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486:"With Angus and Malcolm, they were put on this earth to form AC/DC. They're committed big-time. And if they feel your commitment is anything less than theirs, well, that's a problem. Angus was intense. He was AC/DC 100 percent. His work ethic was unbelievable. When I was with him, he expected everybody to be just like him, which is pretty impossible... At the time, Malcolm said something about them wanting a bass player who could sing, but I think that was a smokescreen. I don't know if there was any one reason. It's just the way it went down. I felt the distance growing between me and Angus and Malcolm. When I was fired, it wasn't so much a surprise as it was a shock. There was a lot of tension in the band at the time. We'd just been kicked off a Black Sabbath tour, and this was right when a trip to the States was cancelled because the record company rejected the 1214:
from the track list, but all included "Cold Hearted Man", albeit in a different sequence than on subsequent pressings. For vinyl variations containing "Rock 'n' Roll Damnation", the single version was used, with "Riff Raff" having a fade-out to accommodate the extra time on Side A. The bluesy coda on "Down Payment Blues" is also excluded from this version. UK cassette versions had this mix, with the single version of "Rock 'n' Roll Damnation" and no fade on "Riff Raff", until the 1994 remasters.
458:, former manager Michael Browning states, "I got a call one day from Malcolm and Angus. We were in London, I went to their apartment and they told me they wanted to get rid of Mark. Him and Angus didn't see eye to eye. They used to have a sort of tit-for-tat thing going, but nothing that I would have ever thought was going to be gig-threatening." According to Browning, the Young brothers were seriously considering 4072: 612:, as well as the elusive "Gone Shootin'" and the unapologetic "Down Payment Blues" ("I know I ain't doin' much, but doin' nothin' means a lot to me"), clearly show that Scott's writing, much like the band's sound, had evolved from the novelties of the group's early albums. "Bon was a street poet – he described it as 'toilet wall' poetry," former AC/DC manager Michael Browning explained to Peter Watts of 531: 50: 862: 857: 774: 769: 698: 4082: 852: 847: 842: 824: 819: 814: 809: 804: 764: 759: 754: 736: 731: 726: 721: 716: 693: 688: 683: 678: 1213:
Initial editions of the European (UK) LP release featured a different mix of the album. It had a 'harder' sound than the later version, with small variations in vocals, guitar tracks, or both, and occasionally extra sections and longer or shorter fades. Some versions omitted "Rock 'n' Roll Damnation"
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just seemed to lack the uncompromising coherence and relentless body and soul that was its predecessor's greatness." Band biographer Jesse Fink cites the album as containing "their best ever collection of songs" and deems it "a high point creatively for the three Youngs, an album arguably superior to
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album. Great work environment. Albert Studios there in Sydney was a great little rock and roll room... Great producers. Obviously a lot of chemistry there being brothers. Just a real fiery, energetic work environment. And we had about three weeks to do it, 'cause that's about all the money we had...
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Some cassette copies, such as the original Canadian issue, had an alternate track listing. For example, "Sin City" was the first song on side 1, while "Rock 'n' Roll Damnation" was the first song on side 2. All other tracks appear in the order of the original Australian/US
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a rating of three and a half out of five stars, stating that while "it is the most uneven of" AC/DC's 1970s material, the album still contained a "few genuine classics", specifically mentioning "Down Payment Blues" and "Up to My Neck in You". Edwin Faust of
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as saying, "I know a lot of people respect it. A lot of real rock and roll AC/DC fans, the real pure rock and roll guys. I think that's the most under-rated album of them all." It's also drummer Phil Rudd's favorite record the band did with Bon Scott.
604:, "'Gimme a Bullet' was perhaps Bon's most accomplished piece of writing to date, in which his penchant for hardcase metaphors finds even more genuine pathos and humour than it had before." "What's Next to the Moon", with its allusions to 158: 577:". The song, which features handclaps and maracas and does not have a traditional guitar solo, was released in Britain at the end of May and reached #24, the best performance yet by an AC/DC single. However, 3485: 2449: 974:"AC/DC's best album... because it isn't simply about sex, drinking and tongue-in-cheek Satanism", but shows a band "growing up". In 1994, Bon Scott biographer Clinton Walker opined in his book 2664: 1960: 2613: 2095: 1991: 4121: 618:
in 2013. "That was unknown. They signed a singer and got a lyricist, as well." "Sin City", which the band performed frequently in concert, explores the seductive charms and dangers of
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The album was later remixed for the American market, with the new mix replacing the original European mix, and becoming the global standard. This mix is still used on all AC/DC
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determined that the band "were our first punk rockers, but thank heaven they are not our best or last... They have been emulated and surpassed by their students".
