808:. Craske described Graham "as an extremely dangerous American who makes his living spreading the word of God." Martin Walkyier stated that "I went with an open mind… but what put me off was all those millions of people watching him and he's standing there with a massive stage-show and loads of money. If that is what his religion's about, then I don't want anything to do with it. It was really centred on money." This disillusionment is apparent in the lyrics of "The Church Bizarre", a cynical story of evangelism and its pursuit of material gain.
24:
369:
364:
359:
354:
349:
319:
314:
309:
304:
299:
507:
502:
497:
492:
487:
482:
477:
472:
467:
462:
444:
439:
434:
429:
424:
419:
414:
409:
404:
399:
587:
Prompted by Noise
Records's request to hear more material, a copy of the BBC session was duly provided to the record company. Shortly afterwards, in March 1987, the German label offered the band a recording contract, which the band accepted, albeit the contract could not be signed until Sneap (the
627:"All the tracks from the 'Fragments of a Faith Forgotten' demo will be on it and also 'The 13th Disciple' from the Friday Rock Show session, plus other tracks such as 'A Church Bizarre', 'I for an Eye', 'Behind the Crooked Cross' and the instrumental 'A Dead Man's Robe'".
722:
magazine before the album’s recording, Walkyier stated that the song addresses "the question was Hitler a madman or a magician?... I think he was obviously a madman." The song also mentions the
Russian occultist, philosopher, and author
735:
In
February 1987, Sabbat's BBC session had included a song called "The 13th Disciple". For the album, the music for this song was given new lyrics, and entitled "Horned Is the Hunter". Reflective of Walkyier's burgeoning interest in
673:
magazine after the recording of the album, lyricist Martin
Walkyier explained that "Hosanna in Excelsis" describes "the last fight between Heaven and Hell and is based on the bible", referring to the subject matter of the
133:
714:, namely, the rise of Nazism as evidence of the fulfillment of Crowley’s prophecy of the imminent Age of Horus. This exploration includes a consideration of Nazi symbolism, represented most potently by the
816:
The album was recorded at Horus Sound Studio commencing on 14 September 1987. It was subsequently mixed in Berlin by producer Roy M. Rowland and released in 1988, bearing artwork drawn by the band's
698:
One of the band's more recently composed songs at the time of the recording of the album, "Behind the
Crooked Cross" is based upon themes raised in historian and biographer
609:
to accompany the magazine. The band agreed, and the song "Blood for the Blood God" was recorded in August 1987 and released as intended with the magazine in
November 1987.
780:
shortly after the recording of the album, Walkyier stated that "'For Those Who Died' is about the inquisition in the Middle Ages." In particular the song addresses the
588:
youngest member of the band) turned 18 years old in July 1987. Immediately plans were put in place to record the band's debut LP at Horus Sound Studio in
41:
645:
in May 1986 and was also recorded by the band for its BBC radio session in
February 1987. The song is based on the classic German tale of the scholar
1363:
979:
was re-released. The new edition features an expanded booklet with extra photos and liner notes, a remastered sound (done by the band's own
88:
1153:
60:
107:
1252:
553:. After hearing it, Noise Records expressed interest in the band and asked to hear more material. The demo tape was also sent to
67:
1145:
804:
shortly before the album's release, bassist Frazer Craske explained that he and
Walkyier had attended a sermon by evangelist
776:
in May 1986, "For Those Who Died" had also been recorded by the band for its BBC radio session in
February 1987. Speaking to
45:
74:
1368:
653:
which permits Faust to enjoy the devil's powers but ultimately in an exchange for Faust's soul which sees Faust eternally
545:, recorded at a cost of £10 in a converted farmhouse near Ripley, Derbyshire. During the second half of 1986, guitarist
549:
distributed the demo tape to magazines and several heavy metal record labels, including Berlin-based recording company
56:
1358:
1329:
257:
34:
601:
1261:
623:
magazine before the recording of the album, Sneap set out the band's plans for their debut LP, stating:
526:
233:
151:
1098:
81:
1245:
785:
1336:
1137:
740:
at that time, the song bemoans the fate of paganism, symbolically represented by the horned ruler
675:
577:
1177:
1149:
1108:
573:
magazine. Vance was so impressed he offered the band a recording session for his radio show.
