Knowledge (XXG)

Papunya Tula

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225:) and ceremonial paraphernalia were removed or modified. Such designs and their "inside" meanings were not to be written down and "traded". Any contravention broke the immutable plan of descent, the link of the initiated men with his totemic ancestor through his father and his father's father. From 1973 to 1975, Papunya Tula artists sought to camouflage overt references to ceremony and became reticent. They revealed less of the sacred heart of their culture. The openness of the Bardon era was at an end. Dotting and over-dotting, as an ideal means of concealing or painting over dangerous, secret designs, became a fashion at this stage. The art was made public, watered down for general exhibition, pointing to the uniqueness of the Geoffrey Bardon years - which like innocence, cannot be rediscovered. 237:, the artists through their paintings "trace the genealogies of their ancestral inheritance". And comment that "Through the paintings of the Papunya Tula Artists we experience the anguish of exile and the liberation of exodus. ... In refiguring the Australian landscape, the artists express what has always been known to them. And in revealing this vision to an outside audience, Papunya Tula artists have reclaimed the interior of the Australian continent as Aboriginal land. If exile is the dream of home, the physical longing for homelands expressed in the early paintings has now been answered". 250:(MAGNT), that has the largest collection of just over 220 early works acquired between 1972 and 1976, thanks to the visionary efforts of the MAGNT Director Dr Colin Jack Hinton and Alice Springs gallery owner Pat Hogan. This was still as of 2008 the nation's largest collection of early boards. The 182:
converge. The European-Australian administrators of Papunya later painted over the murals, which the curator Judith Ryan called "an act of cultural vandalism", noting that "he school was de-Aboriginalized and the art no longer allowed to stand tall and defiant as the symbol of a resilient and
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and a hard surface. As their work gained in popularity, the artists omitted or changed many of the spiritual symbols for public viewing, as the Aboriginal community criticised the artists for revealing "too much of their sacred heritage". According to Ryan:
331:(now defunct) of the 1970s-1980s. The exhibition contains some of the most priceless and earliest works by the first generation, senior Papunya painters. These paintings were previously displayed in government offices and embassies. 220:
Secret designs restricted to a ritual context were now in the market place, made visible to kardiya outsiders and Aboriginal women. In response to these objections, all detailed depictions of human figures, fully decorated tjurungas
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exhibited a collection of Papunya paintings from the first few years of the movement. Most of the works displayed in the collection had not been seen before by the general public as most of these paintings were bought by the
1565: 246:, many of the people left Papunya for their traditional lands, but the art cooperative persisted and continued to grow. For many years the market and museums virtually ignored their work. A major exception was the 1271: 2209: 2166: 891: 211:
While the collective artists used a style of painting traditional in the sand and for body adornment in ceremonies, most of them had never painted before in Western style – that is, using
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Perkins, H. & Fink, H (2000). "Genesis and Genius The art of Papunya Tula Artists". In Perkins, H; Fink, H.; Papunya Tula Artists' Company & Art Gallery of New South Wales (ed.).
1243: 362:, dedicated to indigenous art of the world. Napurrula's signature black-and-white motifs appear superimposed on the ceiling of the administration offices of the museum's building. 1537: 1492: 2045: 254:
did not acquire any works produced by the collective until 1987, when Judith Ryan convinced the current director to purchase 10 of the works. At the time, the asking price was
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for price commanded for Aboriginal art, bringing £1.03 million (or $ 2.4 million), more than twice as much as the previous record-holder.
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men saw what the children were doing, they felt the subject matter was more suited to adults. They began creating a mural depicting the
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McLean, Ian (2011). "The Gift that Time Gave: Myth and History in the Western Desert Painting Movement". In Jaynie Anderson (ed.).