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in the 1960s), the feeling from Atlantic being that a more commercial producer might do wonders for the band's profile in the lucrative American market.
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called AC/DC "another late '70s boogie band making strides toward commercial clout pumps out heavy metal with a reasonable amount of panache". The
1848: 4126: 3611: 626:, Cliff Williams recalls the sessions fondly: "The guys had already been in the studio for a while and we went in to do what turned out to be the 2155: 2609: 3597: 2087: 1983: 1663: 3233: 2256: 557:, including "Kicked in the Teeth", "Up to My Neck in You", an early version of "Touch Too Much" (which later appeared on the follow-up album 1717: 2324: 1929: 2847: 929:'s favourite album by the band, citing it as a major influence. The album has remained a favourite of Malcolm Young, who was quoted in 3506: 3359: 2056: 494:
The band finally toured America for the first time in the summer of 1977, focusing on smaller markets at first but eventually playing
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executives in the United States complained that the album did not contain a radio-friendly single, so with the first pressings of
4116: 420:, released on 5 May 1978 in the United Kingdom and 20 May 1978 in the United States. This was the band's first album to feature 4017: 3851: 3024: 2371: 3977: 3375: 2355: 1870: 512: 71: 2398: 4056: 3953: 3793: 3541: 3437: 3265: 3249: 2962: 2826: 1747: 1268: 1069: 871: 833: 574: 387: 2892: 4042: 3929: 3723: 2877: 1702: 1494: 586: 463: 312: 114: 3576: 3464: 3391: 3193: 2731: 38: 86: 2424: 3971: 3758: 3688: 3632: 2797: 2719: 503: 2809: 2217: 3185: 3169: 949: 426: 67: 3744: 93: 3935: 3811: 3527: 3520: 3340: 3127: 2785: 2696: 1608: 424:
on bass guitar, and it was also the first AC/DC album not to have a title track (aside from the Australia-only
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book claims that George Young played bass on all tracks, but Cliff Williams denied this in a 2020 interview.
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wrote that "the LP captures better than ever the fresh, aggressive style, the compelling high voltage rock".
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fame. Browning feared that Pattenden was too old and didn't fit the band's image, so he instead pushed for
3965: 3959: 3646: 3548: 3499: 2686: 100: 2450:"Phil Rudd Singles Out Favorite AC/DC Album With Bon Scott, Names Word That Best Described Malcolm Young" 1840: 639:
Many of AC/DC's early albums were altered for release in other markets, and this practice continued with
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sessions officially got going in January 1978 and stretched over a period of about eight weeks.
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magazine listed the album at No. 26 among the "100 Greatest Heavy Metal Albums of All Time".
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was ultimately the final Bon Scott-era studio album the band recorded with the team of
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box set. In early 1978, the band returned to Sydney to record their next album.
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album) and the first worldwide not to be released with a different album cover.
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in Los Angeles. In December, they played a set in front of a small audience at
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were started in July 1977 during the band's first rehearsals with Williams at
479: 249: 4032: 3102: 3080: 3052: 2184: 1451: 1427: 1240: 1041: 922: 619: 413: 244: 2958: 157: 2594: 2189: 1014: 956: 670: 2900:(in Spanish) (1st ed.). Madrid: Fundación Autor/SGAE. p. 954. 3867: 3695: 1448:– bass guitar, backing vocals (all tracks except "Cold Hearted Man") 2272:
Niester, Alan (6 September 1978). "Is There Life After New Wave?".
2251:(5th Concise ed.). United Kingdom: Omnibus Press. p. 34. 2015:"25 memorable DJs and radio personalities from Philadelphia's past" 3033: 2565:
Best of Rock & Metal - Die 500 stärksten Scheiben aller Zeiten
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Hogan, Christine (24 July 1978). "Powerage AC/DC". Monday Guide.