789:
756:
Another newer song at the time of recording, "I for an Eye" tells the biblical story of the
724:
711:
563:
710:’s mystical and occult influences, positing a connection between philosophies expounded by
1280:
1238:
1058:
1020:
838:
781:
687:
223:
1068:
1062:
650:
1352:
1129:
699:
550:
328:
216:
1182:
1073:
805:
757:
745:
707:
683:
641:
One of the band's oldest songs, "A Cautionary Tale" was recorded for the demo tape
619:
596:
569:
538:
522:
390:
378:
211:
188:
138:
576:
On 6 February 1987, the band recorded three songs live in the studio at the BBC's
1077:
1039:
1033:
984:
558:
554:
183:
23:
1272:
1029:
980:
834:
606:
546:
453:
772:
The third of the older songs which had first been recorded for the demo tape
665:
This is another early Sabbat song which was first recorded for the demo tape
1288:
741:
654:
1211:
1206:
1103:
737:
715:
605:
magazine, who proposed that the band record a song for release as a free
589:
340:
291:
761:
679:
1141:
1024:
1045:
646:
146:
132:
1234:
17:
1134:
The
Collector's Guide to Heavy Metal: Volume 2: The Eighties
1230:
678:. The title of the song is a reference to part of the
595:
Before heading to Germany, the band was contacted by
682:
hymn which traditionally forms the fourth part of a
649:
who makes a bargain with the devil's representative
1314:
853:
845:
232:
222:
210:
194:
182:
174:
166:
158:
145:
125:
48:. Unsourced material may be challenged and removed.
567:, to see if he would review it in his column for
744:, following the arrival into Western Europe of
625:
521:is the debut full-length album by the British
459:
396:
296:
1246:
1171:
1169:
1167:
1165:
8:
346:
1330:Dreamweaver (Reflections of Our Yesterdays)
1099:"Sabbat - History of a Time to Come review"
983:), and five bonus live tracks, recorded in
584:, which was broadcast on 27 February 1987.
1253:
1239:
1231:
537:In May 1986, Sabbat recorded a four-track
271:
131:
122:
108:Learn how and when to remove this message
842:
1089:
956:
706:. The book includes an exploration of
957:
277:
178:Horus Sound Studio, Hannover, Germany
7:
46:adding citations to reliable sources
461:
398:
298:
718:, or 'crooked cross'. Speaking to
14:
996:"Behind the Crooked Cross" (live)
788:of those it considered guilty of
348:
820:contact, John Blanche, entitled
505:
500:
495:
490:
485:
480:
475:
470:
465:
460:
442:
437:
432:
427:
422:
417:
412:
407:
402:
397:
367:
362:
357:
352:
347:
329:Collector's Guide to Heavy Metal
317:
312:
307:
302:
297:
22:
120:1988 studio album by Sabbat
33:needs additional citations for
846:
774:Fragments of a Faith Forgotten
667:Fragments of a Faith Forgotten
643:Fragments of a Faith Forgotten
592:, Germany, in September 1987.
543:Fragments of a Faith Forgotten
1:
1207:"On a budget of just £10 (!)"
1205:Miller, Paul (4 March 1987).
1364:Sabbat (English band) albums
1176:Sharpe-Young, Garry (1987).