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indomitable people". While visible, the mural proved highly influential, leading other men to create smaller paintings of their
2411: 1898: 1807: 1459: 1309: 1253: 1174: 242: 2547: 2126: 2110: 2055: 1527: 1037: 421: 143: 142:, the school teacher at the community, encouraged the children to paint a mural using the traditional style of body and sand 1449: 1837: 1555: 1472: 1419: 1369: 1301: 2655: 2572: 2179: 1615: 396: 323: 262: 251: 61: 2567: 2557: 2250: 2092: 1931: 1822: 1667: 1605: 1590: 1477: 1362: 1349: 470: 445: 382: 1502: 208:, began to paint for the company in the late 1980s. It was not until 1994 that women generally began to participate. 193:, car bonnets, tin cans, and matchboxes. This explosion of artistic activity is generally regarded as the origin of 2577: 2265: 1914: 1550: 1357: 426: 2582: 2431: 2381: 2371: 2361: 2341: 2194: 2070: 2065: 1874: 1769: 1482: 700: 455: 2562: 2537: 2496: 2426: 2401: 2356: 2336: 2260: 2240: 1985: 1904: 1610: 964: 460: 2406: 2391: 2376: 2351: 2301: 2291: 2019: 1956: 1951: 1789: 1734: 1233: 744: 646: 450: 440: 2481: 2311: 1963: 1652: 1213: 1197: 57: 1122:
Focus on Makinti Napanangka, "one of the most keenly studied and collected of the Papunya Tula art stars"
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The collective, originally entirely Aboriginal Australian men, formed in 1972. They derived the name
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to world attention, its artists inspired many other Australian Aboriginal artists and their styles.
2604: 2542: 2204: 1497: 1404: 550: 377: 339:, the exhibition was significant in introducing the movement's importance to the general audience. 2552: 2446: 2441: 2396: 2346: 2097: 2007: 1936: 1921: 1744: 1657: 1620: 849: 710: 684: 616: 593: 416: 295: 234: 53: 45: 1103: 30:"Dot painting" redirects here. For a more general overview of contemporary Aboriginal art, see 2466: 2366: 2175: 1759: 1729: 1682: 1517: 1314: 1068: 1041: 1003: 835: 801: 777: 641: 532: 352: 278: 84: 1151:
Papunya Painting, National Museum of Australia Exhibition, 28 November 2007 – 3 February 2008
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Papunya: A Place Made After the Story: The Beginnings of the Western Desert Painting Movement
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The company now operates out of Alice Springs, and covers an enormous area, extending into
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Dreaming. Traditionally, Papunya is the epicentre of the Honey Ant Dreaming, where
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from a small hill near Papunya, a Honey Ant Dreaming site. A few women, notably
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For a period of several months (27 November 2007 to 3 February 2008), the
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Dreamings of the Desert: Aboriginal dot paintings of the Western Desert
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moved several different groups living in the Western Desert region to
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Aboriginal art cooperative and art movement in the Northern Territory
