Étaples art colony

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In winter the place is deserted, except by a group of serious workers who make it their home. Artists pay about twenty-five or thirty francs a week for board and rooms, and studios are cheap. Étaples has been called – and not without reason – a dirty little town, but it is healthy for all that. The artistic sense finds pleasure in its winding cobbled streets and mellow old houses and in the dark-complexioned southern looking people. Models are plentiful and pose well for a small payment, either in the studio or in the picturesque gardens that lie hidden behind the street doors. A great source of interest is the fishing fleet that comes up the estuary of the Canche to the quays where the fisher people and shrimpers live in a colony of their own. There is constant work for the sketch book, especially on Monday, when the boats go off for several days, the whole family helping the men and boys to start. All one can do amid this bewildering movement of boats putting up sail, and people bustling about with provisions, is to make hurried notes and sketches.'

842: 1198: 701: 1092:, the other member of this trio, only began to make a name for himself after the works he produced during his visit to Étaples in 1914 identified him too as a colourist. They included paintings of figures on the beach and a study of "Fishing boats in the harbour". A rather more permanent resident in the area was the slightly older Scot, Thomas Austen Brown (1857–1924), who was living in the nearby village of Camiers to the north and whose work was characteristically Impressionist. His "Sunshine and Shadow", a view of Étaples through the trees on the south bank of the Canche, is in this style while his "Shrimpers Returning" (Gallery 2) verges on the Neo-Impressionist. Brown was also a notable maker of prints and in 1919 published his 1185:(1899). In the following decade Edward Millington Synge (1866-1913) passed some of the winter there and executed "The Thaw, Etaples" (1909), a watercolour of a muddy lane under trees with 'pale yellow sky, purple hills, dull red roof, grey and purple roadway, all obscured by patches of half melted snow'. Also noted for etching, his print of a winter sunset also dates from this stay. The previous year he had married Freda Molony (1869–1924), whose name was mentioned at this period as among those painting in the town and as a successful exhibitor at the Royal Academy. Among her paintings was one of "The Blessing of the Fishing Fleet" at Étaples (1906). 821:(1874–1934), both of whom spent some years in France at that time. Of the other painters of marine subjects associated with the town, Frederick Frary Fursman (1874–1943) spent summers there between 1906 and 1909 while Augustus Koopman (1869–1914) kept a studio in Étaples from 1908 and died there in 1914. Yet another visitor was Caleb Arnold Slade (1882-1961), who made annual stays for some seven years until 1915. His "Moonlight at Etaples" looks over the glimmering Canche to the silhouetted buildings of Trépied on the ridge behind and justifies his description as an American Impressionist. 738: 1018: 720: 980: 1217: 551: 899: 1128: 1109: 589: 1061:. Eventually he was to have a house built in Le Touquet and maintain a studio at Étaples. His paintings include land- and seascapes such as "The Harbour", and figure studies like "Mother and Child" and "The Goose Girl". But it was his black and white and coloured etchings of the people of the town, several developed from these paintings, which gained him a reputation as 'one of the most gifted of the figurative printmakers working in original 1147: 663:

cabbage patch (Gallery 4). But George Clausen's depiction of the back-breaking work of "Gathering Potatoes", painted at nearby Dannes in 1887, reflects concerns that are a constant in his output of the time. It was then too that he began to distance himself from those championing Impressionist effects precisely because drawing attention principally to technique takes it away from any other motivation for choosing the subject portrayed.