37:"Kicked in the Teeth" redirects here. For the album by Zeke, see 2399:"Guns N' Roses' Slash Shares His All-Time Favorite AC/DC Record" 1984:"Interview: Former AC/DC bassist Mark Evans on life in the band" 495: 3006: 2610:"AC/DC - Powerage - another question about the different mixes" 585:, who had produced all of the band's albums up to that point ( 43: 506:
in New York City which was broadcast live over Radio WIOQ in
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The Youngs: The Brothers Who Built AC/DC. Ebury Australia
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Biographer Clinton Walker wrote in his 1994 Scott memoir
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Duffy, Mike (8 August 1978). "Heavy metal with a kick".
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was fired from AC/DC on 3 May 1977. In the AC/DC memoir
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It's a Long Way to the Top (If You Wanna Rock 'n' Roll)
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Johnson, Howard (21 January 1989). "AC/DC 'Powerage'".
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ready to go in the UK, the band complied and recorded "
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Graff, Gary; Durchholz, Daniel, eds. (1999). "AC/DC".
2425:"Why I 🧡 AC/DC's Powerage, by Aerosmith's Joe Perry" 2372:"The Youngs: The Brothers Who Built AC/DC: Riff Raff" 2977:"American album certifications – AC/DC – Powerage" 1010:
The 500 Greatest Rock & Metal Albums of All Time
4005: 3910: 3803: 3456: 3421: 3402: 3351: 3316: 3161: 2959:"British album certifications – AC/DC – Powerage" 2423:Magazinepublished, Classic Rock (19 October 2021). 1328: 1320: 1258: 1250: 1144: 1136: 1059: 1051: 589:was the older brother of Angus and Malcolm; he and 369: 320: 299: 278: 262: 236: 218: 203: 177: 164: 150: 74:. Unsourced material may be challenged and removed. 2848:"French album certifications – AC/DC – Powerage" 2722:(in Dutch). Hung Medien. Retrieved 30 April 2023. 482:, Evans reflected on his ousting from the group: 883:While initial sales were somewhat disappointing, 510:and hosted by Ed Sciaky. The promotional album, 4122:Albums produced by George Young (rock musician) 2810:"Official Rock & Metal Albums Chart Top 40" 2218:"AC/DC: Powerage Album Of The Week Club review" 1922:"Mark Evans Discusses Life In and Out of AC/DC" 1782:Shipments figures based on certification alone. 839: 801: 713: 675: 3018: 2852:Syndicat National de l'Édition Phonographique 2042: 2040: 8: 3384:Let There Be Rock: The Movie – Live in Paris 2827:"ARIA Charts – Accreditations – 2013 Albums" 751: 537:is the first AC/DC album to feature bassist 3860:For Those About to Rock: Monsters in Moscow 2734:. Hung Medien. Retrieved 23 February 2022. 2293:. Farmington Hills, MI: Visible Ink Press. 2175: 2173: 1951:Villanopublished, Freddy (8 January 2020). 1778:Sales figures based on certification alone. 