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McCulloch, Alan; Susan McCulloch and Emily McCulloch Childs (2006).
1155: 314:, was the first major retrospective exhibition of the cooperative. 1784: 1754: 240:
In the late 1970s and early 1980s, after the establishment of the
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of Australia. The group is known for its innovative work with the
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in the Northern Territory, to remove them from cattle lands and
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List of Indigenous Australian art movements and cooperatives
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Icons of the Desert: Early Aboriginal Paintings from Papunya
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and its artists are drawn from a large area, extending into
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National Aboriginal & Torres Strait Islander Art Award
1091:"The beginnings of the Western Desert painting movement" 535:, aka Michael Nelson Tjakamarra (1946–2020), joined 1983 281:, 700 kilometres (430 mi) west of Alice Springs. 87:, 700 kilometres (430 mi) west of Alice Springs. 892:"Painting by aboriginal artist sells for record £1m" 2596: 2510: 2279: 2228: 2187: 2033: 1888: 1798: 1695: 1638: 1536: 1458: 1300: 1252: 1204: 1596:Office of the Registrar of Indigenous Corporations 798:The new McCulloch's Encyclopedia of Australian Art 261:In 2007, a single painting by Papunya Tula artist 318:National Museum of Australia 2007–2008 Exhibition 1085:, 2006, Miegunyah Press, University of Melbourne 248:Museum and Art Gallery of the Northern Territory 834:. Art Gallery of New South Wales. p. 185. 745:Papunya Tula art movement of the Western Desert 371:First generation men (the Bardon years 1971–73) 218: 2083:Northern Territory National Emergency Response 1586:National Congress of Australia's First Peoples 2160: 1571:Australian Aboriginal Progressive Association 1182: 8: 1162:Tjukurrtjanu - Origins of Western Desert Art 1108:2007, Canberra: National Museum of Australia 854:: CS1 maint: multiple names: authors list ( 2167: 2153: 2145: 1678:South West Aboriginal Land and Sea Council 1663:Metropolitan Local Aboriginal Land Council 1635: 1189: 1175: 1167: 1158:, touring exhibition, United States, 2009. 103:, 240 km (150 mi) north-west of 867: 865: 774:The Cambridge Companion to Australian Art 2651:Australian artist groups and collectives 1065:Papunya Tula: Art of the Western Desert, 310:Arts Festival. The exhibition, entitled 115:. These displaced groups were primarily 1400:National Indigenous Human Rights Awards 1272:People from politics and public service 737: 355:, are also represented in Paris at the 2200:Contemporary Indigenous Australian art 1198:Aboriginal and Torres Strait Islanders 847: 195:contemporary Indigenous Australian art 32:Contemporary Indigenous Australian art 7: 2261:Pukatja (Ernabella), South Australia 1380:Literature of Indigenous Australians 1055:Aboriginal Art of the Western Desert 816: 814: 716:Kluge-Ruhe Aboriginal Art Collection 387:Charlie Tarawa (Tjaruru) Tjungurrayi 166:, and others more general Dreamtime 1106:Papunya Painting: Out of the desert 1089:Benjamin, Roger (29 January 2005). 