861: 806:, who had been driven abroad by prejudice and had settled in Trépied. Early in his career, Tanner painted marine scenes that showed man's struggle with the sea, but by 1895 he was creating mostly religious works. The simple resources at Étaples were well adapted to his subject matter, which in several cases featured Biblical figures in dark interiors. Occasionally Tanner played host at Trépied to a fellow African-American, 682: 570: 532: 880: 999: 424: 74: 33: 172: 117: 311: 3008: 378:, and the Australian Eleanor Ritchie, whom Harrison met there and married. While the rest were painting tranquil figures down at the harbour or in the woods, O'Meara describes Vail as 'painting the deck of a fishing boat in a heavy sea, life-size'. This was "Ready, About!", which won a first-class gold medal in the 1164:

Among those painters known as Irish Impressionists were the peripatetic William Gerard Barry and the short-lived Frank O'Meara, whose early visit to Étaples has already been mentioned. Another of this group was Barry's protégé Harry Scully, who stopped in the town in 1896 but was identified with many

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in February 1915, the newly returned Arnold Slade gave an account of the military build-up in the area. He also mentioned how American artists in the town had volunteered for 12-hour shifts feeding troops as they passed through the station. But almost the only artist to stay on in Étaples throughout

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did most of his teaching in Paris. But between 1893 and 1907 he was a frequent visitor and has left some memorable paintings, among them the atmospheric "Light on the Canche" and "Low tide at Étaples", both dating from 1902, the same year as "Rainy weather at Étaples" (Gallery 1). Among the students

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lived in the area between 1895 and 1904. Described as a romantic visionary, his heroic depiction of Étaples fishermen, "En Mer" (see Gallery 3), received a gold medal at the Paris Salon in 1898. He then moved out of the town to Trépied and while there founded the Société Artistique de Picardie which

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and they took a studio together between May and December 1908. Jackson painted his "Paysage embrumée" then and, rather to his surprise, it was accepted by the Paris Salon. Returning in 1912, he stayed in Trépied and painted with Arthur Baker-Clack. From this period date the Neo-Impressionist "Sand

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style associated with them. Two Australian women are particularly notable: Iso(bel) Rae (1860–1940), who joined the colony in 1890 and exhibited in the Paris Salons, and Emily Hilda Rix (1884–1961), who maintained a studio in Étaples between 1911 and 1914. While there she executed the paintings "An

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Her account is supplemented by Jane Quigley's description of life there published in 1907. 'The usual plan is to live in rooms or studios and eat at the Hotel des Voyageurs or Hotel Joos – unpretentious hostelries with fairly good meals, served in an atmosphere of friendliness and stimulating talk.

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Another medical volunteer connected with the camp was the Yorkshireman Fred Lawson (1888–1968), who painted a watercolour of the town. There were also a few who painted among those in uniform. William McDougall Anderson (1883–1917) was a Scottish stained glass artist who served as a Lance Corporal

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Students were attracted into the area to study with some of these artists. Writing in 1907, Jane Quigley testified of Max Bohm that 'He attracts a following of students by his power as a teacher and the vigorous and sincere personality which exacts good work from all who come under his influence".

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was to comment two decades later in the record of her travels, 'the colony has been formed by buying up, or renting, the fishermen's cottages at nominal prices and turning them into studios. Such is the popularity of art that the native fisher people importune one to be taken on for models with as

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for his work as an artist – as was Barlow in 1932. Iso Rae moved out of Étaples to Trépied, where she stayed until 1932, with Tanner as a neighbour. Tanner's biographer records, 'life at Trépied was never to be what it had been before the war. An artists' colony still existed...but something was

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There is evidence also of a social conscience in the paintings of some artists that is manifested in the depiction of their subjects. Walter Gay's "November" might perhaps be dismissed as merely picturesque, a posed portrayal of a peasant woman at the not particularly arduous task of hoeing her

3004: 1050:, the English estuary town to which he next moved. Other painters are mainly of topographical interest. Dudley Hardy (1866–1922) captured an evening effect in a watercolour of 1888, looking from the south side of the Canche and showing the windmills that dominated the town at that period. 4161: 669:'s "Fisher Girl of Picardy" (Gallery 2) is another example. Painted on a blustery day in 1889, Nourse's friend Anna Schmidt later described the circumstances: "I was with Elizabeth when she painted that girl on the Etaples Dunes – it was so cold and windy the model used to weep." 642:

The market outside was equally popular, a subject bringing together folk in their distinctive local dress which was particularly adapted to the kind of saleable genre subjects that many of these artists were producing. It is shown in the oil paintings "Market Day" by the English

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dunes at Cucq" and "Autumn in Picardy", which was bought by the National Gallery of Canada the following year. He was next to see Étaples in 1916, when taken to the hospital there after being wounded in World War I. A fellow Canadian painting in the town was the Welsh-born

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took over arranging the annual exhibitions of work by local artists started in 1892 by Eugène Chigot. In 1912 the society's president was George Senseney (1874-1943), who was listed as still living in Etaples in a catalogue of works by American etchers the following year.

