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citizen in 1970. Dolores began teaching at the
University of Kansas and then was a professor at Purdue University. After they left Cuba, Castro burned their 25,000-volume personal library, which included some priceless and irreplaceable material and which was said to be "the best library in the world on Latin American theater." Fortunately, their files accumulated over twenty-five years on Latin American Indian theater were saved through the friendship of a foreign diplomat in Havana.
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Teatro cubano contemporáneo : Luis A. Baralt, Tragedia indiana; José Cid Pérez, Hombres de dos mundos; Carlos Felipe, El
Traviesa Jimmy; Renée Potts, Imagíname infinita; José A. Ramos, Tembladera; Marcelo Salinas, Alma Guajira. Selección y notas de Dolores Martí de Cid... Ensayo "El Teatro en
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Dolores married José Cid Pérez, a prominent Cuban playwright, in 1939 and worked with him for the rest of her life on their studies of Latin
American theater. Dolores and José left Cuba in 1960, due to Fidel Castro's Communist revolution, and came to the United States, where she became an American
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Teatro Cubano
Contemporáneo. Luis A. Baralt. Tragediạ Iṇdiana. José Cid Pérez. Hombres De Dos Mundos. Carlos Felipe. El Travieso Jimmy. Renée Potts. Imagíname Infinita. José A. Ramos. Tembladera. Marcelo Salinas. Alma Guajira. Selección Y Notas De D. Martí De Cid. Con Un Ensayo El Teatro En Cuba
104:, Spain, on September 6, 1916. As the daughter of a Cuban diplomat, she studied in many countries and became fluent in several languages. Dolores received her doctorate in "Filosofía y Letras" in 1943, from the
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were also published by
Dolores with José Cid as co-author. Dolores Martí de Cid, who devoted her life to the study of Latin American literature and culture, died in New York City, in May 1993.
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She lectured in several countries, wrote many articles and books on Latin
American theater, as well as textbooks, and received many awards and honors as a result. One of her published books is
431:". Prepared for the University of Miami Libraries, Coral Gables, FL. Retrieved March 31, 2014. This article incorporates text from this source, which has been released under a
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471:"Teatro indio precolombino" : El Gúegüense; El Varón de Rabinal; Ollantay : José Cid Pérez, Dolores Martí de Cid
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562:. The Dolores Martí de Cid collection contains numerous works on Latin American theater and literature.
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Teatro indio precolombino: El Güegüense, o, Macho ratón; El varón de
Rabinal; Ollantay
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Páginas de un diario... José Cid-Pérez... James E. McKinney... Dolores Marti de Cid
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Finding aid authors: Frances
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Teatro cubano, contemporáneo. Selección y notas de
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380:. Chapel Hill, N.C.: University of North Carolina. 1969.
204:. Lawrence: Center of Latin American Studies. 1963.
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125:Poesías Completas de Gertrudis Gómez de Avellaneda
378:El pobre más rico, de Gabriel Centeno de Osma
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517:Resources in other libraries
156:. Madrid: La Muralla. 1978.
140:. La Habana: Cultura. 1956.
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456:. Madrid: Aguilar. 1962.
364:. Madrid: Aguilar. 1973.
348:. Madrid: Aguilar. 1964.
332:. Madrid: Aguilar. 1964.
316:. Madrid: Aguilar. 1951.
252:. Madrid: Aguilar. 1962.
236:. Madrid: Aguilar. 1962.
220:. Madrid: Aguilar. 1959.
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396:. Madrid: Playor. 1979.
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