766:" the theme received a complete reworking to tie in with the new cast, production design and title sequence design. Arranged by Murray Gold, this theme, while still retaining Gold's counter-melody, has the bassline and electronic melody redone by Gold on a synthesizer. The reworking was something of a departure from all previous arrangements, with a prominent new melodic fanfare theme playing in the opening bars, and a percussion sound accenting each quaver of the rhythm. The end credits featured only a short arrangement with introductory fanfare and the final notes of the main theme. The only exception to this was at the end of "
788:", to coincide with a change of companion. This new piece retains the melodic fanfare of the opening bars, as well as Gold's bassline and lead – albeit with all of them modified (with the latter two's timbre modified – especially the bassline, and the lead dipping largely downwards during the first high B note) and lacking both the heavy use of percussion from the previous arrangement, and removing the counter-melody that featured in all previous Gold arrangements. However, for the end credits of this episode, the previous arrangement was still used. This arrangement was revised further for "
400:'s era, beginning in 1970, the theme tune was altered. The theme was edited to match the new credit sequence, with an added stutter/pre-echo to the bassline at the start of the theme, a shortened introduction and part of the main motif repeated to fade at the end of the titles. The "middle eight" was no longer used in the opening sequence. Over the closing credits, parts of the tune were duplicated as required for the theme to end with the credits, rather than fading out as it had previously. The "sting", an electronic shriek, was added to punctuate the episode
792:", featuring a more prominent bassline and removing the electronic beeps during the opening fanfare. The end credits were updated to use this version of the theme, now featuring the main melody repeated twice, in place of the fanfare. The ending of the opening theme was altered to incorporate some orchestral elements from the 2010–2012 version, along with some other major changes. The 'sting' is unusually quiet in this closing arrangement, often being drowned by the last seconds of the 'next time' trailer and the start of the actual theme.
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548:(1986). This version – again synthesizer-driven, like the Howell arrangement, only this time using digital synthesizers – was made to sound more mysterious than previous renditions but was only used for this single season of the series. Glynn's theme reverts to the traditional key of E minor, even though it is largely detuned in some episodes (perhaps as a result of a mistake in the dubbing stage). The bassline was performed on a
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and underscores all previous (and later) televised versions of the theme; a bassline is present, but it does not rise and fall in the same way. Debney is the only composer that receives screen credit during the movie, with the by-then-deceased
Grainer not being credited on screen for composing the theme. Debney at one point was almost asked to compose a new theme due to licensing issues regarding the Grainer composition.
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playing the sample in different speeds. The swooping melody and lower bassline layer were created by manually adjusting the pitch of oscillator banks to a carefully timed pattern. The non-swooping parts of the melody were created by playing a keyboard attached to the oscillator banks. The rhythmic hissing sounds, "bubbles" and "clouds", were created by cutting tape recordings of filtered white noise.
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825:. This version removed the opening fanfare of the 2010–2012 and 2012–13 versions, returning to the traditional opening bars with a prominent bassline, accompanied by bells and a variety of futuristic sound effects, as well as a new sting as the theme opens. This leads into the main melody, now more electronic and screech-like in homage to the
799:". The fanfare over the opening bars was absent for the first time since 2010, and more of the electronic elements were removed or replaced (but the percussion and bassline were made more prominent, and the bass slides were re-instated as well) . The 'middle eight' section was also reinstated, for the first time since 2010's "
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Each individual note was then trimmed to length by cutting the tape, and stuck together in the right order. This was done for each "line" in the music – the main plucked bass, the bass slides (an organ-like tone emphasising the grace notes), the hisses, the swoops, the melody, a second melody line (a
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into the "middle eight", a departure from previous versions of the theme. Debney's version of the theme begins in A minor, but after the middle eight the main melody is transposed back to E minor, as in the original score. Less evident in this version of the score is the rhythmic bassline that opens
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Grainer was amazed at the resulting piece of music and when he heard it, famously asked, "Did I write that?" Derbyshire modestly replied, "Most of it." However the BBC, who wanted to keep members of the
Workshop anonymous, prevented Grainer from getting Derbyshire a co-composer credit and a share of
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Once each sound had been created, it was modified. Some sounds were created at all the required pitches direct from the oscillators, others had to be repitched later by adjusting the tape playback speed and re-recording the sound onto another tape player. This process continued until every sound was
