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Antonin Artaud

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756: 344:, which he joined in 1921. As a member of Dullin's troupe, Artaud trained for 10 to 12 hours a day. He was originally a strong proponent of Dullin's teaching and they shared a strong interest in east Asian theater, specifically performance traditions from Bali and Japan. He stated, "Hearing Dullin teach I feel that I'm rediscovering ancient secrets and a whole forgotten mystique of production." However, their disagreements increased over time, particularly in relation to the differing logics of Eastern and Western theatre traditions. Their final disagreement was over his performance as the Emperor Charlemagne in 728:. Artaud denounced the electroshock treatments and consistently pleaded to have them suspended, while also ascribing to them "the benefit of having returned him to his name and to his self mastery". Scholar Alexandra Lukes points out that "the 'recovery' of his name" might have been "a gesture to appease his doctors' conception of what constitutes health". It was during this time that Artaud began writing and drawing again, after a long dormant period. In 1946, FerdiÚre released Artaud to his friends, who placed him in the psychiatric clinic at 4391: 43: 863:. Porché refused to broadcast it even though the panel were almost unanimously in favor of Artaud's work being broadcast. Pouey left his job and the show was not heard again until 23 February 1948, at a private performance at Théùtre Washington. The work's first public broadcast did not take place until 8 July 1964 when the Los Angeles-based public radio station 673:, possibly in an effort to return the staff. Speaking very little English and no Gaelic whatsoever, he was unable to make himself understood. In Dublin, Artaud found himself penniless and spent most of his trip in "hostels for the homeless". After "several violent alteractions with the Dublin police" he was finally arrested after an incident a 472:, Artaud makes a direct attack on the surrealists, whom he calls "bog-paper revolutionaries" that would "make us believe that to produce theatre today is a counter-revolutionary endeavour". He declares they are "bowing down to Communism", which is "a lazy man's revolution", and calls for a more "essential metamorphosis" of society. 3200:
He was no less susceptible to all sorts of delirious ideas, which had continuously justified his internment in an asylum. Dr. Ferdiere, a poet himself, seems not to have doubted for an instant that his symptoms were of a pathologic nature and not a poetic one, as if the two didn't flow from the same
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Artaud's opening stage directions demonstrate his approach. He describes the opening scene as "suggestive of extreme atmospheric turbulence, with wind-blown drapes, waves of suddenly amplified sound, and crowds of figures engaged in "furious orgy", accompanied by "a chorus of church bells", as well
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conveyed the motivations and anguish of the Cenci's daughter Beatrice with her father through monologues, Artaud's adaptation emphasized the play's cruelty and violence, in particular "its themes of incest, revenge and familial murder". Artaud was concerned with conveying the menacing nature of the
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the 'hypnotic' rhythms of the gamelan ensemble, its range of percussive effects, the variety of timbres that the musicians produced, and – most importantly, perhaps – the way in which the dancers' movements interacted dynamically with the musical elements instead of simply functioning as a type of
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on 22–29 November 1947. The work remained true to his vision for the theatre of cruelty, using "screams, rants and vocal shudders" to forward his vision. Wladimir PorchĂ©, the Director of French Radio, shelved the work the day before its scheduled airing on 2 February 1948. This was partly for its
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he theorized in the text abandoned the formal proscenium arch and dominance of the playwright, which he considered "a hindrance to the magic of genuine ritual", in favor of "violent physical images", which would "crush and hypnotize the sensibility of the spectator", who would be "seized by the
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The predominance of action over reflection accelerates the development of events...the monologues...are cut in favor of sudden, jarring transitions...so that a spasmodic effect is created. Extreme fluctuations in pace, pitch, and tone heighten sensory awareness intensify ... the here and now of
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In 1935, Artaud decided to go to Mexico, where he was convinced there was "a sort of deep movement in favour of a return to civilisation before Cortez". The Mexican Legation in Paris gave him a travel grant, and he left for Mexico in January 1936. After arriving the following month, he "became
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Towards the end of his tenure at the CollĂšge, Artaud noticeably withdrew from social life and "destroyed most of his written work and gave away his books". Distressed, his parents arranged for him to see a psychiatrist. Over the next five years Artaud was admitted to a series of
195:; 4 September 1896 – 4 March 1948), was a French artist who worked across a variety of media. He is best known for his writings, as well as his work in the theatre and cinema. Widely recognized as a major figure of the European 1208:" and "The Last Judgment", a monodrama for voice and orchestra inspired by Artaud's late drawings "La Machine de l'ĂȘtre" (2000), "Le Momo" (1999) for violin and piano, and "Suppots et Suppliciations" (2012) for full orchestra. 231:, Turkey). His paternal grandmother, Catherine ChilĂ©, was raised in Marseille, where she married Marius Artaud, a Frenchman. His maternal grandmother, Mariette ChilĂ©, grew up in Smyrna, where she married Louis Nalpas, a local 681:. According to Irish Government papers he was deported as "a destitute and undesirable alien". On his return voyage, Artaud believed he was being attacked by two of the ship's crew members. He retaliated and was put in a 453:
expelled him from the movement in 1927. This was in part due to the Surrealists increasing affiliation with the Communist Party in France. As Ros Murray notes, "Artaud was not into politics at all, writing things like:
3669:"Howl" Original Draft Facsimile, Transcript & Variant Versions, Fully Annotated by Author, with Contemporaneous Correspondence, Account of First Public Reading, Legal Skirmishes, Precursor Texts & Bibliography 895:, a commune in the southeastern suburbs of Paris. He was found by the gardener of the estate seated alone at the foot of his bed holding a shoe, and it was suspected that he died from a lethal dose of the drug 613:
a theatre that was in effect a return to magic and ritual and he sought to create a new theatrical language of totem and gesture – a language of space devoid of dialogue that would appeal to all the senses.
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given the frequency of such misdiagnoses, coupled with the absence of a treatment (and consequent near-minimal survival rate) and the symptoms he had, it's unlikely that Artaud actually contracted it.
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is about the relationship between Artaud and Dr. FerdiĂšre during Artaud's confinement at the psychiatric hospital in Rodez; the play was first performed in 1976 at the Teatro a Trastavere in Rome.
3799: 527:. Although he misunderstood much of what he saw, it influenced his ideas for theatre. Adrian Curtin has noted the significance of the Balinese use of music and sound for Artaud, and particularly 5628: 5733: 748:; in 1947, the French magazine K published it. In 1949, the essay was the first of Artaud's to be translated in a United States-based publication, the influential literary magazine 492:(TAJ). They staged four productions between June 1927 and January 1929. The Theatre was extremely short-lived, but was attended by an enormous range of European artists, including 659:
In 1937, Artaud returned to France, where his friend René Thomas gave him a walking-stick of knotted wood that Artaud believed was the "most sacred relic of the Irish church, the
5505: 372:, the journal's editor, found Artaud intriguing and invited him for a meeting. This initiated a written correspondence, which resulted in Artaud's first major publication, the 281:. He was discharged early due to "an unspecified health reason" (Artaud later claimed it was "due to sleepwalking", while his mother ascribed it to his "nervous condition"). 1017:
In the winter of 1968, Williams College offered a dedicated intersession class in Artaudian theatre, resulting in a week-long "Festival of Cruelty," under the direction of
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includes a debate between artists and poets concerning the merits of Artaud's "multiple talents" in comparison to the singular talents of other French writers. A novel,
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Shortly thereafter he joined the troupe of Georges and Ludmilla Pitoëff. He remained with them through the next year, when he shifted his focus to work in the cinema.
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Scholar Adrian Curtin has argued for the importance of the "sonic aspects of the production, which did not merely support the action but motivated it obliquely".
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something of a 'fixture' in the Mexican art scene", though he was often under the influence of opiates, and spent much of his time "seated and immobile, '
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in Paris. The drama was Artaud's first and only chance to stage a production following his manifestos for a Theatre of Cruelty. It had a set designed by
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Though many of his works were not produced for the public until after his death—for instance, "Spurt of Blood" (1925) was first produced in 1964, when
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Cenci's presence and the reverberations of their incest relationship though physical discordance, as if an invisible "force-field" surrounded them.
5688: 5673: 207:. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, 927:—he has exerted a strong influence on the development of experimental theatre and performance art. In the introduction to his Selected Works, 815:
As a result, Fernand Pouey, the director of dramatic and literary broadcasts for French radio, assembled a panel to consider the broadcast of
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asserts that his impact is "so profound" that Western theatre traditions can be divided into two periods - before Artaud and after Artaud".
441:, many critics and scholars consider it to be the first surrealist film, though Artaud's relationship to the resulting film was conflicted. 4525: 2131: 5698: 337:. Lugné-Poe, who gave Artaud his first work in a professional theatre, later described him as "a painter lost in the midst of actors". 3088: 5713: 5693: 5643: 5638: 4330: 4316: 4302: 4288: 4274: 4260: 4246: 4232: 4218: 3639: 2309: 431:
Artaud also wrote a number of film scenarios, ten of which have survived. Only one of the scenarios was produced during his lifetime,
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Artaud attended the CollÚge Sacré-Coeur, a Catholic middle and high school, from 1907 to 1914. At school he began reading works by
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claimed Artaud's work, specifically "To Have Done with the Judgement of God", had a tremendous influence on his most famous poem "
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Artaud spent the rest of his life moving between different institutions, depending on his condition and world circumstances.
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Among approximately 50 artists, writers, musicians, and journalists present for a private listening on 5 February 1948 were
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Deleuze, Gilles, and FĂ©lix Guattari (1980), "28 November 1947: How Do You Make Yourself a Body Without Organs?" In
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rites, though scholars have questioned this. During this time he stopped using opiates and suffered withdrawal.
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Rainer, Friedrich. "The Deconstructed Self in Artaud and Brecht: Negation of Subject and Antitotalitarianism",
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Artaud had an active career in the cinema as a critic, actor, and writer. This included his performance as
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and employed innovative sound effects—including the first theatrical use of the electronic instrument the
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Jannarone, Kimberly (2005). "The Theatre before Its Double: Artaud Directs in the Alfred Jarry Theatre".
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DeĂĄk, FrantiĆĄek (October 1977). "Antonin Artaud and Charles Dullin: Artaud's Apprenticeship in Theatre".
