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blaspheme; the pauper refuses. Then Dom Juan sees a gentleman being attacked by three robbers, so he draws his sword and goes to his rescue. The gentleman turns out to be Dom Carlos, a brother of Donna Elvira, who explains to Dom Juan that he and his brother, Dom Alonso, have been hunting for Dom Juan to avenge his seduction of their sister. Pretending ignorance, and not admitting his identity, Dom Juan says he knows Dom Juan but that he is only an acquaintance, not a friend. Dom Alonso arrives. He recognizes Dom Juan and demands immediate revenge. In gratitude to Dom Juan for saving him from robbers, Dom Carlos persuades his brother, Dom Alonso, to postpone his revenge. The brothers exit. Continuing on their way in the forest, Dom Juan and
Sganarelle find themselves at the tomb of the Commander, a man recently killed by Dom Juan. He orders Sganarelle to invite the statue of the Commander to dinner. The stone statue nods his head to the valet.
270:(1665) presents the story of the last two days of life of the Sicilian courtier Dom Juan Tenorio, who is a young, libertine aristocrat known as a seducer of women and as an atheist. Throughout the story, Dom Juan is accompanied by his valet, Sganarelle, a truculent and superstitious, cowardly and greedy man who engages his master in intellectual debates. The many facets of Dom Juan's personality are exposed to show that he is an adulterer (Act I); an accomplished womanizer (Act II); an altruistic, religious non-conformist (Act III); a spendthrift, bad son to his father (Act IV); and a religious hypocrite who pretends a spiritual rebirth and return to the faith of the Roman Catholic Church, which is foiled by death (Act V).
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appear. Dom Juan tells
Charlotte that he is in love with her, and persuades her to marry him. As Dom Juan is about to kiss Charlotte's hand a thousand times, Pierrot returns and intervenes. Then appears Mathurine, yet another woman Dom Juan promised to marry. Two fiancées, and both demand an explanation. Dom Juan manages to inveigle his way out of girl trouble, leaving each woman believing that all is well between him and her. A man enters with the news that Dom Juan is in danger — twelve men on horseback are looking for him. Dom Juan says to Sganarelle that they should exchange clothes with each other. Sganarelle says "Not likely.", and they hurry off.
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Dimanche from the apartment. Dom Juan's father Dom Louis arrives. He scolds Dom Juan and then leaves, angry with contempt. Donna Elvira enters, no longer furious, but with loving, wifely spirit to warn her husband against the wrath of Heaven. She attempts in vain to persuade Dom Juan to repent his sins. She leaves him alone. Finally, Dom Juan and
Sganarelle sit to dinner, when the statue of the Commander appears; he does not join them at the table, but he does invite Dom Juan to sup with him the following day.
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who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man
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The spectre of a veiled woman appears to offer Dom Juan a final opportunity to repent his sins. Dom Juan draws and brandishes his sword at the spectral woman, and he refuses to repent. The statue of the
Commander enters and asks Dom Juan to give him his hand. When Dom Juan does that, the Commander
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to Donna Elvira. Her primary concern is the abrupt departure of her new husband, Dom Juan. For Guzmán, Sganarelle proudly paints a terrible portrait of his master, Dom Juan, as a fickle, cynical disbeliever whom women should distrust. Guzmán exits and Dom Juan enters to argue with
Sganarelle about
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In his apartment, Dom Juan wants to sit for dinner, but he is interrupted by a series of unannounced visitors. First is the creditor
Monsieur Dimanche, a tradesman whom Dom Juan placates with many compliments, but then he snubs Dimanche by suddenly exiting the room. Sganarelle enters to usher out
309:
In the forest. Enter Dom Juan in country costume and
Sganarelle in doctor costume. They are lost and encounter a pauper dressed in rags, and ask him for directions through the forest. Learning that the pauper is religious and devout, Dom Juan tests the man's faith by offering him a gold piece to
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In the countryside. Speaking in rustic vernacular, the peasant
Pierrot tells his bride, Charlotte, of the adventure story of his rescue of Dom Juan and Sganarelle after they had fallen into the lake when their boat capsized. Pierrot then exits to go "wet his whistle", and Dom Juan and Sganarelle
292:
the topic of marriage and amorous inconstancy, before revealing that he has fallen in love and has his sight set on someone new — a young, rustic bride-to-be. Donna Elvira then enters to challenge Dom Juan to explain the reasons for his abrupt departure; his response leaves her angered.