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Derbyshire created two arrangements in 1963: the first was rejected by the producers, but was released as a single. The second arrangement, a slightly modified version of the first, was used on the first episode of the programme. The two 1963 arrangements served, with only minor edits and additions
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for the new series was released by Silva Screen
Records on 4 December 2006. Included on the album are two versions of the theme: the 44-second opening version, as arranged by Gold, and a longer arrangement that includes the middle eight. Often erroneously cited as being the same as the end credits
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stated that the new music, logo and title sequence were to signal a fresh start to the programme. This was the first version of the theme since the little-used 1973 Delaware version to incorporate the "middle eight" into the opening credits (as well as the closing, although the closing credits saw
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This done, the music had to be "mixed". There were no multitrack tape machines, so rudimentary multitrack techniques were invented: each length of tape was placed on a separate tape machine and all the machines were started simultaneously and the outputs mixed together. If the machines fell out of
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which were used for calibrating equipment and rooms, not creating music. The main, pulsing bassline rhythm was created from a recording of a single plucked string, played over and over again in different patterns created by splicing copies of the sound, with different pitches and notes achieved by
914:" was the first Pink Floyd song to contain an excerpt of the theme, appearing in live performances in 1971, although in "Embryo" only the first two bars of the theme would play, as opposed to a much longer segment in "Cymbaline". Oddly, these two songs were often performed at the same concerts. "
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sound, was not well received by BBC executives and was abandoned. The master tapes were given to a fan at the 1983 Longleat celebrations by
Hodgson and were never returned. The episodes that used it were redubbed with the 1970 Derbyshire arrangement, but lacking the short bassline stutter at the
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The sting once again served as the lead-in to the theme, but Gold omitted the "middle eight" from both the opening and closing credits. Gold has said that his interpretation was driven by the title visual sequence he was given to work around. Gold created a variation on his arrangement for the
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In
November 2007, following the BBC's announcement that it was requiring all series to implement a shorter closing credits sequence, Murray Gold produced a third version featuring additional drums, piano and bass guitar and a variation of the string counter-melody while retaining the original
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For 2023, the theme was revitalised again by returning composer, Murray Gold. This rendition of the theme music returns to an orchestral sound, reminiscent of the themes from both 2005-2007 and 2007-2010. The current theme also has electronic and piano elements intertwined with the original
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themes of the 1980s. The 'middle eight' is absent from any broadcast version of the theme, and as such the closing credits cut straight to the main melody as they did in series 7 part 2. However, it was reinstated for an extended version of the theme released on the series 8
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synthesiser, with reversed echo added, adding to its characteristic "zshumm" sound and emphasising especially the bass slides (which are otherwise still more upfront than in the
Derbyshire theme). The sting at the beginning was also created with the CS-80, using its unique
875:. Akinola's version of the theme incorporates several elements of previous versions of the theme, including the melody line from the original 1963 version and cliffhanger "sting" introduced in 1970, remixed with newly synthesised elements and a drum-based bassline rhythm.
531:. The full version mix also contains a section that Howell calls the "trombone stop" which is a part in the record on which the brass sounds as if it goes up a flight of stairs towards the climax note at the end on which the reverse sting is added.
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beginning of the music. The
Delaware version was accidentally left on some episodes which were sold to Australia, and survives today in this form. (The complete version of this arrangement of the music is included as an extra on the
237:
Although widely listed in reference works, and many series soundtrack albums, under the title "Doctor Who Theme", its official title is "Doctor Who", although its initial sheet music release used the now-deprecated form "Dr. Who".
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The theme can be divided into several distinctive parts. A rhythmic bassline opens and underlies the theme throughout, followed by a rising and falling set of notes that forms the main melody which is repeated several times. The
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sync, they started again, maybe cutting tapes slightly here and there to help. In fact, a number of "submixes" were made to ease the process – a combined bass track, combined melody track, bubble track, and hisses.
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in the USA. Unlike the UK or
European releases, this remained in print for some time after the popularity of the single among sci-fi retailers. The song, along with "Rock and Roll (Part 2)", was combined with
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932:" has a bassline very similar to the theme song's bassline and the opening 3 notes of the main theme are played at 06.47, whilst live performances featured a much longer excerpt of the theme.