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old peasant woman in my garden", later bought by the National Gallery of Victoria, "Picardy Girl" (1913) and the pastel drawing "There is a Dear Old Fairy Godmother who Poses for Us". There were also New Zealand women artists painting together during this time, including

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Also staying in the village during this decade was Max Bohm's friend Chauncey Ryder (1868-1949). As soon as he quitted the farmhouse he was renting in 1907, he was succeeded there by the landscape artist Roy Brown (1879–1956), who was to stay until war broke out in 1914.

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The heyday of the colony began around 1880. More than 200 artists from France, Britain, America and Australia had settled in the Étaples area. In 1887 also, Eugène Vail (1857–1934), moved to Étaples and spent the winter there, lodging with his Irish friend

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the war and record the military activity there was Iso Rae. While working for the Voluntary Aid Detachment (VAD) of the British Red Cross between 1915 and 1919, she produced about 200 pastel drawings of the army camp and the life of the soldiers there.

290:. Stylistically, the Étaples artists represent a diverse range of schools with certain common interests, including a preoccipation with the landscape of the region, the proper use of natural light, as well as a shared interest in the lives of the 496:. Subject matter was obviously varied. However, two broad tendencies can be observed in their work. One is the treatment of light, that recommended itself to those of an Impressionist tendency, such as Boudin and Le Sidaner among the French and 1197: 4165: 841: 4102: 792:(1873–1937) also had a home in Étaples from the late 1890s to his death and specialised particularly in figures in interiors. Among his students there was Norwood Hodge MacGilvary (1874–1949), who studied under him in the years 1904–6. 810:, who painted there off and on between 1910 and 1914. In fact Tanner's son claims that he was largely responsible for establishing the foreign artistic milieu at Etaples, often entertaining up to 100 people at his Trépied summer home. 2909: 2447: 1525: 2383: 2544: 1326:

A few resident artists from the colony came back after the war, among them Myron Barlow, Arthur Baker-Clack and Henry Tanner, who had been working for the American Red Cross in France. In 1923 he was made a knight of the

520:, whose first major painting, "A Picardy Shrimp Fisher", was executed in Étaples. William Gerard Barry's "Time Flies" and Birge Harrison's "The Return of the Mayflower", mentioned above, are works of the same tendency. 700: 2161: 3918: 2639: 1262:, recorded the scene of devastation left by the raid. J. Hodgson Lobley (1878–1954), also serving in the RAMC at the time, pictured men constructing an underground dug-out which would serve as a shelter. 2345: 606:

One particular focus of attention as a subject was the town's fish market, built in 1872 and now a maritime museum. Examples include "Fish Market, Etaples", shown in 1913 at the annual exhibition of the

294:, fishermen and peasants, of the region. While most painters left the town in 1914 at the outbreak of WW1, artistic activities continued at Étaples during the conflict, pursued by artists in uniform and 3791:"AMERICAN ARTIST VISITS NEW BRITISH BASE CAMP – Just Back from Etaples, France, He Tells of Vast Preparations for 1,500,000, Men. AMERICAN ARTIST VISITS BRITISH BASE CAMP – View Article – NYTimes.com" 932:(1877–1955), another Australian, who settled in Trépied in 1910. While there he painted a local thatched cottage, "Le Chaumine", and "The boat yard" in Étaples in Neo-Impressionist style (Gallery 3). 2983: 3723: 639:. The latter depicts baskets of fish on display in a stone hall with two women seated in the left foreground, bending towards one another as they talk, while men walk past them carrying baskets. 3769: 302:

which ended the war, some artists returned to their studios and the persistence of a small colony continued to attract visitors to the area, although little outstanding work now resulted.

