Knowledge (XXG)

Dreamweaver (Sabbat album)

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449:"The Clerical Conspiracy" sets the scene for the story and themes to come, introducing us to Wat Brand, the Christian missionary from northern England who, a thousand years ago, is sent down to southern England to learn about the pagan ways of the southern Anglo-Saxons and in doing so determine the best way in which they can be converted to Christianity. Speaking to 272: 222: 333: 328: 323: 318: 313: 267: 262: 257: 252: 217: 212: 207: 202: 31: 541:, Brand "encounters his own soul which is a woman. He doesn't know that he has met his own soul and tells the woman he has come to learn the way of the Wyrd and the power of nature. She tells him to look no further for she is his soul and on returning to the material world he will know anything he wanted to know." To 491:
magazine that Wulf tells Brand that "if he really wants to learn then he can't just tell him about the spirits and the spirit world, he has to encounter that for himself and has to meet the spirits face to face. He says that the spirits will give him all the knowledge he wants, but only if he has the
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Having accepted the quest, Wat Brand sets sail for the south of England, via the coast, and according to Martin Walkyier, "Advent of Insanity" depicts his thoughts during the journey, thinking about what he left behind and the perils that face him in the future… Did he do the right thing?"
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In "Do Dark Horses Dream of Nightmares?", Wat Brand has arrived at the South, and whilst waiting for his pre-arranged guide to arrive, falls asleep, during which he falls prey to nightmares during which the pagan spirits make first contact with him. According to Walkyier (speaking to
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Told from the perspective of the spirits, "How Have the Mighty Fallen?" describes Brand’s first real meeting with the spirits and makes plain their intention to fight for their survival notwithstanding the threat of their imminent replacement by Christianity. In his interview with
509:, Walkyier said that "having been told of the preparations he must undergo before meeting the spirits, Brand deviates from this with the result that the spirits come too soon." Walkyier explained to 545:, Walkyier elaborated that his soul "explains the way of Wyrd to him, everything that he wanted to know." Thus his mission to convert the Pagans has become instead "a voyage of self-discovery." 453:, Walkyier explained that in "The Clerical Conspiracy", "the monks are talking in an abbey in the north of England, discussing the best way of converting Pagans in the south to Christianity." 475:), the spirits using this contact to "try to work out whether he is trying to destroy the old Gods… to impose the new religion upon them." Explaining the title of the song, Walkyier told 487:
In "The Best of Enemies", the morning after his nightmare, Brand finally meets his guide, Wulf, who tells him of the pagan ways and starts to rebuke his Christian ideas. Walkyier told
732:. The new edition features an expanded booket with extra photos and liner notes, remastered sound (undertaken by the band's own Andy Sneap), and three bonus live tracks, recorded in 393:
songs. Shortly before the album was recorded, former Holosade guitarist Simon Jones was recruited into the band as an additional lead and rhythm guitarist.
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At the time of the album's release, lyricist Martin Walkyier spoke to the metal press about the story behind the concept album, including the magazines
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that "at the end of the song they steal Brand's soul and he has to prepare himself for a journey into the spirit world to reclaim it." To
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conviction to go through with it. He has to actually risk his own death in meeting the spirits." Walkyier told
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that "one of the spirits he meets is a black horse's head on a totem pole in a clearing in the forest."
352: 129: 43: 517:, Walkyier stated that “He has two days in which to recover his soul or his lifeforce will ebb out." 1151: 1038: 1129: 911: 160: 851: 496:
that "Brand thinks that he is going to show him around. But Wulf is actually a Shaman priest."
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that the title is a reference to Brand’s naked dance between two fires called 'Wildfires'.
