479:
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88:
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985:
2095:). The tessitura of these parts ranges from lower than other tenor roles to very high and broad. These parts are often played by younger tenors who have not yet reached their full vocal potential or older tenors who are beyond their prime singing years. Only rarely will a singer specialize in these roles for an entire career. In French
783:
tenor even if they are not able to cover the full range in only their chest voice, and sometimes contraltos sing the tenor part. In men's choruses that consist of four male vocal parts (TTBB; tenor 1, tenor 2, bass 1, bass 2), tenors will often sing both in chest voice and falsetto, extending the vocal range of the choir.
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1271:
The spinto tenor has the brightness and height of a lyric tenor, but with a heavier vocal weight enabling the voice to be "pushed" to dramatic climaxes with less strain than the lighter-voice counterparts. Spinto tenors have a darker timbre than a lyric tenor, without having a vocal color as dark as
782:
Even so, one nearly ubiquitous facet of choral singing is the shortage of tenor voices. Most men 18 and older tend to have baritone chest voices, and because of this, many men in choirs tend to prefer singing in the bass section (though true basses are even rarer than tenors). Many baritones sing
469:
singers, the tenor was usually the lowest voice, assuming the role of providing a foundation. It was also in the 18th century that "tenor" came to signify the male voice that sang such parts. Thus, for earlier repertoire, a line marked 'tenor' indicated the part's role, and not the required voice
1898:
tenor is yet another distinct tenor type. In Mozart singing, the most important element is the instrumental approach of the vocal sound which implies: flawless and slender emission of sound, perfect intonation, legato, diction and phrasing, capability to cope with the dynamic requirements of the
1899:
score, beauty of timbre, secure line of singing through perfect support and absolute breath control, musical intelligence, body discipline, elegance, nobility, agility and, most importantly, ability for dramatic expressiveness within the narrow borders imposed by the strict
Mozartian style.
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tenor, dramatic tenor, heldentenor, Mozart tenor, and tenor buffo or spieltenor. There is considerable overlap between the various categories of role and of voice-type; some tenor singers have begun with lyric voices but have transformed with time into spinto or even dramatic tenors.
2748:, the melody line is called the lead. Tenor is sung an interval of a third above the lead. Baritone is the fifth of the scale that has the lead as a tonic, and may be sung below the lead, or even above the lead (and the tenor), in which case it is called "high baritone".
1286:
and encompasses many of the
Dramatic tenor roles as well as some Wagner roles such as Lohengrin and Stolzing. The difference is often the depth and metal in the voice where some lyric tenors age or push their way into singing as a Spinto giving them a lighter tone and a
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in classical music, and harmonizes above the lead, who sings the melody. The barbershop tenor range is Middle C to A one octave above Middle C, though it is written an octave lower. The "lead" in barbershop music is equivalent to the normal tenor range.
513:
2086:
A Tenor buffo or spieltenor is a tenor with good acting ability, and the ability to create distinct voices for his characters. This voice specializes in smaller comic roles. The range of the tenor buffo is from the C one octave below middle C
1902:
The German Mozart tenor tradition goes back to the end of the 1920s, when Mozart tenors started making use of Caruso's technique (a tenor who rarely sang Mozart) to achieve and improve the required dynamics and dramatic expressiveness.
767:. The requirements of the tenor voice in choral music are also tied to the style of music most often performed by a given choir. Orchestral choruses typically call for tenors with fully resonant voices, but chamber or
758:
in which the first tenor is the highest voice. Whilst certain choral music does require the first tenors to ascend the full tenor range, the majority of choral music places the tenors in the range from approximately
1009:
The lyric tenor is a warm graceful voice with a bright, full timbre that is strong but not heavy and can be heard over an orchestra. Lyric tenors have a range from approximately the C one octave below middle C
984:
1682:
or tenors who have been misidentified as baritones. Therefore, the heldentenor voice might or might not have facility up to high B or C. The repertoire, however, rarely calls for such high notes.
1509:
Also "tenore robusto", the dramatic tenor has an emotive, ringing and very powerful, clarion, heroic tenor sound. The dramatic tenor's approximate range is from the B one octave below middle C (B
987:
1521:). Many successful dramatic tenors though have historically avoided the coveted high C in performance. Their lower range tends to extend into the baritone tessitura or, a few notes below the C
457:
In polyphony between about 1250 and 1500, the structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts.
3181:
1678:, an extremely demanding role requiring a wide vocal range and great power, plus tremendous stamina and acting ability. Often the heldentenor is a baritone who has transitioned to this
721:
2736:: bass, baritone, lead, and tenor (lowest to highest), with "tenor" referring to the highest part. The tenor generally sings in falsetto voice, corresponding roughly to the
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714:
1022:. There are many vocal shades to the lyric tenor group, repertoire should be selected according to the weight, colors, and abilities of the voice.
