 1998.
1426:2nd movement "Quasi-Faust" (1847, Alkan)
341:Gertrude Stein's Theatre of the Absolute
44:theatre artists from the United States:
1251:The Black Bonspiel of Wullie MacCrimmon
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16:Libretto for an opera by Gertrude Stein
471:La MaMa Archives Digital Collections,
207:But Doctor Faustus dear yes I am here.
1884:The Devil's Hands Are Idle Playthings
1128:The Year the Yankees Lost the Pennant
453:The State of Music and Other Writings
7:
620:The Autobiography of Alice B. Toklas
93:They must. Be wedded. To their wife.
818:Rose is a rose is a rose is a rose
284:Theater Studies department staged
111:, then Stein's literary executor.
14:
1747:El extraño caso del doctor Fausto
1589:The Mephistopheles of Los Angeles
1144:The Devil to Pay in the Backlands
264:La MaMa Experimental Theatre Club
236:Doctor Faustus Lights the Lights,
46:La MaMa Experimental Theatre Club
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1611:The Laboratory of Mephistopheles
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183:Doctor Faustus Lights the Lights
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83:Doctor Faustus Lights the Lights
21:Doctor Faustus Lights the Lights
2085:Works based on the Faust legend
1424:Grande sonate 'Les quatre âges'
1243:Will Success Spoil Rock Hunter?
295:Theatre Arts department staged
68:have all produced the piece.
1910:When the Devil Calls Your Name
1575:The Devil Went Down to Georgia
1366:Historia von D. Johann Fausten
1200:Johannes Cabal the Necromancer
952:Historia von D. Johann Fausten
95:(1931) into his choral ballet
1:
2035:Mephistopheles and Margaretta
804:The Alice B. Toklas Cook Book
309:Bowers, Jane Palatini. 1991.
1675:The Devil and Daniel Webster
1097:The Devil and Daniel Webster
299:in 2019 as a lab production.
433:Selected Writings 1932–1946
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2080:Libretti by Gertrude Stein
1902:The Devil and Daniel Mouse
1431:Scenes from Goethe's Faust
726:Portrait of Gertrude Stein
485:"YSD Annual Magazine 2012"
358:Mineola, NY: Dover, 1999.
339:Ryan, Betsy Alayne. 1984.
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1803:Faust: Love of the Damned
691:Four Saints in Three Acts
628:Everybody's Autobiography
91:had adapted Stein's play
1081:The Master and Margarita
1034:The Devil and Tom Walker
777:(2018 television series)
737:(1923 statue, cast 1992)
293:University of Pittsburgh
1470:Bagatelle sans tonalité
1374:Faustus, the Last Night
585:The Making of Americans
384:Stein, Gertrude. 1949.
369:Stein, Gertrude. 1932.
354:Stein, Gertrude. 1922.
1627:The Damnation of Faust
1554:Sympathy for the Devil
1515:Beethoven's Last Night
1827:Shortcut to Happiness
1819:I Was a Teenage Faust
1707:Marguerite de la nuit
1659:The Student of Prague
1643:The Student of Prague
1409:Gretchen am Spinnrade
1286:La damnation de Faust
1152:That Hell-Bound Train
386:Last Operas and Plays
326:Last Operas and Plays
1941:Randy Newman's Faust
1699:Beauty and the Devil
1635:Faust and Marguerite
1619:Faust and Marguerite
1318:Faust and Marguerite
1184:The Devil's Own Work
1160:For a Breath I Tarry
1065:The Sorrows of Satan
1026:Melmoth the Wanderer
1019:Daniel and the Devil
874:Works based on Faust
750:Waiting for the Moon
707:The Mother of Us All
356:Geography and Plays.
271:Yale School of Drama
229:(act one, scene one)
36:playwright and poet
1691:The Legend of Faust
1561:Friend of the Devil
1350:The Rake's Progress
1337:(1916–1925, Busoni)
1120:The Devil in Velvet
915:Theophilus of Adana
898:Deal with the Devil
497:Yale College Arts,
199:Faustus growls out.
179:imitation of action
121:structure of action
50:Judson Poets' Group
1771:Oh, God! You Devil
1449:(1854–1857, Liszt)
1353:(1951, Stravinsky)
1168:The Damnation Game
903:in popular culture
893:Johann Georg Faust
830:Gertrude and Alice
729:(1905-06 painting)
250:Arcadia University
243:Staged productions
54:The Living Theatre
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812:27 rue de Fleurus
758:Midnight in Paris
515:www.play.pitt.edu
461:978-1-59853-467-2
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256:Boston University
97:A Wedding Bouquet
66:The Wooster Group
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487:. 22 April 2016.
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336:. p. vii–xxvii.