5338: 5323: 5267: 5006: 4991: 4931: 1303: 1165: 1128:, was published in June 2023 as the first in a series on Artaud's life and his friendship with the poet 987: 4638: 2119: 5623: 5618: 5318: 5272: 4808: 3126: 1226: 713: 701: 545: 508: 489: 469: 5551: 5206: 4643: 4511: 4379:
Alchemie des Sehens. Hermetische Kunst im 20. Jahrhundert. Antonin Artaud, Yves Klein, Sigmar Polke
4074: 3630: 1410: 1077: 836: 419: 322: 293: 235:. Euphrasie gave birth to nine children, but four were stillborn and two others died in childhood. 154: 4763: 4121:
Jannarone, Kimberly. "The Theater Before Its Double: Artaud Directs in the Alfred Jarry Theater",
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Curtin, Adrian (2010). "Cruel Vibrations: Sounding Out Antonin Artaud's Production of Les Cenci".
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of the virtual dimension of the body and, ultimately, the basic substratum of reality in their
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references and pronouncements, but also because of its general randomness, with a cacophony of
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and art therapy. The doctor believed that Artaud's habits of crafting magic spells, creating
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provided one of the key philosophical treatments of Artaud's work through his concept of "
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In Paris, Artaud worked with a number of celebrated French "teacher-directors", including
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Pireddu, Nicoletta. "The mark and the mask: psychosis in Artaud's alphabet of cruelty,"
2821:"ARTAUD'S ENCOUNTER WITH THE SURREALISTS: ARTAUD VS. BRETON – Interview with Ros Murray" 5571: 5546: 5436: 5343: 5166: 5156: 5106: 5061: 5026: 4996: 4981: 4976: 4966: 4858: 4838: 4813: 4788: 4703: 4653: 4648: 4598: 4578: 4149: 4065: 4055: 3913: 3480: 2976: 2071: 1950: 1527: 1283: 1175:
included a song named "Antonin Artaud" on their album "Ecos punzantes del ayer" (1999)
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and Charles Marowitz staged it as part of their "Theatre of Cruelty" season at the
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has written many works inspired by and dedicated to Artaud, including seven CDs: "
860: 334: 4052:. Trans. Susan Hanson. Minneapolis: University of Minnesota Press, 1993. 293–297. 3854: 3634:. Trans. Brian Massumi. Minneapolis: University of Minnesota Press, pp. 149–166. 2767: 2687: 2452: 2407: 5227: 4873: 4863: 4718: 4708: 4668: 4573: 4548: 4035: 1111: 955: 920: 809: 644: 481: 278: 196: 242:, which had no cure at the time. Biographer David Shafer argues, however, that 5262: 5101: 4783: 4534: 3830: 3299: 3089:"'An absent-minded person of the student type': Extracts from the Artaud file" 2910: 2862: 1592: 1201: 1144:
included a song about the playwright, called "Antonin Artaud", on their album
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and founded a private literary magazine in collaboration with his friends.
220: 208: 70: 3930:. Trans. R. Hurley, H. Seem, and M. Lane. (New York: Viking Penguin, 1977). 3279: 4072:. "28 November 1947: How Do You Make Yourself a Body Without Organs?". In 3951:
Oxford: Clarendon Press; Oxford; New York: Oxford University Press, 1994.
2653: 4833: 4553: 3774: 3066:"(Sur)real or Unreal?: Antonin Artaud in the Sierra Tarahumara of Mexico" 1172: 740:
At Ivry-sur-Seine Artaud's friends encouraged him to write. He visited a
368:(NRF), a prominent French literary journal. The poems were rejected, but 285: 228: 4400: 3832:
Antonin ARTAUD – TĂ©moignages (DOCUMENTAIRE with english subtitles, 1993)
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The Actor and His Double: Mime and Movement for the Theatre of Cruelty
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in 1964, which was performed in New York and Paris, as well as London.
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In "The Manifesto for an Abortive Theatre" (1926/27), written for the
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college. Before deportation he was briefly confined in the notorious
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village in the Sierra Tarahumara. He claimed to have participated in
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Antonin Artaud dans la guerre, de Verdun Ă  Hitler. L'hygiĂšne mentale
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Innes, Christopher. "Antonin Artaud and the Theatre of Cruelty". In
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LeClézio, Jean-Marie G. (1984). "Antonin Artaud: le reve Mexicain".
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Drugs, violence and Latin America: global psychotropy and culture
1076:, borrowed Artaud's phrase "the body without organs" to describe 1025:, and several original ritualized performances, one based on the 5363: 4089:. Trans. Alan Bass. Chicago: University of Chicago Press, 1978. 1048:, and produced a dozen plays with an Artaudian theme, including 899:, although it is unknown whether he was aware of its lethality. 864: 666: 351:; he left the troupe in 1923 after eighteen months as a member. 5388: 4507: 4416: 696:
In 1943, when France was occupied by the Germans and Italians,
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Thévenin, Paule; Knapp, Bettina (1965). "A Letter on Artaud".
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Journey to Mexico: Revolutionary Messages & The Tarahumara
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In May 1919, the director of the sanatorium prescribed Artaud
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Goodall, Jane (Summer 1987). "Artaud's Revision of Shelley's
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drew on Artaud for her theorisation of "subject in process".
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His core theatrical training was as part of Dullin's troupe,
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In 1916, there was a pause in Artaud's treatment when he was
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Arachnē: An International Journal of Language and Literature
4048:. "Cruel Poetic Reason (the rapacious need for flight)". In 3400:
de Gramont, Sanche (Winter 1971). "Review: Antonin Artaud".
1224:, cited Artaud as a key influence for the experimental film 384:. Later, he would revise many of these texts for inclusion i 4323:
Vincent van Gogh, Antonin Artaud. Ciné-roman. Ciné-peinture
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Artaud was briefly associated with the surrealists, before
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wrote the lyrics partly basing them on Artaud's writings.
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A Future for Astyanax: Character and Desire in Literature
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Watchfiends and Rack Screams: works from the final period
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Watchfiends and Rack Screams: works from the final period
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Artaud also had a significant influence on philosophers.
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exhibition at the Orangerie in Paris and wrote the study
4032:. Trans. Michael Richardson. London: Verso, 1994. 34–47. 970:, and more all named Artaud as one of their influences. 16:
French dramatist, actor and theatre director (1896–1948)