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527:. The 1980 arrangement added the sting to the opening theme as well, while the "middle eight" was included in the closing theme arrangement of all episodes. Howell's theme is in the key of
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high organ-like tone used for emphasis), and the bubbles and clouds. Most of these individual bits of tape making up lines of music, complete with edits every inch, still survive.
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Although numerous arrangements of the theme have been used on television, the main melody has remained the same. The theme was originally written and arranged in the key of
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or the full version of the theme. During the early years of the series the middle eight was also often heard during the opening credits (most notably in the first episode,
665:'s theme arrangement featured samples from the 1963 original with further elements added: an orchestral sound of low horns, strings and percussion and part of the Dalek
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featuring the same tracklist, and in virtually the same 12" hologram sleeve except for a die-cut section featuring a clear plastic blister to house the cassette case.
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The theme was updated largely, with less emphasis on the melody, and added more bass to the bassline. The middle 8 was once again added to the end credits, but for
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For the end credits of series 11 episode 6, "Demons of the Punjab," Akinola created a vocal arrangement of the theme performed by singer Shahid Abbas Khan.
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theme music is widely regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers.
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version, this second version is in fact a new arrangement and recording. Gold also created another new arrangement of the theme which was performed by the
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respectively. The theme removes the bass slides which were featured in all previous official arrangements, and is instead merged into the main bassline.
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In 2014 Dominic Glynn revisited his 1986 arrangement, releasing a digital four-track mini-album of remixes entitled "The
Gallifrey Remixes".
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In 2018 Filipino indie electro-rock band
Stereodeal released their own cover version of the tune, which they also played live occasionally.
147:
845:", the new 2014 theme was suddenly polished further, blending in the introduction transition sound and bass elements of the 2008 version.
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Derbyshire electronic melody line, used from the Christmas 2007 episode. The 2008 series featured a modified arrangement of this version.
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685:. Unlike his arrangement for the 2005 series, this version restored the "middle eight"; it was also used for the closing credits of the
928:, echoes the theme about 3 minutes into the track. The reference was made more explicit in live performances. In addition, their song "
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reverted to the 1967 arrangement before reinstating the Third Doctor's arrangement for the last two serials of that year. During the
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The theme has been often called both memorable and frightening, priming the viewer for what was to follow. During the 1970s, the
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also including the original theme interpreted by Delia Derbyshire. The 12" vinyl outer sleeve features a 3-D hologram featuring
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1070:. Their cover has gone on to become regular part of their live shows and is heard as background music in the comedy film
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453:" synthesiser (named after the Workshop's location at Delaware Road). The "Delaware" arrangement, which had a distinct
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available at all the required pitches. To create dynamics, the notes were re-recorded at largely different levels.
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on 25 November 1978, the song peaked at number 25 in the UK Singles Chart and ran for 12 weeks in the BBC Top 75.
449:, with Delia Derbyshire acting as producer, to modernise the theme tune using the Radiophonic Workshop's modular "
37:
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In 2021, the theme was once again updated, this time with a mix of both the Series 11 & 12 theme tunes. For
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418:. The "middle eight" thus fell out of use in the closing credits from this serial. The first three serials of
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theme for the Eighth Doctor. The Arnold arrangement was used for every Eighth Doctor audio play until 2008's
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on 12 June, and also charted highly in Australia and New Zealand. A latter USA release of the CD single by
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and TARDIS materialisation sound effects. Rapidly rising and falling strings were added to create a
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featured an extended tracklist; including an instrumental version that was commonly played during
810:", the theme used throughout series 7 part 2 was reinstated until the new theme arranged in 2014.
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1952:
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751:
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856:, the intro has an electric guitar playing throughout, which continues from the Doctor playing
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signature tune for television. It is used as the theme for the science fiction programme
1261:
897:, the end credits dropped the bassline, to make the theme sound more eerie than usual.
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The arrangement of the theme was once again revised in 2014 to mark the introduction of
479:. The track was based on the theme music and was Mankind's only hit single. Released by
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synthesiser, with the initial 'sting' replaced by a crashing explosive sound. Producer
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era, the "middle eight" was heard on only four episodes during his first six seasons –
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The first single arising from the show to make the UK Singles Chart was "Dr. Who" by
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featuring the original Ron Grainer theme arranged by Dominic Glynn on side one, and
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The theme and title sequence was revised yet again for the 2012 christmas special, "
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2013:
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504:
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A further revision of the arrangement was made for the 50th anniversary special "
774:". This is the only episode with this arrangement to feature the 'middle eight'.