146:. This painting style was used for 1561:Aborigines Progressive Association 290:Art Gallery of NSW 2000 Exhibition 79:The company operates today out of 25: 2236:Alice Springs, Northern Territory 873:"Bold vision of artistic rebirth" 2246:Haasts Bluff, Northern Territory 820:Judith Ryan in Bardon 1991: ix-x 312:Papunya Tula, Genesis and Genius 2412:Susie Bootja Bootja Napaltjarri 1899:Aboriginal Land Rights Act 1976 832:Papunya Tula Genesis and Genius 541:Long Jack Phillippus Tjakamarra 437:Old Walter Tjampitjinpa (Lynch) 243:Aboriginal Land Rights Act 1976 2548:Long Jack Phillipus Tjakamarra 2111:Uluru Statement from the Heart 1528:Torres Strait Island languages 1075:Sydney: McPhee Gribble/Penguin 1038:Art Gallery of South Australia 959:Allan, Susan (24 August 2001) 422:Long Jack Phillipus Tjakamarra 1: 1576:Australian Aborigines' League 1556:Aborigines Advancement League 1473:Australian Aboriginal English 940:Papunya Tula Artists Pty. Ltd 915:Papunya Tula Artists Pty. Ltd 890:Marks, Kathy. (26 July 2007) 564:Richard Yukenbarri Tjakamarra 413:Johnny Warrangkula Tjupurrula 2573:Clifford Possum Tjapaltjarri 2271:Yuendumu, Northern Territory 1616:National Reconciliation Week 982:National Museum of Australia 558:Raymond Maxwell Tjampitjinpa 397:Clifford Possum Tjapaltjarri 324:National Museum of Australia 263:Clifford Possum Tjapaltjarri 252:National Gallery of Victoria 150:purposes, and so had strict 42:Papunya Tula Artists Pty Ltd 2568:Billy Stockman Tjapaltjarri 2558:Yala Yala Gibbs Tjungurrayi 2256:Papunya, Northern Territory 2251:Kintore, Northern Territory 1668:NSW Aboriginal Land Council 1606:Registered Aboriginal Party 1591:National Indigenous Council 1478:Macro-Gunwinyguan languages 1147:, Art Gallery of NSW, 2000. 529:Kenny Williams Tjampitjinpa 499:Donald Matthews Tjapanangka 496:Charlie Wallabi Tjungurrayi 471:Yala Yala Gibbs Tjungurayyi 446:Shorty Lungkata Tjungurayyi 393:Charlie Egalie Tjapaltjarri 383:Billy Stockman Tjapaltjarri 74:contemporary Aboriginal art 68:, popularly referred to as 66:Western Desert Art Movement 2677: 2578:Mick Namarari Tjapaltjarri 2266:Utopia, Northern Territory 2046:Constitutional recognition 1915:Hawkesbury and Nepean Wars 1551:Aboriginal Medical Service 573:Warlimpirrnga Tjapaltjarri 547:Morris Gibson Tjapaltjarri 538:Lindsay Corby Tjapaltjarri 502:George Tjampu Tjapaltjarri 427:Mick Namarari Tjapaltjarri 29: 2661:Cooperatives in Australia 2646:Australian Aboriginal art 2583:Timmy Payungka Tjapangati 2432:Valerie Lynch Napaltjarri 2382:Ngoia Pollard Napaltjarri 2372:Molly Jugadai Napaltjarri 2362:Linda Syddick Napaltjarri 2342:Daisy Jugadai Napaltjarri 2195:Araluen Cultural Precinct 1440:Traditional custodianship 1008:Aboriginal Bark Paintings 701:Australian Aboriginal art 601:Elizabeth Marks Nakamarra 523:Joseph Jurra Tjapaltjarri 511:James Gibson Tjapaltjarri 456:Timmy Payungka Tjapangati 410:Johnny Scobie Tjapanangka 72:. Credited with bringing 2641:Australian art movements 2563:Turkey Tolson Tjupurrula 2538:Paddy Japaljarri Stewart 2497:Ruby Tjangawa Williamson 2427:Topsy Gibson