4085:. "The Theatre of Cruelty" and "La Parole Souffle". In 724:
charts, and drawing disturbing images were symptoms of
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FerdiĂšre, Gaston. "I Looked after Antonin Artaud". In
3800:"E. Elias Merhige: The Greatest Apple You'll Ever Eat" 4281:
La Chine d'Antonin Artaud / Le Japon d'Antonin Artaud
891:. He died on 4 March 1948 in a psychiatric clinic in 4381:(Köln: Verlag der Buchhandlung Walther König, 2003). 4168:. New York: Farrar, Straus and Giroux, 1980. 13–72. 3980:(Ann Arbor, MI, University of Michigan Press, 2010). 3699:. Pittsburgh: Latin American Literary Review Press. 1029:
and another created as an ensemble catharsis called
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territory. There he was put under the charge of Dr.
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No more masterpieces : modern art after Artaud
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Bristol, UK: Intellect. 2007. 3355:Media poetry : an international anthology 3157:Harding, Jason; Nash, John (30 October 2019). 867:played an illegal copy provided by the artist 578:as the presence of numerous large mannequins. 396:" (1932) and "Theatre and the plague" (1933). 5400: 4519: 4428: 4337:BACON, ARTAUD, VINCI. Une blessure magnifique 3908:No More Masterpieces: Modern Art After Artaud 804:elements, as well as cries, screams, grunts, 622:theatre as by a whirlwind of higher forces". 8: 4201: 4186: 4008:. (Actor Training Research Institute, 1986). 3667:Ginsberg, Allen (1995). Miles, Barry (ed.). 3588:. Williamstown, Massachusetts. January 1968. 3335:. University of Manchester. pp. 329–336 3329:"Antonin Artaud and the Avant-Garde Theatre" 2966: 2964: 2962: 873: 817: 776: 765: 199:, he had a particularly strong influence on 19:"Artaud" redirects here. For the album, see 4030:The Absence of Myth: Writings on Surrealism 2716:Virmaux, Alain; Sanzenbach, Simone (1966). 2631: 2629: 2627: 2625: 2243:) CS1 maint: multiple names: authors list ( 887:In January 1948, Artaud was diagnosed with 700:arranged to have Artaud transferred to the 5407: 5393: 5385: 5354:London International Surrealist Exhibition 4526: 4512: 4504: 4435: 4421: 4413: 4171:Ward, Nigel "Fifty-one Shocks of Artaud", 3312:: CS1 maint: location missing publisher ( 2247:) CS1 maint: numeric names: authors list ( 2239:: CS1 maint: location missing publisher ( 1240: 41: 30: 4175:Vol. XV, Part 2 (NTQ58 May 1999): 123–128 3944:. (New York: Simon & Schuster, 1971). 3910:(New Haven: Yale University Press, 2021). 3025:. Cham, Switzerland: Palgrave Macmillan. 2207:Shafer, David A., 1958– (15 April 2016). 1023:The Jet of Blood, All Writing is Pig Shit 566:. It was, however, a commercial failure. 5684:French military personnel of World War I 5349:Exposition Internationale du SurrĂ©alisme 4253:Sur l'Ă©lectrochoc, le cas Antonin Artaud 2589: 2587: 2585: 2583: 2581: 1898: 1676: 5734:Writers from Provence-Alpes-CĂŽte d'Azur 5649:Deaths from colorectal cancer in France 3963:Antonin Artaud: From Theory to Practice 3656:(in French). Schirmer/Mosel Publishers. 2796:Twentieth Century Theatre: A Sourcebook 2264:The dramatic concepts of Antonin Artaud 2144: 1820:seminal collection of texts on theatre 1021:. The Festival included productions of 819:Pour en Finir avec le Jugement de dieu. 781:(To Have Done With the Judgment of God) 752:. This rekindled interest in his work. 515:At the Paris Colonial Exposition (1931) 238:At age five, Artaud was diagnosed with 4211:Antonin Artaud, Portraits et Gris-gris 4038:. "Artaud, Defecation, and Birth". In 3692:Sommer, Doris (1998). "Introduction". 3534: 3378: 3305: 3273: 3271: 3269: 3267: 3265: 3263: 3261: 3120: 3118: 3116: 3070:Journal of Surrealism and the Americas 3059: 3057: 3016: 3014: 3012: 2761: 2759: 2711: 2709: 2681: 2679: 2553: 2551: 2549: 2232: 2067:Heliogabalus or, the Crowned Anarchist 1870:Pour en finir avec le jugement de Dieu 875:Pour en Finir avec le Jugement de dieu 871:. The first French radio broadcast of 778:Pour en Finir avec le Jugement de Dieu 767:Pour en Finir avec le Jugement de Dieu 5719:Surrealist dramatists and playwrights 3999:Antonin Artaud and the Modern Theater 3473: 3471: 3469: 3425: 3423: 3152: 3150: 3148: 2892: 2890: 2888: 2844: 2842: 2446: 2444: 2365: 2363: 2361: 2359: 2357: 2355: 2353: 2351: 2349: 2295: 2293: 2291: 2101:Bloomsbury Publishing: Methuen Drama 2022:Clayton Eshleman, with Bernard Bador 1114:". The Latin American dramatic novel 392:including the "First Manifesto for a 203:through his conceptualization of the 190: 7: 4402:En compagnie d'Antonin Artaud (1993) 4203:HĂ©liogabale ou l'Anarchiste couronnĂ© 3987:. (Athens, OH: Swallow Press, 1980). 3333:Bulletin of the John Rylands Library 3128:Antonin Artaud: The Scum of the Soul 2793:Drain, Richard (11 September 2002). 2401: 2399: 2397: 2395: 2393: 2347: 2345: 2343: 2341: 2339: 2337: 2335: 2333: 2331: 2329: 2202: 2200: 2198: 2196: 2194: 2192: 2190: 2188: 2186: 2158: 2156: 2154: 2152: 2150: 2148: 1794:HĂ©liogabale ou l'Anarchiste couronne 3965:(Greenwich Exchange: London, 2007) 3853:Innes, Christopher (9 March 2004). 3478:Artaud, Antonin (10 October 1988). 1961:Edited and with an introduction by 643:Artaud also lived in Norogachic, a 378:Correspondance avec Jacques RiviĂšre 362:In 1923, Artaud submitted poems to 3942:Antonin Artaud: Poet Without Words 3486:. University of California Press. 3048:Europe: Revue LittĂ©raire Mensuelle 2406:Artaud, Antonin (1 January 1999). 2370:Morris, Blake (30 December 2021). 1843:Van Gogh, le suicide de la sociĂ©tĂ© 655:Ireland and repatriation to France 14: 5303:The Surrealist Group in Stockholm 4191:(November 1956, no. 47): 873–881. 4144:Forum for Modern Language Studies 3806:. 28 January 2016. Archived from 3671:. Harper Perennial. p. 130. 3482:Antonin Artaud: Selected Writings 2978:The Theatre of Protest in America 1973:Collected Works of Antonin Artaud 977:Barrault's adaptation of Kafka's 759:Self-portrait of Artaud from 1947 746:Van Gogh le suicidĂ© de la sociĂ©tĂ© 605:, one of his most important texts 597:The Theatre and its Double (1938) 5749:French writers with disabilities 4392:Works by or about Antonin Artaud 4015:. (London: Reaktion Books, 2016) 3896:(Faber and Faber: London, 1993) 1220:, during an interview by writer 626:Travels and institutionalization 476:ThĂ©Ăątre Alfred Jarry (1926–1929) 180:Antoine Marie Joseph Paul Artaud 5634:20th-century French male actors 3894:Antonin Artaud: Blows and Bombs 3748:"bauhaus:lyrics:antonin artaud" 3511:Oxford illustrated encyclopedia 2689:Antonin Artaud: Blows and Bombs 1686:Original Publication/Publisher 1513:Leader of a group of assassins 581:Scholar Jane Goodall writes of 418:(1927) and the monk Massieu in 5689:French people of Greek descent 5674:French male silent film actors 4467:The Seashell and the Clergyman 4365:Antonin Artaud: qui ĂȘtes-vous? 4198:. Paris: La Table Ronde, 1971. 4125:46.2 (November 2005), 247–273. 4077:: Capitalism and Schizophrenia 4042:. Boston: Little, Brown, 1976. 4028:. "Surrealism Day to Day". In 3856:Avant Garde Theatre: 1892 1992 2899:Theatre Research International 2528:de MĂšredieu, Florence (2006). 2124:New York: Contra Mundum Press 1190:Moonchild: Songs Without Words 973:His influence can be seen in: 434:The Seashell and the Clergyman 296:who took him in as a boarder. 1: 5248:Bureau of Surrealist Research 4188:La Nouvelle Revue Française 4 4132:, no. 6 (Spring 1966): 29–37. 4116:Avant-Garde Theatre 1892–1992 3985:Antonin Artaud: Man of Vision 3949:Artaud and the Gnostic Drama. 