24:
701:, conducted by Gilbert, directed and designed by Fitch, and video directed and produced by Getaz, in June 2013 at Avery Fisher Hall. The show was partially based on a version developed in 2008 at the University of Maryland, directed by Fitch in collaboration with conductor James Ross. Early in 2013, Giants Are Small announced that the show would also comprise one excerpt of
330:
ten years later. Fitch continued to design private residences and in 1989, he also co-founded Ooloo, a company specializing in one-of-a-kind art furniture that he made with artisans in the
Philippines. Ooloo furniture was featured in galleries in the US, Europe, and Japan. The company also produced
552:
played the soldier. This project would herald the beginning of Fitch's collaboration with Swiss producer and filmmaker
Edouard Getaz. The show itself featured a miniature theater populated with hundreds of two-dimensional paper puppets and was all filmed live. What was captured on camera was
155:, together with Swiss producer and filmmaker Edouard Getaz, and multimedia entrepreneur Frederic Gumy. He is also the co-founder of the collaborative art partnership known as Orphicorps with Mimi Oka, known for using edible media in experimental feasts.
304:
In 1979–1980 Fitch took a year off from
Harvard to study cooking at La Varenne in Paris, and architectural design at l’Institut d’Architecture et d’Etudes Urbaines in Strasbourg, France. At the latter, he met Italian architect and designer
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713:'s Sara Mearns was the star ballerina, representing various characters throughout the show, in a choreography by Armitage. The production features a mix of music, live filmmaking and puppetry, and ballet.
309:, who became an important influence on his work. Fitch worked with Pesce for the next three years in Venice, making models of visionary buildings and contributing to international design competitions.
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His time in the
Philippines led to an assignment by the government there to become the 1997 International Design Consultant for Gifts and Housewares exports. An article appeared about this work in
255:, turned the family basement into a theater to perform original works based on Shakespeare tragedies and musical comedies. Later, after attending an introduction to puppetry arts course at the
148:
American visual artist and director. He is most well known for his opera productions, but his body of work spans multiple media, from drawing and sculpture to theater, architecture, and food.
580:. A prequel extended the original story to an hour-long adventure, situated in contemporary Los Angeles, which was underscored by excerpts from a number of other symphonic works. ranging from
425:
Fitch's collaboration with agent Linde
Trottenberg, founder of Multi Art International, led to several art exhibitions and installations all over in Germany. The first of these was entitled
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and was held in the Center for
Epileptic Research in Bonn. The entire show of drawings was purchased by a pharmaceutical company and toured throughout Germany. Another exhibition, called
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in Ottawa, Canada, leading to the development of live animation: a concept merging film and theater in a unique way by making a spectacle out of the making of the film on stage.
658:, directed by Fitch (who also designed the costumes and co-designed the set with Skip Mercier), conducted by Gilbert, and produced by Getaz. The show was choreographed by
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A chance meeting with Mimi Oka led to the creation of
Orphicorps and a series of Orphic Feasts that eventually culminated in a French-English bilingual book called
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After two years of experimental development, Fitch, Getaz, and multimedia entrepreneur
Frederic Gumy co-founded the theatre and entertainment company
1210:"Love, love me dough; Forget food as art. Mimi Oka believes that food is intrinsically social – and her village made a 14-foot baguette to prove it"
875:"The dark forest comes alive Douglas Fitch imagined the creatures, and he and the L.A. Opera are making them real for 'Hansel and Gretel' audiences"
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hired Fitch to design and construct the interior of his New York apartment. This led to an ongoing series of music-based projects with
Gilbert.
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and produced by
Edouard Getaz. The production, which was sold out before it opened, was elected "Best Opera of the Year" by the
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In the late 1980s, Fitch emerged as an architectural designer. He designed several houses, interiors, and pieces of furniture.
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In 1986, with collaborator Ross Miller, he designed the home of art dealer/collector Meredyth Moses. First published in the
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article published in 2003 about Fitch's design caught the attention of Uli Bader, then the artistic director of the
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Upon his return to the US Fitch moved to New York, where together with Oka, he created two major events with the
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641:. Giants Are Small's live animation was created from drawings and designs by Fitch. The show was presented at
1387:"07/04/2007 opening of "Mit Haut und Haaren"exhibition at the Hauttumorzentrum of Charité Hospital in Berlin"
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products for the Museum of Modern Art, the Guggenheim, Barney's, Henry Bendell, and many other institutions.