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moved to the town and lived there between 1893 and 1896, painting its streets and fisher folk. His "Coastal Scene, Etaples" is particularly worth noting for its interpretation of light.

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that followed him down was his fellow countrywoman Marie Tuck (1866–1947), who paid for her tuition by cleaning out his studio and came to live in Étaples between 1907 and 1914, and

659:(1884–1961), another Australian, and "Market Place, Étaples", a watercolour by the Irish artist Mima Nixon (1861–1939) that was displayed at the Royal Academy exhibition in 1909. 1808: 3054: 773:, whose long career as a painter of young women in outside settings began with portraits of peasants in Étaples before his return to the U.S. in 1889. Another early visitor was 1987: 619:'s "Fish Market at Étaples", and "A corner of the market, Etaples" by the animal artist Evelyn Harke (fl.1899–1930). Etchings were also made, two of which are singled out in 4203: 1858: 825:

This was certainly so of the New Zealand artist Samuel Hales (1868–1953), whose painting "La Nuit" was exhibited at the Paris Salon in 1897. A later student was the English

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The painters of two of the colony's nationalities, Americans and Australians, have been the subject of special studies. Among the earliest Americans to visit the town were

2785: 2199: 1069:, four of whose prints resulting from his visit in 1910 are in the collection of his work at Georgetown University, and the pioneer of Japanese-style woodblock printing, 1352: 3609: 4140: 3910: 3540: 2814: 1762: 1546: 3569: 3290: 784:, included the town on her tour. She created paintings there including "Milk Carrier", "Fisher Girl of Picardy", "An Etaples Fair" and "Street Scene". Later on 3344: 3108: 2098: 2615: 3857: 3469: 2492: 3394: 1651: 3494: 512:

in their choice of humble everyday subjects – in the case of Étaples, the life of the fisherfolk. There are good examples in the work of the American

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during the first thirty years of the 20th century'. Several other makers of fine colour prints also stayed in Étaples, including the marine painter

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The colony that was in the process of being formed in Étaples and neighbouring villages such as Trépied, a mile away on the south bank of the river

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Some twenty-five antipodean painters, twenty-two Australians and three New Zealanders, are mentioned in Jean-Claude Lesage's study. Among them was

346:, spent the years 1885–1894 in the town and represented the area in all seasons. There he was joined between 1887 and 1893 by his childhood friend 2472: 1403: 3075: 2033: 2008: 1883: 3369: 3194: 968:, who followed the Impressionist fascination with railway architecture and made the railway bridge over the Canche one of his subjects in 1911. 737: 46: 2680: 719: 484:

and the large Étaples artist colony. The exhibition showed local paintings from between 1880 and 1914. Art ranged from the plein-air style of

4296: 3341:"Paris Plage, 1907 : Limited Edition Prints, Signed Art Prints, Collectable Wall Art and Screen Prints, Limited Edition Fine Art Prints" 2871: 2843: 2742: 1942: 1912: 588: 3444: 3638: 1837: 1495: 1127: 979: 1581: 550: 3265: 1017: 278:. While some artists settled permanently, others remained at the colony for a sole season, or an even shorter time as it was common for 3881: 3240: 2764: 1812: 2729: 1983: 1146: 4197: 4134: 4096: 3717: 2977: 2903: 2538: 2441: 2377: 2301: 2193: 2155: 1967: 898: 467: 229: 211: 193: 153: 135: 127: 91: 60: 4187: 4086: 3826: 3589: 1862: 1054:(1889–1948) takes us into the back parlour of the Cafe Loos, through the doorway of which one can see a few artist types at table. 3319: 1270:, he painted it in its sandy starkness. He also painted the officers' convalescent home over the bridge in privileged Le Touquet. 860: 282:

painters of this period to lead a peripatetic existence, travelling between the various art colonies situated along the coasts of