3829:ÉCLAIR BRUT (12 March 2023). 3598:Edmonton: Harden House, 1972. 3240:"Antonin Marie Joseph Artaud" 3160:Modernism and Non-Translation 2564:. Wesleyan University Press. 2507:. Paris: Éditions Gallimard. 2457:. Farrar, Straus and Giroux. 2300:Jannarone, Kimberly. (2012). 1194:Six Litanies for Heliogabalus 4351:Antonin Artaud et le thĂ©Ăątre 4185:Blanchot, Maurice. "Artaud" 4146:, 26:3 (July 1990): 282–297. 4128:Koch, Stephen. "On Artaud." 3937:. London: John Calder, 1976. 3927:Capitalism and Schizophrenia 2640:: The Text and its Double". 2076:London: Infinity Land Press 1083:Capitalism and Schizophrenia 1001:Peter Brook's production of 990:, particularly the works of 484:and the expelled surrealist 445:Association with surrealists 4367:Lyon: La Manufacture, 1986. 4363:Virmaux, Alain and Odette. 4356:Virmaux, Alain and Odette. 4269:, biography, Fayard, 2006. 4162:. "Approaching Artaud". In 3607:"Marowitz, Charles (1977). 3327:Gadoffre, G. F. A. (1971). 3213:Lotringer, Sylvere (2003). 3184:Lotringer, Sylvere (2003). 3163:. Oxford University Press. 2596:Educational Theatre Journal 2433:Artaud, Antonin (1956–94). 2039:50 Drawings to Murder Magic 1766:La Coquille et le clergyman 1031:The Resurrection of Pig Man 569:While Shelley's version of 365:La Nouvelle Revue Française 219:Antonin Artaud was born in 57:Antoine-Marie-Joseph Artaud 5770: 5699:Male actors from Marseille 4475:The Theatre and its Double 4118:(London: Routledge, 1993). 3994:(London: Routledge, 2022). 3804:The Outer Dark: Episode 29 3771:"Artaud – Pescado Rabioso" 3244:Literature Resource Center 2769:Artaud: The Screaming Body 2558:Eshleman, Clayton (2001). 2503:Grossman, Évelyne (2004). 2211:. London, UK. p. 16. 2094:The Theatre and Its Double 1924:The Theatre and Its Double 1382:Verdun: Visions of History 1362:The Passion of Joan of Arc 800:sounds mixed with various 603:The Theatre and Its Double 601:In 1938, Artaud published 425:The Passion of Joan of Arc 388:The Theatre and Its Double 305:Theatrical apprenticeships 171:The Theatre and Its Double 18: 5714:People with schizophrenia 5694:French surrealist writers 5644:20th-century male writers 5639:20th-century French poets 5424: 5374:Paranoiac-critical method 4358:Artaud: un bilan critique 4239:Antonin Artaud, de l'ange 4152:. "Artaud Possessed". In 4050:The Infinite Conversation 3726:. Outskirts Press. 2023. 3652:Derrida, Jacques (1986). 3611:. London: Marion Boyars. 3021:Patteson, Joseph (2021). 2982:. Edmonton: Harden House. 2911:10.1017/S0307883310000568 2863:10.1017/S0040557405000153 2005:Farrar, Straus and Giroux 1289:Jacques Morel, a traitor 1206:Templars: In Sacred Blood 1158:recorded an album titled 925:Royal Shakespeare Company 556:ThĂ©Ăątre des Folies-Wagram 532:background accompaniment. 525:Paris Colonial Exposition 201:twentieth-century theatre 40: 5744:Actors with disabilities 5679:French male stage actors 5567:Jean-Philippe Salabreuil 5508:d'aujourd'hui: 1946–1970 5258:Chicago Surrealist Group 5243:British Surrealist Group 4339:, Paris: Blusson, 2019. 4283:, Paris: Blusson, 2006. 4255:, Paris: Blusson, 1996. 4241:, Paris: Blusson, 1992. 4227:, Paris: Blusson, 1992. 4165:Under the Sign of Saturn 3859:. Taylor & Francis. 2766:Barber, Stephen (1999). 2686:Barber, Stephen (1994). 2561:Companion Spider: Essays 2478:Artaud, Antonin (1995). 2451:Artaud, Antonin (1976). 2163:Esslin, Martin (2018) . 1883:Lettre contre la Kabbale 1809:Le ThĂ©Ăątre et son double 1055:Charles Marowitz's play 708:, which was well inside 5739:Poets with disabilities 5664:French male film actors 5654:French acting theorists 4478:(1938 essay collection) 4360:. Paris: Belfond, 1979. 4353:. Paris: Seghers, 1970. 4325:, Paris: Blusson, 2014. 4311:, Paris: Blusson, 2013. 4225:Antonin Artaud, Voyages 3561:EncyclopĂŠdia Britannica 3432:The Tulane Drama Review 3278:Bradnock, Lucy (2021). 2940:Landon, Meghan (2020). 2722:The Tulane Drama Review 2437:(in French). Gallimard. 2043:Donald Nicholson-Smith 1929:Mary Caroline Richards 1856:Au pays des Tarahumaras 1147:Burning from the Inside 915:Theatre and performance 5493:Les Chants de Maldoror 5369:Abstract expressionism 5238:Birmingham Surrealists 4927:Maxime Moses Alexandre 4904:Radojica Ćœivanović Noe 4569:Jacques-AndrĂ© Boiffard 4335:Florence de MĂšredieu, 4321:Florence de MĂšredieu, 4307:Florence de MĂšredieu, 4293:Florence de MĂšredieu, 4279:Florence de MĂšredieu, 4267:C'Ă©tait Antonin Artaud 4265:Florence de MĂšredieu, 4251:Florence de MĂšredieu, 4237:Florence de MĂšredieu, 4223:Florence de MĂšredieu, 4209:Florence de MĂšredieu, 4202: 4187: 4087:Writing and Difference 3997:Plunka, Gene A. (ed). 3978:Artaud and His Doubles 3654:Forcener le subjectile 3541:: CS1 maint: others ( 3385:: CS1 maint: others ( 2530:C'Ă©tait Antonin Artaud 2505:Antonin Artaud, Ɠuvres 2302:Artaud and his doubles 2262:Sellin, Eric (2017) . 1957:City Lights Publishers 1814:Gallimard, Collection 1036:In Canada, playwright 874: 818: 777: 766: 760: 615: 591: 534: 248: 5729:Theatre practitioners 5557:Roger-Arnould RiviĂšre 5339:Surrealist techniques 5324:Surrealist automatism 5268:Fighting Cock Society 5007:Roger Gilbert-Lecomte 4992:Vratislav Effenberger 4932:Guillaume Apollinaire 4173:New Theatre Quarterly 4020:Articles and chapters 3976:Jannarone, Kimberly. 3769:Unterberger, Richie. 3246:. Modern French Poets 3064:Krutak, Lars (2014). 2692:. Faber & Faber. 2654:10.1353/cdr.1987.0047 1780:Sorcellerie et cinĂ©ma 1509:Coups de feu Ă  l'aube 1171:Venezuelan rock band 1166:Luis Alberto Spinetta 988:Theatre of the Absurd 758: 611: 529: 244: 192:[ɑ̃tɔnɛ̃aʁto] 112:CollĂšge du SacrĂ©-CƓur 102:Saint-Pierre Cemetery 5452:Comte de LautrĂ©amont 5319:Surrealist Manifesto 5273:The Firesign Theatre 5057:Comte de LautrĂ©amont 3842:– via YouTube. 3125:Murray, Ros (2014). 1726:L'Ombilic des limbes 1547:L'enfant de ma soeur 1533:A delirious soldier 1094:". Feminist scholar 1042:The Aeolian Stringer 1027:Texas Tower killings 903:Legacy and influence 702:psychiatric hospital 546:Percy Bysshe Shelley 519:In 1931, Artaud saw 509:ThĂ©Ăątre Alfred Jarry 490:ThĂ©Ăątre Alfred Jarry 470:Theatre Alfred Jarry 437:(1928). Directed by 342:ThĂ©Ăątre de l'Atelier 5207:Marianne Van Hirtum 5182:Simon Watson Taylor 4644:Christian Dotremont 4139:3 (1), 1996: 43–65. 4075:A Thousand Plateaus 3696:by Giannina Braschi 3631:A Thousand Plateaus 2993:Hertz, Uri (2003). 2104:ISBN 9781350288720 1895:English translation 1614:Henri Wullschleger 1554:Henri Wullschleger 1446:La Femme d'une nuit 1050:Prometheus Re-Bound 837:Jean-Louis Barrault 609:In it, he proposed 420:Carl Theodor Dreyer 155:Body without organs 5754:Disability theatre 5527:Jean-Pierre Duprey 5522:Gilberte H. Dallas 5485:Les PoĂštes maudits 5430:Charles Baudelaire 4684:Alberto Giacometti 4674:Gordon Onslow Ford 4609:Leonora Carrington 4493:Theatre of Cruelty 4194:Brau, Jean-Louis. 4060:The Logic of Sense 3810:on 31 January 2016 2995:"Artaud in Mexico" 2772:. Creation Books. 2098:Mark Taylor-Batty 1611:Emir Aba-el Kadcr 1551:unidentified role 944:Elizabeth LeCompte 869:Jean-Jacques Lebel 761: 669:and travelling to 619:Theatre of Cruelty 394:Theatre of Cruelty 346:Alexandre Arnoux's 205:Theatre of Cruelty 182:, better known as 150:Theatre of Cruelty 5709:Modernist theatre 5669:French male poets 5596: 5595: 5469:Les Fleurs du mal 5382: 5381: 5359:Women surrealists 5329:Surrealist cinema 5177:Philippe Soupault 4809:BenjamĂ­n Palencia 4501: 4500: 4345:978-2-907784-29-0 4046:Blanchot, Maurice 3971:978-1-871551-98-3 3892:Barber, Stephen. 