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with an extremely varied pictorial language, brought dazzlingly original sets and costumes to the stage. The early
Armitage/Salle collaborations were made in a free-spirited exploration of style, eras, pluralities and comparatives, embracing the contamination of languages in a mosaic of pattern. The divisions between ballet and modern, high and low, serious and banal disappeared through collage, juxtaposition and humor. Armitage and her dancers performed to spoken text, classical and popular music, jazz, world music and silence. Exploring American identity from the perspective of a culture using everything to sell products, Armitage and Salle's stage work created a contemplative universe awash in color. Though Armitage found consumer culture's influence on the creation of self disturbing, her collaboration with Salle was done, not in the spirit of the social critique, but in the spirit of the artist struggling for form, for the new, for the experimental.
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Armitage created movement that looks spontaneous and personal, despite it is rigorous craftsmanship. Here dance, light, music, and design are unified into a balanced whole. Concepts such as “cubism in motion” are applied to group patterns creating several vantage points so that movement is seen from multiple perspectives, angles and levels with planes bleeding into each other. The steps themselves are based on calligraphy and fractal geometry (the geometry of nature: clouds, mountains, seashores) creating a sinuous, curvilinear vocabulary unlike the
Euclidean geometry of the dance tradition. In her work, the dancers share a common purpose but do not dance in unison. Her spatial design is both elaborate and cohesive, producing a funky, democratic individuality. Extreme lyricism is punctuated by raw, violent accents.
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603:, Thomas Adès, Rhys Chatham, Vijay Iyer, and Lukas Ligeti. The scores can be marked by extreme lyricism as well as dissonance, noise and polyrhythms The sets and costumes for her works are often designed by leading artists in the contemporary art world, including Karen Kilimnik, Jeff Koons, Vera Lutter, David Salle, Phillip Taaffe and Brice Marden. She has also collaborated with fashion designers Christian Lacroix, Jean-Paul Gaultier, and Peter Speliopoulos with whom she has created many works. Film director James Ivory created sets and costumes for an evening of her choreography that was performed in Italy's historic Teatro della Pergola, built in 1656.
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patterns, creating several vantage points so that movement is seen from multiple perspectives, angles, and levels, with planes bleeding into each other. The steps are based on calligraphy and fractal geometry (that of clouds, mountains, seashores), creating a sinuous, curvilinear vocabulary unlike the
Euclidean geometry of dance tradition. The dancers share a common purpose but do not dance in unison, producing a funky, democratic individuality with lyricism punctuated by raw, visceral accents.
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creation of large, interactive sets for the piece. Her dancers used them physically: emerging from a black, heart-shaped chocolate box, dancing on illuminated gogo boxes with red plexiglas bears, hearts, and flowers and breaking apart a large, extravagant cake. The Koons sets were destroyed in the early 2000s when the expense of storage became prohibitive. Salle and Koons worked together again in 1989 on
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dance, but its imagery and content heralded the rise of themes relating to sexuality and gender that became so important in late 20thand early 21st
Century discourse. She changed the idea of the ballerina, portraying her as independent thinker with an erotic appetite, rather than as an unobtainable, romantic ideal. In 1980 she put a man in a skirt on the stage as a matter of fact, rather than as drag.
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653:, created for the Greek National Ballet in Athens. He designed over 30 Armitage productions in opera and dance for important theaters in Europe including productions in France when Armitage served as resident choreographer for the Ballet de Lorraine (1999–2004). Their collaboration forms a significant role in the third period of Armitage's work.
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ingredients to engage in philosophical questions about the search for meaning. Her ideas continued to develop while living in Naples working for the Teatro di San Carlo and in Venice where she directed the Venice
International Biennale of Contemporary Dance. Her long collaboration with fashion designer Peter Speliopoulos began in 2000 with
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space as a field of action. Her controversial recipe combining the warring factions of ballet and modern dance injected with hard rock energy and the taboo of sexual content, gave dance a much needed shock to its systems with speed, fractured lines, off-balance movement, abstractions and symmetry countermanded by asymmetry and punch.
