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criticizing the Wilbur company, Morton was physically assaulted by three of her former colleagues, sisters Edith and Maud
Daniels and Fannie Lyons, who attacked her with a rawhide which they repeatedly whipped her on the head with outside of a theatre with an onlooking crowd. Their actions led to a police intervention and arrest of the women; events which made national headlines. Ultimately the women were charged and found guilty in court of an unprovoked assault; and were made to pay fines and court costs. Additionally, Wilbur brought a lawsuit against Morton in an attempt to gain an injunction against her performing elsewhere.
27:
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and also featured the character actress Jennie
Reiffarth. While Morton and Reiffarth received positive reviews in the press for their individual parts, De Lange and the work as a whole were critically panned and the musical ceased performances after touring to Buffalo, Rochester, and Elmira in the
382:
wrote that the "beads of the coronet worn by the Grand
Duchess in the opera, which Morton had just placed on her head, were buried deep in the flesh" of her head, and that doctors initially feared that she had blood poisoning due to their material makeup. However, she was back on stage a few weeks
363:
Morton briefly left the Wilbur Opera
Company in late October 1892; complaining of being overworked and mistreated by management in reports to the press. Negative consequences immediately followed for Morton after her decision to leave in such a public manner. In response to Morton's interviews
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Ultimately, conflicts between Morton and Wilbur resolved, and she continued to perform with company after Wilbur fired the women who assaulted her. Her tenure with the company was interrupted again in
February 1893 when Morton was injured in her dressing room just prior to a performance of
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production was very well received, and significantly raised Morton's profile as one of the nation's top operetta actresses. The following year she had the biggest success of her career portraying the title role in the original
Broadway production and United States premiere of
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with the Kirke & Clarke theatre troupe. She then worked as a member of 'Hallen and Hart', a theatre troupe led by actors Fred Hallen and Joe Hart, from 1888 to 1890. With that company she portrayed the role of Mollie Waits in
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Morton married the actor Elgin Rowe in 1892. The marriage lasted for four years; ending in divorce in May 1896. She later married the art collector
Frederick Conger, and their marriage lasted until his death in 1929.
376:. The singer, now in the title role of that opera, was struck by a piece of broken pipe after the heating pipes in her dressing room burst; causing a serious flesh wound to her head which knocked her unconscious.
154:
117:. While several later sources on the singer use the spelling McCarthy, newspaper articles from the singer's childhood and early adulthood use the spelling Macarty, and she stated in an 1888 interview in
162:
Morton began her professional stage career performing with the
Henderson Opera Company in St. Louis, and then on tour. In the Spring of 1888 she joined the touring production of William A. Mestayer's
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in the United States, sued Parker in federal court to prevent further performances of the opera, but ultimately the court ruled he could only stop companies from performing works under the title
212:; portraying the role of Fatima. The production had previously premiered in Chicago in June 1889 with Alice Johnston as Fatima, and then commenced a national tour. When the production arrived at
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By June 1893, Morton had left the Wilbur Opera
Company and was engaged with the Glenwood Park Opera Company for performances in St. Louis and Little Rock; including the role of Josephine in
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that was alleged to have been written by the
English dramatist Harry Paulton. Paulton, however, knew nothing of this work, and the piece was a pirated version of that opera. The impresario
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in her native city. She began performing as a singer at community events and concerts in St. Louis in her youth. In 1882, at the age of thirteen, she performed in a concert at the
175:; initially using the stage name 'Doddie Morton'. A touring production, the company took the musical to a variety of theaters throughout the United States, including
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in May 1891; after which she was engaged as a leading soprano with the touring Wilbur Opera Company. She made her debut with the company as Countess Bathilde in
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Morton spent the summer of 1890 in St. Louis performing with the Spencer Opera Company at Uhrig's Cave. In October 1890 she joined the national tour of
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555:. She died after a year and a half long illness at her home, "Geisha Villa", which she named after the part she played in Sidney Jones's operetta.
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from the 1880s until her retirement from the stage in 1918. She also occasionally appeared on the stage in grand opera roles like Santuzza in
444:, beginning in August 1893. In October 1893 she joined a touring troupe in the role of Fanny Meredith in a new musical by Hubbard T. Smith,
138:, and the following year she performed leading roles with The Juvenile Dramatic Company at Uhrig's Cave Hall. She also sang in the choir at
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among other theatres. She was particularly praised in this production for her performance of the aria "The Legend of the Rose".