3779:All Media Network 3678:978-0-06-092611-3 3364:978-1-84150-932-7 3291:978-0-300-25103-6 3094:The Dublin Review 3087:Artaud, Antonin. 3032:978-3-030-68923-0 2806:978-1-134-86474-4 2718:"Artaud and Film" 2699:978-0-571-17252-8 2642:Comparative Drama 2571:978-0-8195-6483-2 2539:978-2-213-62525-6 2532:. Paris: Fayard. 2514:978-2-07-076507-2 2464:978-0-374-23090-6 2435:Oeuvres completes 2419:978-0-7145-0172-7 2412:. Alma Classics. 2383:978-0-429-67097-8 2137: 2136: 2084:978-1-9160091-1-0 2057:978-1-905422-66-1 1994:Selected Writings 1982:Calder and Boyars 1892: 1891: 1712:Tric-Trac du ciel 1660: 1659: 1528:Les Croix de bois 1516:Serge de Poligny 1454:Marcel L'Herbier 1429:Le jeune tzigane 1407:Secretary Mazaud 1046:Zen Rock Festival 889:colorectal cancer 631:Journey to Mexico 523:performed at the 480:In 1926, Artaud, 459:I shit on Marxism 256:StĂ©phane MallarmĂ© 177: 176: 5761: 5724:Surrealist poets 5552:AndrĂ© de Richaud 5532:AndrĂ© FrĂ©dĂ©rique 5409: 5402: 5395: 5386: 5334:Surrealist music 5253:Chicago Imagists 5233:Les Automatistes 5172:Louis Scutenaire 5112:VĂ­tězslav Nezval 4952:Georges Bataille 4869:Dorothea Tanning 4854:Jindƙich Ć tyrskĂœ 4829:Aminollah Rezaei 4724:Jacqueline Lamba 4714:Gerome Kamrowski 4659:Curt Echtermeyer 4614:Ithell Colquhoun 4528: 4521: 4514: 4505: 4437: 4430: 4423: 4414: 4396:Internet Archive 4349:Virmaux, Alain. 4295:L'Affaire Artaud 4205: 4190: 4154:The Innocent Eye 4083:Derrida, Jacques 4026:Bataille, George 3983:Knapp, Bettina. 3933:Esslin, Martin. 3906:Bradnock, Lucy. 3871: 3870: 3850: 3844: 3843: 3841: 3839: 3826: 3820: 3819: 3817: 3815: 3796: 3790: 3789: 3787: 3785: 3766: 3760: 3759: 3757: 3755: 3744: 3738: 3737: 3717: 3711: 3710: 3689: 3683: 3682: 3664: 3658: 3657: 3649: 3643: 3626: 3620: 3605: 3599: 3596: 3590: 3589: 3579: 3573: 3572: 3570: 3568: 3557:"Antonin Artaud" 3553: 3547: 3546: 3540: 3532: 3507: 3501: 3500: 3485: 3475: 3464: 3463: 3427: 3418: 3417: 3397: 3391: 3390: 3384: 3376: 3351: 3345: 3344: 3342: 3340: 3324: 3318: 3317: 3311: 3303: 3275: 3256: 3255: 3253: 3251: 3238:Morfee, Adrian. 3235: 3229: 3228: 3210: 3204: 3203: 3181: 3175: 3174: 3154: 3143: 3142: 3122: 3111: 3110: 3108: 3106: 3101:on 13 April 2014 3097:. Archived from 3084: 3078: 3077: 3061: 3052: 3051: 3043: 3037: 3036: 3018: 3007: 3006: 2990: 2984: 2983: 2981: 2968: 2957: 2956: 2954: 2952: 2937: 2931: 2930: 2894: 2883: 2882: 2846: 2837: 2836: 2834: 2832: 2817: 2811: 2810: 2790: 2784: 2783: 2763: 2754: 2753: 2713: 2704: 2703: 2683: 2674: 2673: 2633: 2620: 2619: 2591: 2576: 2575: 2555: 2544: 2543: 2525: 2519: 2518: 2500: 2494: 2493: 2482:. Exact Change. 2475: 2469: 2468: 2454:The Peyote Dance 2448: 2439: 2438: 2430: 2424: 2423: 2403: 2388: 2387: 2367: 2324: 2323: 2297: 2286: 2285: 2259: 2253: 2252: 2238: 2230: 2204: 2181: 2180: 2160: 2132:978-1940625-64-5 2120:Rainer J. Hanshe 1946:Artaud Anthology 1934:Grove Weidenfeld 1899: 1829:Lettres de Rodez 1753:L'Art et la mort 1698:Sonnets mystique 1677: 1655:Maurice Tourneur 1536:Raymond Bernard 1474:Raymond Bernard 1411:Marcel L'Herbier 1241: 1218:E. Elias Merhige 1122:Giannina Braschi 1078:their conception 964:Charles Bukowski 952:Charles Marowitz 934:Artists such as 877: 821: 780: 769: 742:Vincent van Gogh 464: 457: 349:Huon de Bordeaux 323:Ludmilla PitoĂ«ff 294:Édouard Toulouse 194: 189: 166: 123:Theatre director 85: 67:4 September 1896 66: 64: 45: 31: 5769: 5768: 5764: 5763: 5762: 5760: 5759: 5758: 5599: 5598: 5597: 5592: 5588:Edgar Allan Poe 5576: 5507: 5506:PoĂštes maudits 5499: 5456: 5446: 5439: 5432: 5420: 5413: 5383: 5378: 5307: 5216: 5147:Raymond Queneau 5142:Jacques PrĂ©vert 5132:Rastko Petrović 5092:Robert Melville 5072:Georges Limbour 5052:Philip Lamantia 4957:Monny de Boully 4919: 4913: 4899:James F. Walker 4889:Albert Valentin 4879:Kristians Tonny 4849:Martin Stejskal 4824:Toni del Renzio 4804:Wolfgang Paalen 4799:MĂ©ret Oppenheim 4779:E. L. T. Mesens 4744:Georges Malkine 4679:Esteban FrancĂ©s 4639:Óscar DomĂ­nguez 4594:Jacques Brunius 4589:Emmy Bridgwater 4537: 4532: 4502: 4497: 4481: 4446: 4441: 4388: 4374: 4182: 4150:Shattuck, Roger 4101:Artaud at Rodez 4066:Deleuze, Gilles 4056:Deleuze, Gilles 4011:Shafer, David. 3990:Morris, Blake. 3961:Jamieson, Lee. 3947:Goodall, Jane. 3940:Greene, Naomi. 3914:Deleuze, Gilles 3884: 3879: 3877:Further reading 3874: 3867: 3852: 3851: 3847: 3837: 3835: 3828: 3827: 3823: 3813: 3811: 3798: 3797: 3793: 3783: 3781: 3768: 3767: 3763: 3753: 3751: 3746: 3745: 3741: 3734: 3719: 3718: 3714: 3707: 3691: 3690: 3686: 3679: 3666: 3665: 3661: 3651: 3650: 3646: 3627: 3623: 3609:Artaud at Rodez 3606: 3602: 3597: 3593: 3585:Williams Record 3581: 3580: 3576: 3566: 3564: 3555: 3554: 3550: 3533: 3521: 3509: 3508: 3504: 3494: 3477: 3476: 3467: 3444:10.2307/1125050 3429: 3428: 3421: 3399: 3398: 3394: 3377: 3365: 3353: 3352: 3348: 3338: 3336: 3326: 3325: 3321: 3304: 3292: 3277: 3276: 3259: 3249: 3247: 3237: 3236: 3232: 3225: 3215:Mad Like Artaud 3212: 3211: 3207: 3196: 3186:Mad Like Artaud 3183: 3182: 3178: 3171: 3156: 3155: 3146: 3139: 3124: 3123: 3114: 3104: 3102: 3086: 3085: 3081: 3063: 3062: 3055: 3045: 3044: 3040: 3033: 3020: 3019: 3010: 2992: 2991: 2987: 2970: 2969: 2960: 2950: 2948: 2946:Kean University 2939: 2938: 2934: 2896: 2895: 2886: 2848: 2847: 2840: 2830: 2828: 2825:Essential Drama 2819: 2818: 2814: 2807: 2792: 2791: 2787: 2780: 2765: 2764: 2757: 2734:10.2307/1125279 2715: 2714: 2707: 2700: 2685: 2684: 2677: 2635: 2634: 2623: 2608:10.2307/3206180 2593: 2592: 2579: 2572: 2557: 2556: 2547: 2540: 2527: 2526: 2522: 2515: 2502: 2501: 2497: 2490: 2477: 2476: 2472: 2465: 2450: 2449: 2442: 2432: 2431: 2427: 2420: 2409:Collected Works 2405: 2404: 2391: 2384: 2369: 2368: 2327: 2312: 2299: 2298: 2289: 2274: 2261: 2260: 2256: 2231: 2219: 2206: 2205: 2184: 2177: 2162: 2161: 2146: 2142: 1955:San Francisco: 1897: 1675: 1670: 1665: 1626:Lucrezia Borgia 1606:Sidonie Panache 1486:L'OpĂ©ra de quat 1433:Raymond Bernard 1239: 1214: 1164:. Their leader 1156:Pescado Rabioso 1154:hard rock band 1138: 1104: 1092:parole soufflĂ©e 1088:Jacques Derrida 1066: 1057:Artaud at Rodez 948:Richard Foreman 917: 909:avant-garde art 905: 897:chloral hydrate 885: 833:Raymond Queneau 772: 738: 714:Gaston FerdiĂšre 694: 679:Mountjoy Prison 657: 633: 628: 599: 542: 517: 478: 462: 455: 447: 406:Jean-Paul Marat 402: 370:Jacques RiviĂšre 360: 358:Literary career 307: 302: 260:Edgar Allan Poe 217: 187: 164: 159: 138: 93: 87: 83: 74: 68: 62: 60: 59: 58: 48: 36: 27: 17: 12: 11: 5: 5767: 5765: 5757: 5756: 5751: 5746: 5741: 5736: 5731: 5726: 5721: 5716: 5711: 5706: 5704:Modern artists 5701: 5696: 5691: 5686: 5681: 5676: 5671: 5666: 5661: 5659:French artists 5656: 5651: 5646: 5641: 5636: 5631: 5626: 5621: 5616: 5614:Antonin Artaud 5611: 5609:PoĂštes maudits 5601: 5600: 5594: 5593: 5591: 5590: 5584: 5582: 5578: 5577: 5575: 5574: 5572:Ilarie Voronca 5569: 5564: 5559: 5554: 5549: 5547:Jacques Prevel 5544: 5539: 5534: 5529: 5524: 5519: 5517:Antonin Artaud 5513: 5511: 5501: 5500: 5498: 5497: 5489: 5481: 5473: 5464: 5462: 5458: 5457: 5455: 5454: 5448: 5447: 5442: 5440: 5437:Arthur Rimbaud 5435: 5433: 5428: 5425: 5422: 5421: 5417:PoĂštes maudits 5414: 5412: 5411: 5404: 5397: 5389: 5380: 5379: 5377: 5376: 5371: 5366: 5361: 5356: 5351: 5346: 5344:Surreal humour 5341: 5336: 5331: 5326: 5321: 5315: 5313: 5309: 5308: 5306: 5305: 5300: 5295: 5290: 5285: 5280: 5275: 5270: 5265: 5260: 5255: 5250: 5245: 5240: 5235: 5230: 5224: 5222: 5218: 5217: 5215: 5214: 5209: 5204: 5199: 5194: 5189: 5184: 5179: 5174: 5169: 5167:Georges