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127:. Originally used as a tool to shoo away flies from livestock without injuring them, it eventually came to be adopted by Buddhism and Taoism as it was perceived as having the power to sweep away desires and evil influences both in the environment of the holder and within their own thoughts, bringing them closer to enlightenment (in Buddhism) or transcending the mortal realm (in Taoism).
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In Taoist terminology, the term "fuchen" is more commonly used to refer to the instrument than "fuzi". In Taoist traditions, the fuchen is also viewed as a symbol of authority and power and are usually wielded by daoshis as a ritual instrument for purifying spaces and expelling evil during rites and
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In the
Chinese Chan tradition, the fuzi, viewed as a symbol of the Buddhist precept against killing, is widely institutionalized as a symbol of the office of a Chan master, and it is one of the accoutrements which they are traditionally depicted as holding in formal portraits. During daily monastic
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148:), meaning "taking up the fuzi", eventually became used to refer to a formal Chan sermon. In the event of a Chan master's absence or indisposition from their monastic duties, their fuzi is usually passed to one of the other head monks or "chief officers" (
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services, it is common practice among Chan masters to take hold of the fuzi while ascending the lecture podium or seat before delivering their sermon. Through a process of metonymy, the term "bingfu" (
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The heavenly court : Daoist temple painting in China, 1200-1400
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Journal of the Hong Kong Branch of the Royal
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336:"The Lore of the Japanese Fan"
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156:: 头首;
152:: 頭首;
146:Bǐngfú
142:pinyin
140:: 秉拂,
98:Fúchén
94:pinyin
92:: 拂尘;
88:: 拂塵;
81:fuchen
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70:: 拂子,
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