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Morton continued to perform until her retirement from the stage in 1918. Her other roles on Broadway included Maia in
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state of New York. After this Morton, returned to vaudeville performance at Robinson's Musee Theatre in Rochester.
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on Broadway in January 1890, Edith Murilla was in the part. Morton took over the role ten months later in
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516:. The work had a long run on Broadway, and after it ended Morton toured nationally in the operetta.
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but not prevent pirated versions of the opera being performed under other names.
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Dorothy Morton was born with the name Libbie McCarthy on June 28, 1869, in
37:(June 28, 1869 – April 15, 1939), better known publicly by her stage name
199:'s Metropolitan Theatre in April 1890, she was billed as Dorothy Morton;
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91:(1895) and portraying the title role in the United States premiere of
1300:"Warring Women; A Prima Donna Cowhided by a Trio of Stage Beauties".
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This article is about the actress and soprano. For the pianist, see
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587:"Mrs. Frederick Conger, Actress, Will Be Buried in Bound Brook".
270:. Her subsequent repertoire with the company included Edwidge in
405:. She then appeared with the Baker Opera Company as Erminie in
142:. While still a teenager, she studied for three years at the
101:(1896); the latter part the most significant of her career.
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in Rochester, New York in July 1893; a pirated version of
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that "her name must not be spelled McCarthy" but Macarty.
691:"Laid For Libbie; A St. Louis Prima Donna Horsewhipped".
448:. The work was written as a starring vehicle for actor
456:
In January 1894 Morton joined an opera company led by
551:Morton died at the age of 69 on April 15, 1939, in
428:After further performances with Baker's company in
1604:"Music and Drama; 'The Algerian' at the Academy".
1738:The Encyclopedia of the Musical Theatre, Volume 2
1283:"Made Up Are Manager Wilbur and Dorothy Morton".
130:, and began her professional musical training at
1688:Bordman, Gerald Martin; Norton, Richard (2010).
1388:"Far From Home; Dorothy Morton is Unconscious".
1354:"Unprovoked. The Cowhiding of Dorothy Morton".
1246:"The Amusement World – Wilbur Opera Company".
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671:"Miss Libby Macarty of Kirke & Clarke's".
8:
1715:Harry B. Smith: Dean of American Librettists
1337:"Cowhided! Dorothy Morton the Prima Donna".
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607:Revett, Marion S. (1955). "Dorothy Morton".
531:, and Celeste in the original production of
468:in which she first appeared in the part in
252:Morton's final appearance as Fatima was in
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940:"The Stage; The Detroit, Blue Beard, Jr".
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1165:"Lynn Theatre – Wilbur Opera Company".
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525:(1899), Dolores in the 1902 revival of
268:Metropolitan Opera House in Minneapolis
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1263:"Like A Dog, Wilbur Treated Dorothy".
625:"On Wednesday and Thursday Evenings".
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487:In 1895 Morton originated the role of
383:later at the New Haven Opera House in
164:The Tourists in the Pullman Palace Car
1691:American Musical Theatre: A Chronicle
7:
244:, and St. Louis among other cities.
1063:"Harris' Theatre – Princess Toto".
889:"Blue Beard, Jr. at the National".
436:, Morton spent a period working in
49:who had an active career in mainly
1800:American musical theatre actresses
866:F.T. Low, ed. (January 20, 1890).
711:F. T. Low, ed. (August 27, 1888).
407:Robert Macaire, or The Two Thieves
14:
645:"The Juvenile Dramatic Company".
191:, and the Bush Street Theatre in
144:New England Conservatory of Music
140:St. Francis Xavier College Church
77:; including creating the role of
30:1910 photograph of Dorothy Morton
1542:. November 20, 1893. p. 10.
757:. December 16, 1888. p. 13.
740:. November 25, 1888. p. 20.
631:. September 15, 1882. p. 2.
370:La Grande-Duchesse de GĂ©rolstein
333:La Grande-Duchesse de GĂ©rolstein
1810:New England Conservatory alumni
1593:. February 12, 1894. p. 6.
1576:. February 15, 1894. p. 6.
1409:. February 15, 1893. p. 4.
1188:. December 25, 1891. p. 5.
1154:. February 12, 1892. p. 1.