Napaltjarri 2402:Peggy Rockman Napaljarri 2357:Kitty Pultara Napaljarri 2337:Biddy Rockman Napaljarri 2241:Balgo, Western Australia 1905:Australian Frontier Wars 1611:Reconciliation Australia 965:World Socialist Web Site 871:Staff. (5 January 2008) 750:27 February 2012 at the 520:Johnny Yungut Tjupurrula 514:Jeremiah West Tjakamarra 487:Andrew Tolson Tjakamarra 461:Turkey Tolson Tjupurrula 404:Dinny Nolan Tjampitjinpa 401:David Corby Tjapaltjarri 56:, owned and operated by 2407:Sheila Brown Napaljarri 2392:Norah Nelson Napaljarri 2377:Mona Rockman Napaljarri 2352:Helen Nelson Napaljarri 2302:Lucy Napaljarri Kennedy 2292:Josepha Petrick Kemarre 1957:Australian history wars 1818:Contemporary visual art 1234:Torres Strait Islanders 1145:Papunya Tula Exhibition 967:. Retrieved 2008-08-11. 900:. Retrieved 2008-08-11. 881:. Retrieved 2008-08-11. 647:Norah Nelson Napaljarri 613:Maisie Gibson Napurrula 544:Matthew West Tjupurrula 517:John Corby Tjapaltjarri 484:Adam Gibbs Tjapaltjarri 441:Pinta Pinta Tjapanangka 95:In the late 1960s, the 2482:Maggie Napaljarri Ross 2312:Barbara Mbitjana Moore 1653:Kimberley Land Council 1503:Pama–Nyungan languages 1493:Loanwords into English 1410:Religion and mythology 1363:Torres Strait Islander 1214:Aboriginal Australians 1057:,1979, Adelaide: Rigby 762:Ryan in Bardon 1991: x 651:Nyurapayia Nampitjinpa 610:Lorna Brown Napanangka 508:George Ward Tjungurayi 451:Tim Leura Tjapaltjarri 407:Freddy West Tjakamarra 227: 2387:Nora Andy Napaltjarri 2322:Doreen Reid Nakamarra 2307:Emily Kame Kngwarreye 1992:Native Title Act 1993 1927:Cummeragunja walk-off 1673:Northern Land Council 1523:Torres Strait English 1450:Torres Strait Islands 1104:Vivien Johnson (ed), 676:Walangkura Napanangka 589:Doreen Reid Nakamarra 490:Bobby West Tjupurrula 478:Second generation men 434:Old Tutama Tjapangati 347:Two Papunya artists, 329:Aboriginal Arts Board 97:Australian Government 2588:Yannima Tommy Watson 2437:Wintjiya Napaltjarri 2422:Tjunkiya Napaltjarri 2417:Takariya Napaltjarri 2332:Ada Andy Napaltjarri 1648:Central Land Council 1140:Papunya Tula Gallery 672:Tjunkiya Napaltjarri 621:Mary Brown Napangati 561:Raymond Tjapaltjarri 366:Papunya Tula artists 343:Musée du Quai Branly 308:Sydney Olympic Games 298:held an exhibition, 2656:Artist cooperatives 2543:Anatjari Tjakamarra 2205:Hermannsburg School 1405:Outstation movement 1244:Western Australians 662:Patricia Napanangka 659:Pantjiya Nungurrayi 604:Josephine Napurrula 567:Ronnie Tjampitjinpa 551:Patrick Tjungurrayi 431:Old Mick Tjakamarra 378:Anatjari Tjakamarra 170:. When some of the 2553:Kaapa Tjampitjinpa 2447:Dorothy Napangardi 2442:Makinti Napanangka 2397:Parara Napaltjarri 2347:Eileen Napaltjarri 2229:Significant places 2098:Stolen Generations 2088:Self-determination 2008:Stolen Generations 1942:Historical figures 1922:Caledon Bay crisis 1745:Fire-stick farming 1658:Maralinga Tjarutja 1277:Performing artists 1081:and James Bardon, 1004:"Uta Uta Tjangala" 978:"Uta Uta Tjangala" 711:Honey ant dreaming 689:Yuyuya Nampitjinpa 685:Yukultji Napangati 638:Narrabri Nakamarra 627:Monica Napaltjarri 617:Makinti Napanangka 598:Kawayi Nampitjinpa 594:Eileen Napaltjarri 555:Ray James Tjangala 493:Charlie Tjapangati 417:Kaapa Tjampitjinpa 390:Charlie Tjakamarra 296:Art Gallery of NSW 158:depicted personal 154:for its use. Many 54:Northern Territory 48:formed in 1972 in 46:artist cooperative 2628: 2627: 2467:Kathleen Petyarre 2367:Louisa Napaljarri 2142: 2141: 2025:Western Australia 1760:Possum-skin cloak 1691: 1690: 1683:Tiwi Land Council 1518:Taboo on the dead 1483:Australian Creole 1224:Aboriginal groups 1010:. 