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In 1982, Armitage was inspired to examine her roots as a classical ballet dancer after creating three new works for the Paris Opera Ballet at the invitation of
Rosella Hightower and Rudolph Nureyev. She combined Balanchine's poetic refinement and brilliant phrase making with Cunningham's use of stage
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As a
Radcliffe Fellow at Harvard University and a Simons Fellow at The University of Kansas, Armitage explored ways to bring the unique point of view of Indigenous cultures into contemporary performance, focusing on the Aboriginal culture of the Kimberley region in Australia and the Kanza, Osage and
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In 2015 Mana
Contemporary presented Making Art Dance, an exhibition that surveyed 35 years of Armitage collaboration with artists and fashion designers in a 25,000 square foot gallery. Costumes, backdrops, sets, and drawings from 1978 to 2015 were nailed to walls, pinned on dress forms and hung from
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Jeff Koons joined Salle in designing several
Armitage productions. The first collaboration in 1988 resulted in Gogo Ballerina for which Koons and Salle shared the costume design while Koons created sets. Armitage worked closely with Koons discussing themes and content for the new work, inspiring the
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Armitage joins a long lineage of artists looking at the past at the same time as they seek to dismantle it. Her early work fused Merce
Cunningham's aesthetics with an ebullient, joyous, punk-inspired jubilation in destroying the old to bring in the new. The work not only challenged formal notions of
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Armitage has created dances for numerous companies including the Paris Opera Ballet, American Ballet Theatre, The Tasmanian Dance Company, Extemporary Dance Company, England, The White Oak Dance Project, the Deutsche Oper Berlin, the Bayerische Staatsoper in Munich, Les Ballets de Monte Carlo, Lyon
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Armitage has choreographed to silence, used text as a score, worked with punk, rock, rap, electronic dance music and commissioned new scores. She searches for music that has a lot of space and silence, allowing the audience to see dance as a primary source of communication. Armitage has also worked
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In 1995 Armitage was invited to direct the Ballet of Florence, Italy (known as MaggioDanza). The influence of Italian history, politics and aesthetics, living on the streets of Dante and Machiavelli, led to a third, poetic, period in Armitage's artistic thinking. She began to work with a minimum of
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In 1984 Armitage met painter, David Salle, at a post performance dinner that included the choreographer, Yvonne Rainer. The meeting led to the second period in Armitage's aesthetic development as Armitage and Salle began a collaboration that continues to this day. Salle's work, combining figuration
396:, was rooted in the Balanchine aesthetic and devoted exclusively to his repertory. There she performed many Balanchine masterworks including Agon, The Four Temperaments and Serenade. In 1975 she became a Swiss citizen and holds dual citizenship with the US. From 1976 to 1981 she was a member of the
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in 2009. Armitage collaborators include composers, architects, fashion designers, lighting designers and scientists. Film director, James Ivory created sets and costumes for Armitage in Florence, Italy, as did Jean Paul Gaultier and Christina Lacroix. Peter Speliopoulos, Creative Director of Donna
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Armitage is renowned for pushing boundaries to create works that blend dance, music, science, and art to engage in philosophical questions about the search for meaning. Armitage movement looks spontaneous despite its rigorous craftsmanship. Concepts such as “cubism in motion” are applied to group
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Upon her return to New York in 2004, Armitage relaunched Armitage Gone! Dance in a period of intense creativity. To complement her work with visual artists, Armitage began an ongoing collaboration with scientists, drawing upon conceptual ideas around time, space and geometry. In this new phase,
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in 1978. Her subsequent punk pieces were designed by filmmaker, Charles Atlas. Painter, David Salle became her primary collaborator in 1984. Salle created films, costumes, backdrops, sculpture, flats, and props for several incarnations of New York-based Armitage dance companies as well as for
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She is inspired by disparate, non-narrative sources, from 20th century physics, to 16th century Florentine fashion, to pop culture and new media. In her hands, the classic vocabulary is given a needed shock to its system, with speed, fractured lines, abstractions and symmetry countermanded by
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Returning to New York City after 15 years abroad, Armitage founded her current company, Armitage Gone! Dance in 2004 as a way to create a culture with like-minded dancers exploring new ideas of what dance can do and be. It is administered by the Armitage Foundation a 501 (c) not- for-profit
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Armitage has directed operas from the baroque and contemporary repertoire for many of the prestigious houses of Europe. These include the Teatro di San Carlo in Naples, Théâtre du Châtelet in Paris, the Lyric Opera in Athens and Het Muzik Theater in Amsterdam. Her most recent production of
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Opera Ballet, Ballet Nacional de Cuba, The Greek National Ballet, the Washington Ballet, Alvin Ailey American Dance Theater, The Kansas City Ballet, the Bern Ballet, The Washington Ballet, Balletto Teatro di Torino, Rambert Dance Company, Introdans in Holland and the Boston Ballet.