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genre, described variously upon its re-release in 2007 as "essential listening" (
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In "Wildfire", Brand journeys into the spirit world. Walkyier told
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The Collector's Guide to Heavy Metal: Volume 2: The Eighties
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The album has come to be regarded as a classic of the
1107: 745:"Do Dark Horses Dream of Nightmares?" (live) - 6:17 573: 562: 128: 118: 106: 90: 74: 66: 58: 50: 37: 23: 381:, Anglo-Saxon spirituality, Celtic mysticism and 371:The Way of Wyrd: Tales of an Anglo-Saxon Sorcerer 365:based on the 1983 book by British psychologist 347:is the second full-length album by the British 1039: 537:In "Mythistory", as described by Walkyier to 373:. The album demonstrated singer and lyricist 8: 406:), a "staggering work of total excellence" ( 310: 249: 199: 1123:Dreamweaver (Reflections of Our Yesterdays) 344:Dreamweaver (Reflections of Our Yesterdays) 152:Dreamweaver (Reflections of Our Yesterdays) 24:Dreamweaver (Reflections of Our Yesterdays) 1046: 1032: 1024: 174: 29: 20: 993: 991: 989: 987: 985: 983: 385:. Musically the album reflected composer 559: 863: 742:"The Clerical Conspiracy" (live) – 6:04 705: 953: 951: 949: 947: 945: 943: 941: 939: 124:Roy M. Rowland, Karl-Ulrich Walterbach 706: 626:"Do Dark Horses Dream of Nightmares?" 466:"Do Dark Horses Dream of Nightmares?" 180: 7: 748:"The Best of Enemies" (live) – 8:05 582:"The Beginning of the End (Intro)" 14: 312: 251: 201: 998:Sharpe-Young, Garry (May 1989). 841:Moses Meister – mixing assistant 331: 326: 321: 316: 311: 270: 265: 260: 255: 250: 232:Collector's Guide to Heavy Metal 220: 215: 210: 205: 200: 70:Sky Trak Studio, Berlin, Germany 18:1989 studio album by Sabbat 563: 1: 654:"How Have the Mighty Fallen?" 500:"How Have the Mighty Fallen?" 1157:Sabbat (English band) albums 958:Miller, Paul (27 May 1989). 920:Collector's Guide Publishing 696:"Happy Never After (Outro)" 435:(No. 240, 27 May 1989) and 1183: 960:"On dark steeds they rode" 554:All lyrics are written by 1116:History of a Time to Come 1061: 850:Karl-Ulrich Walterbach – 692: 678: 664: 650: 636: 622: 608: 598:"The Clerical Conspiracy" 594: 578: 570: 567: 445:"The Clerical Conspiracy" 188: 185: 143:History of a Time to Come 136: 28: 741: 377:'s deep held beliefs in 640:"The Best of Enemies" 483:"The Best of Enemies" 1167:Noise Records albums 1162:1980s concept albums 871:Rivadavia, Eduardo. 724:On 19 February 2007 612:"Advent of Insanity" 457:"Advent of Insanity" 441:(No. 39, May 1989). 176:Professional ratings 1130:Mourning Has Broken 912:Burlington, Ontario 906:(1 November 2005). 