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Doctor Who at the BBC Radiophonic Workshop: Volume 2: New Beginnings 1970–1980
362:. The most notable of these edits were addition of 'electronic spangles', and
350:, announced that a child's mother said the theme music terrified her son. The
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166:
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An excerpt from Delia Derbyshire's original arrangement of the theme music to
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performed a string quartet arrangement of the song to open their debut album
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synthesiser, while the melody and filtered noise effects were performed on a
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1982:
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410:(1970) onwards, with a closing sound effect also introduced, both added by
1977:
1967:
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Doctor Who Matt Smith at Glastonbury 2010 with Orbital playing the Theme
1292:
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recorded a version of the music for his album of retro TV theme covers,
588:. Delia Derbyshire was reportedly unimpressed with McCulloch's version.
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requested by the producers, as the theme tune up to 1980 and the end of
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860:'s Fifth Symphony in the pre-introduction scene on an electric guitar.
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Related by BBC Radiophonic Workshop composer Mark Ayres on BBC DVD of
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1962:
1947:
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suggested that the theme would be performed, but this did not occur.
376:(1967) onwards (although it was originally made for preceding serial
214:. Most versions of the theme – including the current arrangement by
632:
began to produce Eighth Doctor audio plays in 2001 (beginning with
218:– have retained the use of the original key, with exceptions being
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1992:
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with music from the third series plus the 2007 Christmas special,
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The Glynn arrangement was itself replaced by a new arrangement by
652:. They proceeded to use this theme arrangement again from 2012's
534:
The Howell theme was eventually replaced by a new arrangement by
2043:
1493:"VIDEO: Doctor Who - 'Demons of the Punjab' - End Credits Theme"
978:(also known as The JAMs and later The KLF) released the single "
1649:
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section. The opening line of the main melody was played on an
20:
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them extended slightly). McCulloch's theme is in the key of
125:
1090:, recorded a cover version of the theme for his solo album
955:
on side two. Additionally, they issued it as a three-track
770:", where the full theme tune begins under the trailer for "
708:
which was broadcast in November 2006 as part of the annual
16:
Piece of music created by Ron Grainer and Delia Derbyshire
1335:, is included as a bonus feature in the Series 3 DVD set.
523:
5000, and the "middle eight" and the brass section on a
1372:"BBC – Commissioning – Programme and Credits Durations"
863:
The theme music received another revision in 2018 for
1515:"How the (Original) 'Doctor Who' Theme Changed Music"
967:
villains. This release was also issued as a cassette
1472:"Something 'Doctor Who' at Olympic opening ceremony"
841:
As of the third episode of Capaldi's debut season, "
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1632:BBC Radiophon-A-Tron – Mix Your Own Version of the
51:. Unsourced material may be challenged and removed.
1348:. Gallifrey One. 30 September 2007. Archived from
275:containing recordings of a single plucked string,
267:techniques to realise a score written by composer
575:(1987). McCulloch's arrangement was made using a
404:and serve as a lead-in to the closing theme from
603:used a fully orchestrated version, arranged by
207:, and has been adapted and covered many times.
1331:An edited version of this broadcast, entitled
1307:"BBC – Doctor Who – News – Soundtrack details"
1232:"Singles Chart For 23 December 1978"
354:was apologetic, but the theme music remained.
1661:
615:) opening narration was read, leading into a
8:
661:In 2005, the television series was revived.
1036:" for "Dr. Who on Holiday", a track on the
2695:
2081:
1875:
1689:
1668:
1654:
1646:
750:as part of the celebration of 75 years at
1002:'s "Blockbuster", including samples from
729:In 2005, a new orchestral arrangement by
111:Learn how and when to remove this message
945:Doctor Who: Theme from the BBC-TV Series
642:, who produced a new arrangement of the
499:provided a new arrangement performed on
468:; it is also included on the CD release
2494:Zygon: When Being You Just Isn't Enough
1177:
1064:covered the song for their sixth album
1008:. The single reached number one in the
697:A soundtrack of Gold's incidental music
1590:from the original on 13 December 2021.
1578:"Doctor Who theme cover by Stereodeal"
1409:from the original on 19 September 2014
1205:"Doctor Who: The Ambassadors of Death"
1203:Mulkern, Patrick (28 September 2009).