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Pawnee Plains Indian tribes in the United States. Collaborating with thinkers from inside and outside the academy—including from Haskell Indian Nations University—Armitage is continuing research on other ways of being, thinking, and orienting the self on the earth.
946:. Armitage stated that "Physics makes me dream. I try to think outside the box and open up my mind. I like science. Science always questions authority. This conflict between theories seemed to me so dramatic and so incredibly fundamental."
304:. She is artistic director of Armitage Gone! Dance, a contemporary dance company that performs several times annually in New York City as well as touring internationally. She was dubbed the “punk ballerina” in the 1980s. She earned a
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is a dance piece set to both Ligeti's own compositions and those of Burkina Electric, a band based in Burkina Faso. Ligeti works with electronica and Burkinabe popular music in collaboration with the dancer-musicians in the group.
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with classical music, such as that of composers Béla Bartók (Time is the echo of an axe within a wood, György Ligeti (Ligeti Essays) and, more recently of György's son, Lukas Ligeti. In a conversation with Lukas Ligeti for
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In 2004, she served as the artistic director of the Venice Biennale International Festival of Contemporary Dance, inviting companies from across the globe to showcase innovative dance throughout the city including in the
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Armitage choreographed two works for the New York Philharmonic presented at Lincoln Center's Avery Fischer Hall. Both productions were conducted by music director Alan Gilbert. The first, Janáček's
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A smaller version of the exhibition was presented at the National Museum of Dance in Saratoga Springs, New York from 2015 to 2016. Several Armitage costumes remain on permanent display.
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in 1981. Throughout the 1980s, Armitage led her own company, which was based in New York City. Her company toured internationally and was known for its collaborations with artists
960:, a work about climate change in the Milstein Hall of Ocean Life at the American Museum of Natural History in New York, the first time the museum hosted a performance season.
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in 2008, Vera Lutter created the set and Donald Baechler designed props. Karen Kilimnik created painted panels based on Domenico Tiepolo's Il Designi Di Pulcinella for
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was an opportunity to "make these disparate, contradictory musical worlds mean something theatrical, exploring poly-visual dance and altered states of consciousness."
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Armitage joins a diverse group of thinkers and inventors, teaching workshops and investigating ideas for how dance and performance can intersect with technology
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in 1988. Jeff Koons worked with Armitage from 1987 to 1996 on productions in the US and abroad creating sets and costumes in collaboration with David Salle.
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Grants to Artists Award. In the spring of 2009, Armitage was awarded France's most prestigious award, Commandeur dans L’ordre des Arts et des Lettres.
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1959:(2010) - Armitage Gone! Dance - Krannert Center for the Performing Arts at the University of Illinois at Urban-Champaing, Illinois
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where her father, a biologist, did research. Armitage began studying ballet in Lawrence, Kansas at the age of four with former
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Karan collaborated extensively to create costumes for Armitage productions from the mid-1990s and continues to do so today.
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Armitage was named artistic director and choreographer of MaggioDanza (1995–1998) the ballet company at the Opera House in
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In addition to working for the stage, Armitage has worked with pop music, including choreography for Michael Jackson's
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Christian Marclay, while a student at Mass College of Art, created set, costumes and posters for Armitage's first work
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In March 2015, Armitage collaborated with the Stanford University biologist Paul Ehrlich and 30 dancers to create
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asymmetry. Music is her script and she has collaborated with contemporary and experimentalist composers such as
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for the Teatro di San Carlo Opera House in Naples from 2015 was filmed for RAI television and made into a DVD.