22 October 2018 841:978-0-7347-6306-8 783:978-1-107-60158-1 642:Ningura Napurrula 624:Miriam Napanangka 585:Bombatu Napangati 533:Kumantje Jagamara 505:George Tjungurayi 353:Ningura Napurrula 279:Western Australia 85:Western Australia 58:Aboriginal people 16:(Redirected from 2668: 2605:Earth's Creation 2523:Albert Namatjira 2457:Naata Nungurrayi 2452:Pansy Napangardi 2327:Narputta Nangala 2169: 2162: 2155: 2146: 1636: 1468:Avoidance speech 1430:Smoking ceremony 1191: 1184: 1177: 1168: 1100: 1020: 1019: 1017: 1015: 1000: 994: 993: 991: 989: 984:. 13 August 2019 974: 968: 957: 951: 950: 948: 946: 932: 926: 925: 923: 921: 907: 901: 888: 882: 869: 860: 859: 853: 845: 827: 821: 818: 809: 794: 788: 787: 769: 763: 760: 754: 742: 668:Tatali Napurrula 665:Payu Napaltjarri 655:Pansy Napangardi 635:Nancy Nungurrayi 631:Naata Nungurrayi 526:Kanya Tjapangati 466:Uta Uta Tjangala 265:set a record at 257: 206:Pansy Napangardi 168:creation stories 40:, registered as 21: 2676: 2675: 2671: 2670: 2669: 2667: 2666: 2665: 2631: 2630: 2629: 2624: 2592: 2533:Wenten Rubuntja 2506: 2487:Margaret Scobie 2462:Gloria Petyarre 2287:Wawiriya Burton 2275: 2224: 2183: 2173: 2143: 2138: 2078:Media portrayal 2041:1967 Referendum 2029: 1937:Gurindji Strike 1932:Day of Mourning 1884: 1794: 1687: 1634: 1532: 1488:Language groups 1454: 1296: 1248: 1200: 1195: 1136: 1131: 1117: 1115:Further reading 1112: 1088: 1079:Geoffrey Bardon 1061:Geoffrey Bardon 1051:Geoffrey Bardon 1029: 1024: 1023: 1013: 1011: 1002: 1001: 997: 987: 985: 976: 975: 971: 958: 954: 944: 942: 934: 933: 929: 919: 917: 909: 908: 904: 897:The Independent 889: 885: 870: 863: 846: 842: 829: 828: 824: 819: 812: 795: 791: 784: 771: 770: 766: 761: 757: 752:Wayback Machine 743: 739: 734: 706:Geoffrey Bardon 697: 692: 680:Yalti Napangati 581: 576: 570:Tony Tjakamarra 480: 475: 373: 368: 345: 320: 292: 287: 275: 255: 140:Geoffrey Bardon 113:western culture 93: 35: 28: 23: 22: 15: 12: 11: 5: 2674: 2672: 2664: 2663: 2658: 2653: 2648: 2643: 2633: 2632: 2626: 2625: 2623: 2622: 2615: 2608: 2600: 2598: 2594: 2593: 2591: 2590: 2585: 2580: 2575: 2570: 2565: 2560: 2555: 2550: 2545: 2540: 2535: 2530: 2528:Tiger Palpatja 2525: 2520: 2514: 2512: 2508: 2507: 2505: 2504: 2499: 2494: 2489: 2484: 2479: 2474: 2472:Nancy Petyarre 2469: 2464: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2424: 2419: 2414: 2409: 2404: 2399: 2394: 2389: 2384: 2379: 2374: 2369: 2364: 2359: 2354: 2349: 2344: 2339: 2334: 2329: 2324: 2319: 2314: 2309: 2304: 2299: 2294: 2289: 2283: 2281: 2280:Artists: women 2277: 2276: 2274: 2273: 2268: 2263: 2258: 2253: 2248: 2243: 2238: 2232: 2230: 2226: 2225: 2223: 2222: 2217: 2212: 2207: 2202: 2197: 2191: 2189: 2185: 2184: 2180:Western Desert 2174: 2172: 2171: 2164: 2157: 