593:had enjoyed their own pop success with the 3025: 3011: 3003: 2290:MusicHound Rock: The Essential Album Guide 2148:"Video Interview: Cliff Williams of AC/DC" 2118:"AC/DC – the true adventures of Bon Scott" 2071:: CS1 maint: location missing publisher ( 1651: 1593: 1514: 650: 446:After a 12-date European tour opening for 156: 147: 2981:Recording Industry Association of America 2834:Australian Recording Industry Association 1876:Recording Industry Association of America 134:Learn how and when to remove this message 2800:. Hung Medien. Retrieved 24 March 2024. 2782:"Offiziellecharts.de – AC/DC – Powerage" 1477:The Youngs: The Brothers Who Built AC/DC 1314: 1244: 1130: 1045: 631:It was really a tremendous experience." 545:According to the Murray Engleheart book 412:is the fifth studio album by Australian 3612:For Those About to Rock (We Salute You) 2891:Salaverrie, Fernando (September 2005). 1831: 1796: 1774: 1391: 434:was re-released in 2003 as part of the 2732:"Swedishcharts.com – AC/DC – Powerage" 2378:from the original on 25 September 2017 2064: 1994:from the original on 18 September 2021 1802: 1800: 3234:For Those About to Rock We Salute You 2866:"Gold-/Platin-Datenbank (AC/DC;  2699:: Australian Chart Book. p. 11. 2616:from the original on 24 November 2020 2346:Weisbard, Eric; Marks, Craig (1995). 1851:from the original on 24 December 2016 1814: 1812: 1467:– bass guitar (on "Cold Hearted Man") 1392: 656: 7: 4081: 3668:That's the Way I Wanna Rock 'n' Roll 2917:from the original on 29 January 2021 2798:"Swisscharts.com – AC/DC – Powerage" 2551: 2049:AC/DC : maximum rock & roll 2025:from the original on 31 January 2022 1818:All tracks except track 9 (European) 72:adding citations to reliable sources 3598:Rock and Roll Ain't Noise Pollution 2720:"Dutchcharts.nl – AC/DC – Powerage" 2533:from the original on 7 January 2011 2197:from the original on 18 August 2022 2098:from the original on 10 August 2022 841: 803: 715: 677: 2744:"AC/DC | Artist | Official Charts" 2397:Iscan, Melisa (27 February 2022). 2228:from the original on 21 March 2019 2158:from the original on 4 August 2020 2128:from the original on 15 April 2021 25: 2894:Sólo éxitos: año a año, 1959–2002 2519:Faust, Edwin (12 December 2003). 2327:from the original on 8 March 2012 2249:The Encyclopedia of Popular Music 2086:Brannigan, Paul (5 August 2022). 1920:Wilkening, Matthew (9 May 2012). 1901:from the original on 15 July 2022 1226:Australian/US and all CD releases 753: 746:The Encyclopedia of Popular Music 561:), and possibly "Riff Raff". The 549:, several songs that appeared on 516:, was later released on the 1997 470:, who had previously played with 4080: 4071: 4070: 4057:AC/DC Live: Rock Band Track Pack 2947:. IFPI Switzerland. Hung Medien. 2013:Hatmaker, Julia (15 June 2017). 1932:from the original on 11 May 2021 1506:Michael A. Browning – management 860: 855: 850: 845: 840: 822: 817: 812: 807: 802: 772: 767: 762: 757: 752: 734: 729: 724: 719: 714: 696: 691: 686: 681: 676: 490:album. So it was a hard period." 48: 3360:If You Want Blood You've Got It 2692:Australian Chart Book 1970–1992 2667:from the original on 9 May 2022 1963:from the original on 9 May 2022 1871:"RIAA certification for the US" 1442:– rhythm guitar, backing vocals 987:circuitbreakers that followed, 353:If You Want Blood You've Got It 59:needs additional citations for 32:What's Next to the Moon (album) 4127:Albums produced by Harry Vanda 3978:Club Dates/Rolling Stones Tour 3376:Live from the Atlantic Studios 2216:Rock, Classic (18 June 2018). 