4259: 4054: 4020: 3986: 3952: 3519: 2941: 2893: 2789: 2711: 2431: 1602: 569: 362:, whose letters home give us information about the colony at that time. Amongst the other artists working there were Boudin and 3219: 2700: 2220: 2183: 1216: 531: 182: 3419: 1348: 1169:, noted for her paintings of children and landscapes, was there in 1890 and her "On the road to Étaples" was exhibited at the 3144: 3141:"William Lee Hankey (British, 1869–1952) Mother and Child | Sale Number 2129, Lot Number 215 | Skinner Auctioneers" 2734: 2367: 2339: 1429: 608: 434: 4124: 2528: 1108: 681: 2594: 1758: 1289:(1919) while in the Liverpool Merchants Mobile Hospital at Étaples. A longer-term resident was Iso Rae's fellow volunteer, 2123: 777:, who was painting on the coast between 1882 and 1886. His work included a topographical view of the harbour (Gallery 3). 330:

in 1871, where he spent his time drawing and executed at least one oil painting of beached boats (Gallery 3). Norman-born

1692: 3544: 2810: 2058: 1460: 847: 323: 4228: 2404: 1377: 998: 959:(1880–1958), who went on to make a career for himself in the United States. Macky had arrived with his Canadian friend 3590:

Ivon Hitchens, Roger Hilton, Kenneth Armitage, Adrian Heath, Bryan Wynter, John Wells, Brian Fielding, Bernard Sindall

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led to its disruption. Although cosmopolitan in composition, the majority of inhabitants were Anglophone artists from

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regularly painted together at Paris Plage between 1904 and 1909 on visits which also included sessions in Étaples.

725: 644: 86: 52: 2967: 1522:"Decorative Arts: The craftsman: Picardy: a quiet, simple land of dreamy beauty, where artists find much to paint" 1254:

Two war artists were present during the German air raid on Étaples in May 1918 which also targeted the hospitals.

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Other visitors to the area included the landscapist George W. Picknell (1864–1943) and the maritime artist

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A Legacy of Art: Paintings and Sculptures by Artist Life Members of the ... – Carol Lowrey – Google Books

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A Legacy of Art: Paintings and Sculptures by Artist Life Members of the ... – Carol Lowrey – Google Books

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also devoted a poem to the town in her first collection, which included several references to the war:

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missing. Many of the old crowd did not return and those who did were less in step with the times.'

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Because You Died: Poetry and Prose of the First World War and After – Vera Brittain – Google Books

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that states a Knowledge editor's personal feelings or presents an original argument about a topic.

1908: 1255: 1152: 1058: 956: 929: 904: 866: 774: 656: 632: 493: 363: 351: 3630: 3440: 401:, was in reality made up largely of English-speaking expatriates who needed to live cheaply. As 1487: 4193: 4130: 4092: 3713: 3391:"Paris-Plage, c.1906 – Samuel John Peploe – WikiGallery.org, the largest gallery in the world" 2973: 2899: 2756: 2748: 2738: 2534: 2437: 2373: 2335: 2297: 2240: 2189: 2151: 1963: 1938: 1833: 1573: 1023: 616: 513: 375: 3269: 1297:(1918) was written while working in the military hospital and drew on her experiences there. 3885: 2724: 2221:

https://web.archive.org/web/20120517230828/http://www.lindapages.com/wags-ohio/gsenseney.htm

2034:"Etaples Street Scene, (painting) | Collections Search Center, Smithsonian Institution" 1328: 1174: 945: 781: 706: 687: 666: 556: 537: 359: 347: 339: 331: 247: 3244: 829:, who studied with Bohm in 1904 and went on to adopt a Fauvist and then a Vorticist style. 627:'s aquatint "Halles aux poisons" (1911), made after a visit to the town in 1910 and now in 2969:

Defiant Spirits: The Modernist Revolution of the Group of Seven – Ross King – Google Books

2253: 1349:"Snowy Evening, Etaples Henri Eugene Augustin Le Sidaner | Oil Painting Reproduction" 936: 826: 785: 402: 3030:"Philip Wilson Steer, O.M. (1860–1942) | Fisher Children, Étaples | Christie's" 2328:

Taylor, William Edward; Warkel, Harriet Garcia; Burroughs, Margaret Taylor (1969-07-27).

