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Dom Juan

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blaspheme; the pauper refuses. Then Dom Juan sees a gentleman being attacked by three robbers, so he draws his sword and goes to his rescue. The gentleman turns out to be Dom Carlos, a brother of Donna Elvira, who explains to Dom Juan that he and his brother, Dom Alonso, have been hunting for Dom Juan to avenge his seduction of their sister. Pretending ignorance, and not admitting his identity, Dom Juan says he knows Dom Juan but that he is only an acquaintance, not a friend. Dom Alonso arrives. He recognizes Dom Juan and demands immediate revenge. In gratitude to Dom Juan for saving him from robbers, Dom Carlos persuades his brother, Dom Alonso, to postpone his revenge. The brothers exit. Continuing on their way in the forest, Dom Juan and Sganarelle find themselves at the tomb of the Commander, a man recently killed by Dom Juan. He orders Sganarelle to invite the statue of the Commander to dinner. The stone statue nods his head to the valet.
270:(1665) presents the story of the last two days of life of the Sicilian courtier Dom Juan Tenorio, who is a young, libertine aristocrat known as a seducer of women and as an atheist. Throughout the story, Dom Juan is accompanied by his valet, Sganarelle, a truculent and superstitious, cowardly and greedy man who engages his master in intellectual debates. The many facets of Dom Juan's personality are exposed to show that he is an adulterer (Act I); an accomplished womanizer (Act II); an altruistic, religious non-conformist (Act III); a spendthrift, bad son to his father (Act IV); and a religious hypocrite who pretends a spiritual rebirth and return to the faith of the Roman Catholic Church, which is foiled by death (Act V). 301:
appear. Dom Juan tells Charlotte that he is in love with her, and persuades her to marry him. As Dom Juan is about to kiss Charlotte's hand a thousand times, Pierrot returns and intervenes. Then appears Mathurine, yet another woman Dom Juan promised to marry. Two fiancées, and both demand an explanation. Dom Juan manages to inveigle his way out of girl trouble, leaving each woman believing that all is well between him and her. A man enters with the news that Dom Juan is in danger — twelve men on horseback are looking for him. Dom Juan says to Sganarelle that they should exchange clothes with each other. Sganarelle says "Not likely.", and they hurry off.
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Dimanche from the apartment. Dom Juan's father Dom Louis arrives. He scolds Dom Juan and then leaves, angry with contempt. Donna Elvira enters, no longer furious, but with loving, wifely spirit to warn her husband against the wrath of Heaven. She attempts in vain to persuade Dom Juan to repent his sins. She leaves him alone. Finally, Dom Juan and Sganarelle sit to dinner, when the statue of the Commander appears; he does not join them at the table, but he does invite Dom Juan to sup with him the following day.
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who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man
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The spectre of a veiled woman appears to offer Dom Juan a final opportunity to repent his sins. Dom Juan draws and brandishes his sword at the spectral woman, and he refuses to repent. The statue of the Commander enters and asks Dom Juan to give him his hand. When Dom Juan does that, the Commander
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to Donna Elvira. Her primary concern is the abrupt departure of her new husband, Dom Juan. For Guzmán, Sganarelle proudly paints a terrible portrait of his master, Dom Juan, as a fickle, cynical disbeliever whom women should distrust. Guzmán exits and Dom Juan enters to argue with Sganarelle about
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In his apartment, Dom Juan wants to sit for dinner, but he is interrupted by a series of unannounced visitors. First is the creditor Monsieur Dimanche, a tradesman whom Dom Juan placates with many compliments, but then he snubs Dimanche by suddenly exiting the room. Sganarelle enters to usher out
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In the forest. Enter Dom Juan in country costume and Sganarelle in doctor costume. They are lost and encounter a pauper dressed in rags, and ask him for directions through the forest. Learning that the pauper is religious and devout, Dom Juan tests the man's faith by offering him a gold piece to
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In the countryside. Speaking in rustic vernacular, the peasant Pierrot tells his bride, Charlotte, of the adventure story of his rescue of Dom Juan and Sganarelle after they had fallen into the lake when their boat capsized. Pierrot then exits to go "wet his whistle", and Dom Juan and Sganarelle
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the topic of marriage and amorous inconstancy, before revealing that he has fallen in love and has his sight set on someone new — a young, rustic bride-to-be. Donna Elvira then enters to challenge Dom Juan to explain the reasons for his abrupt departure; his response leaves her angered.