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2049:(2015) - Armitage Gone! Dance - The National Museum of Dance open air courtyard, Saratoga Springs, New York
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In 2007 Armitage directed and choreographed counter tenor Anthony Roth Costanzo's Princeton production of
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Armitage's choreography can be divided into three distinct, aesthetic periods: punk, picture, and poetry"
2019:(2013) - Sara Means, Amara Ramasar with the New York Philharmonic - Avery Fisher Hall, New York, New York
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2043:(2015) - Armitage Gone! Dance - The Milstein Hall of Ocean Life, The American Museum of Natural History
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during the 1980s, leading to commissions in the US and Europe which she pursued throughout the 1990s.
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with music by Stravinsky, conducted by Esa-Pekka Salonen as part of their Myths and Rituals season.
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In the summer of 2010 Armitage worked with the MIT- based composer Tod Machover on his opera titled
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1965:(2011) - The Bolshoi Ballet - Orange County Center for the Performing Arts, Costa Mesa, California
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In 2016 Armitage and Armitage Gone! Dance were commissioned by the London Philharmonia to create
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1773:(2004) - Opera House Nancy France and Ballet de Lorraine - Opera de Nancy et de Lorraine, France
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She has also choreographed several movies in collaboration with director James Ivory, including
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Armitage has worked several times at the American Repertory Theater, notably David Adjmi's play
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Burns, Melissa. "Melissa's Picks: Karole Armitage". 14 January 2011. retrieved 2011-10-16 .<
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2079:(2016) - Armitage Gone! Dance - American Dream Festival, Belvedere di Villa Rufolo, Italy
2025:(2013) - Armitage Gone! Dance - Krannert Center for the Performing Arts, Urbana, Illinois
1935:(2009) - The Ririe-Woodbury Dance Company - The Rose Wagner Theater, Salt Lake City, Utah
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1503:(1992) - MaggioDanzo di Firenze, Florence, Italy - Teatro della Pergola, Florence, Italy
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Archival footage of Karole Armitage's dance company Armitage Gone! Dance performing in
1977:(2011) - Courtney Henry - Alvin Ailey American Dance Center Theater, New York, New York
1797:(2006) - Second Avenue Dance Company - NYU Tisch School of the Arts, New York, New York
1337:(1984) - Ballet Théâtre de l'Opéra de Paris - Théâtre de l'Opéra Comique, Paris, France
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Hair: The American Tribal Love-Rock Musical - The 40th Anniversary Concert Performance
1815:(2006) - Alvin Ailey American Dance Theater - New York City Center, New York, New York
1265:(1978) - Armitage Gone! Dance - St. Francis Xavier High School gym. New York, New York
972:. In this opera Armitage incorporated choreography for robots as well as for singers.
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1653:(2000) - Greek National Opera Ballet - Irodion Theater, The Acropolis, Athens, Greece
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1803:(2006) - Armitage Gone! Dance - The Solomon R. Guggenheim Museum, New York, New York
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1791:(2005) - Armitage Gone! Dance - The Duke on 42nd Street Theater New York, New York
1731:(2002) - Opéra de Nancy and Ballet de Lorraine - Théâtre de l'Opéra, Nancy, France
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which was also performed at the Yale Repertory Theater with Armitage choreography