2149: 2140: 2139: 2137: 2136: 2131: 2130: 2129: 2124: 2119: 2107: 2106: 2105: 2103:Half-Caste Act 2095: 2093:Reconciliation 2090: 2085: 2080: 2075: 2074: 2073: 2071:Protected Area 2068: 2058: 2053: 2048: 2043: 2037: 2035: 2031: 2030: 2028: 2027: 2022: 2017: 2016: 2015: 2005: 2000: 1998:Pilbara strike 1995: 1988: 1983: 1978: 1977: 1976: 1966: 1961: 1960: 1959: 1954: 1944: 1939: 1934: 1929: 1924: 1919: 1918: 1917: 1912: 1902: 1894: 1892: 1886: 1885: 1883: 1882: 1877: 1872: 1867: 1862: 1857: 1852: 1851: 1850: 1845: 1835: 1830: 1825: 1820: 1815: 1810: 1804: 1802: 1796: 1795: 1793: 1792: 1787: 1782: 1777: 1775:Spinifex resin 1772: 1767: 1762: 1757: 1752: 1747: 1742: 1737: 1732: 1727: 1722: 1717: 1712: 1707: 1701: 1699: 1693: 1692: 1689: 1688: 1686: 1685: 1680: 1675: 1670: 1665: 1660: 1655: 1650: 1644: 1642: 1633: 1632: 1626: 1625: 1624: 1623: 1618: 1608: 1603: 1598: 1593: 1588: 1583: 1578: 1573: 1568: 1563: 1558: 1553: 1548: 1542: 1540: 1534: 1533: 1531: 1530: 1525: 1520: 1515: 1513:Sign languages 1510: 1505: 1500: 1495: 1490: 1485: 1480: 1475: 1470: 1464: 1462: 1456: 1455: 1453: 1452: 1447: 1442: 1437: 1432: 1427: 1422: 1417: 1412: 1407: 1402: 1397: 1392: 1387: 1382: 1377: 1372: 1367: 1366: 1365: 1360: 1352: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1306: 1304: 1298: 1297: 1295: 1294: 1289: 1287:Visual artists 1284: 1279: 1274: 1269: 1264: 1258: 1256: 1250: 1249: 1247: 1246: 1241: 1236: 1231: 1226: 1221: 1216: 1210: 1208: 1202: 1201: 1196: 1194: 1193: 1186: 1179: 1171: 1165: 1164: 1159: 1153: 1148: 1142: 1135: 1134:External links 1132: 1130: 1129: 1126:The Australian 1118: 1116: 1113: 1111: 1110: 1101: 1086: 1076: 1058: 1048: 1030: 1028: 1025: 1022: 1021: 995: 969: 952: 927: 902: 883: 861: 840: 822: 810: 789: 782: 764: 755: 736: 735: 733: 730: 729: 728: 723: 718: 713: 708: 703: 696: 693: 691: 690: 687: 682: 677: 674: 669: 666: 663: 660: 657: 652: 649: 644: 639: 636: 633: 628: 625: 622: 619: 614: 611: 608: 605: 602: 599: 596: 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603: 600: 597: 595: 592: 590: 587: 584: 583: 578: 572: 569: 566: 563: 560: 557: 554: 552: 549: 546: 543: 540: 537: 534: 531: 528: 525: 522: 519: 516: 513: 510: 507: 504: 501: 498: 495: 492: 489: 486: 483: 482: 477: 472: 469: 467: 464: 462: 459: 457: 454: 452: 449: 447: 444: 442: 439: 436: 433: 430: 428: 425: 423: 420: 418: 415: 412: 409: 406: 403: 400: 398: 395: 392: 389: 386: 384: 381: 379: 376: 375: 370: 365: 363: 361: 360: 354: 350: 342: 340: 338: 335:by Professor 334: 330: 325: 317: 315: 313: 309: 305: 304:Hetti Perkins 301: 297: 294:In 2000, the 289: 284: 282: 280: 272: 270: 268: 264: 259: 253: 249: 245: 244: 238: 236: 232: 231:Hetti Perkins 226: 224: 217: 214: 213:acrylic paint 209: 207: 203: 198: 196: 192: 188: 187: 181: 177: 173: 169: 165: 161: 157: 153: 149: 145: 141: 136: 134: 130: 126: 122: 118: 114: 110: 106: 105:Alice Springs 102: 98: 90: 88: 86: 82: 81:Alice Springs 77: 75: 71: 67: 63: 59: 55: 51: 47: 43: 39: 33: 19: 2617: 2610: 2603: 2511:Artists: men 2492:Barbara Weir 2220:Papunya Tula 2219: 2188:Institutions 2109: 2066:Native title 2020:Tent embassy 2003:Pintupi Nine 1990: 1910:Bathurst War 1897: 1880:Yininmadyemi 1865:Sandpainting 1860:Papunya Tula 1859: 1855:NATSIA Award 1843:Music groups 1765:Scarred tree 1735:Dugout canoe 1425:Sacred sites 1340:The Dreaming 1282:Sportspeople 1124: 1105: 1094: 1082: 1064: 1054: 1033: 1012:. 