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has changed him and that he has renounced his wicked ways. Happy at hearing that news from his son, Dom Louis leaves. The news of repentance and reformation also delight
Sganarelle, but Dom Juan immediately says he meant none of it, and then passionately speaks at length in praise of
227:. The consequent state-and-church censorship legally compelled Molière to delete socially subversive scenes and irreligious dialogue from the script, specifically the scene where Sganarelle and Dom Juan encounter the Pauper in the forest, in Act III.
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changed the style of writing — and thus changed the intent of the play — by exaggerating Dom Juan's libertinism to render Molière's comedy of manners into a cautionary tale of the unhappy fate of irreligious people.
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proclaims: "The wages of sin is death". At that moment, Dom Juan cries out that he is burning, that he is afire. Thunder and lightning sound and flash, and the earth breaks open to swallow Dom Juan, whose fall is
184:, but death arrives early, and thwarts his avoiding moral responsibility for a dissolute life; in both the Spanish and the French versions of the comedy, Dom Juan goes to Hell.
180:; whereas, de Molina's Don Juan is a Spanish man who admits to being Catholic, and believes that repentance for and forgiveness of sin are possibilities that will admit him to
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a rake, thus the intent of the play is disrespectful of the official doctrine of the Church, and thus subversive of the royal authority of the king of France, who is an
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was censored, with paper strips glued upon the offensive text, for inclusion to an eight-volume edition of the plays of Molière. The censored, verse edition
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812:. A page-by-page view of the antique book that contains the text of the play as it was published in Amsterdam in 1683
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808:. Par J.B.P. de Moliere, edition nouvelle & toute differente de celle qui a paru jusqu'à present
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Dual language publication of the play, French and
English, every other page, dated 1739.
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737:. Librarie de Firmin-Didot et Cie. Additional information from James F. Gaines (2002).
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Brigitte Jacques and Louis Jouvet's 'Elvira' and Moliere's 'Don Juan': Two French Plays
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norms. In early 1665, after fifteen performances of the original run of
37:(1683), by Molière, features an illustration of the statue at the feast.
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protagonist. Molière's Dom Juan is a French man who admits to being an
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The English names of the French characters are from Henri Van Laun's
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In the garden of the palace. After a few words of appreciation for
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In the countryside near the city, Dom Juan tells his father that
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138:("Don Juan or The Feast of Stone") is a five-act 1665 comedy by
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765:. Stanford University, Calif.: Stanford University Press, 1943.
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731:Œuvres de Molière, avec des notes de tous les commentateurs
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Cast of the play's premiere performance (15 February 1665)
1539:
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Dom Juan or The Stone Death: Minute History of the Drama
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to Dom Juan's free-thinking disregard for religion and
720:(1885), vol. 3, p. 99. Edinburgh: William Patterson.
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La scène du pauvre, Paris 1682, dans ses deux états
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259:(1665), by Molière, is documented in the article
763:The Double Invitation In the Legend of Don Juan
158:Molière's comedy derives from the Spanish play
623:Jaques, Brigitte; Jouvet, Louis (2003-01-01).
1555:
873:
8:
1166:The Trickster of Seville and the Stone Guest
683:. New York: Grosset & Dunlap. p. 47
161:The Trickster of Seville and the Stone Guest
62:The Trickster of Seville and the Stone Guest
784:has original text related to this article:
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1548:
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741:. Westport, Connecticut: Greenwood Press.