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3173:
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tends to be either a young heldentenor or true lyric spinto. Spinto tenors have a range from approximately the C one octave below middle C (C
31:
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All other voices were normally calculated in relation to the tenor, which often proceeded in longer note values and carried a borrowed
2189:
1913:
576:, one octave above middle C). Some, if not all, of the few top Cs in the standard operatic repertoire are either optional—such as in "
2994:. Wilmington, DE: International Music Score Library Project (IMSLP)/Petrucci Music Library (Project Petrucci LLC). pp. 254, 256.
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repertoire. The heldentenor is the German equivalent of the tenore drammatico, however with a more baritonal quality: the typical
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type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B
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2017:
2009:
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type; indeed, even as late as the eighteenth century, partbooks labelled 'tenor' might contain parts for a range of voice types.
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2954:"Loin de son amie—No. 3, Sérénade from Act I of the French opera La Juive by Jacques François Fromental Halévy"
2362:
2099:, supporting roles requiring a thin voice but good acting are sometimes described as 'trial', after the singer
1410:
1146:
344:
2884:
Fallows, David; Jander, Owen; Forbes, Elizabeth; Steane, J. B.; Harris, Ellen T.; and
Waldman, Gerald (2001).
1812:
501:). The numeral eight below the treble clef indicates that the pitches sound an octave lower than written: see
1028:(1806–1896) was a historically significant lyric tenor. He was the first tenor to sing on stage the operatic
644:), therefore, very few tenors have this role in their repertoire without transposition (given the raising of
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1945:
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This article is about the male classical voice type. For this voice type in other music genres, see
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1937:
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1658:) has a rich, dark, powerful and dramatic voice. As its name implies, the heldentenor vocal
1635:
1529:. Some dramatic tenors have a rich and dark tonal colour to their voice (such as the mature
1463:
1318:
1185:
888:
863:
810:
635:
415:) in operatic music, but the range can extend at either end. Subtypes of tenor include the
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2128:
1865:
1843:
1821:
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1085:
1059:
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542:
402:) in choral music, and from the second B flat below middle C to the C above middle C (B
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1993:
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1458:
1366:
1159:
1115:
927:
645:
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462:
289:
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596:); however, the highest demanded note in the standard tenor operatic repertoire is D
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2765:
2737:
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2194:
2041:
1630:
1427:
914:
905:
791:
Within the tenor voice type category are seven generally recognized subcategories:
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1969:
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1582:
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843:
771:
choral music (choral music sung with no instrumental accompaniment) can rely on
521:
491:
466:
391:
376:
372:
87:
1672:
protagonist. The keystone of the heldentenor's repertoire is arguably Wagner's
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2250:
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1835:
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883:
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663:
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387:
270:
227:
66:
17:
822:. This voice is light, agile, and capable of executing difficult passages of
3623:
3608:
3524:
3490:
3470:
3438:
3331:
2688:
2263:
1547:
1480:
1093:
823:
532:, the lowest note in the standard tenor repertoire is widely defined to be B
443:
294:
3231:
3314:
3567:
3529:
3480:
3395:
2649:
2500:
2001:
1772:
1326:
776:
772:
649:
622:
384:
320:
3428:
3262:
Four Parts, No
Waiting: A Social History of American Barbershop Harmony
2237:
1830:
1692:
1595:
1238:
867:
747:
674:
369:
284:
3174:"The Tender Land, Composer: Aaron Copland, Librettist: Horner Everett"
2759:
572:. A few tenor roles in the standard repertoire call for a "tenor C" (C
3628:
2323:
1895:
1608:
1387:
1361:
1251:
1029:
796:
420:
1272:
many (not all) dramatic tenors. The German equivalent of the Spinto
1436:
1018:). Similarly, their lower range may extend a few notes below the C
982:
529:
497:(left) and on piano keyboard in green with dot marking middle C (C
438:
3204:
1517:) with some able to sing up to the C one octave above middle C (C
3593:
3474:
2778:
1660:
1471:
1274:
755:
743:
735:
679:
502:
3343:
854:. Voices of this type are utilized frequently in the operas of
2424:
738:
chorus, the tenor is the second lowest vocal range, above the
183:
81:
40:
447:, which means "to hold". As noted in the "Tenor" article at
3229:
Cotte, R.J.V. (1997). "Trial, French Family of
Musicians".
1040:. He is also known for originating the role of Edgardo in
3287:
Bluegrass
Breakdown: The Making of the Old Southern Sound
221:, which disrupts verifiability and neutral point of view.
465:
melody. Until the late 16th-century introduction of the
423:
tenor, dramatic tenor, heldentenor, and tenor buffo or
223:
2811:
Performance
Practice: A Dictionary-Guide for Musicians
2499:
have at least one lead lyric tenor character. Notable
505:. This is the standard clef for tenor parts in scores.
830:
tenor possesses a range spanning from approximately C
3581:
3555:
3414:
3381:
586:—or interpolated (added) by tradition, such as in "
541:. However, the role of Rodrigo di Dhu (written for
112:. Unsourced material may be challenged and removed.
3230:
3007:"Romantic and Modern Music Literature (MUSL 244)"
560:. Within more frequently performed repertoire,
215:lacks references and page numbers on references
3106:. Translated by Sergio Maclean. Archived from
818:tenor is essentially the male equivalent of a
3355:
2911:. Toronto, CAN: University of Toronto Press.