1137:. February 21, 1893. p. 3.
1069:. November 10, 1891. p. 5.
1029:"Amusements; Harris' Theatre".
923:"Blue Beard, Jr. at the Star".
912:. February 19, 1891. p. 1.
772:. February 19, 1889. p. 4.
324:Clover , or The Search for Luck
195:. By the time the tour reached
128:Visitation Academy of St. Louis
1820:American vaudeville performers
1656:. October 9, 1898. p. 12.
1559:. January 29, 1894. p. 6.
1525:. November 4, 1893. p. 3.
1505:. November 7, 1893. p. 6.
1485:. October 27, 1893. p. 8.
1394:. February 6, 1893. p. 4.
1377:. November 1, 1892. p. 4.
1360:. November 5, 1892. p. 6.
1343:. November 1, 1892. p. 1.
1326:. November 2, 1892. p. 8.
1306:. November 2, 1892. p. 7.
1289:. November 9, 1892. p. 5.
1269:. November 1, 1892. p. 2.
1218:. August 23, 1892. p. 11.
1203:. August 11, 1892. p. 11.
1035:. November 3, 1891. p. 6.
895:. January 27, 1891. p. 5.
846:. October 22, 1890. p. 5.
751:"Dramatic; Hooley's Theatre".
697:. November 2, 1892. p. 5.
460:as Suzette in a production of
1:
1405:"The New Haven Opera House".
1235:. August 13, 1892. p. 7.
980:. March 22, 1891. p. 16.
826:. October 9, 1890. p. 5.
611:. Pageant Press. p. 142.
593:. April 17, 1939. p. 14.
312:Fanchette, or The Royal Middy
1627:. March 4, 1894. p. 29.
1610:. March 20, 1894. p. 8.
1467:. August 1, 1893. p. 6.
1441:. July 12, 1893. p. 10.
1252:. March 22, 1893. p. 5.
1171:. March 10, 1893. p. 4.
1120:. April 8, 1892. p. 10.
1103:. July 17, 1892. p. 19.
1086:. August 1, 1892. p. 8.
963:. March 14, 1891. p. 8.
946:. March 10, 1891. p. 8.
806:. April 22, 1890. p. 2.
789:. April 6, 1890. p. 33.
677:. April 16, 1888. p. 1.
651:. March 4, 1883. p. 11.
136:St. Louis Mercantile Library
1713:Franceschina, John (2004).
1426:. June 15, 1893. p. 6.
1407:The Morning Journal-Courier
1052:. April 9, 1892. p. 9.
1018:. June 28, 1891. p. 4.
929:. March 3, 1891. p. 9.
478:St. Louis Grand Opera House
189:Grand Opera House, Brooklyn
126:Morton was educated at the
1836:
1805:American operatic sopranos
1770:Internet Broadway Database
1437:"Dorothy Morton Engaged".
1182:"Played to a Good House".
872:New York Amusement Gazette
786:The San Francisco Examiner
717:New York Amusement Gazette
713:"Star Theatre, 'Later On'"
417:, who owned the rights to
374:Springfield, Massachusetts
132:The Beethoven Conservatory
18:
1553:"The Algerians Tonight".
892:The Philadelphia Inquirer
482:Montreal Academy of Music
387:; this time as Fiametta.
342:, and the title roles in
1795:Actresses from St. Louis
1667:"Late Theatrical News".
1556:Fort Worth Daily Gazette
1536:"News of the Theatres".
1303:St. Louis Globe-Democrat
1249:Portland Evening Express
1148:"Fanchette Last Night".
960:The Indianapolis Journal
648:St. Louis Globe-Democrat
440:at Shea's Music Hall in
158:Dorothy Morton (c. 1888)
105:Early life and education
21:Dorothy Morton (pianist)
1696:Oxford University Press
1624:St. Louis Post-Dispatch
1151:Lexington Herald-Leader
1097:"Quick-Witted Actors".
977:St. Louis Post-Dispatch
783:"The Player's Column".