Sadoul 5164: 5159: 5157:Pierre Reverdy 5154: 5149: 5144: 5139: 5134: 5129: 5127:Benjamin PĂ©ret 5124: 5119: 5114: 5109: 5107:Pierre Naville 5104: 5099: 5094: 5089: 5084: 5079: 5074: 5069: 5064: 5062:Marcel Lecomte 5059: 5054: 5049: 5044: 5039: 5034: 5029: 5027:Georges Hugnet 5024: 5019: 5014: 5009: 5004: 5002:RenĂ©e Gauthier 4999: 4994: 4989: 4984: 4979: 4974: 4969: 4967:Roger Caillois 4964: 4959: 4954: 4949: 4944: 4942:Antonin Artaud 4939: 4934: 4929: 4923: 4921: 4915: 4914: 4912: 4911: 4906: 4901: 4896: 4891: 4886: 4881: 4876: 4871: 4866: 4861: 4859:Maurice Tabard 4856: 4851: 4846: 4841: 4839:Kurt Seligmann 4836: 4831: 4826: 4821: 4816: 4814:Roland Penrose 4811: 4806: 4801: 4796: 4791: 4789:Desmond Morris 4786: 4781: 4776: 4771: 4766: 4761: 4756: 4751: 4746: 4741: 4736: 4731: 4726: 4721: 4716: 4711: 4706: 4704:Valentine Hugo 4701: 4699:Jacques HĂ©rold 4696: 4691: 4689:Julio GonzĂĄlez 4686: 4681: 4676: 4671: 4666: 4661: 4656: 4654:Marcel Duhamel 4651: 4649:Marcel Duchamp 4646: 4641: 4636: 4631: 4626: 4621: 4616: 4611: 4606: 4601: 4596: 4591: 4586: 4581: 4579:Victor Brauner 4576: 4571: 4566: 4561: 4556: 4551: 4545: 4543: 4539: 4538: 4533: 4531: 4530: 4523: 4516: 4508: 4499: 4498: 4496: 4495: 4489: 4487: 4483: 4482: 4480: 4479: 4471: 4463: 4454: 4452: 4448: 4447: 4444:Antonin Artaud 4442: 4440: 4439: 4432: 4425: 4417: 4411: 4410: 4398: 4387: 4386:External links 4384: 4383: 4382: 4373: 4370: 4369: 4368: 4361: 4354: 4347: 4333: 4331:978-2907784283 4319: 4317:978-2907784269 4305: 4303:978-2213637600 4291: 4289:978-2907784177 4277: 4275:978-2213625256 4263: 4261:978-2907784115 4249: 4247:978-2907784061 4235: 4233:978-2907784054 4221: 4219:978-2907784221 4207: 4199: 4196:Antonin Artaud 4192: 4181: 4178: 4177: 4176: 4169: 4157: 4147: 4140: 4133: 4126: 4123:Theatre Survey 4119: 4112: 4097: 4080: 4070:FĂ©lix Guattari 4063: 4053: 4043: 4033: 4017: 4016: 4013:Antonin Artaud 4009: 4002: 3995: 3992:Antonin Artaud 3988: 3981: 3974: 3959: 3945: 3938: 3935:Antonin Artaud 3931: 3918:FĂ©lix Guattari 3911: 3904: 3883: 3880: 3878: 3875: 3873: 3872: 3865: 3845: 3821: 3791: 3761: 3739: 3732: 3721:Traitor Comet 3712: 3705: 3684: 3677: 3659: 3644: 3640:978-0816614028 3621: 3600: 3591: 3574: 3563:. 4 March 1948 3548: 3519: 3502: 3492: 3465: 3419: 3392: 3363: 3346: 3319: 3290: 3257: 3230: 3223: 3205: 3194: 3176: 3169: 3144: 3137: 3112: 3079: 3053: 3038: 3031: 3008: 2985: 2958: 2932: 2905:(3): 250–262. 2884: 2857:(2): 247–273. 2851:Theatre Survey 2838: 2812: 2805: 2785: 2778: 2755: 2728:(1): 154–165. 2705: 2698: 2675: 2648:(2): 115–126. 2621: 2602:(3): 345–353. 2577: 2570: 2545: 2538: 2520: 2513: 2495: 2488: 2470: 2463: 2440: 2425: 2418: 2389: 2382: 2373:Antonin Artaud 2325: 2311:978-1280880506 2310: 2287: 2272: 2254: 2217: 2209:Antonin Artaud 2182: 2175: 2169:. Alma Books. 2166:Antonin Artaud 2143: 2141: 2138: 2135: 2134: 2125: 2122: 2117: 2110: 2106: 2105: 2102: 2099: 2096: 2091: 2087: 2086: 2077: 2074: 2072:Alexis Lykiard 2069: 2064: 2060: 2059: 2050: 2044: 2041: 2036: 2032: 2031: 2029: 2023: 2020: 2015: 2011: 2010: 2007: 2001: 1996: 1991: 1987: 1986: 1984: 1978: 1975: 1970: 1966: 1965: 1959: 1953: 1951:Jack Hirschman 1948: 1943: 1939: 1938: 1936: 1930: 1927: 1920: 1916: 1915: 1912: 1909: 1906: 1903: 1896: 1893: 1890: 1889: 1887: 1885: 1880: 1877: 1876: 1874: 1872: 1867: 1863: 1862: 1860: 1858: 1853: 1850: 1849: 1847: 1845: 1840: 1836: 1835: 1833: 1831: 1826: 1822: 1821: 1818: 1812: 1805: 1801: 1800: 1798: 1796: 1791: 1787: 1786: 1784: 1782: 1777: 1774: 1773: 1772:film scenario 1770: 1768: 1763: 1760: 1759: 1757: 1755: 1750: 1747: 1746: 1744: 1742: 1737: 1733: 1732: 1730: 1728: 1723: 1719: 1718: 1716: 1714: 1709: 1705: 1704: 1702: 1700: 1695: 1691: 1690: 1687: 1684: 1681: 1674: 1671: 1669: 1668:Selected works 1666: 1664: 1661: 1658: 1657: 1652: 1651:The Librarian 1649: 1642: 1638: 1637: 1635: 1632: 1629: 1622: 1618: 1617: 1615: 1612: 1609: 1602: 1598: 1597: 1595: 1590: 1587: 1580: 1576: 1575: 1573: 1570: 1567: 1565:Mater Dolorosa 1562: 1558: 1557: 1555: 1552: 1549: 1544: 1540: 1539: 1537: 1534: 1531: 1524: 1520: 1519: 1517: 1514: 1511: 1506: 1502: 1501: 1499: 1496: 1493: 1482: 1478: 1477: 1475: 1472: 1469: 1462: 1458: 1457: 1455: 1452: 1449: 1442: 1438: 1437: 1435: 1430: 1427: 1420: 1416: 1415: 1413: 1408: 1405: 1398: 1394: 1393: 1391: 1388: 1385: 1378: 1374: 1373: 1371: 1368: 1365: 1358: 1354: 1353: 1351: 1348: 1345: 1338: 1334: 1333: 1331: 1328: 1325: 1323:Le Juif Errant 1320: 1316: 1315: 1313: 1312:Marcel Vandal 1310: 1307: 1300: 1296: 1295: 1293: 1290: 1287: 1280: 1276: 1275: 1273: 1270: 1267: 1262: 1258: 1257: 1254: 1251: 1248: 1245: 1238: 1235: 1213: 1210: 1150:. Influential 1137: 1134: 1108:Allen Ginsberg 1103: 1100: 1096:Julia Kristeva 1086:. Philosopher 1074:FĂ©lix Guattari 1070:Gilles Deleuze 1065: 1062: 1061: 1060: 1053: 1034: 1015: 1012:Living Theatre 1008: 999: 996:Samuel Beckett 984: 968:Allen Ginsberg 960:Joseph Chaikin 916: 913: 904: 901: 893:Ivry-sur-Seine 884: 881: 857:Claude Mauriac 849:Maurice Nadeau 794:anti-religious 771: 762: 737: 734: 730:Ivry-sur-Seine 726:mental illness 693: 690: 656: 653: 632: 629: 627: 624: 598: 595: 564:Ondes Martenot 541: 535: 521:Balinese dance 516: 513: 477: 474: 446: 443: 439:Germaine Dulac 401: 400:Work in cinema 398: 359: 356: 327:Charles Dullin 311:Jacques Copeau 306: 303: 301: 298: 252:Arthur Rimbaud 216: 213: 184:Antonin Artaud 175: 174: 167: 161: 160: 158: 157: 152: 146: 144: 143:Known for 140: 139: 137: 136: 133: 130: 127: 124: 120: 118: 114: 113: 110: 106: 105: 99: 95: 94: 90:Ivry-sur-Seine 88: 86:(aged 51) 80: 76: 75: 69: 56: 54: 50: 49: 47:Artaud in 1926 46: 38: 37: 35:Antonin Artaud 34: 15: 13: 10: 9: 6: 4: 3: 2: 5766: 5755: 5752: 5750: 5747: 5745: 5742: 5740: 5737: 5735: 5732: 5730: 5727: 5725: 5722: 5720: 5717: 5715: 5712: 5710: 5707: 5705: 5702: 5700: 5697: 5695: 5692: 5690: 5687: 5685: 5682: 5680: 5677: 5675: 5672: 5670: 5667: 5665: 5662: 5660: 5657: 5655: 5652: 5650: 5647: 5645: 5642: 5640: 5637: 5635: 5632: 5630: 5627: 5625: 5622: 5620: 5617: 5615: 5612: 5610: 5607: 5606: 5604: 5589: 5586: 5585: 5583: 5579: 5573: 5570: 5568: 5565: 5563: 5560: 5558: 5555: 5553: 5550: 5548: 5545: 5543: 5540: 5538: 5537:Roger Milliot 5535: 5533: 5530: 5528: 5525: 5523: 5520: 5518: 5515: 5514: 5512: 5510: 5509: 5502: 5496:(LautrĂ©amont) 5495: 5494: 5490: 5487: 5486: 5482: 5479: 5478: 5477:Illuminations 5474: 5471: 5470: 5466: 5465: 5463: 5459: 5453: 5450: 5449: 5445: 5444:Paul Verlaine 5441: 5438: 5434: 5431: 5427: 5426: 5423: 5419: 5418: 5410: 5405: 5403: 5398: 5396: 5391: 5390: 5387: 5375: 5372: 5370: 5367: 5365: 5362: 5360: 5357: 5355: 5352: 5350: 5347: 5345: 5342: 5340: 5337: 5335: 5332: 5330: 5327: 5325: 5322: 5320: 5317: 5316: 5314: 5310: 5304: 5301: 5299: 5296: 5294: 5291: 5289: 5288:La MandrĂĄgora 5286: 5284: 5281: 5279: 5276: 5274: 5271: 5269: 5266: 5264: 5261: 5259: 5256: 5254: 5251: 5249: 5246: 5244: 5241: 5239: 5236: 5234: 5231: 5229: 5226: 5225: 5223: 5219: 5213: 5210: 5208: 5205: 5203: 5202:Jacques VachĂ© 5200: 5198: 5197:Tristan Tzara 5195: 5193: 5190: 5188: 5187:AndrĂ© Thirion 5185: 5183: 5180: 5178: 5175: 5173: 5170: 5168: 5165: 5163: 5160: 5158: 5155: 5153: 5150: 5148: 5145: 5143: 5140: 5138: 5137:Francis Ponge 5135: 5133: 5130: 5128: 5125: 5123: 5120: 5118: 5115: 5113: 5110: 5108: 5105: 5103: 5100: 5098: 5095: 5093: 5090: 5088: 5085: 5083: 5082:Joyce Mansour 5080: 5078: 5075: 5073: 5070: 5068: 5067:Michel Leiris 5065: 5063: 5060: 5058: 5055: 5053: 5050: 5048: 5047:Jacques Lacan 5045: 5043: 5040: 5038: 5035: 5033: 5030: 