2103:(1737–1795), examples being in the operas of
715:
345:
8:
3289:. Urbana, IL: University of Illinois Press.
1289:
1280:
615:
424:
2789:Voice classification in non-classical music
2459:. Unsourced material may be challenged and
2116:Tenor buffo or spieltenor roles in operas:
846:. In some cases, the chest register of the
75:Learn how and when to remove these messages
3362:
3348:
3340:
3203:Suverkrop, Bard; Draayer, Suzanne (2017).
3037:
3035:
3033:
3031:
3029:
3027:
3025:
3023:
3021:
3019:
722:
708:
659:
352:
338:
266:
213:, hampering reliability. Additionally, it
2479:Learn how and when to remove this message
524:of the tenor is the highest of the male
253:Learn how and when to remove this message
172:Learn how and when to remove this message
3264:. Oxford, ENG: Oxford University Press.
3065:
3063:
2836:"Vocal Ranges | Yale University Library"
648:since its composition), or resorting to
477:
3118:– via FriendsofJosephCalleja.com.
2800:
2091:) to the C one octave above middle C (C
1513:) to the B one octave above middle C (B
1299:) to the C one octave above middle C (C
1014:) to the D one octave above middle C (D
838:, with a few being able to sing up to F
662:
551:is defined as a tenor but requires an A
302:
276:
269:
2909:Bel Canto: A History of Vocal Pedagogy
3184:from the original on 5 September 2017
2784:List of tenors in non-classical music
32:List of tenors in non-classical music
7:
3100:"Joseph Calleja: I Am Nobody's Heir"
2985:"Bellini – I puritani (vocal score)"
2779:Fach system for voice classification
2457:adding citations to reliable sources
110:adding citations to reliable sources
1537:) possess a bright, steely timbre.
634:(Arturo in "Credeasi, misera" from
3153:from the original on 24 March 2017
2964:from the original on 17 April 2017
2808:Roland Jackson (23 October 2013).
2410:Gilbert and Sullivan and operetta
2190:The Merry Wives of Windsor (opera)
1914:Die Schuldigkeit des ersten Gebots
437:The name "tenor" derives from the
217:, and it is written like a biased
25:
3241:from the original on 9 March 2017
3233:The New Grove Dictionary of Opera
3132:The Disciplines of Vocal Pedagogy
3098:; Amon, Ruben (4 November 2004).
3044:Guide to Operatic Roles and Arias
630:repertoire, the highest note is F
201:to comply with Knowledge (XXG)'s
56:This article has multiple issues.
3325:
3313:
2758:
2429:
2216:La Grande-Duchesse de GĂ©rolstein
1540:Dramatic tenor roles in operas:
545:) in Rossini's rarely performed
211:possible copyright infringements
188:
86:
45:
3237:. London, New York: Macmillan.
754:usually denotes an ensemble of
97:needs additional citations for
64:or discuss these issues on the
1906:Mozart tenor roles in operas:
1755:Die Meistersinger von NĂĽrnberg
1306:Spinto tenor roles in operas:
1168:I Lombardi alla prima crociata
1081:Die Meistersinger von NĂĽrnberg
508:
1:
3330:The dictionary definition of
2181:Die EntfĂĽhrung aus dem Serail
2018:Die EntfĂĽhrung aus dem Serail
2010:Die EntfĂĽhrung aus dem Serail
1685:Heldentenor roles in operas:
1047:Lyric tenor roles in operas:
866:and in music dating from the
2543:Camille, Count de Rosillon,
2349:Amahl and the Night Visitors
602:Mes amis, Ă©coutez l'histoire
27:Classical male singing voice
2121:Count Danilo Danilovitsch,
1068:Dialogues of the Carmelites
787:Subtypes and roles in opera
3701:
3074:. Plural Publishing, Inc.
2814:. Routledge. p. 458.
1654:The heldentenor (English:
1647:
620:" from Fromental Halévy's
207:possible original research
29:
3285:Cantwell, Robert (2002).
3172:Glaubitz, Robert (2010).
3042:Boldrey, Richard (1994).
2952:Glaubitz, Robert (2010).
2942:. Retrieved 27 July 2014.
2935:Le postillon de lonjumeau
2203:Orpheus in the Underworld
2160:Don Anchise/ Il PodestĂ ,
2082:Tenor buffo or spieltenor
1983:Don Anchise/ Il PodestĂ ,
616:
611:Le postillon de Lonjumeau
390:. It is the highest male
3371:Musical range or compass
2732:There are four parts in
2394:Platon Kuzmich Kovalev,
1911:Spirit of Christianity,
1291:Jugendlicher Heldentenor
1282:Jugendlicher Heldentenor
850:tenor may extend below C
230:may contain suggestions.
199:may need to be rewritten
3046:. Caldwell Publishing.
2889:(subscription required)
2865:Encyclopedia Britannica
2702:The Yeomen of the Guard
2634:The Duke of Dunstable,
2624:The Pirates of Penzance
2150:Der Ring des Nibelungen
1664:features in the German
1375:Der fliegende Holländer
876:tenor roles in operas:
3260:Averill, Gage (2003).