1146:Collector's Guide Publishing
993:"Hosanna in Excelsis" (live)
971:2007 re-release bonus tracks
1005:"The Church Bizarre" (live)
1002:"For Those Who Died" (live)
704:Hitler and the Age of Horus
57:"History of a Time to Come"
1385:
1067:Steve "The Rock" Rispin –
895:"Behind the Crooked Cross"
833:All tracks are written by
784:’s persecution during the
694:"Behind the Crooked Cross"
1323:History of a Time to Come
1268:
977:History of a Time to Come
946:
935:
924:
913:
902:
891:
880:
869:
858:
850:
669:in May 1986. Speaking to
518:History of a Time to Come
285:
282:
249:History of a Time to Come
240:
130:
126:History of a Time to Come
992:
613:Writing and composition
975:On February 19, 2007,
906:"Horned Is the Hunter"
822:22Horned Is the Hunter
731:"Horned Is the Hunter"
629:
999:"I for an Eye" (live)
884:"Hosanna in Excelsis"
812:Recording and release
661:"Hosanna in Excelsis"
1369:Noise Records albums
1178:"Sabbat - War Games"
1097:Rivadavia, Eduardo.
950:"The Church Bizarre"
928:"For Those Who Died"
796:"The Church Bizarre"
786:Medieval Inquisition
768:"For Those Who Died"
273:Professional ratings
42:improve this article
1337:Mourning Has Broken
1138:Burlington, Ontario
1132:(1 November 2005).
939:"A Dead Man's Robe"
873:"A Cautionary Tale"
637:"A Cautionary Tale"
599:, art director for
274:
676:Book of Revelation
580:, London, for the
578:Maida Vale Studios
272:
1359:1988 debut albums
1346:
1345:
1109:All Media Network
1057:Roy M. Rowland –
967:
966:
514:
513:
270:
269:
266:
265:
118:
117:
110:
92:
1376:
1255:
1248:
1241:
1232:
1225:
1224:
1222:
1220:
1202:
1196:
1195:
1193:
1191:
1173:
1160:
1159:
1126:
1120:
1119:
1117:
1115:
1094:
1038:Frazer Craske –
960:
848:
843:
725:Helena Blavatsky
712:Aleister Crowley
582:Friday Rock Show
564:Friday Rock Show
510:
509:
508:
504:
503:
499:
498:
494:
493:
489:
488:
484:
483:
479:
478:
474:
473:
469:
468:
464:
463:
447:
446:
445:
441:
440:
436:
435:
431:
430:
426:
425:
421:
420:
416:
415:
411:
410:
406:
405:
401:
400:
372:
371:
370:
366:
365:
361:
360:
356:
355:
351:
350:
322:
321:
320:
316:
315:
311:
310:
306:
305:
301:
300:
275:
242:
241:
206:
205:
201:
135:
123:
113:
106:
102:
99:
93:
91:
50:
26:
18:
1384:
1383:
1379:
1378:
1377:
1375:
1374:
1373:
1349:
1348:
1347:
1342:
1310:
1281:Martin Walkyier
1264:
1259:
1229:
1228:
1218:
1216:
1204:
1203:
1199:
1189:
1187:
1175:
1174:
1163:
1156:
1148:. p. 301.
1128:
1127:
1123:
1113:
1111:
1096:
1095:
1091:
1086:
1021:Martin Walkyier
1012:
968:
958:
839:Martin Walkyier
830:
814:
782:Catholic Church
688:classical music
634:
615:
535:
506:
501:
496:
491:
486:
481:
476:
471:
466:
443:
438:
433:
428:
423:
418:
413:
408:
403:
368:
363:
358:
353:
318:
313:
308:
303:
261:
252:
203:
199:
198:
162:15 January 1988
154:
141:
121:
114:
103:
97:
94:
51:
49:
39:
27:
12:
11:
5:
1382:
1380:
1372:
1371:
1366:
1361:
1351:
1350:
1344:
1343:
1341:
1340:
1333:
1326:
1318:
1316:
1312:
1311:
1309:
1308:
1305:
1302:
1301:Richie Desmond
1299:
1296:
1292:
1291:
1286:
1283:
1278:
1275:
1269:
1266:
1265:
1260:
1258:
1257:
1250:
1243:
1235:
1227:
1226:
1215:. No. 140
1197:
1161:
1155:978-1894959315
1154:
1130:Popoff, Martin
1121:
1088:
1087:
1085:
1082:
1081:
1080:
1071:
1065:
1049:
1048:
1044:Simon Negus –
1042:
1036:
1027:
1011:
1008:
1007:
1006:
1003:
1000:
997:
994:
991:
965:
964:
961:
955:
954:
951:
948:
944:
943:
940:
937:
933:
932:
929:
926:
922:
921:
918:
917:"I for an Eye"
915:
911:
910:
907:
904:
900:
899:
896:
893:
889:
888:
885:
882:
878:
877:
874:
871:
867:
866:
863:
860:
856:
855:
852:
849:
831:
829:
826:
813:
810:
798:
797:
770:
769:
754:
753:
752:"I for an Eye"
733:
732:
696:
695:
663:
662:
651:Mephistopheles
639:
638:
633:
630:
614:
611:
534:
531:
512:
511:
457:
449:
448:
394:
386:
385:
382:
374:
373:
344:
336:
335:
332:
324:
323:
294:
288:
287:
284:
280:
279:
268:
267:
264:
263:
254:
245:
238:
237:
230:
229:
228:Roy M. Rowland
226:
220:
219:
214:
208:
207:
196:
192:
191:
186:
180:
179:
176:
172:
171:
170:September 1987
168:
164:
163:
160:
156:
155:
150:
143:
142:
136:
128:
127:
119:
116:
115:
30:
28:
21:
13:
10:
9:
6:
4:
3:
2:
1381:
1370:
1367:
1365:
1362:
1360:
1357:
1356:
1354:
1339:
1338:
1334:
1332:
1331:
1327:
1325:
1324:
1320:
1319:
1317:
1315:Studio albums
1313:
1307:Frazer Craske
1306:
1304:Richard Scott
1303:
1300:
1297:
1294:
1293:
1290:
1287:
1284:
1282:
1279:
1276:
1274:
1271:
1270:
1267:
1263:
1256:
1251:
1249:
1244:
1242:
1237:
1236:
1233:
1214:
1213:
1208:
1201:
1198:
1186:. No. 25
1185:
1184:
1179:
1172:
1170:
1168:
1166:
1162:
1157:
1151:
1147:
1143:
1139:
1135:
1131:
1125:
1122:
1110:
1106:
1105:
1100:
1093:
1090:
1083:
1079:
1075:
1072:
1070:
1066:
1064:
1060:
1056:
1055:
1054:
1053:
1047:
1043:
1041:
1037:
1035:
1031:
1028:
1026:
1022:
1019:
1018:
1017:
1016:
1009:
1004:
1001:
998:
995:
990:
989:
988:
986:
982:
978:
973:
972:
962:
959:Total length:
952:
949:
945:
941:
938:
934:
930:
927:
923:
919:
916:
912:
908:
905:
901:
897:
894:
890:
886:
883:
879:
875:
872:
868:
864:
861:
857:
844:
841:
840:
836:
828:Track listing
827:
825:
823:
819:
811:
809:
807:
803:
795:
794:
793:
791:
787:
783:
779:
775:
767:
766:
765:
763:
759:
751:
750:
749:
747:
743:
739:
730:
729:
728:
726:
721:
717:
713:
709:
705:
701:
700:Gerald Suster
693:
692:
691:
689:
685:
681:
677:
672:
668:
660:
659:
658:
656:
652:
648:
644:
636:
635:
632:Song contents
631:
628:
624:
622:
621:
612:
610:
608:
604:
603:
598:
593:
591:
585:
583:
579:
574:
572:
571:
566:
565:
560:
556:
552:
551:Noise Records
548:
544:
540:
532:
530:
528:
524:
520:
519:
458:
456:
455:
451:
450:
395:
393:
392:
388:
387:
383:
381:
380:
376:
375:
345:
343:
342:
338:
337:
333:
331:
330:
326:
325:
295:
293:
290:
289:
281:
278:Review scores
276:
260:
259:
255:
251:
250:
246:
244:
243:
239:
235:
231:
227:
225:
221:
218:
215:
213:
209:
197:
193:
190:
187:
185:
181:
177:
173:
169:
165:
161:
157:
153:
148:
144:
140:
137:Cover art by
134:
129:
124:
112:
109:
101:
98:December 2016
90:
87:
83:
80:
76:
73:
69:
66:
62:
59: –
58:
54:
53:Find sources:
47:
43:
37:
36:
31:This article
29:
25:
20:
19:
16:
1335:
1328:
1322:
1321:
1217:. Retrieved
1210:
1200:
1188:. Retrieved
1183:Metal Forces
1181:
1133:
1124:
1112:. Retrieved
1102:
1092:
1074:John Blanche
1051:
1050:
1014:
1013:
976:
974:
970:
969:
832:
821:
817:
815:
806:Billy Graham
801:
800:Speaking to
799:
778:Metal Hammer
777:
773:
771:
758:fallen angel
755:
746:Christianity
734:
720:Metal Forces
719:
708:Adolf Hitler
703:
697:
671:Metal Hammer
670:
666:
664:
642:
640:
626:
620:Metal Forces
618:
617:Speaking to
616:
600:
597:John Blanche
594:
586:
581:
575:
570:Metal Hammer
568:
562:
542:
536:
523:thrash metal
517:
516:
515:
452:
391:Metal Hammer
389:
379:Metal Forces
377:
339:
327:
256:
248:
247:
189:Thrash metal
147:Studio album
139:John Blanche
104:
95:
85:
78:
71:
64:
52:
40:Please help
35:verification
32:
15:
1298:Wayne Banks
1295:Neil Watson
1285:Simon Jones
1277:Simon Negus
1219:30 December
1190:29 December
1114:29 December
1034:lead guitar
985:East Berlin
818:White Dwarf
602:White Dwarf
559:BBC Radio 1
555:Tommy Vance
258:Dreamweaver
1353:Categories
1273:Andy Sneap
1084:References
1052:Production
1030:Andy Sneap
981:Andy Sneap
835:Andy Sneap
607:flexi disc
547:Andy Sneap
533:Background
454:Rock Sound
236:chronology
68:newspapers
1289:Gizz Butt
1010:Personnel
987:in 1990:
702:’s book,
541:entitled
539:demo tape
1212:Kerrang!
1104:AllMusic
1069:engineer
1063:engineer
1059:producer
802:Kerrang!
738:paganism
716:Swastika
590:Hannover
384:(99/100)
341:Kerrang!
292:AllMusic
224:Producer
167:Recorded
159:Released
149: by
1078:artwork
862:"Intro"
762:Lucifer
680:Sanctus
262:(1989)
253:(1988)
82:scholar
1262:Sabbat
1152:
1142:Canada
1025:vocals
1015:Sabbat
854:Length
790:heresy
655:damned
527:Sabbat
286:Rating
283:Source
234:Sabbat
195:Length
175:Studio
152:Sabbat
84:
77:
70:
63:
55:
1046:drums
963:46:24
851:Title
647:Faust
525:band
217:Noise
212:Label
184:Genre
89:JSTOR
75:books
1221:2016
1192:2016
1150:ISBN
1116:2016
1040:bass
953:5:07
942:4:48
931:6:25
920:5:22
909:8:08
898:6:00
887:4:00
876:4:15
865:2:00
837:and
684:mass
334:7/10
61:news
847:No.
742:Pan
686:in
561:'s
557:of
44:by
1355::
1209:.
1180:.
1164:^
1144::
1140:,
1136:.
1107:.
1101:.
1076:–
1061:,
1032:–
1023:–
947:9.
936:8.
925:7.
914:6.
903:5.
892:4.
881:3.
870:2.
859:1.
824:.
792:.
764:.
760:,
748:.
727:.
690:.
657:.
529:.
204:24
200:46
1254:e
1247:t
1240:v
1223:.
1194:.
1158:.
1118:.
202::
111:)
105:(
100:)
96:(
86:·
79:·
72:·
65:·
38:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