728:was re-released by 355:, released in 1989 177: 161:Mourning Has Broken 1000:"Sabbat Interview" 852:executive producer 643:Sneap, Simon Jones 175: 62:January–March 1989 1139: 1138: 883:All Media Network 822:Roy M. Rowland – 730:Sanctuary Records 716: 715: 340: 339: 173: 172: 169: 168: 85:progressive metal 1174: 1048: 1041: 1034: 1025: 1018: 1017: 1015: 1013: 995: 978: 977: 975: 973: 955: 934: 933: 900: 894: 893: 891: 889: 868: 799:Frazer Craske – 785:acoustic guitars 709: 565: 560: 336: 335: 334: 330: 329: 325: 324: 320: 319: 315: 314: 275: 274: 273: 269: 268: 264: 263: 259: 258: 254: 253: 225: 224: 223: 219: 218: 214: 213: 209: 208: 204: 203: 178: 138: 137: 102: 101: 97: 33: 21: 1182: 1181: 1177: 1176: 1175: 1173: 1172: 1171: 1142: 1141: 1140: 1135: 1103: 1074:Martin Walkyier 1057: 1052: 1022: 1021: 1011: 1009: 997: 996: 981: 971: 969: 957: 956: 937: 930: 922:. p. 301. 902: 901: 897: 887: 885: 870: 869: 865: 860: 836:Hansa Tonstudio 764:Martin Walkyier 755: 722: 720:2007 re-release 717: 707: 556:Martin Walkyier 551: 535: 523: 502: 485: 468: 459: 447: 427: 375:Martin Walkyier 332: 327: 322: 317: 271: 266: 261: 256: 221: 216: 211: 206: 164: 155: 146: 99: 95: 94: 46: 19: 12: 11: 5: 1180: 1178: 1170: 1169: 1164: 1159: 1154: 1144: 1143: 1137: 1136: 1134: 1133: 1126: 1119: 1111: 1109: 1105: 1104: 1102: 1101: 1098: 1095: 1094:Richie Desmond 1092: 1089: 1085: 1084: 1079: 1076: 1071: 1068: 1062: 1059: 1058: 1053: 1051: 1050: 1043: 1036: 1028: 1020: 1019: 979: 968:. No. 240 935: 929:978-1894959315 928: 904:Popoff, Martin 895: 862: 861: 859: 856: 855: 854: 848: 842: 839: 819: 818: 814: 813: 805:Simon Negus – 803: 797: 789:Simon Jones – 787: 770: 760: 759: 754: 751: 750: 749: 746: 743: 740: 721: 718: 714: 713: 710: 704: 703: 700: 697: 694: 690: 689: 686: 683: 680: 676: 675: 672: 669: 666: 662: 661: 658: 655: 652: 648: 647: 644: 641: 638: 634: 633: 630: 627: 624: 620: 619: 616: 613: 610: 606: 605: 602: 599: 596: 592: 591: 588: 583: 580: 576: 575: 572: 569: 566: 552: 550: 547: 534: 531: 522: 519: 501: 498: 484: 481: 467: 464: 458: 455: 446: 443: 426: 420: 338: 337: 308: 301: 300: 297: 289: 288: 285: 277: 276: 247: 239: 238: 235: 227: 226: 197: 191: 190: 187: 183: 182: 171: 170: 167: 166: 157: 148: 134: 133: 126: 125: 122: 116: 115: 110: 104: 103: 92: 88: 87: 78: 72: 71: 68: 64: 63: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 1179: 1168: 1165: 1163: 1160: 1158: 1155: 1153: 1150: 1149: 1147: 1132: 1131: 1127: 1125: 1124: 1120: 1118: 1117: 1113: 1112: 1110: 1108:Studio albums 1106: 1100:Frazer Craske 1099: 1097:Richard Scott 1096: 1093: 1090: 1087: 1086: 1083: 1080: 1077: 1075: 1072: 1069: 1067: 1064: 1063: 1060: 1056: 1049: 1044: 1042: 1037: 1035: 1030: 1029: 1026: 1008:. No. 39 1007: 1006: 1001: 994: 992: 990: 988: 986: 984: 980: 967: 966: 961: 954: 952: 950: 948: 946: 944: 942: 940: 936: 931: 925: 921: 917: 913: 909: 905: 899: 896: 884: 880: 879: 874: 867: 864: 857: 853: 849: 847: 843: 840: 837: 833: 829: 825: 821: 820: 816: 815: 812: 808: 804: 802: 798: 796: 792: 788: 786: 782: 778: 774: 771: 769: 765: 762: 761: 757: 756: 752: 747: 744: 739: 738: 737: 735: 731: 727: 719: 711: 708:Total length: 701: 698: 695: 691: 687: 684: 681: 677: 673: 670: 667: 663: 659: 656: 653: 649: 645: 642: 639: 635: 631: 628: 625: 621: 617: 614: 611: 607: 603: 600: 597: 593: 589: 587: 584: 581: 577: 561: 558: 557: 549:Track listing 548: 546: 544: 540: 532: 530: 528: 520: 518: 516: 512: 508: 499: 497: 495: 490: 482: 480: 478: 474: 465: 463: 456: 454: 452: 444: 442: 440: 439: 434: 433: 425: 