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258:(cut throats) of Antwerp. Other artists and craftsmen likely regarded art entrepreneurs like Forchondt as persons who interfered in the artistic process without actually carrying out any manual work. The small ebony masters in Antwerp became so frustrated with Forchondt that they commenced litigation requiring that like them he pass a master test in order to retain his Guild membership. They likely did this to confirm the importance of this test to their status as craftsmen at a time when the more entrepreneurial organization of their craft (by dealers like Forchondt) threatened their position. As the son of a master, Forchondt had not undertaken any formal apprenticeship and likely had avoided the master test.
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61:. He operated a successful painting workshop and a profitable dealership which extended throughout Europe through the satellite offices operated by his sons in Vienna, Lisbon and Cadiz. His international art dealership played an important role in the spread of Flemish Baroque art in Europe and South-America. He changed the relationship between art dealer and artist by becoming involved in the organisation of the art production process.
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paintings. The religious works were often painted on copper, a painting medium that was much appreciated in Spain, both because of its durability and its glossy finish. The group works created under the direction of the
Forchondt firm played an important role in the spread of paintings on copper in Mexico where they were exported through Spain's trade with Latin America.
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Young
Guillam grew up in this artistic milieu and became a member of the guild in 1632 as a "winemaster", which meant his father was still a member at the time. Like his father he was also skilled as a maker of cabinets. When his father died in 1633 Guillam took over the business. He married Maria
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In the 1670s, Flanders suffered a severe economic downturn, mostly due to an invasion by the French. Guillam
Forchondt and his brother Melchior the Younger weathered the crisis by becoming art entrepreneurs. They hired lesser painters and supplied them with the necessary materials to create group
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There was at that time a great demand abroad and in particular in Spain for paintings in the style of the great
Flemish masters such as Rubens and Anthony van Dyck. Art dealers such as the Forchondts who had a local representation in various foreign countries facilitated the trade in these
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With the help of this network of family connections in Europe
Forchondt was able to turn his father's business into an international art and luxury goods enterprise. The many clients of the Forchondt firm included prominent personalities of the time such as the Emperor of Austria and the
132:(1645âafter 1677) was the only son to train as a painter. He traveled first with his brothers to Vienna and Linz and later to Lisbon and Cadiz. He would later carry on the family business possibly together with his mother.
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clearly adapting his output to the demand in the market. Many of his works can be regarded as pastiches or reduced copies of works by Rubens. He is known to have collaborated on compositions with other painters such as
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Though he probably did his colleagues in the Guild a service by creating production work and new export channels for sales, he was never referred to by name by the Dutch artist biographer
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projects such as large commissioned copies of famous works, or large decorative objects as their father had dealt in. At one point, the
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in the centre of
Antwerp. Upon his death in 1710 the business activities of the Forchondt family ceased and its assets were distributed.
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family papers of
Giulliam Forchondt (sr) with his correspondents Johan Lacroy and Anna Nonnius, Stadsarchief Antwerpen, inv.nr. IB#1091
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Justo travelled to Lisbon and later Cadiz, where he stayed for the family business until his return to
Antwerp in 1707. were sold off.
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Name variations: Guilliam
Forchondt, Guillermo Forchondt, Willem Forchondt, Guillermo Forchoudt, Willem Forchoudt, Guillam Forchoudt
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Andreas (1650-1675) also travelled to Cadiz He was internationally renowned as an art dealer and financier. He lived in the former
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Alexander (1643â1683) trained as a pharmacist and became an art dealer for his father in Vienna while also being court jeweler for
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had 60 painters in their service for export to France, Austria, Spain and
Portugal. Among the painters in their employ were
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333:, Master thesis 1 : Histoire de lâart UniversitĂ© Paris Sorbonne-Paris IV UFR Histoire de lâArt et ArchĂ©ologie, 2007
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Melchior III (1641â1708) became a painter and goldsmith and stayed in Venice, Paris, Vienna, Prague, Linz and Passau
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Connecting Art Markets: Guilliam Forchondtâs Dealership in Antwerp (c.1632â78) and the Overseas Paintings Trade
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Guilliam Forchondt and the role of the Greater Netherlands in the dissemination of Flemish art in Latin America
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104:. He took over the leadership of the Forchondt firm when his father died in 1670, he died himself in 1683.
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as the son of the ebony worker and art dealer Melchior Forchondt the Elder, originally from
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Susanna (1637â1711) never married and left a legacy including the family archives
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Marcus (1651â1706) became a painter and jeweler and stayed in Vienna and Linz
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Lemmens on 3 August 1636. The couple had 8 children among whom are known:
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Sobre una serie de cobres flamencos de pintores en la estela de Rubens
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As a painter Forchondt worked in the Flemish Baroque style of Rubens,
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Learning on the Shop Floor: Historical Perspectives on Apprenticeship
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Abraham Willemsens (active 1627-1672), A peasant family in a yard
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acquired from the Forchondt firm two masterpieces of Rubens: the
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Le commerce de lâart entre les Flandres et lâEspagne, 1648-1713
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regularly worked for the Forchondts on various commissions.
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Saberes artĂsticos bajo signo y designios del «Urbinate»
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361:Press release on record breaking sale amount
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53:(1608â1678) was a Flemish painter,
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382:, Berghahn Books, 2007, p. 99-110
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89:The departure of the Israelites
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215:. Other painters such as
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426:(2011), pp. 483-505]
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