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260:(the central figure of the Bamboccianti) has now been re-attributed to Pieter van Lint. The album contains sketches, which the artist made of scenes, including of his fellow travelers, during his travels in Italy around 1636. The drawings give a lively idea of the conditions and the manner in which travelers undertook their travels at the time.
437:, In: G. Briganti, L. Trezzani (ea), The Bamboccianti, The Painters of Everyday Life in the Seventeenth Century Rome, Rome 1983 (translation Robert Erich Wolf), pp. 79-85, Cited in: Pauline Rebel, De Vlaamse kunstenaar in het 17e-eeuwse Rome, Beschrijving van de economische, sociale en historische context, augustus 2010, pp. 27–28
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one of the principal producers of such copies for the
Antwerp art dealers. Many of these were executed on copper, a material for painting that was highly prized both for durability and its glossy finish in Spain. Four oils on copper works by van Lint are in the collection of the
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The year after his return to
Antwerp in 1642 he married Elisabeth Willemyns. The couple had seven children. When he became widowed in 1679, the artist remarried the following year to Anna Moeren (Moren or Morren).
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Thomas P. Campbell, Pascal-François
Bertrand, Jeri Bapasola, 'Tapestry in the Baroque: Threads of Splendor', Metropolitan Museum of Art (New York, N.Y.), Metropolitan Museum of Art, 1 Jan 2007, pp. 213–214
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In response to the contemporary demand for copies of Rubens' oil sketches, van Lint produced a large number of copies of Rubens' work. Pieter van Lint was together with
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Pieter van Lint was also active as a designer of tapestries. Correspondence between the
Antwerp trader Hendrik Lenaerts and the
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in 1636–40. In addition to religious commissions, the artist painted numerous small genre scenes in the style of the
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Hans
Vlieghe. "Lint, Pieter van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 August 2014
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weavers Jan van
Leefdael and Gerard van der Strecken dated 1660 shows that van Lint had designed 8 cartoons for a
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His earliest works follow his master
Wolffort's style, which was itself indebted to the academic manner of
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An album with travel sketches, including two sketches which are signed 'P.V.L.' in the collection of the
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Phoenix Art Museum, Nelson-Atkins Museum of Art, and
Mauritshuis (Hague, Netherlands),
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Copper As Canvas Two
Centuries of Masterpiece Paintings on Copper, 1575-1775
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from his second marriage was a celebrated landscape painter in Rome.
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is believed to have been made after models by Pieter van Lint.
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Many of his later works were religious paintings, such as the
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where he remained until 1640. In Rome he worked for
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