677:Fort, Alice B.; Kates, Herbert S. (1935).
98:Théâtre du Palais-Royal (rue Saint-Honoré)
27:
18:
653:Comedy: A Geographic and Historical Guide
564:A Ghost (in the form of a veiled woman)
367:
360:Title page of the uncensored edition of
151:charms, deceives, and leads Dom Juan to
827:available online in English translation
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601:
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838:Don Juan, or The Feast with the Statue
1045:Don Juan, or If Don Juan Were a Woman
853:Free Online 2010 American Translation
287:, Sganarelle speaks with Guzmán, the
7:
1607:Sganarelle, or The Imaginary Cuckold
1114:Have You Ever Really Loved a Woman?
463:a peasant woman, fiancée to Pierrot
1799:Plays based on the Don Juan legend
14:
1670:George Dandin ou le Mari confondu
336:. Then Dom Carlos appears, and a
142:based upon the Spanish legend of
831:
792:
775:
799:Dom Juan ou le Festin de pierre
787:Dom Juan ou le Festin de pierre
691:– via theatrehistory.com.
650:Charney, Maurice (2005-01-01).
629:. University Press of America.
420:gentleman-usher to Donna Elvira
364:, by Molière. (Amsterdam, 1683)
232:Dom Juan ou le Festin de pierre
146:. The aristocrat Dom Juan is a
135:Dom Juan ou le Festin de Pierre
35:Dom Juan ou le Festin de pierre
1316:Madamina, il catalogo è questo
656:. Greenwood Publishing Group.
268:Dom Juan or The Feast of Stone
257:Dom Juan or The Feast of Stone
230:In 1682, the prose edition of
189:Dom Juan or The Feast of Stone
1:
718:The Dramatic Works of Molière
704:Six Prose Comedies of Molière
608:Benét's Reader's Encyclopedia
595:. Wetstein, Amsterdam. (1683)
548:Du Croisy (Philibert Gassot)
1593:L'Étourdi ou les Contretemps
955:The Private Life of Don Juan
806:Le Festin de Pierre, comedie
510:The Statue of the Commander
352:Characters and premiere cast
841:public domain audiobook at
1822:
1485:El estudiante de Salamanca
706:. Oxford University Press.
1344:Réminiscences de Don Juan
975:The Adventures of Mandrin
559:De Brie (Edmé Villequin)
26:
1691:Le Bourgeois gentilhomme
1684:Monsieur de Pourceaugnac
1600:Les Précieuses ridicules
761:Mackay, Dorothy Epplen.
739:The Molière Encyclopedia
33:The censored edition of
1614:The School for Husbands
1506:Don Giovanni in Sicilia
440:brother of Donna Elvira
430:brother of Donna Elvira
255:Censorship of the play
187:Throughout the plot of
965:Adventures of Don Juan
848:Film based on the play
365:
264:
1719:The Imaginary Invalid
1656:Le Médecin malgré lui
1287:La pravità castigata
359:
340:appears inevitable.
254:
59:legend, particularly
1621:The School for Wives
1364:Margarita la tornera
1334:Don Giovanni Tenorio
801:at Wikimedia Commons
481:Mademoiselle Molière
468:Mademoiselle de Brie
412:Mademoiselle Du Parc
217:political subversion
16:1665 play by Moliere
1804:Plays set in Sicily
1712:Les Femmes Savantes
1415:Don Juan Triumphant
1307:Là ci darem la mano
1256:A Free Man of Color
935:The Lucky Horseshoe
593:Le festin de pierre
542:Monsieur Dimanche,
534:servant to Dom Juan
524:servant to Dom Juan
394:servant to Dom Juan
362:Le festin de pierre
236:Le Festin de pierre
1705:Scapin the Schemer
1526:Mary and the Giant
1025:Don Juan in Sicily
610:(1996) pp. 280–81.