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1392:Faust ballets
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1313:(1869, Hervé)
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1305:(1868, Boito)
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944:Seminal works
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154:mise en scène
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62:Robert Wilson
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27:
23:
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2014:
2006:
1991:
1982:
1963:
1955:
1947:
1939:
1933:Damn Yankees
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1715:Damn Yankees
1713:
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1452:
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1429:
1415:
1407:
1372:
1364:
1356:
1348:
1341:
1340:
1334:Doktor Faust
1332:
1329:(1888, Lutz)
1324:
1321:(1855, Lutz)
1316:
1308:
1300:
1292:
1284:
1276:
1257:
1249:
1241:
1235:Damn Yankees
1233:
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1055:
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983:
980:(1808 play)
976:
971:(1602, play)
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828:
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772:
769:(2014 opera)
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601:Ida: A Novel
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593:Paris France
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583:
575:
518:. Retrieved
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266:in May 1972.
259:
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89:Lord Berners
87:
82:
75:
24:(1938) is a
20:
19:
18:
2090:1938 operas
1494:Epica Saga
1481:Other music
1437:Part II of
1302:Mefistofele
1084:(1929–1940)
963:(1592 play)
935:Stingy Jack
910:Simon Magus
881:Folk legend
833:(1991 book)
761:(2011 film)
753:(1987 film)
577:Three Lives
304:Works cited
174:conventions
134:Elizabethan
42:avant-garde
2074:Categories
2016:Frau Faust
1862:Television
1835:Goat Story
1811:Fausto 5.0
1779:Crossroads
1259:Temptation
1192:Jack Faust
718:Portrayals
520:2019-09-25
401:References
72:Background
2041:Paintings
1984:Gods' Man
1795:Bedazzled
1731:Bedazzled
975:Goethe's
968:Cenodoxus
794:(brother)
792:Leo Stein
115:Structure
34:modernist
2059:Category
2009:(comics)
1949:Success!
1925:Musicals
1886:" (2003)
1879:" (1963)
1869:Episodes
1755:Mephisto
1591:" (2015)
1584:" (2012)
1577:" (1979)
1570:" (1975)
1563:" (1970)
1556:" (1968)
1549:" (1936)
1227:Gretchen
1099:" (1937)
1089:Mephisto
1036:" (1824)
1012:Bearskin
920:Erdgeist
683:Libretto
138:Jacobean
26:libretto
1994:(manga)
1473:(Liszt)
1465:(Brian)
1457:(Liszt)
1385:Ballets
785:Related
612:Memoirs
569:Fiction
273:staged
170:Beckett
130:Faustus
28:for an
2019:(2014)
2011:(1987)
1996:(1950)
1987:(1929)
1976:Comics
1968:(2004)
1960:(2003)
1952:(1993)
1944:(1995)
1936:(1955)
1913:(2019)
1905:(1978)
1854:(2019)
1846:(2011)
1838:(2008)
1830:(2007)
1822:(2002)
1814:(2001)
1806:(2000)
1798:(2000)
1790:(1994)
1782:(1986)
1774:(1984)
1766:(1982)
1758:(1981)
1750:(1969)
1742:(1967)
1734:(1967)
1726:(1960)
1718:(1958)
1710:(1955)
1702:(1950)
1694:(1949)
1686:(1949)
1678:(1941)
1670:(1926)
1662:(1926)
1654:(1915)
1646:(1913)
1638:(1904)
1630:(1903)
1622:(1900)
1614:(1897)
1488:Albums
1377:(2006)
1369:(1994)
1361:(1955)
1345:(1938)
1270:Operas
1262:(1986)
1254:(1965)
1246:(1955)
1238:(1955)
1230:(1879)
1211:(2019)
1203:(2009)
1195:(1997)
1187:(1991)
1179:(1990)
1171:(1986)
1163:(1966)
1155:(1958)
1147:(1956)
1139:(1956)
1131:(1954)
1123:(1951)
1115:(1947)
1107:(1939)
1092:(1936)
1076:(1898)
1068:(1896)
1060:(1892)
1052:(1844)
1049:Auriol
1044:(1830)
1029:(1820)
774:Genius
710:(1947)
702:(1938)
694:(1934)
675:(1924)
669:(1914)
658:Poetry
650:(1923)
647:A List
631:(1937)
623:(1933)
604:(1941)
596:(1940)
588:(1925)
580:(1909)
459:
439:
392:
377:
362:
347:
332:
317:
223:lies."
162:Gestus
158:Brecht
150:Artaud
148:(like
64:, and
2007:Faust
1992:Faust
1957:Faust
1894:Other
1843:Faust
1787:Faust
1723:Faust
1667:Faust
1603:Films
1532:Songs
1499:Epica
1294:Faust
1278:Faust
1219:Plays
1004:Prose
977:Faust
888:Faust
639:Plays
30:opera
1176:Eric
457:ISBN
437:ISBN
390:ISBN
375:ISBN
360:ISBN
345:ISBN
330:ISBN
315:ISBN
291:The
280:The
269:The
189:Plot
168:(as
136:and
119:The
2027:Art
164:),
160:'s
156:or
152:'s
123:in
2076::
766:27
513:.
60:,
56:,
52:,
48:,
1882:"
1875:"
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1010:"
866:e
859:t
852:v
820:"
816:"
554:e
547:t
540:v
523:.
396:.
381:.
366:.
351:.
321:.
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