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has changed him and that he has renounced his wicked ways. Happy at hearing that news from his son, Dom Louis leaves. The news of repentance and reformation also delight Sganarelle, but Dom Juan immediately says he meant none of it, and then passionately speaks at length in praise of
227:. The consequent state-and-church censorship legally compelled Molière to delete socially subversive scenes and irreligious dialogue from the script, specifically the scene where Sganarelle and Dom Juan encounter the Pauper in the forest, in Act III. 242:
changed the style of writing — and thus changed the intent of the play — by exaggerating Dom Juan's libertinism to render Molière's comedy of manners into a cautionary tale of the unhappy fate of irreligious people.
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proclaims: "The wages of sin is death". At that moment, Dom Juan cries out that he is burning, that he is afire. Thunder and lightning sound and flash, and the earth breaks open to swallow Dom Juan, whose fall is
184:, but death arrives early, and thwarts his avoiding moral responsibility for a dissolute life; in both the Spanish and the French versions of the comedy, Dom Juan goes to Hell. 180:; whereas, de Molina's Don Juan is a Spanish man who admits to being Catholic, and believes that repentance for and forgiveness of sin are possibilities that will admit him to 97: 785: 223:
a rake, thus the intent of the play is disrespectful of the official doctrine of the Church, and thus subversive of the royal authority of the king of France, who is an
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was censored, with paper strips glued upon the offensive text, for inclusion to an eight-volume edition of the plays of Molière. The censored, verse edition
160: 61: 1798: 798: 1044: 1113: 1561: 211:, the French royal authorities halted performances of the play; Molière then had to defend the play and himself against accusations of 879: 1592: 1669: 746: 661: 634: 1315: 1505: 651: 251: 411: 1353: 1803: 1788: 1662: 1343: 1074: 954: 817: 1655: 1599: 812:. A page-by-page view of the antique book that contains the text of the play as it was published in Amsterdam in 1683 1484: 984: 624: 974: 467: 1690: 1683: 1454: 1323: 1064: 1554: 1613: 1286: 1084: 904: 1765: 1757: 1306: 1195: 964: 872: 328: 147: 1746: 1718: 1606: 1054: 220: 1641: 1751: 1620: 1585: 1434: 1363: 1333: 1185: 1124: 1034: 1004: 994: 944: 924: 914: 811: 804: 589: 216: 808:. Par J.B.P. de Moliere, edition nouvelle & toute differente de celle qui a paru jusqu'à present 1793: 1735: 1711: 1547: 1414: 1373: 1255: 934: 568: 1704: 1525: 1444: 1404: 1024: 734: 1014: 1740: 1394: 1276: 1235: 865: 742: 657: 630: 514: 502: 480: 385: 224: 348:. Seeing that his master is gone, the lonely valet Sganarelle bewails the loss of his wages. 1697: 1245: 1225: 1215: 1205: 1094: 239: 1648: 1474: 284: 196: 165: 191:, the valet Sganarelle is the only character who defends religion, but his superstitious 822: 818:
Dual language publication of the play, French and English, every other page, dated 1739.