3070:Smith, Brenda (2005).
2137:The Marriage of Figaro
2034:The Marriage of Figaro
2026:The Marriage of Figaro
1946:Mitridate, re di Ponto
1857:Das Wunder der Heliane
1804:Die Frau ohne Schatten
1752:Walther von Stolzing,
1290:
1281:
1036:) as opposed to using
1006:
506:
459:
425:
36:Tenor (disambiguation)
34:. For other uses, see
2983:IMSLP Staff (2017).
2907:Stark, James (2003).
2861:"Tenor | vocal range"
2277:The Tales of Hoffmann
2110:The Tales of Hoffmann
1930:Bastien und Bastienne
1813:Die ägyptische Helena
1561:La fanciulla del West
1533:) while others (like
1129:The Tales of Hoffmann
990:
897:The Barber of Seville
481:
455:
3322:at Wikimedia Commons
3129:Sell, Karen (2005).
2931:Eriksson, Erik.
2840:web.library.yale.edu
2720:Gilbert and Sullivan
2707:Gilbert and Sullivan
2694:Gilbert and Sullivan
2681:Gilbert and Sullivan
2668:Gilbert and Sullivan
2655:Gilbert and Sullivan
2642:Gilbert and Sullivan
2629:Gilbert and Sullivan
2616:Gilbert and Sullivan
2603:Gilbert and Sullivan
2590:Gilbert and Sullivan
2493:Gilbert and Sullivan
2453:improve this section
2163:La finta giardiniera
1999:Idomeneo, Idamante,
1986:La finta giardiniera
1978:La finta giardiniera
1962:Il sogno di Scipione
1922:Apollo et Hyacinthus
1570:La forza del destino
1490:Cavalleria rusticana
1397:Un ballo in maschera
1091:Il Duca di Mantova,
968:La fille du régiment
950:L'italiana in Algeri
937:Die schweigsame Frau
795:tenor, lyric tenor,
736:SATB four-part mixed
664:Voice classification
482:Tenor vocal range (C
419:tenor, lyric tenor,
106:improve this article
3670:Musical terminology
2686:Richard Dauntless,
2540:(Johann Strauss II)
2058:La clemenza di Tito
1434:Mario Cavaradossi,
1103:Lucia di Lammermoor
1042:Lucia di Lammermoor
3619:Organ registration
3508:Tenore contraltino
3137:Ashgate Publishing
2894:Grove Music Online
2774:Category of tenors
2734:barbershop harmony
2559:The Student Prince
1764:Tristan und Isolde
1007:
808:Also known as the
568:both call for an A
507:
450:Grove Music Online
368:is a type of male
3675:Opera terminology
3647:
3646:
3318:Media related to
3178:Aria-Database.com
3110:on 26 August 2009
2958:Aria-Database.com
2699:Colonel Fairfax,
2529:Johann Strauss II
2489:
2488:
2481:
2230:Johann Strauss II
1938:La finta semplice
1795:Ariadne auf Naxos
1666:romantic operatic
1535:Francesco Tamagno
1525:, even down to Aâ™
1249:Wilhelm Meister,
1226:The Bohemian Girl
1217:Roméo et Juliette
997:Che gelida manina
988:
732:
731:
578:Che gelida manina
548:La donna del lago
518:
517:
503:Clef#Octave clefs
490:) notated on the
379:lies between the
362:
361:
263:
262:
255:
245:
244:
205:, as it contains
203:quality standards
182:
181:
174:
156:
79:
16:(Redirected from
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3582:Related articles
3513:Tenore di grazia
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2608:Ralph Rackstraw
2572:Naughty Marietta
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2433:
2425:
2422:
2421:
2417:
2384:Orlando paladino
2296:Madama Butterfly
1891:
1890:
1886:
1618:Samson et Dalila
1311:Andrea Chénier,
1293:
1284:
1186:Madama Butterfly
1032:from the chest (
989:
894:Count Almaviva,
820:lyric coloratura
811:tenore di grazia
724:
717:
710:
660:
619:
618:
617:Loin de son amie
556:
555:
537:
536:
509:
428:
407:
406:
354:
347:
340:
267:
258:
251:
240:
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192:
184:
177:
170:
166:
163:
157:
155:
114:
90:
82:
71:
49:
48:
41:
21:
3700:
3699:
3695:
3694:
3693:
3691:
3690:
3689:
3650:
3649:
3648:
3643:
3577:
3551:
3459:Soprano sfogato
3410:
3377:
3368:
3320:Tenor vocalists
3310:
3305:
3304:
3297:
3284:
3283:
3279:
3272:
3259:
3258:
3254:
3244:
3242:
3228:
3227:
3223:
3213:
3211:
3202:
3201:
3197:
3187:
3185:
3171:
3170:
3166:
3156:
3154:
3147:
3128:
3127:
3123:
3113:
3111:
3104:OperaActual.com
3096:Calleja, Joseph
3094:
3093:
3089:
3082:
3072:Choral Pedagogy
3069:
3068:
3061:
3054:
3041:
3040:
3017:
3009:
3004:
3003:
2999:
2987:
2982:
2981:
2977:
2967:
2965:
2951:
2950:
2946:
2933:Adolphe Adam –
2930:
2926:
2919:
2906:
2905:
2901:
2888:
2883:
2879:
2869:
2867:
2859:
2858:
2854:
2844:
2842:
2834:
2833:
2829:
2822:
2807:
2806:
2802:
2797:
2764:
2757:
2754:
2746:bluegrass music
2730:
2725:
2611:H.M.S. Pinafore
2546:The Merry Widow
2485:
2474:
2468:
2465:
2450:
2434:
2423:
2419:
2415:
2413:
2412:
2407:
2368:The Holy Fool,
2341:Gianni Schicchi
2225:The Gypsy Baron
2222:Kálmán Zsupán,
2172:The Magic Flute
2124:The Merry Widow
2094:
2090:
2084:
2079:
2074:The Magic Flute
2066:The Magic Flute
1954:Ascanio in Alba
1892:
1888:
1884:
1882:
1881:
1876:
1746:Götterdämmerung
1652:
1646:
1641:
1528:
1524:
1520:
1516:
1512:
1507:
1500:
1406:Queen of Spades
1302:
1298:
1269:
1262:
1199:Gianni Schicchi
1177:La belle Hélène
1155:The Tender Land
1021:
1017:
1013:
992:Beniamino Gigli
983:
981:
974:
934:Henry Morosus,
853:
841:
837:
833:
806:
789:
766:
762:
728:
666:in choral music
665:
658:
656:In choral music
633:
599:
590:" from Verdi's
580:" in Puccini's
575:
571:
559:
553:
552:
540:
534:
533:
514:
500:
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28:
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15:
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3585:
3583:
3579:
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3576:
3575:
3570:
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3559:
3557:
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3552:
3550:
3549:
3548:
3547:
3545:Basso profondo
3537:
3532:
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3521:
3520:
3515:
3510:
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3495:
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3493:
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3420:
3418:
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3411:
3409:
3408:
3403:
3398:
3393:
3387:
3385:
3383:Vocal register
3379:
3378:
3369:
3367:
3366:
3359:
3352:
3344:
3338:
3337:
3323:
3309:
3308:External links
3306:
3303:
3302:
3295:
3277:
3270:
3252:
3221:
3195:
3164:
3145:
3139:. p. 45.
3121:
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3015:
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2791:
2786:
2781:
2776:
2770:
2769:
2753:
2750:
2729:
2726:
2724:
2723:
2715:The Gondoliers
2710:
2697:
2684:
2671:
2658:
2645:
2632:
2619:
2606:
2593:
2580:
2569:Captain Dick,
2567:
2554:
2541:
2537:Die Fledermaus
2532:
2524:Die Fledermaus
2519:
2505:
2487:
2486:
2469:September 2024
2437:
2435:
2428:
2411:
2408:
2406:
2405:
2392:
2379:
2366:
2353:
2344:
2337:
2328:
2319:
2306:
2299:
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2272:
2259:
2248:The Magician,
2246:
2233:
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2211:
2198:
2185:
2176:
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2158:
2145:
2132:
2118:
2092:
2088:
2083:
2080:
2078:
2077:
2069:
2061:
2053:
2050:Così fan tutte
2045:
2037:
2029:
2021:
2013:
2005:
1997:
1989:
1981:
1973:
1965:
1957:
1949:
1941:
1933:
1925:
1917:
1908:
1880:
1877:
1875:
1874:
1866:Nixon in China
1863:Mao Tse-Tung,
1861:
1854:The Stranger,
1852:
1844:Die tote Stadt
1839:
1826:
1817:
1808:
1799:
1790:
1777:
1768:
1759:
1750:
1741:
1732:
1723:
1714:
1701:
1687:
1648:Main article:
1645:
1642:
1640:
1639:
1628:Peter Grimes,
1626:
1613:
1604:
1591:
1578:
1565:
1558:Dick Johnson,
1556:
1542:
1526:
1522:
1518:
1514:
1510:
1506:
1503:
1499:
1498:
1485:
1476:
1467:
1454:
1446:Der FreischĂĽtz
1441:
1432:
1423:
1414:
1401:
1392:
1383:
1370:
1357:
1344:
1335:
1322:
1314:Andrea Chénier
1308:
1300:
1296:
1268:
1265:
1261:
1260:
1247:
1234:
1221:
1212:
1203:
1194:
1181:
1172:
1163:
1150:
1137:
1124:
1111:
1098:
1089:
1076:
1063:
1049:
1034:ut de poitrine
1026:Gilbert Duprez
1019:
1015:
1011:
980:
977:
973:
972:
963:
959:La Cenerentola
954:
945:
932:
923:
910:
901:
892:
878:
851:
839:
835:
831:
826:. The typical
805:
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788:
785:
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742:and below the
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654:
631:
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588:Di quella pira
573:
569:
557:
543:Andrea Nozzari
538:
516:
515:
512:
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487:
483:
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18:Dramatic tenor
14:
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10:
9:
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2:
3697:
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3680:Pitch (music)
3678:
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3668:
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3542:
3541:
3538:
3536:
3535:Bass-baritone
3533:
3531:
3528:
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3523:
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3516:
3514:
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3509:
3506:
3504:
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3492:
3489:
3488:
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3482:
3479:
3476:
3472:
3469:
3467:
3466:Mezzo-soprano
3464:
3460:
3457:
3455:
3452:
3450:
3447:
3445:
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3440:
3437:
3435:
3432:
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3422:
3421:
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3404:
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3380:
3376:
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3365:
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3358:
3353:
3351:
3346:
3345:
3342:
3336:at Wiktionary
3335:
3334:
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3321:
3316:
3312:
3311:
3307:
3298:
3296:9780252071171
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3271:9780195116724
3267:
3263:
3256:
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3222:
3210:
3209:IPASource.com
3206:
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3146:9780754651697
3142:
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3091:
3088:
3083:
3081:9781597560436
3077:
3073:
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3053:9781877761645
3049:
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3005:Calico, Joy.