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129397293077772021_81183350-5085-4362-b7b3-a2c9021d66ad_303767_570.Jpeg (570x370 pixels)

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The Professional Literary Agent in Britain, 1880–1920 – Mary Ann Gillies – Google Books

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A Shared Heritage: Art by Four African Americans – William Edward Taylor – Google Books

2009:"An Etaples Fair, (painting) | Collections Search Center, Smithsonian Institution" 1278: 636: 501: 279: 4046: 4012: 3978: 3944: 3515: 334:

frequently painted along the Opal Coast and spent long periods in both Étaples and at

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The first French artists to paint in the area were those particularly associated with

4280: 2945: 1606: 1298: 1290: 1133: 1089: 1085: 1066: 960: 655:(1860–1940). There was also the charcoal and crayon drawing "Le Marché à Etaples" by 624: 612: 489: 383: 327: 275: 267: 3316:"John Duncan Fergusson, Jour Gris : Paris Plage | Flickr – Photo Sharing!" 3215: 2224: 1281:'wrote a poem about England' while passing through on his way to the front in 1915. 1274: 1051: 924: 789: 575: 497: 449: 367: 314:

The market place and Étaples town hall, shortly after the tramway was built in 1900

3241:"Georgetown University Library: Etched by the Sea – Marine Views of Nelson Dawson" 1436: 17: 3766:"The blessing of the fishing fleet, Etaples, Brittany by Freda Moloney on artnet" 3166:"William Lee-Hankey, R.W.S. (1869–1952) | The Goose Girl | Christie's" 2590: 1263: 1047: 379: 271: 263: 2119: 2469:"George W. Picknell | Art auction results, prices and artworks estimates" 1282: 1057:

One English artist who visited the area over many years from 1904 onwards was

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Among the Scots, three of the four Post-Impressionist painters known as the

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A.Y. Jackson: The Life of a Landscape Painter – Wayne Larsen – Google Books

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In 1913 Senseney was succeeded as president by the African-American artist

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With the outbreak of war, the artists in the colony scattered elsewhere.

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much insistence as the beggars of Naples appeal to strangers for money.'

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Henry Ossawa Tanner: American Artist – Marcia M. Mathews – Google Books

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Henry Ossawa Tanner: American Artist – Marcia M. Mathews – Google Books

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Biography – Tudor St George Tucker – Australian Dictionary of Biography

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and made a few studies while passing through Étaples in October 1916.

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from England. The other tendency among the artists was to follow the

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experienced its heyday between 1880 and 1914 before the outbreak of

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Soldier poets also passed through the camp at Étaples, among them

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J. R. R. Tolkien: A Biography – Humphrey Carpenter – Google Books

3366:"Paris Plage Samuel John Peploe | Oil Painting Reproduction" 2868:"Eric Spencer Macky Biography | Annex Galleries Fine Prints" 2811:"Emily Hilda Rix Nicholas – There was a Dear Old Fairy GodMother" 1042:

The only considerable English painter connected with Étaples was

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a1dcd253-4fcd-4138-a51c-cba4d6da2168_g_570.Jpeg (507x419 pixels)

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by Clara S. Haggarty (1871–1958), and two exhibited at the 1907

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Some American artists also hung on for a while. Writing in the

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Petit Futé Côte d'Opale – Jean-Paul Labourdette – Google Books

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of 1888. In the following decade, Vail's Norwegian associate

3979:"Galleries of Large Dug-outs at Etaples (Art.IWM ART 3670)" 3945:"Etaples After the Great Air Raid, 1918 (Art.IWM ART 3641)" 3882:"Tennants Auctioneers: Frederick (Fred) Lawson (1888–1968)" 1909:"Fisher Girl of Picardy by Elizabeth Nourse / American Art" 1884:"George Clausen and Thomas Derrick: GC technique – Bonhams" 651:(1866–1947 and "Market Scene at Etaples" by her compatriot 183:

personal reflection, personal essay, or argumentative essay

3466:"Aberdeen Art Gallery & Museums | ObjectRewriter" 1073:, who pictured the road from Trépied in 1910 (Gallery 5). 3673:"Irish Art Archive – Harry Scully – Milmo-Penny Fine Art" 2652:"Marie Tuck biography at Design and Art Australia Online" 1935:

Peintres Américains en Pas-de-Calis: la colonie d'Etaples

1406:(in French). Culture.fr. 16 February 2011. Archived from 2733:. Vol. 11. Canberra: National Centre of Biography, 2182:

Auzias, Dominique; Labourdette, Jean-Paul (2007-10-09).

2095:"Eanger Irving Couse (American, 1866–1936) (02/24/2008)" 1886:. Dderrick.typepad.com. 28 November 2005. Archived from 3911:"Anderson's work in the Imperial War Museum Collection" 3566:"George Leslie Hunter – FIGURES IN CONVERSATION,... on" 1285:

was injured in 1918 and wrote many of the poems in his

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A review of a 2011 exhibition in Étaples refers to the

189: 3827:"Iso Rae in Etaples : another perspective of war" 2566:"Moonlight at Etaples by Caleb Arnold Slade on artnet" 3266:"Paris Plage, Evening by John Duncan Fergusson R.B.A" 2530:

Dictionary of North Carolina Biography – Google Books

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was painting in the town, companioned by her friend

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While Bohm taught in Étaples, the Australian artist

3541:"Gustav Klimt Museum: Etaples George Leslie Hunter" 3491:"John Duncan Fergusson – ETAPLES FROM THE BEACH on" 3441:"Samuel John Peploe – PARIS PLAGE, oil on board on" 1516: 1514: 1512: 250:artists' retreat situated near the fishing port of 4225:"Poets' Corner – Muriel Stuart – Cockpit of Idols" 3243:. Gulib.georgetown.edu. 2009-11-01. Archived from 1277:, who commented unfavourably upon it. The author 4013:"The Cemetery, Etaples, 1919 (Art.IWM ART 2884)" 1208:An old woman and children in a cottage interior 3101:"The Back Parlour, Café Loos, Étaples, France" 2942:"Autumn in Picardy by Alexander Young Jackson" 1398: 1396: 1394: 780:In 1889 the Paris-based salon genre painter, 83:needs attention from an expert in Visual arts 8: 3143:. Skinnerinc.com. 2002-03-22. Archived from 2120:"American Painters – Artist Biographies M-Z" 4126:C.S. Lewis: An examined life – Google Books 1759:"Market at Etaples by Marie Tuck on artnet" 61:Learn how and when to remove these messages 3858:"Sketching a rich slice of social history" 3078:. The Lynda Cotton Gallery. Archived from 2788:. Artvalue.com. 2006-08-28. Archived from 2285: 2283: 1811:. Artvalue.com. 2011-02-26. Archived from 1488:"XVII – Artists' Sketching Grounds Abroad" 1374:"Chigot Eugène | expertisez magazine" 3191:"William Lee-Hankey at Campbell Fine Art" 2842:. Arthistoriography.files.wordpress.com. 468:Learn how and when to remove this message 326:retreated there from the outbreak of the 230:Learn how and when to remove this message 212:Learn how and when to remove this message 154:Learn how and when to remove this message 3543:. Gustavklimtgallery.org. Archived from 3216:"Women of Étaples by William Lee-Hankey" 635:'s "Fish Market at Étaples", now in the 448:Relevant discussion may be found on the 386:was to spend some time in Étaples while 1340: 1193: 1104: 975: 837: 677: 527: 4250:"HOME of BEAUTY from the RUINS of WAR" 3662:, The National Gallery of Ireland 1984 2725:"Emily Hilda Rix Nicholas (1884–1961)" 2405:"Chauncey Ryder: American 1868 - 1949" 2249: 2238: 2188:. Nouvelles Editions de l'Université. 2083:Saginaw Images – Street Scene, Etaples 2061:. The Couse Foundation. Archived from 1861:. Dderrick.typepad.com. Archived from 1715:. Gulib.georgetown.edu. Archived from 1693:"Whitman's Print-Collector's Handbook" 615:exhibition in England: the Australian 94:may be able to help recruit an expert. 