737:St. Louis Post-Dispatch
694:St. Louis Post-Dispatch
628:St. Louis Post-Dispatch
553:Bound Brook, New Jersey
543:Personal life and death
328:Die Jagd nach dem GlĂĽck
35:Libbie McCarthy Conger
1815:Singers from St. Louis
1539:Democrat and Chronicle
1439:Democrat and Chronicle
1423:Daily Arkansas Gazette
1232:Democrat and Chronicle
1216:Democrat and Chronicle
1201:Democrat and Chronicle
1117:Democrat and Chronicle
1100:The Philadelphia Times
1083:Democrat and Chronicle
1049:Democrat and Chronicle
498:The Wizard of the Nile
169:Henry Grattan Donnelly
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88:The Wizard of the Nile
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16:American stage actress
957:"Amusements Matter".
768:"Grand Opera House".
288:, Lydia Hawthorne in
157:
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1736:Gänzl, Kurt (1994).
1719:Taylor & Francis
1621:"Talk of the Play".
1607:The Montreal Gazette
1522:The Buffalo Enquirer
1519:"Academy of Music".
1483:Elmira Daily Gazette
1464:The Buffalo Enquirer
1461:"Shea's Favorites".
1015:The Saint Paul Globe
674:The Kansas City Star
397:Gilbert and Sullivan
266:in June 1891 at the
263:Les noces d'Olivette
248:Wilbur Opera Company
120:The Kansas City Star
60:Cavalleria rusticana
1637:Franceschina, p. 86
1587:"Music and Drama".
1570:"General Mention".
1391:The Cincinnati Post
1374:The Cincinnati Post
1371:"The Wilbur Case".
1357:The Cincinnati Post
1340:The Cincinnati Post
1286:The Cincinnati Post
1266:The Cincinnati Post
1131:"The Royal Middy".
1066:The Courier-Journal
1032:The Courier-Journal
974:"At the Theatres".
590:The Daily Home News
474:Chicago Opera House
379:The Cincinnati Post
1670:The Utica Observer
1499:"Paradise Flats".
1185:The Daily Register
943:Detroit Free Press
906:"Blue Beard, Jr".
840:"Blue Beard, Jr".
160:
63:and Marguerite in
41:, was an American
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1673:. August 7, 1897.
909:The Baltimore Sun
843:Arkansas Democrat
734:"Coulisse Chat".
533:Reginald De Koven
462:Reginald De Koven
442:Buffalo, New York
306:), Queen Mary in
234:Buffalo, New York
171:'s musical farce
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1168:The Daily Item
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204:Clay M. Greene
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1682:Bibliography
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1653:Star Tribune
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998:. p. 4.
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856:Gänzl, p. 76
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508:Sidney Jones
496:
495:'s operetta
486:
466:The Algerian
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391:Later career
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330:), Wanda in
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242:Indianapolis
226:Philadelphia
207:
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185:Star Theatre
179:in Chicago,
172:
163:
161:
150:Early career
125:
118:
108:
96:
93:Sidney Jones
86:
64:
58:
51:light operas
38:
34:
33:
1790:1939 deaths
1785:1869 births
770:Times Union
430:Fra Diavolo
357:Nell Gwynne
339:Fra Diavolo
294:, Minna in
282:, Jelly in
254:Minneapolis
222:Little Rock
146:in Boston.
1779:Categories
878:(23): 257.
559:References
513:The Geisha
480:, and the
470:Fort Worth
438:vaudeville
434:The Mascot
279:The Mascot
197:Sacramento
98:The Geisha
71:vaudeville
723:(6): 233.
528:Florodora
489:Cleopatra
385:Boccaccio
345:Boccaccio
326:(German:
230:Baltimore
218:Nashville
111:St. Louis
79:Cleopatra
69:, and in
314:(German
302:(German
181:Broadway
173:Later On
115:Missouri
75:Broadway
1768:at the
423:Erminie
419:Erminie
411:Erminie
351:Erminie
291:Dorothy
238:Detroit
47:soprano
1748:
1725:
1702:
501:. The
354:, and
187:, the
273:Falka
66:Faust
1746:ISBN
1723:ISBN
1700:ISBN
876:XIII
476:the
432:and
53:and
45:and
721:XII
535:'s
491:in
464:'s
399:'s
322:'s
310:'s
298:'s
260:'s
206:'s
183:'s
85:'s
81:in
1781::
1744:.
1740:.
1721:.
1717:.
1698:.
1694:.
1642:^
1511:^
1491:^
1473:^
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567:^
510:'
360:.
348:.
240:,
236:,
232:,
228:,
224:,
113:,
95:'
1754:.
1731:.
1708:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