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Brigitte Jacques and Louis Jouvet's 'Elvira' and Moliere's 'Don Juan': Two French Plays
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norms. In early 1665, after fifteen performances of the original run of
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protagonist. Molière's Dom Juan is a French man who admits to being an
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The English names of the French characters are from Henri Van Laun's
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In the garden of the palace. After a few words of appreciation for
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In the countryside near the city, Dom Juan tells his father that
168:, but each playwright presents a different interpretation of the 345: 337: 152: 138:("Don Juan or The Feast of Stone") is a five-act 1665 comedy by 1543: 861: 765:. Stanford University, Calif.: Stanford University Press, 1943. 857: 731:Œuvres de Molière, avec des notes de tous les commentateurs 374:
Cast of the play's premiere performance (15 February 1665)
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Dom Juan or The Stone Death: Minute History of the Drama
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to Dom Juan's free-thinking disregard for religion and
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La scène du pauvre, Paris 1682, dans ses deux états
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(1935). 98:Théâtre du Palais-Royal (rue Saint-Honoré) 27: 18: 653:Comedy: A Geographic and Historical Guide 564:A Ghost (in the form of a veiled woman) 367: 360:Title page of the uncensored edition of 151:charms, deceives, and leads Dom Juan to 827:available online in English translation 603: 601: 582: 838:Don Juan, or The Feast with the Statue 1045:Don Juan, or If Don Juan Were a Woman 853:Free Online 2010 American Translation 287:, Sganarelle speaks with Guzmán, the 7: 1607:Sganarelle, or The Imaginary Cuckold 1114:Have You Ever Really Loved a Woman? 463:a peasant woman, fiancée to Pierrot 1799:Plays based on the Don Juan legend 14: 1670:George Dandin ou le Mari confondu 336:. Then Dom Carlos appears, and a 142:based upon the Spanish legend of 831: 792: 775: 799:Dom Juan ou le Festin de pierre 787:Dom Juan ou le Festin de pierre 691:– via theatrehistory.com. 650:Charney, Maurice (2005-01-01). 629:. University Press of America. 420:gentleman-usher to Donna Elvira 364:, by Molière. (Amsterdam, 1683) 232:Dom Juan ou le Festin de pierre 146:. The aristocrat Dom Juan is a 135:Dom Juan ou le Festin de Pierre 35:Dom Juan ou le Festin de pierre 1316:Madamina, il catalogo è questo 656:. Greenwood Publishing Group. 268:Dom Juan or The Feast of Stone 257:Dom Juan or The Feast of Stone 230:In 1682, the prose edition of 189:Dom Juan or The Feast of Stone 1: 718:The Dramatic Works of Molière 704:Six Prose Comedies of Molière 608:Benét's Reader's Encyclopedia 595:. Wetstein, Amsterdam. (1683) 548:Du Croisy (Philibert Gassot) 1593:L'Étourdi ou les Contretemps 955:The Private Life of Don Juan 806:Le Festin de Pierre, comedie 510:The Statue of the Commander 352:Characters and premiere cast 841:public domain audiobook at 1822: 1485:El estudiante de Salamanca 706:. Oxford University Press. 1344:Réminiscences de Don Juan 975:The Adventures of Mandrin 559:De Brie (Edmé Villequin) 26: 1691:Le Bourgeois gentilhomme 1684:Monsieur de Pourceaugnac 1600:Les Précieuses ridicules 761:Mackay, Dorothy Epplen. 