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for the Gotham Chamber Opera in New York and operas for Opera Saratoga including
1313:(1982) - Ballet de l'Opéra de Paris - Théâtre de l'Opéra de Paris, Paris, France
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300:(born March 3, 1954) is an American dancer and choreographer currently based in
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1839:(2007) - Rambert Dance Company - Sadler's Wells Theater, London, United Kingdom
1575:(1996) - MaggioDanza di Firenze - Brooklyn Academy of Music, New York, New York
1078:. Contentious material about living people that is unsourced or poorly sourced
842:. Contentious material about living people that is unsourced or poorly sourced
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1947:(2009) - Armitage Gone! Dance - Brooklyn Academy of Music, New York, New York
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European ballet and opera productions. Carroll Dunham created a backdrop for
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Halloween Unleashed: Dancing Bones, Tasting Darkness and the Skeleton Within
1533:(1993) - Armitage Gone! Dance - Maison de la Culture, Bobigny, Paris, France
1461:(1991) - Armitage Gone! Dance - Center for the Arts, Crested Butte, Colorado
1455:(1991) - Armitage Gone! Dance - Center for the Arts, Crested Butte, Colorado
1443:(1990) - Armitage Gone! Dance - Center for the Arts, Crested Butte, Colorado
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Armitage began her professional career in 1973 as a member of the Ballet du
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Radcliffe Fellowship (2016) and Simons Public Humanities Fellowship (2016)
2073:(2016) - Armitage Gone! Dance -Royal Festival Hall, London, United Kingdom
1557:(1994) - Ballet of Bayerische stasoper Munich - Statsoper, Munich, Germany
1289:(1981) - Armitage Gone! Dance - Dance Theater Workshop, New York, New York
1241:. Her work has been the subject of two documentaries made for television:
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The Armitage GONE! Dance Company, debuted the full-length work version of
1881:(2008) - Ballet of the Stadttheater Bern - Stadttheater Bern, Switzerland
1379:(1987) - Ballet de l'Opéra de Paris - Théâtre de l'Opéra de Paris, France
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1641:(1999) - White Oak Project - The New Victory Theater, New York, New York
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1623:(1998) - MaggioDanza di Firenze - Teatro della Pergola, Florence, Italy
1593:(1997) - MaggioDanza di Firenze - Teatro della Pergola, Florence, Italy
1581:(1996) - MaggioDanza di Firenze - Teatro della Pergola, Florence, Italy
1301:(1982) - Group de Recherche de l'Opéra de Paris - Chateauvallon, France
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2013:(2013) - Armitage Gone! Dance - New York Live Arts, New York, New York
1941:(2009) - Armitage Gone! Dance - The Miller Theater, New York, New York
1587:(1997) - MaggioDanza di Firenze - Teatro della Pergola Florence, Italy
1361:(1985) - Armitage Gone! Dance - Maison de la Culture, Grenoble, France
1295:(1982) - Armitage Gone! Dance - Ukrainian Ballroom, New York, New York
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in 2008. Brice Marden created backdrops for the Italian production of
1983:(2011) - Armitage Gone! Dance - The Joyce Theater, New York, New York
1635:(1999) - New York City Ballet - Royal Frestival Hall, London, England
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1929:(2009) - Armitage Gone! Dance - Teatro San Ferdinando, Napels, Italy
1671:(2000) - Ballet National de Cuba - Teatro Garcia Lorca, Havana, Cuba
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1953:(2010) - The Washington Ballet - The Harmon Center, Washington D.C.
1719:(2002) - Introdans - Schouwburg Orpheus, Apeldoorn, The Netherlands
1319:(1982) - Armitage Gone! Dance - La Mama Theater, New York, New York
2176:"Karole Armitage's New Dance Work Traces Steps for a Greener Path"
1569:(1995) - MaggioDanza di Firenze - Teatro Comunale, Florence, Italy
1355:(1985) - American Ballet Theatre - Kennedy Center, Washington D.C.