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2613:
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2600:
2599:
2594:
2591:
2587:
2586:
2585:Trial by Jury
2581:
2578:
2574:
2573:
2568:
2565:
2561:
2560:
2556:Prince Karl,
2555:
2552:
2548:
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2538:
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2530:
2526:
2525:
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2498:
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2447:
2443:
2438:This section
2436:
2432:
2427:
2426:
2418:
2409:
2403:
2399:
2398:
2393:
2390:
2386:
2385:
2380:
2377:
2373:
2372:
2371:Boris Godunov
2367:
2364:
2360:
2359:
2358:Eugene Onegin
2354:
2351:
2350:
2346:King Kaspar,
2345:
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2326:
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2244:
2240:
2239:
2235:The Captain,
2234:
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2221:
2218:
2217:
2213:Prince Paul,
2212:
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2168:
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2159:
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2152:
2151:
2146:
2143:
2139:
2138:
2134:Don Basilio,
2133:
2130:
2126:
2125:
2120:
2119:
2117:
2114:
2112:
2111:
2106:
2102:
2101:Antoine Trial
2098:
2097:opéra comique
2081:
2076:
2075:
2070:
2068:
2067:
2062:
2060:
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2046:
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2039:Don Ottavio,
2038:
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2028:
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2023:Don Basilio,
2022:
2020:
2019:
2014:
2012:
2011:
2006:
2004:
2003:
1998:
1996:
1995:
1994:Il re pastore
1990:
1988:
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1982:
1980:
1979:
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1972:
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1967:Lucio Silla,
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1532:
1531:Enrico Caruso
1504:
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1142:Eugene Onegin
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928:La sonnambula
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842:or higher in
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126:
123: –
122:
118:
117:Find sources:
111:
107:
101:
100:
95:This article
93:
89:
84:
83:
78:
76:
69:
68:
63:
62:
57:
52:
43:
42:
37:
33:
19:
3665:Choral music
3639:Vocal weight
3503:Haute-contre
3497:
3486:Countertenor
3332:
3286:
3280:
3261:
3255:
3243:. Retrieved
3232:
3224:
3212:. Retrieved
3208:
3205:"Tenor Aria"
3198:
3186:. Retrieved
3177:
3167:
3155:. Retrieved
3131:
3124:
3112:. Retrieved
3108:the original
3103:
3090:
3071:
3043:
3012:. p. 7.