2051:. New York. p. 233, 237. 1982:Bosso, Joe (11 October 2011). 1321: 1251: 1137: 1052: 931:AC/DC: Maximum Rock & Roll 547:AC/DC: Maximum Rock & Roll 513:Live from the Atlantic Studios 456:AC/DC: Maximum Rock & Roll 1: 3954:Blow Up Your Video World Tour 2963:British Phonographic Industry 2348:Spin Alternative Record Guide 872:Spin Alternative Record Guide 834:The Rolling Stone Album Guide 3930:For Those About to Rock Tour 2878:Bundesverband Musikindustrie 1640: 1625: 1613: 1587: 1573: 1558: 1546: 1027:Original European LP release 983:the commercially successful 583:Harry Vanda and George Young 393:Released: 26 June 1978 (Aus) 3577:You Shook Me All Night Long 3507:Dirty Deeds Done Dirt Cheap 3465:Can I Sit Next to You, Girl 3194:Dirty Deeds Done Dirt Cheap 2816:. Retrieved 22 March 2024. 2788:. Retrieved 22 March 2024. 2772:. Retrieved 30 April 2023. 2750:. Retrieved 30 April 2023. 2047:Engleheart, Murray (2008). 887:surpassed its predecessor, 488:Dirty Deeds Done Dirt Cheap 39:Kicked in the Teeth (album) 4143: 3972:Stiff Upper Lip World Tour 2639:. Random House Australia. 1632:UK Rock & Metal Albums 1231:All tracks are written by 1032:All tracks are written by 913:record. The album is also 504:Atlantic Recording Studios 36: 29: 27:1978 studio album by AC/DC 4066: 3040: 2506:The Sydney Morning Herald 2493:. 5 May 1978. p. 46. 1775: 1760: 1745: 1730: 1715: 1700: 1685: 1670: 1662: 1659: 1656: 1630: 1618: 1606: 1599: 1596: 1578: 1563: 1551: 1539: 1527: 1520: 1517: 1381: 1370: 1355: 1348:"What's Next to the Moon" 1344: 1333: 1325: 1300: 1289: 1278: 1263: 1255: 1193: 1182: 1175:"What's Next to the Moon" 1171: 1160: 1149: 1141: 1116: 1101: 1090: 1079: 1064: 1056: 1002:was ranked number 325 in 950:The Sydney Morning Herald 664: 661: 526:Recording and composition 498:in New York City and the 464:Manfred Mann's Earth Band 401: 380: 365: 328: 155: 3936:Flick of the Switch Tour 3812:AC/DC: Let There Be Rock 2998:AC/DC's official website 2786:GfK Entertainment Charts 2695:(illustrated ed.). 2181:Erlewine, Stephen Thomas 909:remains their favourite 4117:Atlantic Records albums 3990:Rock or Bust World Tour 3542:Rock 'n' Roll Damnation 2814:Official Charts Company 2454:www.ultimate-guitar.com 2152:Bass Frontiers Magazine 1269:Rock 'n' Roll Damnation 1070:Rock 'n' Roll Damnation 575:Rock 'n' Roll Damnation 388:Rock 'n' Roll Damnation 4023:Awards and nominations 3966:Ballbreaker World Tour 3960:Razors Edge World Tour 3647:Shake Your Foundations 2760:"AC-DC Chart History ( 2247:Larkin, Colin (2007). 1374:"Up to My Neck in You" 1164:"Up to My Neck in You" 542: 3731:Safe in New York City 3472:Baby, Please Don't Go 2124:. 26 September 2014. 1926:Ultimate Classic Rock 1891:"The AC/DC Remasters" 1385:"Kicked in the Teeth" 1197:"Kicked in the Teeth" 533: 212:February – March 1978 191:25 May 1978 3984:Black Ice World Tour 3942:Fly on the Wall Tour 3918:Highway to Hell Tour 3876:Stiff Upper Lip Live 2635:Fink, Jesse (2013). 2571:. 2005. p. 80. 