5028: 5025: 5023: 5020: 5018: 5015: 5013: 5010: 5008: 5005: 5003: 5000: 4998: 4995: 4993: 4990: 4988: 4987:Robert Desnos 4985: 4983: 4980: 4978: 4975: 4973: 4972:Nicolas Calas 4970: 4968: 4965: 4963: 4960: 4958: 4955: 4953: 4950: 4948: 4947:Jacques Baron 4945: 4943: 4940: 4938: 4935: 4933: 4930: 4928: 4925: 4924: 4922: 4916: 4910: 4907: 4905: 4902: 4900: 4897: 4895: 4894:Remedios Varo 4892: 4890: 4887: 4885: 4882: 4880: 4877: 4875: 4872: 4870: 4867: 4865: 4862: 4860: 4857: 4855: 4852: 4850: 4847: 4845: 4842: 4840: 4837: 4835: 4832: 4830: 4827: 4825: 4822: 4820: 4817: 4815: 4812: 4810: 4807: 4805: 4802: 4800: 4797: 4795: 4792: 4790: 4787: 4785: 4782: 4780: 4777: 4775: 4774:John Melville 4772: 4770: 4767: 4765: 4764:MikulĂĄĆĄ Medek 4762: 4760: 4759:Roberto Matta 4757: 4755: 4752: 4750: 4749:Marcel MariĂ«n 4747: 4745: 4742: 4740: 4739:RenĂ© Magritte 4737: 4735: 4734:Conroy Maddox 4732: 4730: 4727: 4725: 4722: 4720: 4717: 4715: 4712: 4710: 4707: 4705: 4702: 4700: 4697: 4695: 4694:Jane Graverol 4692: 4690: 4687: 4685: 4682: 4680: 4677: 4675: 4672: 4670: 4667: 4665: 4662: 4660: 4657: 4655: 4652: 4650: 4647: 4645: 4642: 4640: 4637: 4635: 4632: 4630: 4629:Jean Dallaire 4627: 4625: 4624:Salvador DalĂ­ 4622: 4620: 4617: 4615: 4612: 4610: 4607: 4605: 4602: 4600: 4597: 4595: 4592: 4590: 4587: 4585: 4584:Fanny Brennan 4582: 4580: 4577: 4575: 4572: 4570: 4567: 4565: 4562: 4560: 4557: 4555: 4552: 4550: 4547: 4546: 4544: 4540: 4536: 4529: 4524: 4522: 4517: 4515: 4510: 4509: 4506: 4494: 4491: 4490: 4488: 4484: 4477: 4476: 4472: 4469: 4468: 4464: 4461: 4460: 4456: 4455: 4453: 4449: 4445: 4438: 4433: 4431: 4426: 4424: 4419: 4418: 4415: 4408: 4404: 4403: 4399: 4397: 4393: 4390: 4389: 4385: 4380: 4376: 4375: 4371: 4366: 4362: 4359: 4355: 4352: 4348: 4346: 4342: 4338: 4334: 4332: 4328: 4324: 4320: 4318: 4314: 4310: 4306: 4304: 4300: 4296: 4292: 4290: 4286: 4282: 4278: 4276: 4272: 4268: 4264: 4262: 4258: 4254: 4250: 4248: 4244: 4240: 4236: 4234: 4230: 4226: 4222: 4220: 4216: 4212: 4208: 4204: 4200: 4197: 4193: 4189: 4184: 4183: 4179: 4174: 4170: 4167: 4166: 4161: 4160:Sontag, Susan 4158: 4155: 4151: 4148: 4145: 4141: 4138: 4134: 4131: 4130:Tri-Quarterly 4127: 4124: 4120: 4117: 4113: 4110: 4109:0-7145-2632-0 4106: 4102: 4098: 4096: 4095:0-226-14329-5 4092: 4088: 4084: 4081: 4078: 4076: 4071: 4067: 4064: 4061: 4057: 4054: 4051: 4047: 4044: 4041: 4037: 4034: 4031: 4027: 4024: 4023: 4022: 4021: 4014: 4010: 4007: 4003: 4000: 3996: 3993: 3989: 3986: 3982: 3979: 3975: 3972: 3968: 3964: 3960: 3958: 3957:0-19-815186-1 3954: 3950: 3946: 3943: 3939: 3936: 3932: 3929: 3928: 3924: 3919: 3915: 3912: 3909: 3905: 3903: 3902:0-571-17252-0 3899: 3895: 3891: 3890: 3889: 3888: 3881: 3876: 3868: 3866:9780203359372 3862: 3858: 3857: 3849: 3846: 3834: 3833: 3825: 3822: 3809: 3805: 3801: 3795: 3792: 3780: 3776: 3772: 3765: 3762: 3749: 3743: 3740: 3735: 3733:9781977260826 3729: 3725: 3722: 3716: 3713: 3708: 3706:9780935480979 3702: 3698: 3695: 3688: 3685: 3680: 3674: 3670: 3663: 3660: 3655: 3648: 3645: 3641: 3637: 3633: 3632: 3625: 3622: 3618: 3617:0-7145-2632-0 3614: 3610: 3604: 3601: 3595: 3592: 3587: 3586: 3582:"Dark Days". 3578: 3575: 3562: 3558: 3552: 3549: 3544: 3538: 3530: 3526: 3522: 3520:0-19-869129-7 3516: 3512: 3506: 3503: 3499: 3495: 3493:9780520064430 3489: 3484: 3483: 3474: 3472: 3470: 3466: 3461: 3457: 3453: 3449: 3445: 3441: 3438:(3): 99–117. 3437: 3433: 3426: 3424: 3420: 3415: 3411: 3407: 3403: 3396: 3393: 3388: 3382: 3374: 3370: 3366: 3360: 3356: 3350: 3347: 3334: 3330: 3323: 3320: 3315: 3309: 3301: 3297: 3293: 3287: 3284:. New Haven. 3283: 3282: 3274: 3272: 3270: 3268: 3266: 3264: 3262: 3258: 3245: 3241: 3234: 3231: 3226: 3224:9781937561413 3220: 3216: 3209: 3206: 3202: 3197: 3195:9781937561413 3191: 3187: 3180: 3177: 3172: 3170:9780198821441 3166: 3162: 3161: 3153: 3151: 3149: 3145: 3140: 3138:9781137310583 3134: 3130: 3129: 3121: 3119: 3117: 3113: 3100: 3096: 3095: 3090: 3083: 3080: 3075: 3071: 3067: 3060: 3058: 3054: 3049: 3042: 3039: 3034: 3028: 3024: 3017: 3015: 3013: 3009: 3004: 3000: 2996: 2989: 2986: 2980: 2979: 2973: 2972:Botting, Gary 2967: 2965: 2963: 2959: 2947: 2943: 2936: 2933: 2928: 2924: 2920: 2916: 2912: 2908: 2904: 2900: 2893: 2891: 2889: 2885: 2880: 2876: 2872: 2868: 2864: 2860: 2856: 2852: 2845: 2843: 2839: 2826: 2822: 2816: 2813: 2808: 2802: 2799:. Routledge. 2798: 2797: 2789: 2786: 2781: 2779:9781840680096 2775: 2771: 2770: 2762: 2760: 2756: 2751: 2747: 2743: 2739: 2735: 2731: 2727: 2723: 2719: 2712: 2710: 2706: 2701: 2695: 2691: 2690: 2682: 2680: 2676: 2671: 2667: 2663: 2659: 2655: 2651: 2647: 2643: 2639: 2632: 2630: 2628: 2626: 2622: 2617: 2613: 2609: 2605: 2601: 2597: 2590: 2588: 2586: 2584: 2582: 2578: 2573: 2567: 2563: 2562: 2554: 2552: 2550: 2546: 2541: 2535: 2531: 2524: 2521: 2516: 2510: 2506: 2499: 2496: 2491: 2489:1-878972-18-9 2485: 2481: 2474: 2471: 2466: 2460: 2456: 2455: 2447: 2445: 2441: 2436: 2429: 2426: 2421: 2415: 2411: 2410: 2402: 2400: 2398: 2396: 2394: 2390: 2385: 2379: 2376:. 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1918: 1917: 1913: 1910: 1907: 1904: 1901: 1900: 1894: 1888: 1886: 1884: 1881: 1879: 1878: 1875: 1873: 1871: 1868: 1865: 1864: 1861: 1859: 1857: 1854: 1852: 1851: 1848: 1846: 1844: 1841: 1838: 1837: 1834: 1832: 1830: 1827: 1824: 1823: 1819: 1817: 1816:MĂ©tamorphoses 1813: 1811: 1810: 1806: 1803: 1802: 1799: 1797: 1795: 1792: 1789: 1788: 1785: 1783: 1781: 1778: 1776: 1775: 1771: 1769: 1767: 1764: 1762: 1761: 1758: 1756: 1754: 1751: 1749: 1748: 1745: 1743: 1741: 1740:Le PĂšse-Nerfs 1738: 1735: 1734: 1731: 1729: 1727: 1724: 1721: 1720: 1717: 1715: 1713: 1710: 1707: 1706: 1703: 1701: 1699: 1696: 1693: 1692: 1688: 1685: 1682: 1679: 1678: 1672: 1667: 1662: 1656: 1653: 1650: 1648: 1647: 1643: 1640: 1639: 1636: 1633: 1630: 1628: 1627: 1623: 1620: 1619: 1616: 1613: 1610: 1608: 1607: 1603: 1600: 1599: 1596: 1594: 1591: 1589:Knife-seller 1588: 1586: 1585: 1581: 1578: 1577: 1574: 1571: 1568: 1566: 1563: 1560: 1559: 1556: 1553: 1550: 1548: 1545: 1542: 1541: 1538: 1535: 1532: 1530: 1529: 1525: 1522: 1521: 1518: 1515: 1512: 1510: 1507: 1504: 1503: 1500: 1497: 1494: 1492: 1491: 1487: 1483: 1480: 1479: 1476: 1473: 1471:Unidentified 1470: 1468: 1467: 1463: 1460: 1459: 1456: 1453: 1450: 1448: 1447: 1443: 1440: 1439: 1436: 1434: 1431: 1428: 1426: 1425: 1421: 1418: 1417: 1414: 1412: 1409: 1406: 1404: 1403: 1399: 1396: 1395: 1392: 1390:LĂ©on Poirier 1389: 1386: 1384: 1383: 1379: 1376: 1375: 1372: 1369: 1366: 1364: 1363: 1359: 1356: 1355: 1352: 1349: 1346: 1344: 1343: 1339: 1336: 1335: 1332: 1329: 1326: 1324: 1321: 1318: 1317: 1314: 1311: 1308: 1306: 1305: 1301: 1298: 1297: 1294: 1291: 1288: 1286: 1285: 1281: 1278: 1277: 1274: 1271: 1268: 1266: 1263: 1260: 1259: 1255: 1252: 1249: 1246: 1243: 1242: 1236: 1234: 1231: 1229: 1228: 1223: 1222:Scott Nicolay 1219: 1211: 1209: 1207: 1203: 1199: 1195: 1191: 1187: 1183: 1178: 1177: 1174: 1169: 1167: 1163: 1162: 1157: 1153: 1149: 1148: 1143: 1135: 1133: 1131: 1130:Robert Desnos 1127: 1126:Traitor Comet 1123: 1119: 1118: 1113: 1109: 1101: 1099: 1097: 1093: 1089: 1085: 1084: 1079: 1075: 1071: 1063: 1058: 1054: 1051: 1047: 1043: 1039: 1035: 1032: 1028: 1024: 1020: 1016: 1013: 1009: 1006: 1005: 1000: 997: 993: 989: 985: 982: 981: 976: 975: 974: 971: 969: 965: 961: 957: 953: 949: 945: 941: 940:Spalding Gray 937: 932: 930: 926: 922: 914: 912: 910: 902: 900: 898: 894: 890: 882: 880: 878: 876: 870: 866: 862: 858: 854: 853:Georges Auric 850: 846: 842: 838: 834: 830: 826: 822: 820: 813: 811: 807: 803: 799: 795: 791: 