3000:
2991:
2978:
2966:. Retrieved
2957:
2947:
2934:
2927:
2908:
2902:
2892:
2880:
2868:. Retrieved
2864:
2855:
2843:. Retrieved
2839:
2830:
2810:
2803:
2766:Opera portal
2743:
2738:countertenor
2731:
2713:
2700:
2687:
2674:
2663:Princess Ida
2661:
2648:
2635:
2622:
2609:
2598:The Sorcerer
2596:
2583:
2570:
2557:
2544:
2535:
2534:Eisenstein,
2522:
2509:
2497:Savoy operas
2490:
2475:
2466:
2451:Please help
2439:
2402:Shostakovich
2395:
2382:
2369:
2356:
2347:
2340:
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2170:
2169:Monostatos,
2161:
2148:
2135:
2122:
2115:
2108:
2085:
2072:
2071:Monostatos,
2064:
2056:
2048:
2042:Don Giovanni
2040:
2032:
2031:Don Curzio,
2024:
2016:
2008:
2000:
1992:
1991:Alessandro,
1984:
1976:
1968:
1960:
1952:
1944:
1936:
1928:
1920:
1912:
1905:
1901:
1893:
1864:
1855:
1842:
1829:
1828:Drum Major,
1825:(R. Strauss)
1820:
1816:(R. Strauss)
1811:
1807:(R. Strauss)
1802:
1798:(R. Strauss)
1793:
1780:
1771:
1762:
1753:
1744:
1735:
1726:
1717:
1704:
1703:Tannhäuser,
1691:
1684:
1679:
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1659:
1656:heroic tenor
1655:
1653:
1631:Peter Grimes
1629:
1616:
1607:
1594:
1581:
1568:
1567:Don Alvaro,
1559:
1546:
1539:
1508:
1501:
1488:
1479:
1470:
1457:
1444:
1435:
1428:Il trovatore
1426:
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1337:Des Grieux,
1325:
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948:
935:
926:
915:Don Pasquale
913:
906:Le comte Ory
904:
895:
882:
873:
872:
847:
827:
815:
809:
807:
792:
790:
781:
752:Men's chorus
733:
690:
639:
627:
621:
609:
606:Adolphe Adam
600:, found in "
593:Il trovatore
591:
581:
546:
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416:
381:countertenor
365:
363:
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218:
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128:
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104:Please help
99:verification
96:
72:
65:
59:
58:Please help
55:
3685:Voice types
3634:Vocal range
3589:Chest voice
3518:Heldentenor
3424:Boy soprano
2673:Nanki-Poo,
2503:roles are:
2363:Tchaikovsky
2330:Dr. Caius,
2311:La traviata
2280:(Offenbach)
2269:Leoncavallo
2219:(Offenbach)
2200:John Styx,
1970:Lucio Silla
1943:Mitridate,
1743:Siegfried,
1734:Siegfried,
1728:Die WalkĂĽre
1716:Lohengrin,
1690:Florestan,
1650:Heldentenor
1644:Heldentenor
1623:Saint-Saëns
1593:Florestan,
1583:Les Troyens
1553:Leoncavallo
1478:Stiffelio,
1411:Tchaikovsky
1346:Don Carlo,
1183:Pinkerton,
1180:(Offenbach)
1147:Tchaikovsky
1065:Chevalier,
1055:La traviata
971:(Donizetti)
903:Count Ory,
775:singing in
526:voice types
522:vocal range
474:Vocal range
467:contratenor
392:chest voice
388:voice types
377:vocal range
3654:Categories
3614:Pedal tone
3604:Head voice
3434:Coloratura
3416:Voice type
2795:References
2728:Other uses
2676:The Mikado
2660:Hilarion,
2621:Frederic,
2381:Pasquale,
2376:Mussorgsky
2339:Gherardo,
2321:Roderigo,
2283:Spoletta,
2251:The Consul
2178:Pedrillo,
2047:Ferrando,
2015:Pedrillo,
2007:Belmonte,
1975:Belfiore,
1959:Scipione,
1935:Fracasso,
1860:(Korngold)
1810:Menelaus,
1787:R. Strauss
1770:Parsifal,
1725:Siegmund,
1706:Tannhäuser
1456:Pollione,
1359:Don José,
1349:Don Carlos
1223:Thaddeus,
1196:Rinuccio,
1126:Hoffmann,
1038:falsettone
884:I puritani
844:full voice
769:a cappella
641:I puritani
626:). In the
426:spieltenor
271:Voice type
162:April 2017
132:newspapers
61:improve it
3624:Tessitura
3609:Passaggio
3599:Extension
3525:Baritenor
3491:Sopranist
3471:Contralto
3439:Soubrette
3406:Vocal fry
2992:IMSLP.org
2870:18 August
2845:18 August
2689:Ruddigore
2516:Bernstein
2508:Candide,
2440:does not
2355:Triquet,
2352:(Menotti)
2343:(Puccini)
2308:Gastone,
2305:(Puccini)
2298:(Puccini)
2264:Pagliacci
2208:Offenbach
2187:Slender,
1927:Bastien,
1919:Oebalus,
1792:Bacchus,
1779:Aegisth,
1761:Tristan,
1737:Siegfried
1719:Lohengrin
1698:Beethoven
1675:Siegfried
1670:Wagnerian
1601:Beethoven
1564:(Puccini)
1548:Pagliacci
1487:Turiddu,
1481:Stiffelio
1469:Radames,
1440:(Puccini)
1425:Manrico,
1416:Macduff,
1403:Hermann,
1394:Gustavo,
1343:(Puccini)
1236:Werther,
1211:(Puccini)
1208:La bohème
1205:Rodolfo,
1202:(Puccini)
1134:Offenbach
1108:Donizetti
1100:Edgardo,
1094:Rigoletto
1052:Alfredo,
1003:La bohème
962:(Rossini)
953:(Rossini)
947:Lindoro,
931:(Bellini)
920:Donizetti
912:Ernesto,
909:(Rossini)
900:(Rossini)
860:Donizetti
824:fioritura
773:baritones
583:La bohème
528:. Within
295:Contralto
236:July 2017
228:talk page
219:editorial
67:talk page
3568:Sub-bass
3530:Baritone
3481:Castrato
3454:Dramatic
3396:Falsetto
3375:register
3245:16 April
3239:Archived
3214:16 April
3188:16 April
3182:Archived
3151:Archived
2968:16 April
2962:Archived
2940:AllMusic
2752:See also
2650:Iolanthe
2637:Patience
2595:Alexis,
2521:Alfred,
2501:operetta
2397:The Nose
2333:Falstaff
2303:Turandot
2274:Frantz,
2184:(Mozart)
2175:(Mozart)
2166:(Mozart)
2063:Tamino,
2002:Idomeneo
1951:Aceste,
1849:Korngold
1819:Apollo,
1776:(Wagner)
1773:Parsifal
1767:(Wagner)
1758:(Wagner)
1749:(Wagner)
1740:(Wagner)
1731:(Wagner)
1722:(Wagner)
1615:Samson,
1606:Otello,
1505:Dramatic
1495:Mascagni
1385:Ernani,
1327:Turandot
1319:Giordano
1244:Massenet
1220:(Gounod)
1165:Oronte,
1152:Martin,
1139:Lensky,
994:singing
925:Elvino,
881:Arturo,
870:period.