1331:(1983) - Armitage Gone! Dance - Théâtre de la Ville, Paris, France
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She was named resident choreographer of the Ballet de Lorraine in
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http://dismagazine.com/blog/12471/melissas-picks-karole-armitage/
2055:(2016) - Introdans - Municipal Theater of Arnhem, The Netherlands
1875:(2008) - Armitage Gone! Dance - Damrosch Park, New York, New York
1737:(2002) - Florence Dance Company - Teatro Goldoni, Florence, Italy
1683:(2001) - Armitage Gone! Dance - Joyce Theater, New York, New York
1599:(1997) - MaggioDanza di Firenze - Teatro Comunale Florence, Italy
1373:(1987) - Armitage Gone! Dance - Joyce Theater, New York, New York
1917:(2009) - Kansas City Ballet - The Lyric Theater, Kansas City, Mo
1785:(2005) - Ballet de Lorraine - Centre Malraux Vandoeuvres, France
1695:(2001) - University of Kansas Dance Department - The Leid Center
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Archival footage of a discussion with Karole Armitage entitled
1989:(2011) - Armitage Gone! Dance - SummerStage, New York, New York
1911:(2009) - Armitage Gone! Dance - The Kitchen, New York, New York
1905:(2009) - Armitage Gone! Dance - The Kitchen, New York, New York
1899:(2009) - Armitage Gone! Dance - The Kitchen, New York, New York
1893:(2009) - Armitage Gone! Dance - The Kitchen, New York, New York
1845:(2007) - The Delacorte Theater Central Park, New York, New York
1743:(2003) - San Carlo Opera - San Carlo Opera House, Naples, Italy
1725:(2002) - Ballet de Lorraine - Théâtre de l'Opéra, Nancy, France
1707:(2002) - Ballet de Lorraine - Théâtre de l'Opéra, Nancy, France
1701:(2001) - Ballet de Lorraine - Théâtre de l'Opéra, Nancy, France
1689:(2001) - Ballet de Lorraine - Théâtre de l'Opéra, Nancy, France
1677:(2000) - Ballet de Lorraine - Théâtre de l'Opéra, Nancy, France
1659:(2000) - Armitage Gone! Dance - Teatro Antico, Taormina, Sicily
1271:(1979) - Armitage Gone! Dance - The Kitchen. New York, New York
1923:(2009) - Armitage Gone! Dance - Teatro Bellini, Catania, Italy
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from the article and its talk page, especially if potentially
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1605:(1998) - Ballet de Monte Carlo - Opera de Monte Carlo, Monaco
1551:(1994) - Ballet of the Deutsche Oper Berlin - Berlin, Germany
1385:(1988) - Armitage Gone! Dance - The World, New York, New York
1283:- Extemporary Dance Company London, England - London, England
2097:(2018) - Armitage Gone! Dance - New York Live Arts, New York
2037:(2014) Armitage Gone! Dance - New York City Center, New York
1971:(2011) - Armitage Gone! Dance - Capitale, New York, New York
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with Shirley Strabhaur. She then continued her studies with
1857:(2008) - Armitage Gone! Dance - Joyce Theater New York City
1821:(2007) - Armitage Gone! Dance - Joyce Theater New York City
2227:"Karole Armitage :: Foundation for Contemporary Arts"
2085:(2017) - Armitage Gone! Dance - LaMama First Floor Theater
2091:(2017) - Armitage Gone! Dance - Belvedere di Villa Rufolo
2061:(2016) - Armitage Gone! Dance - Harvard Art Museums Lobby
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Hair: The American Tribal Love-Rock Musical - On Broadway
1851:(2007) - Berkely Repertory Theater - Berkeley, California
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was filmed for television for the European channel Arte.
1617:(1998) - MaggioDanza di Firenze - Bastia, Corsica France
1409:(1989) - Armitage Gone! Dance - La Quartz, Brest, France
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1761:(2004) - Armitage Gone! Dance - Princeton, New Jersey
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In 2012, she choreographed the Cirque du Soleil show
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1527:(1993) - Ballet de Monte Carlo - Monte Carlo, Monaco
1521:(1992) - Ballet de Monte Carlo - Monte Carlo, Monaco
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2067:(2016) - Boston Ballet - Boston Opera House, Boston
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2031:(2014) - Armitage Gone! Dance - Brooklyn, New York
1869:(2008) - Armitage Gone! Dance - Abrons Arts Center
1755:(2004) - Armitage Gone! Dance - New York, New York
1749:(2003) - Rambert Dance Company - Glasgow, Scotland
1367:(1986) - Armitage Gone! Dance - Eindhoven, Holland
1887:(2009)- Al Hirschfeld Theater, New York, New York
1563:(1994) - Oregon Ballet Theater - Portland, Oregon
1391:(1988) - Armitage Gone! Dance - SĂŁo Paulo, Brazil
1365:The Elizabethan Phrasing of the Late Albert Ayler
2103:(2018) - Armitage Gone! Dance - National Sawdust
1325:(1983) - Armitage Gone! Dance - Bordeaux, France
1162:Making Art Dance exhibition at Mana Contemporary
640:(1996) where both contributed set and costumes.