450:father of Dom Juan
366:
346:followed by flames
265:
195:is a thematic and
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1752:Troupe of Molière
1586:Le Médecin volant
1537:
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1418:(fictional, 1910)
1408:(tone poem, 1888)
797:Media related to
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197:intellectual foil
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104:Original language
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1789:Plays by Molière
1747:Illustre Théâtre
1736:Madeleine Béjart
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225:absolute monarch
144:Don Juan Tenorio
89:15 February 1665
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1425:John Gavanti
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823:The text of
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685:. Retrieved
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672:
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455:Louis Bejart
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438:Dom Alonzo,
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428:Dom Carlos,
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392:Sganarelle,
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178:free-thinker
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77:Donna Elvira
60:
34:
1769:(2007 film)
1761:(1978 film)
1386:Other music
1324:Discography
687:27 November
544:a tradesman
474:Mathurine,
461:Charlotte,
448:Dom Louis,
193:Catholicism
164:(1630), by
1794:1665 plays
1783:Categories
1663:Amphitryon
782:Wikisource
553:La Ramée,
522:Violette,
379:Dom Juan,
371:Character
238:(1677) by
221:portraying
81:Dom Carlos
75:Sganarelle
70:Characters
43:Written by
1677:The Miser
591:Molière.
567:possibly
532:Ragotin,
513:possibly
501:possibly
498:A Pauper
489:a peasant
487:Pierrot,
386:La Grange
334:hypocrisy
170:libertine
1635:Dom Juan
1628:Tartuffe
1475:Don Juan
1455:Don Juan
1445:Don Juan
1405:Don Juan
1395:Don Juan
1236:Don Juan
1216:Don Juan
1176:Dom Juan
1125:Don Juan
1055:Don Juan
1035:Don Juan
1005:Don Juan
995:Don Juan
945:Don Juan
925:Don Juan
915:Don Juan
889:Don Juan
843:LibriVox
825:Dom Juan
418:Guzmán,
274:Synopsis
209:Dom Juan
73:Dom Juan
57:Don Juan
53:Based on
22:Dom Juan
1766:Molière
1758:Molière
1729:Related
1571:Molière
1374:Flammen
1145:Don Jon
399:Molière
305:Act III
174:atheist
140:Molière
122:Setting
47:Molière
1743:(wife)
1698:Psyché
1529:(1987)
1519:(1957)
1509:(1941)
1497:Novels
1488:(1840)
1478:(1821)
1377:(1932)
1367:(1909)
1357:(1872)
1347:(1841)
1337:(1787)
1300:(1787)
1290:(1730)
1280:(1669)
1268:Operas
1259:(2010)
1249:(2006)
1239:(1959)
1229:(1905)
1219:(1862)
1209:(1844)
1199:(1830)
1189:(1676)
1179:(1665)
1169:(1630)
1148:(2013)
1138:(2005)
1128:(1998)
1098:(1995)
1088:(1995)
1078:(1979)
1068:(1979)
1058:(1974)
1048:(1973)
1038:(1969)
1028:(1967)
1018:(1960)
1008:(1956)
998:(1955)
988:(1954)
978:(1952)
968:(1948)
958:(1934)
948:(1926)
938:(1925)
928:(1922)
918:(1913)
908:(1898)
745:
660:
633:
329:Heaven
314:Act IV
296:Act II
289:squire
205:sexual
201:social
182:Heaven
176:and a
126:Sicily
107:French
79:Guzmán
65:(1630)
1578:Works
1466:Poems
1157:Plays
896:Films
578:Notes
323:Act V
279:Act I
112:Genre
743:ISBN
689:2007
658:ISBN
631:ISBN
338:duel
247:Plot
215:and
203:and
153:Hell
148:rake
733:],
1785::
615:^
600:^
571:?
517:?
505:?
155:.
1563:e
1556:t
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1103:"
881:e
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666:.
639:.
263:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.