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Retrieved 914: 905: 895: 886: 876: 831: 825: 797: 792: 773: 767: 758: 740: 356: 349:Tommy Watson 346: 321: 311: 293: 276: 260: 241: 239: 228: 219: 210: 201: 199: 184: 137: 94: 78: 70:dot painting 69: 65: 41: 38:Papunya Tula 37: 36: 18:Dot painting 2619:Warlugulong 2597:Major works 2061:Land rights 1964:King plates 1780:Sweet foods 1750:Food groups 1720:Bush tucker 1460:Language(s) 1395:NAIDOC Week 1345:Enumeration 1254:Individuals 1219:Communities 359:Quai Branly 285:Exhibitions 235:Hannah Fink 223:bullroarers 2635:Categories 1952:Prehistory 1875:Visual art 1828:Didgeridoo 1740:Fibrecraft 1715:Bush bread 1581:Mass media 1508:Placenames 1385:Marn Grook 1375:Kurdaitcha 1358:Aboriginal 1320:Corroboree 1239:Victorians 1229:Tasmanians 1027:References 306:, for the 256:A$ 100,000 133:Anmatyerre 111:them into 109:assimilate 91:Background 1974:Black War 1969:Massacres 1808:Artefacts 1705:Boomerang 1697:Bushcraft 1621:Sorry Day 1435:Songlines 1310:Astronomy 1267:Musicians 1262:Activists 936:"History" 911:"Contact" 850:cite book 357:Musée du 180:songlines 176:Honey Ant 164:Dreamings 152:protocols 148:spiritual 138:In 1971, 60:from the 2612:Gulgardi 1981:Missions 1833:Dreaming 1730:Coolamon 1601:Politics 1445:Tjurunga 1040:, 1996, 1014:14 April 988:14 April 945:23 March 920:23 March 748:Archived 695:See also 191:masonite 186:Jukurrpa 135:groups. 129:Arrernte 44:, is an 2176:Central 2013:Apology 1947:History 1890:History 1790:Woomera 1566:AIATSIS 1420:Seasons 1370:Kinship 1335:Deities 1325:Country 1302:Culture 1292:Writers 1206:Peoples 1096:The Age 878:The Age 721:Papunya 333:Curated 300:curated 267:auction 156:symbols 125:Walpiri 121:Luritja 117:Pintupi 101:Papunya 50:Papunya 2117:Treaty 2056:Health 2034:Issues 1498:Palawa 1354:Flags 1350:Elders 1071:  1067:1991, 1044:  838:  804:  780:  160:totems 131:, and 2127:Voice 2122:Truth 2051:Crime 1838:Music 1823:Dance 1785:Waddy 1770:Soaks 1755:Humpy 1546:ATSIC 732:Notes 579:Women 273:Today 172:elder 2178:and 1870:Vibe 1848:Rock 1800:Arts 1710:Buka 1630:TSRA 1415:Riji 1315:Bora 1069:ISBN 1042:ISBN 1016:2020 990:2020 947:2021 922:2021 856:link 836:ISBN 802:ISBN 778:ISBN 726:Toas 351:and 233:and 229:For 202:tula 162:and 2182:art 302:by 2637:: 1093:. 1063:, 1053:, 1036:, 1006:. 980:. 963:, 938:. 913:. 894:, 875:, 864:^ 852:}} 848:{{ 813:^ 197:. 127:, 123:, 119:, 52:, 2168:e 2161:t 2154:v 1190:e 1183:t 1176:v 1099:. 1018:. 992:. 949:. 924:. 858:) 844:. 808:. 786:. 221:( 34:. 20:)

Index

Dot painting
Contemporary Indigenous Australian art
artist cooperative
Papunya
Northern Territory
Aboriginal people
Western Desert
contemporary Aboriginal art
Alice Springs
Western Australia
Australian Government
Papunya
Alice Springs
assimilate
western culture
Pintupi
Luritja
Walpiri
Arrernte
Anmatyerre
Geoffrey Bardon
ceremonial art
spiritual
protocols
symbols
totems
Dreamings
creation stories
elder
Honey Ant

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