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in Kent, which was unveiled in 1927. Clarke also wrote about, and promoted
African art and spent a year, between 1927 and 1928 in Kenya, where she made many drawings which when she returned to London she used as the basis for wood carvings and bronzes of tribal figures. Wood carving became her
105:. Aged fifteen, Clarke initially studied at the Slade on a part-time basis for three days each week throughout 1910 and 1911 but during 1915 and 1916 she studied sculpture there as a full-time student. Clarke first exhibited at the
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Clarke's works included bronze castings, memorials and wood sculptures, often of
African heads. For example she was commissioned to sculpt the posthumous portrait bust of
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Clarke married
Admiral Gervase B Middleton in 1938 but rarely exhibited work under her married name. During World War II, Clarke was commissioned by the
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101:. Her father, Joseph Thacher Clarke was an American architect. Clarke won a scholarship that allowed her to attend the
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Memorial to the late Sir Walter Morley
Fletcher (1873-1933): secretary of the Medical Research Council, 1914-1933
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in 1923 and continued to do so until 1959. In the early 1930s she was a regular exhibitor in group shows at the
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85:, (1895–1989) was a British sculptor and wood carver who also wrote about, and promoted African art.
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and in March 1937 had her first solo show at the French
Gallery. She also exhibited at the
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214:"Mapping the Practice & Profession of Sculpture in Britain & Ireland 1851-1951"
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technique of choice, often working with hardwoods and, on occasion, sperm whale teeth.
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148:. This proved to be the only portrait medallion acquired for the WAAC collection.
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to produce a portrait medallion depicting a serviceman who had been awarded the
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A Biographical
Dictionary of Women Artists in Europe and America since 1850
128:. The most notable of her memorials is the panel and medallion tribute to
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318:(135). Oxford University Press / The Royal African Society: 129–137.
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Dora Clarke (April 1935). "Negro Art: Sculpture from West Africa".
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Sculptures by Clarke are held in various museums, including the
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War Paint: Art, War, State and
Identity in Britain, 1939-1945
346:"Correspondence with Artists, Mrs Middleton (Dora Clarke)"
216:. University of Glasgow History of Art / HATII. 2011
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297:. Oxford, England: Medical Research Council. 1937.
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398:"Dora Clarke (1936) by Orovida Camille Pissarro"
331:Dictionary of British Artists Working 1900-1950
183:The Dictionary of Western Sculptors in Bronze
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237:Artists in Britain Since 1945 Vol 1, A to L
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155:which also holds a 1936 portrait of her by
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451:Alumni of the Slade School of Fine Art
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311:Journal of the Royal African Society
446:20th-century English women artists
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119:Royal Society of British Artists
16:British sculptor and wood carver
142:War Artists' Advisory Committee
441:20th-century British sculptors
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471:20th-century women sculptors
185:. Antique Collectors' Club.
56:1989 (aged 93–94)
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126:Sir Walter Morley Fletcher
376:. Yale University Press.
329:Grant M. Waters (1975).
271:. Harvester Wheatsheaf.
239:. Art Dictionaries Ltd.
157:Orovida Camille Pissarro
103:Slade School of Fine Art
461:English women sculptors
64:Sculpture, wood carving
333:. Eastbourne Fine Art.
263:Penny Dunford (1990).
235:David Buckman (1998).
344:Imperial War Museum.
181:James Mackay (1977).
466:World War II artists
456:Artists from London
372:Brian Foss (2007).
351:Imperial War Museum
93:Clarke was born in
79:Dora Thacher Clarke
72:Gervase B Middleton
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436:1989 deaths
431:1895 births
115:Paris Salon
25:Dora Clarke
425:Categories
163:References
99:Middlesex
89:Biography
47:, England
409:16 March
357:16 March
220:16 March
81:, later
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69:Spouse
411:2017
378:ISBN
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38:1895
34:1895
31:Born
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