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1767:(2004) - ABCDance Company - St. Polten, Austria
2274:at Jacob's Pillow Dance Festival on 6/18/2010.
2007:(2012) - Yale Repertory Theater, New Haven, Ct
1397:(1988) - Armitage Gone! Dance - Angers, France
1191:in 2004 at Teatro di San Carlo in Naples. For
2109:(2019) - Armitage Gone! Dance - Japan Society
16:American dancer and choreographer (born 1954)
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2342:interview of Karole Armitage by Lukas Ligeti
1995:(2012) - Cirque du Soleil - Montreal, Canada
1827:(2007) - Washington Ballet - Washington D.C.
1449:(1991) - Charleois Dance, Charleois, Belgium
1431:(1990) - Les Nomades - Lausanne, Switzerland
345:dancer Tomi Wortham, followed by classes in
1863:(2008) - Belasco Theater New York, New York
1343:(1984) - Tasmanian Dance Company - Tasmania
1249:(1998), directed by Mark Kidel. Her ballet
918:In 2010 Armitage created the first part of
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582:Learn how and when to remove this message
388:in Switzerland. The company, directed by
237:Learn how and when to remove this message
219:Learn how and when to remove this message
1665:(2000) - Teatro Antico, Toarmina, Sicily
1437:(1990) - Lyon Opera Ballet, Lyon, France
1277:(1980) - Armitage Gone! Dance - NYC Club
2163:
308:nomination for her choreography of the
2348:"List of Works - Armitage Gone! Dance"
1753:Time is the echo of an axe within wood
431:commissioned one of her works for the
1245:(1985), directed by David Hinton and
403:In 1978, she created her first piece
7:
1833:(2007) - The Public Theater New York
1713:(2002) - Ballet de Lorraine - Mexico
339:Rocky Mountain Biological Laboratory
2427:21st-century American women artists
2272:Dancing Through Theoretical Physics
2001:(2012) - ART Harvard, Cambridge, MA
473:Armitage Gone! Dance has a home at
470:foundation based in New York City.
437:Ballet de l'Opéra National de Paris
435:. She created five ballets for the
1041:Making Art Dance Exhibition (2015)
1020:Zefirino - The Voice of a Castrato
14:
1281:It Happened At Club Bombay Cinema
1033:(2015) and Philip Glass's (2016)
371:North Carolina School of the Arts
34:This article has multiple issues.
2365:
2120:Foundation for Contemporary Arts
2035:Four Seasons - A Spinning Planet
1049:
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2422:Artists from Madison, Wisconsin
991:premiered in 2011. The second,
42:or discuss these issues on the
2417:Musical theatre choreographers
2412:American ballet choreographers
2318:Internet Off-Broadway Database
2295:Karole Armitage on Answers.com
2174:Kourlas, Gia (19 March 2015).
2011:Mechanics of the Dance Machine
1470:World Tour The Dyvinals (1991)
419:. In 1984, she was invited by
407:, then followed by the iconic
398:Merce Cunningham Dance Company
1:
2407:American women choreographers
1879:Between the Clock and the Bed
1561:Hovering at the Edge of Chaos
1349:(1985) - Armitage Gone! Dance
1307:(1982) - Armitage Gone! Dance
1299:Slaughter on MacDougal Street
337:. Gothic was the site of the
2202:Armitage Gone! Dance Website
2005:Marie Antoinette (version 2)
1999:Marie Antoinette (version 1)
1909:Drastic-Classicism (reviesd)
1230:, directed by Diane Paulus.
1060:biography of a living person
824:biography of a living person
706:biography of a living person
500:biography of a living person
126:biography of a living person
1903:The Watteau Duets (revised)
1807:Scenes from A Country Bunny
1759:The Double Life of Zefirino
1080:must be removed immediately
844:must be removed immediately
726:must be removed immediately
520:must be removed immediately
369:House in New York City, at
321:Early life and early career
153:must be removed immediately
2443:
2304:Internet Broadway Database
2284:profile of Karole Armitage
2265:in 2010 at Jacob's Pillow.
