164:, Talbot says, "he usual state of affairs is you get a script through the post or by email and that is the end of the collaboration. You illustrate, you design the page and tell the story. But this time, Mary would come down to the studio to watch me work and suggest things. I would suggest changes to the script to make it clearer or to get a point across, then we would discuss it over dinner.” Rather than have Bryan rework the art, Mary identified inaccuracies by inserting footnotes throughout the book.
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s review was similarly positive, labelling the book: "ambitious, entertaining and perceptive and blends a first-time script from Mary Talbot with stunning drawings and design from her husband, Bryan (
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wrote that "oth narratives are elegantly done. Talbot has a keen eye for the revealing detail, an important skill if you are working in comics. She makes connections, but never labours them."
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2012 graphic novel written by Mary M. Talbot; part-memoir, part biography of Lucia Joyce
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The book was largely received positively by critics. Writing for
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The book juxtaposes Talbot's childhood with that of
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