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His violins are considered of varying quality in workmanship, although they are noted for their high-quality varnish.
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56:. In 1687 he entered priesthood. He pursued both careers, priesthood and violinmaking, throughout his lifetime.
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https://tarisio.com/cozio-archive/browse-the-archive/makers/maker/?Maker_ID=10
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It is assumed that he took the surname "Amati" as a homage to one of the
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Violin, ca. 1760 from the
Artemio Maestro Versari collection
52:; 1662–1752) was an Italian violin maker based in
145:"Dom Nicolaus Amati | Violin Maker | Skinner Inc"
101:Regazzi, Roberto (2001). "Amati, Dom Nicolò". In
112:The New Grove Dictionary of Music and Musicians
19:For the more eminent luthier, 1596-1684, see
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225:17th-century Italian Roman Catholic priests
200:18th-century Italian Roman Catholic priests
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69:His workshop was located in the
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16:Italian luthier (1662 - 1752)
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115:(2nd ed.). London:
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71:Santi Cosma e Damiano
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117:Macmillan Publishers
149:www.skinnerinc.com
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126:978-1-56159-239-5
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50:Nicolò Melchioni
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42:Don Nicolò Amati
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170:"Maker - Amati"
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177:. Retrieved
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21:Nicola Amati
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179:2016-02-16
155:2016-02-16
77:References
73:district.
109:(eds.).
54:Bologna
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61:Amatis
44:(born
174:Amati
121:ISBN
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