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in Visual Studies. During those years, Fitch performed in various musical theater productions including the
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378:. Many other events followed in Japan, France, New York, Santa Fe, Portugal, and the Czech Republic.
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345:. He also wrote, directed, and designed a series of experimental shows in the Boston area, including
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On February 22, 2012, Giants Are Small and the New York Philharmonic announced a new collaboration,
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In 2011, Giants Are Small and the New York Philharmonic paired again to present a new production of
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Children's Chorus. The production was designated "Best Classical Performance of the Year 2011" by
433:("With Skin and Hair"), was commissioned and was still traveling around Germany as of March 2013.
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with the New York Philharmonic, directed by Doug Fitch (who also designed the set), conducted by
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1013:"Theater's Whirlwind Wunderkind; The Unpredictable Peter Sellars Takes on The Kennedy Center"
479:. In 2006, he directed, designed the costumes and sets and choreographed a new production of
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In the summer of 2006, Fitch directed and designed the sets for the American premiere of
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Meanwhile, Fitch continued to work in the theater, mainly as a set designer for the
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1235:"Calendar SECTION: Section F; Page 2; Column 3; Dining In, Dining Out/Style Desk"
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at age nine, he worked with his family to create a touring puppet theatre.
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Melrod, George (January–February 1993). "Between Function and Absurdity".
291:. For another Sellars project – a well-known production of Shakespeare's
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During his career as a director, Fitch has created productions for the
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on several theatrical enterprises, including a puppet version of
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Fitch is the co-founder of the theatre and entertainment company
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Swimming Pool at Harvard, Fitch played the part of the Clown.
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933:"Twentieth Season Concert Series September, 2012 – June, 2013"
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Fitch, Doug; Ross Miller (April 1997). "The Art of Living".
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1125:"A Modern Barn Raising From Barn to Bauhaus to Their House"
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Kroll, Jack (January 11, 1982). "Handel in the Space Age".
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simultaneously projected on a screen above the musicians.
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Fitch also designed an innovative interior for violinist
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510:. The show was filmed by Kitao Sakurai and shown at the
209:, and other artists. He has also worked with puppeteer
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1303:"Umami Festival Urges Artists to Play With Their Food"
1158:
1159:"Twigged-out: Designers Barking for Things Natural"
850:"Images from The Orphic Memory Sausage in New York"
570:In 2008, Giants Are Small created an adaptation of
469:. In 2005, Fitch directed and designed the set for
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1462:"Bach Will Have His Effect, Despite the Obstacles"
1334:"Living in a Concerto for Memorabilia and Strings"
595:In 2010, Giants Are Small created a production of
1514:"Operas Absurd, Surreal and, of Course, Satirica"
980:
978:
633:, and Mark Schowalter. Costumes were designed by
536:, New York, featuring principal players from the
678:. The show was presented at Avery Fisher Hall.
621:. The production featured a cast that included
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441:Fitch's first collaboration with conductor
935:. Taos Chamber Music Group. Archived from
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1618:"Philharmonic Announces Its Next Season"
1512:Schweitzer, Vivien (December 16, 2010).
1436:"Going Big on Bach, Small on Stravinsky"
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522:In 2005, Fitch was invited by violinist
1488:"Audience misses out on masterful show"
1260:Fabricant, Florence (October 5, 2000).
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1616:Wakin, Daniel J. (February 22, 2012).
1123:Temmin, Christine (October 23, 1988).
908:"New York's Date With the End of Time"
274:. He also collaborated with director
176:Royal Stockholm Philharmonic Orchestra
662:and featured a large cast, including
7:
1332:Masello, David (November 13, 2003).
1104:Temmin, Christine (April 25, 1986).
906:Gurewitsch, Matthew (May 23, 2010).
873:Breslauer, Jan (December 11, 2006).
1590:Davidson, Justin (April 12, 2011).
1564:Smith, Steve (December 17, 2010).
14:
1538:Davidson, Justin (May 12, 2010).
1434:Holland, Bernard (May 14, 2005).
1157:Mayer, Barbara (March 13, 1992).
822:Hesser, Amanda (April 29, 2001).
767:Pincus, Andrew (August 8, 2008).