2315:"AC/DC: Album Guide" 1841:"AC/DC Discography: 1459:Additional personnel 1282:"Down Payment Blues" 1094:"Down Payment Blues" 652:Professional ratings 181:5 May 1978 68:improve this article 3900:Live at River Plate 3745:Rock 'n' Roll Train 3633:Flick of the Switch 3392:Live at River Plate 3242:Flick of the Switch 2154:. 30 October 2010. 1653: 1621:Schweizer Hitparade 1528:Australian Albums ( 1317: 1247: 1133: 1048: 653: 3924:Back in Black Tour 3514:Love at First Feel 3258:Blow Up Your Video 2663:. 8 January 2020. 2476:Detroit Free Press 2274:The Globe and Mail 2185:"Powerage - AC/DC" 1806:Track 9 (European) 1652: 1609:Offizielle Top 100 1315: 1245: 1221:CD releases today. 1186:"Cold Hearted Man" 1131: 1046: 978:that "altogether, 940:Detroit Free Press 784:The Globe and Mail 651: 543: 450:in April, bassist 18:Down Payment Blues 4094: 4093: 3948:Who Made Who Tour 3852:Live at Donington 3626:Nervous Shakedown 3535:Whole Lotta Rosie 3528:Let There Be Rock 3202:Let There Be Rock 2491:Cheshire Observer 2374:. 1 August 2014. 2350:. Vintage Books. 2258:978-1-84609-856-7 1839:Durieux, Arnaud. 1788: 1787: 1783: 1779: 1645: 1644: 1592: 1591: 1554:Sverigetopplistan 1530:Kent Music Report 1402: 1401: 1311: 1310: 1204: 1203: 1127: 1126: 945:Cheshire Observer 905:have stated that 890:Let There Be Rock 881: 880: 405: 404: 361: 360: 335:Let There Be Rock 230:Vineyard (London) 144: 143: 136: 118: 16:(Redirected from 4134: 4084: 4083: 4074: 4073: 4006:Related articles 3794:Shot in the Dark 3717:Cover You in Oil 3556:Girls Got Rhythm 3438:Last Action Hero 3123:Larry Van Kriedt 3027: 3020: 3013: 3004: 2985: 2984: 2973: 2967: 2966: 2955: 2949: 2948: 2944: 2940: 2933: 2927: 2926: 2924: 2922: 2916: 2899: 2888: 2882: 2881: 2873: 2869: 2862: 2856: 2855: 2844: 2838: 2837: 2831: 2823: 2817: 2807: 2801: 2795: 2789: 2779: 2773: 2757: 2751: 2741: 2735: 2729: 2723: 2717: 2711: 2710: 2683: 2677: 2676: 2674: 2672: 2657: 2651: 2650: 2632: 2626: 2625: 2623: 2621: 2606: 2600: 2599: 2589: 2583: 2582: 2561: 2555: 2549: 2543: 2542: 2540: 2538: 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1607:German Albums ( 1601: 1522: 1513: 1485: 1461: 1424: 1419: 1403: 1393: 1360: 1312: 1228: 1205: 1128: 1106: 1029: 1024: 989:Highway to Hell 976:Highway to Hell 967:Stylus Magazine 895:Eddie Van Halen 861: 856: 851: 846: 823: 818: 813: 808: 796:MusicHound Rock 773: 768: 763: 758: 735: 730: 725: 720: 697: 692: 687: 682: 649: 637: 602:Highway to Hell 559:Highway to Hell 528: 460:Colin Pattenden 444: 436:AC/DC Remasters 397: 392: 385: 384: 356: 347: 338: 271: 267: 266: 194: 192: 190: 184: 182: 173: 140: 129: 123: 120: 77: 75: 65: 53: 42: 35: 28: 23: 22: 15: 12: 11: 5: 4140: 4138: 4130: 4129: 4124: 4119: 4114: 4109: 4099: 4098: 4092: 4091: 4089: 4088: 4078: 4067: 4064: 4063: 4061: 4060: 4053: 4045: 4043:Tribute albums 4040: 4035: 4030: 4025: 4020: 4015: 4009: 4007: 4003: 4002: 4000: 3999: 3993: 3987: 3981: 3975: 3969: 3963: 3957: 3951: 3945: 3939: 3933: 3927: 3921: 3914: 3912: 3908: 3907: 3905: 3904: 3896: 3888: 3880: 3872: 3864: 3856: 3848: 3840: 3832: 3824: 3816: 3807: 3805: 3801: 3800: 3798: 3797: 3790: 3783: 3776: 3769: 3762: 3755: 3748: 3741: 3734: 3727: 3720: 3713: 3706: 3703:Hard as a Rock 3699: 3692: 3685: 3678: 3671: 3664: 3657: 3650: 3643: 3636: 3629: 3622: 3615: 3608: 3601: 3594: 3587: 3580: 3573: 3566: 3563:Touch Too Much 