218:. A voiceover text articulates the footage for contemporary contexts, drawing on the language of digital culture and social media. Eschewing a traditional; chronology of technological development, the film traces several trajectories through the electric information age, including that of the changing economic and cultural status of women. In her essay accompanying the DVD release, film theoretician Bodil Marie Stavning Thomsen describes it as an 'extended meditation on media, desire, and futurity transparently uses a double exposure of past (archive footage) and present (contemporary voiceover) to bring historical context to current dilemmas.' To give a material example, she notes that the film 'point simultaneously back to the colonial expropriation of land, mineral wealth and labour (as material precondition for technological development), and to its continuation in, for example, contemporary mining (of coltan for electronic components in the Democratic Republic of Congo, say).' In a review reproduced in
181:) is a 2015 Austrian/German/British feature documentary/essay film that reflects on the desires and anxieties provoked by contemporary information technologies, using archival footage from the late 19th and early 20th centuries. It is notable for including several previously unseen or newly restored films, including excerpts from the recently discovered version of
222:, Patrick G. Wilz further remarks on the political content of the film, which concludes with 'marketers, politicians, and corporations to regulate and leverage communications technology to control the behavior of theiraudiences; appetites manufactured in order to be fed, visions of the future conjured in order to be sold.'
31:
461:
255:
The film is distributed on DVD by Icarus Films (North
America) and absolutMEDIEN (Germany), and is available to stream via iTunes (USA and Canada) and Amazon.
268:
516:
466:
476:
365:
471:
501:
244:
481:
491:
486:
292:
496:
506:
511:
280:
264:
305:
283:
was nominated for Best Music at the
Austrian Film Awards, and won the German Documentary Film Music Award.
207:
104:
48:
94:
456:
215:
187:
407:
431:
66:
62:
52:
44:
402:
182:
423:
206:
is an assemblage of nearly 200 films, ranging from the 'pre-cinematic' experiments of
30:
450:
328:– disembodying data and rematerialising technology.' DVD booklet, Icarus Films, 2016.
231:
192:
84:
377:
211:
298:
Best
Documentary Feature, Moscow International Documentary Film Festival 2016.
350:
436:
396:
369:. A Conversation with Manu Luksch and Mukul Patel by Martin Zeilinger.
271:
holds a copy of the film transcript in its permanent Core
Collection.
76:
Alexander
Dumreicher-Ivanceanu, Linda Matern, Bady Minck, Mukul Patel
301:
Papierene Gustl Award – Austrian Film
Critics' Guild Award 2017.
247:
2015 and had a limited theatrical release in the US and Europe.
415:
441:
214:, through to newsreels and early dramatic works by
160:
152:
142:
118:
110:
100:
90:
80:
72:
58:
40:
23:
293:Internationales Dokumentarfilmfestival München
269:Academy of Motion Picture Arts & Sciences
8:
135: (International Film Festival Rotterdam)
29:
20:
291:4th German Documentary Film Music Award,
317:
337:Wilz, Patrick G. 'Dreams Rewired.' In
245:International Film Festival Rotterdam
7:
462:Documentary films about the Internet
279:The soundtrack by Austrian composer
517:English-language documentary films
467:Documentary films about television
14:
477:Documentary films about the media
324:Stavning Thomsen, Bodil Marie. '
191:with the original 1925 score by
18:2015 Austria / Germany / UK film
1:
472:Documentary films about radio
381:Reviewed by Patrick G. Wilz.
502:2010s English-language films
210:and the political cinema of
442:Ambient Information Systems
533:
482:Austrian documentary films
341:, 36:2, 2019. pp. 271–272.
243:The film premiered at the
492:British documentary films
127:25 January 2015
28:
487:German documentary films
437:Bildschön Filmproduktion
432:Amour Fou Filmproduktion
265:Margaret Herrick Library
178:Mobilisierung der Träume
306:Ann Arbor Film Festival
497:2015 documentary films
156:Austria / Germany / UK
114:Icarus Films, Polyfilm
373:Issue #3, March 2017.