1789:In this dream that dogs me
1412:Various Video Clips (1990)
73:This biographical article
2182:. New York, United States
2118:Armitage received a 2004
1795:Cantus Articus (workshop)
1474:Blond Ambition World Tour
423:to create a work for the
363:School of American Ballet
2053:GoGo Ballerina (Revival)
2023:Fables on Global Warming
1969:Dancing Exquisite Corpse
1401:Without You, I'm Nothing
989:The Cunning Little Vixen
930:. This premiered at the
926:'s popular science book
2397:American female dancers
2041:On The Nature of Things
958:On The Nature of Things
425:American Ballet Theatre
386:Grand Théâtre de Genève
347:Crested Butte, Colorado
2402:Dancers from Wisconsin
1825:Gathering his thoughts
1543:The Return of Rasputin
1501:Happy Birthday Rossini
1163:
1074:Please help by adding
932:World Science Festival
838:Please help by adding
720:Please help by adding
514:Please help by adding
140:Please help by adding
2374:at Wikimedia Commons
2352:armitagegonedance.org
2107:You Took A Part of Me
2101:Art of the In-Between
1783:Ligeti Essays (Songs)
1531:Hucksters of the Soul
1161:
1069:references or sources
1035:The Witches of Venice
833:references or sources
715:references or sources
509:references or sources
427:. Three years later,
291:Dancer, choreographer
86:by revising it to be
2279:Armitage GONE! Dance
1897:Wild Thing (revival)
1855:Connoiseurs of Chaos
1801:Visual Brainstorming
1657:Yo, Giacomo Casanova
1484:Vogue (Madonna song)
1459:The Marmot Quickstep
1377:The Tarnished Angels
1173:Les Stances a Sophie
983:Dance and Orchestras
970:Death and the Powers
928:The Elegant Universe
465:Armitage GONE! Dance
343:New York City Ballet
146:Contentious material
1933:It's Gonna Get Loud
1579:The Predators' Ball
1453:Renegade Dance Wave
1371:Le Stances a Sophie
1347:The South Bank Show
1329:The Last Gone Dance
1243:The South Bank Show
634:Contempt, Overboard
481:Choreographic style
421:Mikhail Baryshnikov
1777:The White Countess
1729:Bluebeard's Castle
1597:Weather of Reality
1537:Search and Destroy
1287:Drastic-Classicism
1239:The White Countess
1164:
1058:This section of a
1025:Armitage directed
822:This section of a
704:This section of a
498:This section of a
433:Paris Opéra Ballet
409:Drastic-Classicism
327:Madison, Wisconsin
2370:Media related to
2289:Smyles & Fish
2152:Mana Contemporary
2114:Awards and honors
1741:Orfeo ed Euridice
1359:The Watteau Duets
1317:A Real Gone Dance
1152:
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1091:"Karole Armitage"
1013:Orfeo ed Euridice
964:Dance and Theater
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855:"Karole Armitage"
805:Dance and Science
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737:"Karole Armitage"
687:Dance Commissions
601:John Luther Adams
592:
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475:Mana Contemporary
390:George Balanchine
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2017:A Dancer's Dream
1867:Ariadne Unhinged
1711:Sonata da Caccia
1675:Schrodingers Cat
1669:Concerto Conciso
1353:The Mollino Room
1193:Ariadne Unhinged
1189:Orfeo ed Eurdice
1179:collaborated on
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977:Marie Antoinette
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2059:Dance Everywhen
2047:Dido and Aeneas
1975:Random Thoughts
1861:Passing Strange
1849:Passing Strange
1831:Passing Strange
1813:Gamelan Gardens
1645:The Golden Bowl
1627:Up At the Villa
1555:Tattoo and Tutu
1513:Michael Jackson
1495:Hall of Mirrors
1465:Chain of Desire
1341:Tasmanian Devil
1259:
1235:The Golden Bowl
1209:
1207:Popular culture
1183:in 1995 and on
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2209:on 2008-08-03
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1415:World Tour
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1323:Paradise #2
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940:black holes
636:(1991) and
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2357:2023-01-08
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45:talk page
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563:JSTOR
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186:books
124:This
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2071:Agon
1699:Rave
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