790:anti-American 787: 782: 779: 770: 768: 763: 757: 753: 751: 747: 743: 735: 733: 731: 727: 723: 719: 715: 711: 707: 703: 699: 698:Robert Desnos 691: 689: 686: 684: 680: 676: 672: 668: 664: 663: 654: 652: 650: 646: 641: 639: 630: 625: 623: 620: 614: 610: 608: 604: 596: 594: 590: 585: 584: 579: 575: 572: 567: 565: 561: 557: 553: 552: 547: 539: 536: 533: 528: 526: 522: 514: 512: 510: 505: 503: 499: 495: 494:Arthur Adamov 491: 487: 483: 475: 473: 471: 466: 460: 452: 444: 442: 440: 436: 435: 429: 427: 426: 421: 417: 416: 411: 407: 399: 397: 395: 391: 389: 383: 379: 375: 371: 367: 366: 357: 355: 352: 350: 347: 343: 338: 336: 332: 331:Firmin GĂ©mier 328: 324: 320: 316: 315:AndrĂ© Antoine 312: 304: 299: 297: 295: 291: 287: 282: 280: 276: 271: 269: 263: 261: 257: 253: 247: 243: 241: 236: 234: 233:ship chandler 230: 226: 222: 214: 212: 210: 206: 202: 198: 193: 185: 181: 173: 172: 168: 162: 156: 153: 151: 148: 147: 145: 141: 134: 131: 128: 125: 122: 121: 119: 115: 111: 107: 103: 100: 98:Resting place 96: 91: 81: 77: 72: 55: 51: 44: 39: 32: 29: 25: 23: 5562:Armand Robin 5542:GĂ©rald Neveu 5516: 5504: 5491: 5483: 5475: 5472:(Baudelaire) 5467: 5415: 5298:Refus Global 5293:Monty Python 5212:Roger Vitrac 5192:Dylan Thomas 5162:Marko Ristić 5152:Herbert Read 5037:Nelly Kaplan 5032:Alfred Jarry 5022:IrĂšne Hamoir 5017:Julien Gracq 4962:AndrĂ© Breton 4941: 4937:Louis Aragon 4844:AndrĂ© Souris 4769:Oscar Mellor 4754:AndrĂ© Masson 4634:Paul Delvaux 4604:Claude Cahun 4564:Hans Bellmer 4559:EugĂšne Atget 4473: 4465: 4459:Jet of 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Retrieved 3831: 3824: 3812:. Retrieved 3808:the original 3803: 3794: 3782:. Retrieved 3764: 3752:. Retrieved 3742: 3724: 3720: 3715: 3697: 3694:Yo-Yo Boing! 3693: 3687: 3668: 3662: 3653: 3647: 3629: 3624: 3608: 3603: 3594: 3583: 3577: 3565:. Retrieved 3560: 3551: 3510: 3505: 3497: 3481: 3435: 3431: 3405: 3401: 3395: 3354: 3349: 3339:25 September 3337:. Retrieved 3332: 3322: 3280: 3248:. Retrieved 3243: 3233: 3214: 3208: 3199: 3185: 3179: 3159: 3131:. Springer. 3127: 3103:. Retrieved 3099:the original 3092: 3082: 3073: 3069: 3047: 3041: 3022: 3002: 2998: 2988: 2977: 2949:. Retrieved 2945: 2935: 2902: 2898: 2854: 2850: 2829:. Retrieved 2824: 2815: 2795: 2788: 2768: 2725: 2721: 2688: 2645: 2641: 2637: 2599: 2595: 2560: 2529: 2523: 2504: 2498: 2479: 2473: 2453: 2434: 2428: 2408: 2372: 2301: 2263: 2257: 2208: 2165: 2112: 2093: 2066: 2038: 2027:Exact Change 2017: 1999:Helen Weaver 1993: 1972: 1963:Susan Sontag 1945: 1922: 1882: 1869: 1855: 1842: 1828: 1815: 1808: 1793: 1779: 1765: 1752: 1739: 1725: 1711: 1697: 1663:Bibliography 1644: 1624: 1604: 1582: 1564: 1546: 1526: 1508: 1498:G. W. Pabst 1489: 1485: 1464: 1444: 1422: 1400: 1380: 1370:Carl Dreyer 1360: 1340: 1330:Luitz Morat 1322: 1302: 1292:Luitz-Morat 1282: 1272:Autant-Lara 1264: 1232: 1225: 1215: 1198:The Crucible 1179: 1170: 1159: 1145: 1139: 1125: 1117:Yo-Yo Boing! 1115: 1105: 1091: 1081: 1067: 1056: 1049: 1045: 1041: 1038:Gary Botting 1030: 1022: 1019:Keith Fowler 1002: 978: 972: 936:Karen Finley 933: 929:Susan Sontag 918: 906: 886: 872: 845:Jean Paulhan 825:Jean Cocteau 816: 814: 806:onomatopoeia 786:scatological 775: 774:He recorded 773: 764: 749: 745: 739: 718:electroshock 695: 687: 683:straitjacket 660: 658: 642: 637: 634: 616: 612: 606: 602: 600: 592: 589:performance. 587: 582: 580: 576: 570: 568: 549: 543: 537: 530: 518: 506: 488:founded the 486:Roger Vitrac 479: 467: 458: 451:AndrĂ© Breton 448: 432: 430: 423: 414: 403: 385: 381: 377: 363: 361: 353: 348: 341: 339: 308: 283: 272: 264: 249: 245: 237: 227:(modern day 218: 183: 179: 178: 169: 165:Notable work 84:(1948-03-04) 82:4 March 1948 28: 21: 5624:1948 deaths 5619:1896 births 5461:Major works 5087:DuĆĄan Matić 4997:Paul Éluard 4982:RenĂ© Daumal 4977:RenĂ© Crevel 4918:Writers and 4874:Karel Teige 4864:Yves Tanguy 4719:Wifredo Lam 4709:Frida Kahlo 4669:Leonor Fini 4599:Luis Buñuel 4574:Bill Brandt 4549:Eileen Agar 4470:(1928 film) 4462:(1925 play) 3750:. Waste.org 3723:by Personne 3076:(1): 28–50. 2831:29 November 1908:Translator 1646:Koenigsmark 1634:Abel Gance 1631:Savonarola 1572:Abel Gance 1387:Paul Amiot 1350:Abel Gance 1269:Monsieur 2 1265:Fait-divers 1237:Filmography 956:Sam Shepard 921:Peter Brook 829:Paul Éluard 810:glossolalia 750:Tiger's Eye 736:Final years 662:Bachall Ísu 502:Paul ValĂ©ry 482:Robert Aron 279:French Army 275:conscripted 197:avant-garde 117:Occupations 104:, Marseille 5603:Categories 5488:(Verlaine) 5283:Grup d'Elx 5263:Dau al Set 5117:Paul NougĂ© 5102:Max Morise 5097:RenĂ© MĂ©nil 4909:Unica ZĂŒrn 4784:Lee Miller 4535:Surrealism 3882:In English 3814:29 January 3784:30 January 3402:Diacritics 3300:1184240032 3050:. 667–668. 2999:Fragmentos 2140:References 2003:New York: 1932:New York: 1911:Publisher 1593:Fritz Lang 1466:Montmartre 1451:A traitor 1424:Tarakanova 1327:Gringalet 1216:Filmmaker 1202:Ipsissimus 1102:Literature 1064:Philosophy 1004:Marat/Sade 992:Jean Genet 841:RenĂ© Clair 802:percussion 798:xylophonic 638:cual momia 583:The Cenci, 498:AndrĂ© Gide 410:Abel Gance 374:epistolary 240:meningitis 215:Early life 63:1896-09-04 5480:(Rimbaud) 5278:The Goons 5122:Paul Păun 5077:LĂ©o Malet 5042:Petr KrĂĄl 5012:Yvan Goll 4920:Theorists 4794:Joan MirĂł 4729:Dora Maar 4664:Max Ernst 4619:Gala DalĂ­ 4372:In German 4180:In French 3754:9 October 3567:9 October 3537:cite book 3452:0886-800X 3408:(2): 25. 3381:cite book 3373:185144409 3308:cite book 2927:194010604 2919:0307-8833 2879:194096618 2871:1475-4533 2742:0886-800X 2670:190460270 2638:The Cenci 2320:802057630 2282:988943807 2235:cite book 2227:954427932 1304:Graziella 1253:Director 1186:Astronome 1182:John Zorn 1180:Composer 1152:Argentine 1140:The band 980:The Trial 861:RenĂ© Char 722:astrology 571:The Cenci 551:The Cenci 538:The Cenci 335:LugnĂ©-Poe 277:into the 268:sanatoria 221:Marseille 209:mysticism 109:Education 71:Marseille 5228:AcĂ©phale 4834:Kay Sage 4554:Jean Arp 3775:AllMusic 3529:11814265 3250:12 April 3005:: 11–17. 2974:(1972). 2662:41153273 2046:London: 2025:Boston: 1980:London: 1495:A Thief 1402:L'Argent 1367:Massieu 1342:NapolĂ©on 1227:Begotten 1173:Zapato 3 692:In Rodez 645:RarĂĄmuri 428:(1928). 415:NapolĂ©on 286:laudanum 135:essayist 92:, France 73:, France 5581:Related 5312:Related 4819:Man Ray 4542:Artists 4394:at the 3460:1125050 3201:source. 3105:28 June 2951:23 June 2750:1125279 2616:3206180 1569:Lawyer 1284:Surcouf 1142:Bauhaus 983:(1947). 640:' ". 560:Balthus 554:at the 319:Georges 290:opiates 188:French: 24:(album) 5221:Groups 4343:  4329:  4315:  4301:  4287:  4273:  4259:  4245:  4231:  4217:  4206:, 1969 4107:  4093:  3969:  3955:  3900:  3863:  3838:5 June 3730:  3703:  3675:  3638:  3615:  3527:  3517:  3498:actor. 3490:  3458:  3450:  3414:465078 3412:  3371:  3361:  3298:  3288:  3221:  3192:  3167:  3135:  3029:  2925:  2917:  2877:  2869:  2827:. 2017 2803:  2776:  2748:  2740:  2696:  2668:  2660:  2614:  2568:  2536:  2511:  2486:  2461:  2416:  2380:  2318:  2308:  2280:  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Index

Artaud (album)

Marseille
Ivry-sur-Seine
Saint-Pierre Cemetery
Theatre of Cruelty
Body without organs
The Theatre and Its Double
[ɑ̃tɔnɛ̃aʁto]
avant-garde
twentieth-century theatre
Theatre of Cruelty
mysticism
Marseille
Smyrna
Ä°zmir
ship chandler
meningitis
Arthur Rimbaud
Stéphane Mallarmé
Edgar Allan Poe
sanatoria
conscripted
French Army
laudanum
opiates
Édouard Toulouse
Jacques Copeau
André Antoine
Georges

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