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lithograph depicts a yellow painted man wearing jeans, plaid shirt, and hat with his hands in his pockets. He is outside walking while looking up at a full, yellow moon covered in a ray of red-tinted clouds. One half of the man is covered in a red, furry mantle. According to the artwork's description from Tucson Museum of Art and
Historic Block, the man's specific wardrobe depicts that he is a sheep disguised as a furry wolf in the night, introducing the question of who is in possession of the night.
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her eyes closed, her arms across her forehead, and her legs crossed. Beside her, the window is wide open showing the landscape of a desert with cacti, a purple sky, an orange sun, and two howling, red dogs. According to
Calisphere, an organization of University of California Libraries, themes relating to this painting include women nudity, usage of animals in art, Chicanx culture, and American culture.
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from
November 4 to the 7th of 1985. This piece was created through silkscreen printing. Organizations that helped funded this art piece include National Endowment for the Arts Visual Arts, California Arts Council, and Self-Help Graphics and Art where she was employed. According to the Online Archive
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Guerrero-Cruz's image screen print was created in the year 1987. It can be found in the Self-Help
Graphics and Arts Archive Collection, a part of the University of California, Santa Barbara Department of Special Research Collections. A nude women is depicted laying on a blue bed in a gray room with
403:
is included in her dogs and women series of artwork where a dog is depicted laying beside a woman it successfully preyed on with a malicious satisfactory expression on its face. The Online
Archive of California discusses Guerrero-Cruz's mentions of her critic on the male verbal harassment on women
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Guerrero-Cruz developed this piece from
October 31 to the 4th of November in 1988. It was created through the process of silkscreen printing. Self-Help Graphics along with the National Endowment for the Arts Visual Arts and California Arts Council assisted in the funding towards this art piece.
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Guerrero-Cruz's lithograph was created in 1994 and published through
Movimiento Del Rio Salado (MARS). This organization worked towards advocating Chicanx and American culture. It can be found in the Contemporary Latin American Collection at the Tucson Museum of Art and Historic Block. This
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of
California, Guerrero-Cruz's piece depicts three Mexican-American children losing their heritage due to being raised in an Anglo-American society. In addition, the artwork also includes the need of peace and resolved hostilities in children in order to prevent future nuclear war.
219:(born 1948) is an American artist, she is known for her contemporary art through paintings, murals, and graphic art. Her art reflects her advocacy towards the feminist movement and empowerment movement for the Chicano and Latin community.
305:. In January 1999, Guerrero-Cruz and co-founder Juan GĂłmez established Screen Print School and Canela Studio. Guerrero-Cruz's usage of Chicanx representation and artistic style were influenced by artists
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was featured in the collection called Self-Help
Graphics and Art archives. Guerrero was also included in the Ricardo and Harriett Romo Collection of Mexican American Art Prints with her works including
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297:. Guerrero contributed her skills towards local foundations including ARTSTEACH UCLA and the East Los Angeles Rape Hotline and Child Abuse Center. Guerrero-Cruz became active in
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heritage. As a result of her mother's passing, her grandmother became the guardian of her siblings and her. Her family later moved to
California.
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Guerrero-Cruz has been an advocate for Chicano social justice and feminism. In the 1970s she had been part of the art collective,
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Aside from community work through creation of city murals with art students, she was a screen printing professor at
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2018 – "Spoken/Unspoken: Forms of Resistance", Sesnon Gallery, Santa Cruz, California (February 8 - March 17, 2018)
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566:. Terezita Romo (editor), Pilar Tompkins Rivas (editor). UCLA Chicano Studies Research Center Press. p. 81.
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Three Decades of American Printmaking: The Brandywine Workshop Collection
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2017 – "Entre Tinta y Lucha: 45 Years of Self-Help Graphics & Art”,
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257:(formally known as Otis Art Institute of Parsons School of Design.
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After graduating she began her profession at Public Art Center of
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from the article and its talk page, especially if potentially
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Chicano Art in the City of Dreams A History in Nine Movements
714:"Romo Collection of Mexican American Art Prints, 1981-2014"
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due to the dog metaphorically representing men in society.