164:
1439:from the original on 3 November 2009.
779:2012 Summer Olympics opening ceremony
7:
1527:from the original on 3 December 2013
1313:from the original on 2 February 2009
1192:from the original on 7 January 2010.
746:. It has also been performed by the
733:was commissioned by the BBC for the
704:during a special televised concert,
333:The theme is written in the E minor
197:. Created in 1963, it was the first
49:adding citations to reliable sources
1258:"A History of the Doctor Who Theme"
1186:"A History of the Doctor Who Theme"
722:, was released on 5 November 2007.
251:The original 1963 recording of the
2452:Shakedown: Return of the Sontarans
1491:Potts, Lianne (12 November 2018).
1461:from the original on 23 July 2012.
1451:"Olympic ceremony playlist leaked"
1023:breaks during their broadcasts of
986:label. The song used samples from
316:", is an uplifting interlude in a
14:
1717:Christmas and New Year's specials
1558:from the original on 10 July 2008
1060:In 2001, English electronica duo
806:For the 2013 Christmas special, "
441:In 1972, there was an attempt by
2800:
2799:
2789:
2199:Daleks' Invasion Earth 2150 A.D.
1397:Joanna Morehead (26 July 2005).
1126:
1057:credited as "Theme from Dr Who".
259:(assisted by Dick Mills) of the
165:Problems playing this file? See
144:
25:
2411:Big Finish spin-off audio plays
1346:"Soundtrack Vol 2 Release Date"
1100:Also in 2018, British comedian
1086:, previously lead guitarist in
702:BBC National Orchestra of Wales
683:BBC National Orchestra of Wales
495:, Radiophonic Workshop staffer
181:is a piece of music written by
36:needs additional citations for
2167:An Adventure in Space and Time
1628:(with video, RealMedia format)
1548:"Doctor Who: a musical force?"
1513:William Weir (27 April 2011).
681:", which was performed by the
1:
1429:"Friday Night is Music Night"
1049:In 1998, the Australian band
577:Sequential Circuits Prophet-5
366:, from the second episode of
320:that usually features in the
2831:Television drama theme songs
2174:The Five(ish) Doctors Reboot
871:, this time by new composer
638:), they approached composer
1289:"Silva Screen Records News"
2857:
2224:Thirty Years in the TARDIS
777:A leaked playlist for the
673:alongside the main motif.
2841:Works by Delia Derbyshire
2826:Music based on Doctor Who
2785:
2266:The Science of Doctor Who
2109:The Sarah Jane Adventures
1546:Peel, Ian (7 July 2008).
1082:In 2017 British musician
888:Ascension of the Cybermen
706:Doctor Who: A Celebration
2768:Magic Bullet Productions
2349:Eighth Doctor Adventures
2153:The Curse of Fatal Death
1832:United States and Canada
1309:. BBC. 6 November 2006.
918:", the opening track of
901:Derbyshire theme music.
545:The Trial of a Time Lord
416:BBC Radiophonic Workshop
407:The Ambassadors of Death
261:BBC Radiophonic Workshop
195:BBC Radiophonic Workshop
60:"Doctor Who theme music"
2836:Electronic compositions
1236:Official Charts Company
1051:FourPlay String Quartet
790:The Bells of Saint John
2748:Big Finish Productions
2639:The Minister of Chance
2542:Destiny of the Doctors
2406:Big Finish audio plays
2361:Past Doctor Adventures
2252:Torchwood Declassified
2192:Dr. Who and the Daleks
1859:Awards and nominations
1722:Supplementary episodes
1167:"Uprising" (Muse song)
808:The Time of the Doctor
748:BBC Symphony Orchestra
679:The Christmas Invasion
630:Big Finish Productions
571:'s era beginning with
130:
2368:New Series Adventures
1908:Supporting characters
1712:2005–present episodes
1622:BBC link to original
1374:. BBC. Archived from
1005:Genesis of the Daleks
895:Village of the Angels
797:The Day of the Doctor
772:Victory of the Daleks
742:and performed by the
501:analogue synthesisers
435:The Armageddon Factor
432:parts 3, 4 and 6 and
312:, also known as the "
285:test-tone oscillators
129:
2678:Time Lord Victorious
2160:Scream of the Shalka
1477:28 July 2012 at the
1295:on 12 December 2006.