3559: 3552: 3545: 3538: 3531: 3524: 3517: 3510: 3503: 3496: 3489: 3482: 3475: 3468: 3460: 3458: 3454: 3453: 3451: 3450: 3442: 3434: 3425: 3423: 3419: 3418: 3416: 3415: 3406: 3404: 3400: 3399: 3397: 3396: 3388: 3380: 3372: 3364: 3355: 3353: 3349: 3348: 3346: 3345: 3337: 3329: 3320: 3318: 3314: 3313: 3311: 3310: 3302: 3294: 3286: 3278: 3270: 3262: 3254: 3246: 3238: 3230: 3222: 3214: 3206: 3198: 3190: 3182: 3174: 3165: 3163: 3159: 3158: 3156: 3155: 3150: 3145: 3140: 3135: 3130: 3125: 3120: 3115: 3110: 3105: 3100: 3094: 3093: 3085: 3077: 3070: 3063: 3060:Cliff Williams 3056: 3049: 3041: 3038: 3037: 3032: 3030: 3029: 3022: 3015: 3007: 3001: 3000: 2993: 2992:External links 2990: 2987: 2986: 2968: 2950: 2928: 2906: 2883: 2857: 2839: 2818: 2802: 2790: 2774: 2752: 2736: 2724: 2712: 2705: 2678: 2652: 2645: 2627: 2601: 2584: 2577: 2556: 2554:, p. 175. 2544: 2511: 2496: 2481: 2466: 2441: 2415: 2389: 2363: 2356: 2338: 2306: 2299: 2279: 2276:. p. F10. 2264: 2257: 2239: 2208: 2169: 2139: 2109: 2078: 2058:978-0061133923 2057: 2036: 2005: 1974: 1943: 1912: 1882: 1862: 1845:(European LP)" 1830: 1829: 1827: 1824: 1821: 1820: 1808: 1795: 1794: 1792: 1789: 1786: 1785: 1773: 1772: 1769: 1766: 1758: 1757: 1754: 1751: 1743: 1742: 1739: 1736: 1728: 1727: 1724: 1721: 1713: 1712: 1709: 1706: 1698: 1697: 1694: 1691: 1683: 1682: 1679: 1676: 1668: 1667: 1661: 1658: 1649: 1648:Certifications 1646: 1643: 1642: 1639: 1628: 1627: 1624: 1619:Swiss Albums ( 1616: 1615: 1612: 1604: 1603: 1598: 1590: 1589: 1586: 1576: 1575: 1572: 1561: 1560: 1557: 1549: 1548: 1545: 1540:Dutch Albums ( 1537: 1536: 1533: 1525: 1524: 1519: 1512: 1509: 1508: 1507: 1504: 1498: 1492: 1484: 1481: 1469: 1468: 1460: 1457: 1456: 1455: 1449: 1446:Cliff Williams 1443: 1437: 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Williams 403: 402: 399: 398: 396: 395: 381: 378: 377: 367: 366: 363: 362: 359: 358: 349: 340: 326: 325: 318: 317: 316: 315: 310: 303: 297: 296: 295: 294: 289: 282: 276: 275: 264: 260: 259: 258: 257: 252: 247: 240: 234: 233: 232: 231: 228: 220: 216: 215: 214: 213: 210: 209:September 1976 205: 201: 200: 179: 175: 174: 169: 162: 161: 153: 152: 142: 141: 56: 54: 47: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4139: 4128: 4125: 4123: 4120: 4118: 4115: 4113: 4110: 4108: 4105: 4104: 4102: 4087: 4079: 4077: 4069: 4068: 4065: 4059: 4058: 4054: 4052: 4050: 4046: 4044: 4041: 4039: 4036: 4034: 4031: 4029: 4026: 4024: 4021: 4019: 4016: 4014: 4011: 4010: 4008: 4004: 3997: 3996:Power Up Tour 3994: 3991: 3988: 3985: 3982: 3979: 3976: 3973: 3970: 3967: 3964: 3961: 3958: 3955: 3952: 3949: 3946: 3943: 3940: 3937: 3934: 3931: 3928: 3925: 3922: 3919: 3916: 3915: 3913: 3909: 3902: 3901: 3897: 3894: 3893: 3889: 3886: 3885: 3884:Family Jewels 3881: 3878: 3877: 3873: 3870: 3869: 3865: 3862: 3861: 3857: 3854: 3853: 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Index

Down Payment Blues
What's Next to the Moon (album)
Kicked in the Teeth (album)

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Studio album
AC/DC
Albert
Genre
Hard rock
blues rock
heavy metal
Label
Albert
Atlantic
Producer
Harry Vanda
George Young
AC/DC
Let There Be Rock

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