637:and the lighting was designed by
1080:"These Chairs Were Made For Fun"
1078:Slesin, Suzanne (May 21, 1992).
1011:Richards, David (June 8, 1984).
769:"Fitch: All that and opera, too"
588:. The show was presented at the
22:
1309:. Gothamist LLC. Archived from
1307:Gothamist Website, food section
457:Santa Fe Chamber Music Festival
419:The Abduction from the Seraglio
1645:Douglas Fitch official website
1566:"The best (and worst) of 2010"
1486:Todd, Richard (May 10, 2007).
1408:Edgers, Geoff (July 8, 2008).
1106:"Designers Look to the Future"
1052:Lewis, Maggie (June 3, 1980).
223:), and the architect/designer
1:
1592:"The Year in Classical Music"
1540:"The Year in Classical Music"
1058:The Christian Science Monitor
733:. Maisonneuve. Archived from
731:"Doug Fitch: A User's Manual"
556:The show was repeated at the
437:Theatre director and designer
372:the Edible Still Life in Clay
467:Royal Stockholm Philharmonic
181:Fitch has collaborated with
398:National Symphony Orchestra
144:(born August 2, 1959) is a
134:http://www.douglasfitch.com
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1208:Oka, Mimi (June 9, 1998).
1054:"The Spoof of the Pudding"
526:to create a production of
407:L'enfant et les sortilèges
237:Philadelphia, Pennsylvania
670:, Melissa Parks, and the
343:Seattle Repertory Theater
272:Hasty Pudding Theatricals
257:University of Connecticut
1660:American opera directors
1262:"Tidbit: Noodle Doodles"
1214:The Independent (London)
655:The Cunning Little Vixen
590:Walt Disney Concert Hall
578:Los Angeles Philharmonic
168:Los Angeles Philharmonic
1460:J., N. (May 16, 2005).
1358:Fitch, Douglas (2003).
1187:. Editions de l'Epure.
990:Richmond Times Dispatch
355:The Sweating Door Alarm
351:The Sweating Fire Alarm
235:Doug Fitch was born in
548:voiced the Devil, and
324:, it was revisited by
631:Anthony Roth Costanzo
538:New York Philharmonic
266:, where he graduated
245:Coventry, Connecticut
239:. He then grew up in
164:New York Philharmonic
1675:Hasty Pudding alumni
1364:. Soft Skull Press.
1313:on September 1, 2013
729:Nash, Richard Eoin.
711:New York City Ballet
558:National Arts Centre
512:Museum of Modern Art
294:Antony and Cleopatra
53:improve this article
1301:Del Signore, John.
1017:The Washington Post
799:"Orphicorp Website"
779:on October 28, 2012
773:The Berkshire Eagle
664:Isabel Bayrakdarian
599:'s absurdist opera
431:Mit Haut und Haaren
241:Fargo, North Dakota
57:independent sources
1440:The New York Times
1288:"Food for Thought"
1266:The New York Times
1239:The New York Times
1183:Oka, Mimi (2011).
992:. January 22, 2006
912:The New York Times
848:Weinreb, Matthew.
828:The New York Times
672:Metropolitan Opera
645:, Lincoln Center.
573:Peter and the Wolf
544:was the narrator,
529:The Soldier's Tale
452:The Soldier's Tale
404:in Washington DC:
347:The Potluck Supper
287:in the streets of
264:Harvard University
117:, designer, artist
105:, Pennsylvania, US
1596:New York Magazine
1570:Time Out New York
1544:New York Magazine
1385:Simonson, Roald.
1361:Organs of Emotion
1286:Belshaw, George.
879:Los Angeles Times
676:New York Magazine
643:Avery Fisher Hall
625:, Melissa Parks,
615:New York Magazine
542:F. Murray Abraham
487:Los Angeles Opera
482:Hansel and Gretel
459:soon followed by
427:Organs of Emotion
376:Good Taste in Art
262:Fitch studied at
249:community theater
160:Los Angeles Opera
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122:Years active
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683:A Dancer's Dream
627:Barbara Hannigan
602:Le Grand Macabre
565:Giants Are Small
550:Tim Blake Nelson
524:Pinchas Zukerman
518:Giants Are Small
297:, staged in the
153:Giants Are Small
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313:Interior design
289:Denver Colorado
268:summa cum laude
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