980:Doctorin' the TARDIS
719:Voyage of the Damned
677:closing credits of "
465:Carnival of Monsters
429:The Invasion of Time
45:improve this article
2763:Mad Norwegian Press
2649:Dalek illustrations
2556:The Adventure Games
2528:The Mines of Terror
2514:The First Adventure
2129:Spin-off companions
2039:Torchwood Institute
1783:soundtrack releases
1435:. 20 October 2009.
905:Remixes and remakes
867:'s first series as
838:album in May 2015.
819:twelfth incarnation
516:, the second on an
2591:The Eternity Clock
2335:Missing Adventures
2245:Totally Doctor Who
2146:Dimensions in Time
1953:Great Intelligence
1700:1963–1989 episodes
1604:Lost tapes of the
1352:on 8 November 2007
1333:Music and Monsters
1264:on 7 January 2010.
1152:Doctor in Distress
1115:called Doctor Who.
1113:Giuseppe Ottaviani
1111:There is an EP by
1055:Catgut Ya' Tongue?
984:KLF Communications
951:"Cosmic Remix" by
731:Christopher Austin
581:John Nathan-Turner
514:ARP Odyssey Mk III
385:Fury from the Deep
327:An Unearthly Child
131:
2813:
2812:
2781:
2780:
2753:Reeltime Pictures
2731:The Black Archive
2687:
2686:
2577:The Mazes of Time
2073:
2072:
2024:Sonic screwdriver
1867:
1866:
1613:A history of the
1106:Television Themes
963:as well as other
916:One of These Days
843:Robot of Sherwood
764:The Eleventh Hour
714:second soundtrack
373:The Faceless Ones
368:Patrick Troughton
348:listings magazine
279:, and the simple
149:
121:
120:
113:
95:
2848:
2803:
2802:
2793:
2696:
2563:Evacuation Earth
2259:The Commentaries
2217:Whose Doctor Who
2082:
1876:
1806:Other home video
1727:Missing episodes
1690:
1670:
1663:
1656:
1647:
1592:
1591:
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1568:
1567:
1565:
1563:
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1499:
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1469:
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1462:
1457:. 18 June 2012.
1447:
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1425:
1419:
1418:
1416:
1414:
1394:
1388:
1387:
1385:
1383:
1378:on 22 April 2009
1368:
1362:
1361:
1359:
1357:
1342:
1336:
1329:
1323:
1322:
1320:
1318:
1303:
1297:
1296:
1291:. Archived from
1285:
1279:
1272:
1266:
1265:
1260:. Archived from
1253:
1247:
1246:
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1228:
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1200:
1194:
1193:
1182:
1136:
1131:
1130:
1129:
1010:UK Singles Chart
744:BBC Philharmonic
710:Children in Need
601:television movie
525:Roland Jupiter-4
379:The Macra Terror
346:, the BBC's own
265:musique concrète
257:Delia Derbyshire
234:) arrangements.
199:electronic music
191:Delia Derbyshire
189:and realised by
151:
150:
128:
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29:
21:
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2847:
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2845:
2816:
2815:
2814:
2809:
2777:
2758:BBV Productions
2736:
2724:Battles in Time
2683:
2634:Faction Paradox
2617:
2605:Lego Dimensions
2570:Return to Earth
2499:
2425:
2394:
2315:
2292:
2204:
2179:
2133:
2095:K-9 and Company
2069:
2048:
2002:
1924:
1863:
1849:Popular culture
1810:
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1479:Wayback Machine
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998:(Part 2)", and
982:" on their own
907:
884:
865:Jodie Whittaker
801:The Beast Below
768:The Beast Below
760:
626:
594:
489:
447:Paddy Kingsland
394:
322:closing credits
304:the royalties.