777:falsetto
650:falsetto
623:La Juive
554:♭
535:♭
405:♭
385:baritone
321:Baritone
3429:Soprano
3391:Whistle
2886:"Tenor"
2582:Edwin,
2577:Herbert
2564:Romberg
2511:Candide
2491:All of
2461:removed
2446:sources
2336:(Verdi)
2327:(Verdi)
2289:Puccini
2261:Beppe,
2256:Menotti
2238:Wozzeck
2195:Nicolai
2107:and in
1831:Wozzeck
1782:Elektra
1693:Fidelio
1636:Britten
1612:(Verdi)
1596:Fidelio
1588:Berlioz
1545:Canio,
1484:(Verdi)
1475:(Verdi)
1464:Bellini
1431:(Verdi)
1422:(Verdi)
1419:Macbeth
1400:(Verdi)
1391:(Verdi)
1332:Puccini
1324:Calaf,
1278:is the
1239:Werther
1214:Roméo,
1191:Puccini
1174:Paris,
1171:(Verdi)
1160:Copland
1113:Faust,
1097:(Verdi)
1078:David,
1073:Poulenc
965:Tonio,
942:Strauss
889:Bellini
874:Leggero
868:Baroque
864:Bellini
856:Rossini
848:leggero
828:leggero
816:leggero
804:Leggero
793:leggero
763:up to A
748:soprano
675:Soprano
636:Bellini
628:leggero
604:" from
433:History
417:leggero
370:singing
285:Soprano
146:scholar
121:"Tenor"
3660:Tenors
3629:Timbre
3573:Treble
3449:Spinto
3293:
3268:
3143:
3078:
3050:
2915:
2818:
2414:": -->
2324:Otello
2301:Pong,
2294:Goro,
2155:Wagner
2147:Mime,
2142:Mozart
2055:Tito,
1896:Mozart
1883:": -->
1879:Mozart
1841:Paul,
1822:Daphne
1711:Wagner
1609:Otello
1580:Enée,
1388:Ernani
1380:Wagner
1372:Erik,
1362:Carmen
1267:Spinto
1257:Thomas
1252:Mignon
1121:Gounod
1086:Wagner
1030:high C
814:, the
797:spinto
492:treble
444:tenere
421:spinto
375:whose
277:Female
226:. The
148:
141:
134:
127:
119:
3556:Sound
3498:Tenor
3444:Lyric
3401:Modal
3333:Tenor
3157:2 May
3114:2 May
3010:(PDF)
2988:(PDF)
2551:Lehár
2389:Haydn
2316:Verdi
2285:Tosca
2129:Lehár
2105:Ravel
1871:Adams
1575:Verdi
1459:Norma
1451:Weber
1443:Max,
1437:Tosca
1367:Bizet
1354:Verdi
1231:Balfe
1116:Faust
1060:Verdi
1000:from
979:Lyric
691:Tenor
614:and "
566:Herod
530:opera
495:staff
441:word
439:Latin
373:voice
366:tenor
316:Tenor
153:JSTOR
139:books
3594:Clef
3563:Bass
3540:Bass
3475:Alto
3373:and
3291:ISBN
3266:ISBN
3247:2017
3216:2017
3190:2017
3159:2013
3141:ISBN
3116:2013
3076:ISBN
3048:ISBN
2970:2017
2913:ISBN
2872:2021
2847:2021
2816:ISBN
2444:any
2442:cite
2416:edit
2243:Berg
1885:edit
1836:Berg
1680:Fach
1661:Fach
1472:Aida
1275:Fach
834:to E
756:TTBB
746:and
744:alto
740:bass
696:Bass
680:Alto
564:and
562:Mime
520:The
411:to C
398:to G
383:and
326:Bass
303:Male
209:and
125:news
2938:at
2744:In
2495:'s
2455:by
1303:).
734:In
638:'s
608:'s
108:by
3656::
3207:.
3180:.
3176:.
3149:.
3135:.
3102:.
3062:^
3018:^
2990:.
2960:.
2956:.
2891:.
2863:.
2838:.
2113:.
2087:(C
1894:A
1044:.
1010:(C
862:,
858:,
779:.
750:.
652:.
486:–C
453::
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364:A
70:.
3477:)
3473:(
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