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239:, a performance exhibit choreographed in 1974, Dunn used his apartment to create a maze of cubes of rough-hewn lumber that covered his entire loft. For four hours a day and six days a week in two months he held an open studio for viewers to enter the set and explore his creation in which they would find him lying on top of the boxes in a sort of trance with his eyes closed. Among Dunn's best-known works are,
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Dunn premiered his professional company, Douglas Dunn and
Dancers, in 1976, where he served as artistic director. He was commissioned by various companies to choreograph works including the
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approach in his work by using elements of silence, stillness, simple movements, text, pedestrian movements, gestures, wit, and humor. He also incorporated varying
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Dunn uses many different choreographic elements in his dances which makes it hard to classify him into a specific genre of dance. He conveyed a
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in 1977 which featured about forty dancers. and many later large group works such as
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Vol. 2, ed. by Selma Jeanne Cohen. New York: Oxford
University Press, 1998.
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such as elaborate costume, music, set designs, and lights. In
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from the article and its talk page, especially if potentially
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459:People from Palo Alto, California
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391:. Boston: Houghton Mifflin, 1979.
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