422:The Story of 421: 419: 417: 416: 411: 410: 405: 404: 399: 394: 392: 388: 384: 380: 376: 372: 368: 364: 363:concept album 360: 356: 354: 350: 346: 345: 309: 306: 303: 302: 298: 296: 295: 291: 290: 286: 284: 283: 279: 278: 248: 246: 245: 241: 240: 236: 234: 233: 229: 228: 198: 196: 193: 192: 184: 181:Review scores 179: 163: 162: 158: 154: 153: 149: 145: 144: 140: 139: 135: 131: 127: 123: 121: 117: 114: 111: 109: 105: 93: 89: 86: 82: 79: 77: 73: 69: 65: 61: 57: 53: 49: 45: 40: 36: 32: 27: 22: 16: 1128: 1122: 1121: 1114: 1010:. Retrieved 1005:Metal Forces 1003: 970:. Retrieved 963: 907: 898: 886:. Retrieved 876: 866: 725: 723: 685:Sneap, Jones 682:"Mythistory" 657:Sneap, Jones 553: 542: 539:Metal Forces 538: 536: 533:"Mythistory" 526: 524: 515:Metal Forces 514: 510: 507:Metal Forces 506: 503: 493: 489:Metal Forces 488: 486: 476: 473:Metal Forces 472: 469: 460: 450: 448: 438:Metal Forces 436: 430: 428: 423: 415:Metal Hammer 413: 407: 401: 398:thrash metal 395: 391:thrash metal 370: 358: 357: 349:thrash metal 343: 342: 341: 304: 292: 282:Metal Hammer 280: 242: 230: 159: 151: 150: 141: 81:Thrash metal 39:Studio album 15: 1152:1989 albums 1091:Wayne Banks 1088:Neil Watson 1078:Simon Jones 1070:Simon Negus 1012:30 December 972:30 December 888:30 December 844:Tim Beer – 795:lead guitar 734:East Berlin 726:Dreamweaver 424:Dreamweaver 367:Brian Bates 359:Dreamweaver 54:15 May 1989 1146:Categories 1066:Andy Sneap 858:References 817:Production 811:percussion 773:Andy Sneap 668:"Wildfire" 586:Andy Sneap 521:"Wildfire" 403:Rock Sound 387:Andy Sneap 307:(New York) 294:Rock Sound 132:chronology 1082:Gizz Butt 753:Personnel 736:in 1990: 965:Kerrang! 878:AllMusic 838:, Berlin 828:engineer 824:producer 543:Kerrang! 527:Kerrang! 511:Kerrang! 494:Kerrang! 477:Kerrang! 451:Kerrang! 432:Kerrang! 409:Kerrang! 383:paganism 305:Time Out 244:Kerrang! 195:AllMusic 120:Producer 59:Recorded 51:Released 41: by 846:artwork 379:Wyrdism 299:(10/10) 287:(10/10) 165:(1991) 156:(1989) 147:(1988) 1055:Sabbat 926:  916:Canada 832:mixing 791:rhythm 781:rhythm 768:vocals 758:Sabbat 574:Length 353:Sabbat 189:Rating 186:Source 130:Sabbat 91:Length 67:Studio 44:Sabbat 807:drums 712:44:05 699:Sneap 671:Sneap 629:Sneap 615:Sneap 601:Sneap 571:Music 568:Title 361:is a 351:band 113:Noise 108:Label 76:Genre 1014:2016 974:2016 924:ISBN 890:2016 809:and 801:bass 793:and 783:and 777:lead 702:1:02 688:6:47 674:4:39 660:8:18 646:8:14 632:6:24 618:2:27 604:5:38 590:0:36 237:8/10 834:at 564:No. 418:). 1148:: 1002:. 982:^ 962:. 938:^ 918:: 914:, 910:. 881:. 875:. 830:, 826:, 779:, 775:– 766:– 693:9. 679:8. 665:7. 651:6. 637:5. 623:4. 609:3. 595:2. 579:1. 369:- 100:05 96:44 83:, 1047:e 1040:t 1033:v 1016:. 976:. 932:. 892:. 98::

Index


Studio album
Sabbat
Genre
Thrash metal
progressive metal
Label
Noise
Producer
Sabbat
History of a Time to Come
Mourning Has Broken
AllMusic
Collector's Guide to Heavy Metal
Kerrang!
Metal Hammer
Rock Sound
thrash metal
Sabbat
concept album
Brian Bates
Martin Walkyier
Wyrdism
paganism
Andy Sneap
thrash metal
thrash metal
Rock Sound
Kerrang!
Metal Hammer

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