739:The Molière Encyclopedia 33:The censored edition of 1614:The School for Husbands 1506:Don Giovanni in Sicilia 440:brother of Donna Elvira 430:brother of Donna Elvira 255:Censorship of the play 187:Throughout the plot of 965:Adventures of Don Juan 848:Film based on the play 365: 264: 1719:The Imaginary Invalid 1656:Le Médecin malgré lui 1287:La pravità castigata 359: 340:appears inevitable. 254: 59:legend, particularly 1621:The School for Wives 1364:Margarita la tornera 1334:Don Giovanni Tenorio 801:at Wikimedia Commons 481:Mademoiselle Molière 468:Mademoiselle de Brie 412:Mademoiselle Du Parc 217:political subversion 16:1665 play by Moliere 1804:Plays set in Sicily 1712:Les Femmes Savantes 1415:Don Juan Triumphant 1307:Là ci darem la mano 1256:A Free Man of Color 935:The Lucky Horseshoe 593:Le festin de pierre 542:Monsieur Dimanche, 534:servant to Dom Juan 524:servant to Dom Juan 394:servant to Dom Juan 362:Le festin de pierre 236:Le Festin de pierre 1705:Scapin the Schemer 1526:Mary and the Giant 1025:Don Juan in Sicily 610:(1996) pp. 280–81. 450:father of Dom Juan 366: 346:followed by flames 265: 195:is a thematic and 1776: 1775: 1752:Troupe of Molière 1586:Le Médecin volant 1537: 1536: 1418:(fictional, 1910) 1408:(tone poem, 1888) 797:Media related to 575: 574: 197:intellectual foil 131: 130: 104:Original language 1811: 1789:Plays by Molière 1747:Illustre Théâtre 1736:Madeleine Béjart 1564: 1557: 1550: 1541: 1530: 1520: 1510: 1489: 1479: 1458: 1449: 1439: 1429: 1419: 1409: 1399: 1378: 1368: 1358: 1348: 1338: 1326: 1319: 1310: 1301: 1291: 1281: 1260: 1250: 1246:Don Juan in Soho 1240: 1230: 1226:Man and Superman 1220: 1210: 1206:Don Juan Tenorio 1200: 1190: 1180: 1170: 1149: 1139: 1129: 1117: 1108: 1099: 1095:Don Juan DeMarco 1089: 1085:Don Juan in Hell 1079: 1075:Little Tragedies 1069: 1059: 1049: 1039: 1029: 1019: 1009: 999: 989: 979: 969: 959: 949: 939: 929: 919: 909: 905:Don Juan Tenorio 882: 875: 868: 859: 835: 834: 796: 779: 750: 729:Molière (1857). 727: 721: 714: 708: 707: 702:Molière (1968). 699: 693: 692: 690: 688: 674: 668: 667: 647: 641: 640: 620: 611: 605: 596: 587: 569:Madeleine Béjart 407:wife of Dom Juan 381:son of Dom Louis 368: 240:Thomas Corneille 225:absolute monarch 144:Don Juan Tenorio 89:15 February 1665 31: 19: 1821: 1820: 1814: 1813: 1812: 1810: 1809: 1808: 1779: 1778: 1777: 1772: 1724: 1649:The Misanthrope 1642:L'Amour médecin 1573: 1568: 1538: 1533: 1523: 1513: 1503: 1492: 1482: 1472: 1461: 1452: 1448:(musical, 2003) 1442: 1432: 1422: 1412: 1402: 1392: 1381: 1371: 1361: 1354:The Stone Guest 1351: 1341: 1331: 1322: 1313: 1304: 1294: 1284: 1274: 1263: 1253: 1243: 1233: 1223: 1213: 1203: 1196:The Stone Guest 1193: 1183: 1173: 1163: 1152: 1142: 1132: 1122: 1111: 1102: 1092: 1082: 1072: 1062: 1052: 1042: 1032: 1022: 1015:The Devil's Eye 1012: 1002: 992: 982: 972: 962: 952: 942: 932: 922: 912: 902: 891: 886: 832: 772: 758: 756:Further reading 753: 728: 724: 715: 711: 701: 700: 696: 686: 684: 676: 675: 671: 664: 649: 648: 644: 637: 622: 621: 614: 606: 599: 588: 584: 580: 476:a peasant woman 354: 325: 316: 307: 298: 281: 276: 249: 166:Tirso de Molina 94:Place premiered 80: 78: 76: 74: 38: 17: 12: 11: 5: 1819: 1818: 1815: 1807: 1806: 1801: 1796: 1791: 1781: 1780: 1774: 1773: 1771: 1770: 1762: 1754: 1749: 1744: 1741:Armande Béjart 1738: 1732: 1730: 1726: 1725: 1723: 