249:
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1737:Unmade serials
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1598:External links
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1109:
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1092:Without a Word
1080:
1077:
1067:The Altogether
1058:
1047:
972:
933:
922:'s 1971 album
906:
903:
883:
880:
850:fourth episode
759:
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671:counter-melody
625:
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593:
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569:Seventh Doctor
565:Keff McCulloch
510:ring modulator
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1626:theme excerpt
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424:Fourth Doctor
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140:theme excerpt
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2672:Exhibitions
2521:The Warlord
2505:Video games
2384:Short Trips
2382:Big Finish
2376:Short Trips
1958:Ice Warrior
1854:Merchandise
1773:theme music
1455:Digital Spy
1399:"BBCPO/Lai"
1210:Radio Times
1088:The Shadows
1084:Hank Marvin
1014:TVT Records
969:maxi-single
939:released a
937:BBC Records
786:The Snowmen
691:2007 series
663:Murray Gold
649:Dead London
613:Paul McGann
605:John Debney
554:Yamaha DX21
460:DVD release
396:During the
352:Radio Times
343:Radio Times
277:white noise
269:Ron Grainer
216:Murray Gold
187:Ron Grainer
179:theme music
2820:Categories
2741:Publishers
2717:Adventures
2699:Magazines
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2445:P.R.O.B.E.
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2231:Dalekmania
1913:The Master
1903:Companions
1896:considered
1886:The Doctor
1879:Characters
1839:Whoniverse
1801:Home video
1746:Production
1678:Doctor Who
1634:Doctor Who
1624:Doctor Who
1615:Doctor Who
1606:Doctor Who
1531:2 December
1413:2 November
1317:9 November
1173:References
1160:Doctor Who
1144:Doctor Who
1134:BBC portal
1102:Matt Berry
1025:the series
988:Doctor Who
965:Doctor Who
957:12" single
949:Doctor Who
920:Pink Floyd
869:the Doctor
836:soundtrack
823:The Doctor
752:Maida Vale
736:Blue Peter
712:appeal. A
644:Doctor Who
599:Doctor Who
455:Jew's harp
253:Doctor Who
204:Doctor Who
183:Australian
177:Doctor Who
167:media help
156:Doctor Who
138:Doctor Who
71:newspapers
2667:crossover
2665:Star Trek
2304:2008 Prom
2287:Unleashed
2102:Torchwood
2086:Spin-offs
2060:Gallifrey
2053:Locations
1983:Time Lord
1930:Creatures
1827:Australia
1778:composers
1753:Producers
1705:1996 film
1686:Programme
1356:2 October
1162:composers
1030:Green Day
974:In 1988,
941:7" single
935:In 1986,
858:Beethoven
655:Dark Eyes
617:crescendo
596:The 1996
573:season 24
540:season 23
493:season 18
364:tape echo
360:season 17
318:major key
185:composer
2805:Category
2710:Magazine
2466:Downtime
2459:Mindgame
2355:Novellas
2138:Specials
2034:Time War
2007:Concepts
1978:Slitheen
1973:Silurian
1968:Sontaran
1938:Cyberman
1794:Releases
1693:Episodes
1608:composer
1588:Archived
1556:Archived
1525:Archived
1498:11 March
1475:Archived
1459:Archived
1437:Archived
1407:Archived
1382:20 April
1311:Archived
1276:Survival
1190:Archived
1158:List of
1142:List of
1120:See also
658:onward.
567:for the
558:Korg 770
529:F♯ minor
481:Pinnacle
451:Delaware
438:part 6.
420:season 8
281:harmonic
224:F♯ minor
101:May 2009
2654:Pinball
2473:Cyberon
2438:Wartime
1822:History
1763:Writers
1583:YouTube
1241:8 April
1073:Haggard
1062:Orbital
1038:mash up
1034:Holiday
953:Mankind
943:titled
852:of the
848:In the
817:as the
667:ray-gun
586:A minor
521:Vocoder
477:Mankind
414:of the
370:serial
242:History
232:A minor
212:E minor
193:at the
85:scholar
2795:Portal
2659:Spoofs
2629:Comics
2598:Legacy
2029:TARDIS
1998:Robots
1963:Judoon
1948:Davros
1891:actors
1844:Fandom
1636:theme!
1562:7 July
1040:album
961:Daleks
925:Meddle
912:Embryo
890:only.
827:Howell
762:From "
310:bridge
226:) and
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2480:Auton
2430:Video
2399:Audio
2320:Books
2297:Stage
2273:Extra
2184:Films
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2065:Skaro
1993:Zygon
1943:Dalek
1768:Music
1617:theme
1000:Sweet
930:Sheep
882:2020s
831:Glynn
758:2010s
628:When
624:2000s
487:1980s
392:1970s
263:used
247:1960s
92:JSTOR
78:books
2701:etc.
2374:BBC
2310:Live
2044:UNIT
1920:Cast
1564:2008
1533:2013
1500:2023
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