507:2010s British films
427:at the IFFR website
383:American Journalism
339:American Journalism
281:Siegfried Friedrich
220:American Journalism
208:Étienne-Jules Marey
188:Battleship Potemkin
105:Siegfried Friedrich
512:2010s German films
259:Public collections
295:(DOK.fest) 2016.
183:Sergei Eisenstein
168:
167:
524:
353:
351:DOK.fest München
348:
342:
335:
329:
322:
216:Alice Guy-Blaché
134:
132:
33:
21:
532:
531:
527:
526:
525:
523:
522:
521:
447:
446:
411:at Amazon Video
393:
379:Dreams Rewired.
362:
360:Further reading
357:
356:
349:
345:
336:
332:
323:
319:
314:
289:
277:
261:
253:
241:
228:
201:
175:(German title:
145:
138:
130:
128:
121:
49:Martin Reinhart
36:
19:
12:
11:
5:
530:
528:
520:
519:
514:
509:
504:
499:
494:
489:
484:
479:
474:
469:
464:
459:
449:
448:
445:
444:
439:
434:
429:
425:Dreams Rewired
421:
417:Dreams Rewired
413:
409:Dreams Rewired
405:
398:Dreams Rewired
392:
391:External links
389:
388:
387:
375:
371:Found Footage,
367:Dreams Rewired
361:
358:
355:
354:
343:
330:
326:Dreams Rewired
316:
315:
313:
310:
288:
285:
276:
273:
260:
257:
252:
249:
240:
237:
236:
235:
227:
224:
204:Dreams Rewired
200:
197:
172:Dreams Rewired
166:
165:
162:
158:
157:
154:
150:
149:
146:
143:
140:
139:
137:
136:
124:
122:
119:
116:
115:
112:
111:Distributed by
108:
107:
102:
98:
97:
95:Oliver Neumann
92:
88:
87:
82:
78:
77:
74:
70:
69:
60:
56:
55:
42:
38:
37:
34:
26:
25:
24:Dreams Rewired
17:
13:
10:
9:
6:
4:
3:
2:
529:
518:
515:
513:
510:
508:
505:
503:
500:
498:
495:
493:
490:
488:
485:
483:
480:
478:
475:
473:
470:
468:
465:
463:
460:
458:
455:
454:
452:
443:
440:
438:
435:
433:
430:
428:
426:
422:
420:
418:
414:
412:
410:
406:
404:
400:
399:
395:
394:
390:
386:
384:
380:
376:
374:
372:
368:
364:
363:
359:
352:
347:
344:
340:
334:
331:
327:
321:
318:
311:
309:
307:
302:
299:
296:
294:
286:
284:
282:
274:
272:
270:
266:
258:
256:
250:
248:
246:
238:
233:
232:Tilda Swinton
230:
229:
225:
223:
221:
217:
213:
209:
205:
198:
196:
194:
193:Edmund Meisel
190:
189:
184:
180:
179:
174:
173:
163:
159:
155:
151:
147:
141:
126:
125:
123:
117:
113:
109:
106:
103:
99:
96:
93:
89:
86:
85:Tilda Swinton
83:
79:
75:
71:
68:
64:
61:
57:
54:
50:
46:
43:
39:
32:
27:
22:
16:
424:
419:Film website
416:
408:
397:
382:
378:
370:
366:
346:
338:
333:
325:
320:
304:Jury Award,
303:
300:
297:
290:
278:
262:
254:
242:
219:
212:Dziga Vertov
203:
202:
186:
177:
176:
171:
170:
169:
144:Running time
120:Release date
15:
385:36:2, 2019.
234:as narrator
199:Description
81:Narrated by
73:Produced by
67:Mukul Patel
63:Manu Luksch
53:Thomas Tode
45:Manu Luksch
41:Directed by
457:2015 films
451:Categories
312:References
251:Home media
148:85 minutes
131:2015-01-25
59:Written by
91:Edited by
161:Language
101:Music by
267:at the
239:Release
164:English
153:Country
129: (
308:2015.
287:Awards
35:Poster
275:Music
403:IMDb
263:The
226:Cast
401:at
185:'s
453::
195:.
65:,
51:,
47:,
133:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.