1722: 1715: 1708: 1701: 1694: 1687: 1680: 1673: 1666: 1659: 1652: 1645: 1638: 1631: 1624: 1617: 1610: 1603: 1596: 1589: 1581: 1579: 1575: 1574: 1569: 1567: 1566: 1559: 1552: 1544: 1535: 1534: 1532: 1531: 1521: 1511: 1500: 1498: 1494: 1493: 1491: 1490: 1480: 1469: 1467: 1463: 1462: 1460: 1459: 1457:" (song, 2012) 1450: 1440: 1430: 1420: 1410: 1400: 1398:(ballet, 1761) 1389: 1387: 1383: 1382: 1380: 1379: 1369: 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Retrieved 679: 672: 652: 645: 625: 607: 592: 585: 554: 543: 533: 523: 488: 475: 462: 455:Louis Bejart 449: 439: 438:Dom Alonzo, 429: 428:Dom Carlos, 419: 406: 393: 392:Sganarelle, 380: 361: 342: 326: 317: 308: 299: 282: 267: 266: 260: 256: 235: 231: 229: 208: 188: 186: 178:free-thinker 159: 157: 134: 133: 132: 77:Donna Elvira 60: 34: 1769:(2007 film) 1761:(1978 film) 1386:Other music 1324:Discography 687:27 November 544:a tradesman 474:Mathurine, 461:Charlotte, 448:Dom Louis, 193:Catholicism 164:(1630), by 1794:1665 plays 1783:Categories 1663:Amphitryon 782:Wikisource 553:La Ramée, 522:Violette, 379:Dom Juan, 371:Character 238:(1677) by 221:portraying 81:Dom Carlos 75:Sganarelle 70:Characters 43:Written by 1677:The Miser 591:Molière. 567:possibly 532:Ragotin, 513:possibly 501:possibly 498:A Pauper 489:a peasant 487:Pierrot, 386:La Grange 334:hypocrisy 170:libertine 1635:Dom Juan 1628:Tartuffe 1475:Don Juan 1455:Don Juan 1445:Don Juan 1405:Don Juan 1395:Don Juan 1236:Don Juan 1216:Don Juan 1176:Dom Juan 1125:Don Juan 1055:Don Juan 1035:Don Juan 1005:Don Juan 995:Don Juan 945:Don Juan 925:Don Juan 915:Don Juan 889:Don Juan 843:LibriVox 825:Dom Juan 418:Guzmán, 274:Synopsis 209:Dom Juan 73:Dom Juan 57:Don Juan 53:Based on 22:Dom Juan 1766:Molière 1758:Molière 1729:Related 1571:Molière 1374:Flammen 1145:Don Jon 399:Molière 305:Act III 174:atheist 140:Molière 122:Setting 47:Molière 1743:(wife) 1698:Psyché 1529:(1987) 1519:(1957) 1509:(1941) 1497:Novels 1488:(1840) 1478:(1821) 1377:(1932) 1367:(1909) 1357:(1872) 1347:(1841) 1337:(1787) 1300:(1787) 1290:(1730) 1280:(1669) 1268:Operas 1259:(2010) 1249:(2006) 1239:(1959) 1229:(1905) 1219:(1862) 1209:(1844) 1199:(1830) 1189:(1676) 1179:(1665) 1169:(1630) 1148:(2013) 1138:(2005) 1128:(1998) 1098:(1995) 1088:(1995) 1078:(1979) 1068:(1979) 1058:(1974) 1048:(1973) 1038:(1969) 1028:(1967) 1018:(1960) 1008:(1956) 998:(1955) 988:(1954) 978:(1952) 968:(1948) 958:(1934) 948:(1926) 938:(1925) 928:(1922) 918:(1913) 908:(1898) 745:  660:  633:  329:Heaven 314:Act IV 296:Act II 289:squire 205:sexual 201:social 182:Heaven 176:and a 126:Sicily 107:French 79:Guzmán 65:(1630) 1578:Works 1466:Poems 1157:Plays 896:Films 578:Notes 323:Act V 279:Act I 112:Genre 743:ISBN 689:2007 658:ISBN 631:ISBN 338:duel 247:Plot 215:and 203:and 153:Hell 148:rake 733:], 1785:: 615:^ 600:^ 571:? 517:? 505:? 155:. 1563:e 1556:t 1549:v 1453:" 1318:" 1314:" 1309:" 1305:" 1116:" 1112:" 1107:" 1103:" 881:e 874:t 867:v 749:. 666:. 639:. 263:.

Index


Molière
Don Juan
The Trickster of Seville and the Stone Guest
Théâtre du Palais-Royal (rue Saint-Honoré)
tragic comedy
Sicily
Molière
Don Juan Tenorio
rake
Hell
The Trickster of Seville and the Stone Guest
Tirso de Molina
libertine
atheist
free-thinker
Heaven
Catholicism
intellectual foil
social
sexual
irreligiosity
political subversion
portraying
absolute monarch
Thomas Corneille

snuff tobacco
squire
Heaven

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