816:"Entre Tinta y Lucha: 45 years of Self Help Graphic Arts"
742:"Guide to the Self Help Graphics and Art Archives CEMA 3"
585:"Chicana Chigonas: Mujeres doing some amazing things"
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842:"Artists Credit Graphics Center for Inspiration"
432:1986 – “'Dia de los Muertos", The Photo Center,
222:Guerrero-Cruz now resides in East Los Angeles.
953:California State University, Los Angeles alumni
325:holds art pieces from Guerrero-Cruz including
867:"SPOKEN/UNSPOKEN: FORMS OF RESISTANCE (2018)"
438:1986 – Self-Help Graphics exhibition, Atelier
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963:University of California, Los Angeles alumni
489:Contemporary Art and Multicultural Education
551:. United States: Hudson Hills. p. 195.
301:(RCAF) in order to spread awareness on the
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56:about living persons that is unsourced or
455:2017 – Exhibition at Laband Art Gallery,
127:Learn how and when to remove this message
943:People from East Los Angeles, California
771:Tucson Museum of Arts and Historic Block
450:California State University, Los Angeles
243:California State University, Los Angeles
176:California State University, Los Angeles
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335:University of California, Santa Barbara
200:, Screen Print School and Canela Studio
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968:Otis College of Art and Design alumni
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241:Dolores Guerrero-Cruz studied art at
184:University of California, Los Angeles
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933:American artists of Mexican descent
928:21st-century American women artists
923:20th-century American women artists
871:University of California Santa Cruz
692:Calisphere University of California
486:Cahan, Susan; Kocur, Zoya (1996).
253:. She had additional education at
230:Dolores Guerrero-Cruz was born in
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492:. Psychology Press. p. 125.
948:People from Rocky Ford, Colorado
452:(August 25 - September 28, 2017)
323:Los Angeles County Museum of Art
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840:Snow, Shuana (29 August 1991).
718:Texas Archival Resources Online
247:University of California, Davis
180:University of California, Davis
562:Noriega, Chon A., ed. (2011).
255:Otis College of Art and Design
188:Otis College of Art and Design
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441:1988 – "Committed to Print",
746:Online Archive of California
234:in the year 1948, she is of
34:biography of a living person
457:Loyola Marymount University
429:, San Francisco, California
249:, and later transferred to
152:1948 (age 75–76)
61:must be removed immediately
16:American artist (born 1948)
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547:Edmunds, Allan L. (2004).
295:Pasadena Community College
288:Self Help Graphics and Art
198:Pasadena Community College
459:, Los Angeles, California
445:, New York City, New York
425:1985 – 'Women by Women',
796:The Museum of Modern Art
370:Guerrero-Cruz worked on
226:Early life and education
792:"Dolores Guerrero-Cruz"
767:"Red Rider in the Hood"
610:"Dolores Guerrero-Cruz"
299:Royal Chicano Air Force
76:"Dolores Guerrero-Cruz"
820:Self Help Graphic Arts
267:Centro de Arte PĂşblico
48:Please help by adding
938:Artists from Colorado
409:Red Rider in the Hood
217:Dolores Guerrero-Cruz
143:Dolores Guerrero-Cruz
232:Rocky Ford, Colorado
209:Chicano art movement
156:Rocky Ford, Colorado
54:Contentious material
303:United Farm Workers
688:"Mujeres y Perros"
635:"Mujeres y perros"
523:"Dolores Guerrero"
427:Galeria de la Raza
352:Raices Folkloricas
337:, Guerreros work,
846:Los Angeles Times
660:"Jugo de naranja"
614:Warnock Fine Arts
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339:Mujeres y Perros,
275:Judithe Hernández
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420:Exhibitions
372:Peacemakers
364:Peacemakers
317:Collections
269:along with
194:Employer(s)
907:Categories
801:2019-05-30
467:References
434:New Jersey
87:newspapers
333:. At the
172:Education
39:citations
589:Chicanas
205:Movement
65:libelous
358:Artwork
286:and at
101:scholar
876:10 May
851:12 May
776:29 May
751:1 June
694:. 1987
594:12 May
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411:(1994)
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366:(1985)
350:, and
261:Career
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698:5 May
669:2 May
664:LACMA
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639:LACMA
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532:1 May
108:JSTOR
94:books
32:This
878:2019
853:2019
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778:2019
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646:2019
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494:ISBN
443:MoMA
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149:Born
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