3193:. Campbell-fine-art.com. 2002-12-04. 3005:"Etaples, France – The AMICA Library" 2944:. Museumsyndicate.com. Archived from 1574:"Tucker, Tudor St George (1862–1906)" 7: 4262:from the original on 9 November 2023 3921:from the original on 3 December 2013 2036:. Collections.si.edu. Archived from 2011:. Collections.si.edu. Archived from 1318:Went through with the regiment once! 1315:Where all that our wild hearts loved 1080:worked in the area. The two friends 621:Whitman's Print Collector's Handbook 3055:"'The Bridge', Philip Wilson Steer" 1494:, The Quinn & Boden Co. Press, 4085:Carpenter, Humphrey (2011-04-28). 4057:from the original on 26 April 2012 3955:from the original on 26 April 2012 3706:Gillies, Mary Ann (January 2007). 3631:"Image : Sunshine and Shadow" 3293:. Portland Gallery. Archived from 3268:. Duncanmiller.com. Archived from 2870:. Annexgalleries.com. 1958-05-05. 2730:Australian Dictionary of Biography 2712:Australian Dictionary of Biography 2618:. Charleneking.com. Archived from 1911:. Americanart.si.edu. 1915-01-03. 1183:Some Experiences of an Irish R. M. 366:, several more Irish, the English 126:tone or style may not reflect the 25: 4162:"Vera Brittain (1893–1970) works" 4023:from the original on 11 June 2015 3989:from the original on 11 June 2015 2835:Rex Butler and A.D.S. Donaldson. 2591:"H | cornwall artists index" 2527:Powell, William S. (2000-11-09). 1435:. Gorrygallery.ie. Archived from 42:This article has multiple issues. 3884:. Tennants.co.uk. Archived from 2533:. Univ of North Carolina Press. 1461:"Derain et Vlaminck (1900–1915)" 1309:'Étaples', a strange, vague word 1215: 1196: 1145: 1126: 1107: 1016: 997: 978: 955:Another New Zealand visitor was 897: 878: 859: 840: 736: 718: 699: 680: 587: 568: 549: 530: 422: 170: 136:guide to writing better articles 115: 72: 31: 4231:from the original on 2013-12-02 4206:from the original on 2023-11-09 4164:. Oucs.ox.ac.uk. Archived from 4143:from the original on 2023-11-09 4105:from the original on 2023-11-09 3807:from the original on 2021-11-01 3772:from the original on 2023-11-09 3726:from the original on 2023-11-09 3712:. University of Toronto Press. 3641:from the original on 2016-03-14 3612:from the original on 2023-11-09 3602:"Thomas Austen Brown paintings" 3572:from the original on 2014-11-29 3522:from the original on 2013-12-02 3497:from the original on 2013-12-02 3472:from the original on 2013-12-02 3447:from the original on 2013-12-02 3422:from the original on 2023-11-09 3397:from the original on 2013-12-03 3372:from the original on 2013-12-03 3347:from the original on 2013-12-03 3322:from the original on 2013-12-18 3222:from the original on 2013-12-02 3197:from the original on 2013-12-03 3172:from the original on 2013-12-02 3111:from the original on 2016-03-14 3036:from the original on 2013-12-03 3011:from the original on 2013-12-02 2986:from the original on 2023-11-09 2912:from the original on 2023-11-09 2874:from the original on 2013-12-02 2849:from the original on 2014-06-30 2817:from the original on 2016-02-02 2767:from the original on 2013-12-04 2683:from the original on 2010-11-17 2658:from the original on 2013-12-05 2597:from the original on 2013-12-02 2572:from the original on 2023-11-09 2547:from the original on 2023-11-09 2475:from the original on 2013-12-05 2450:from the original on 2023-11-09 2386:from the original on 2023-11-09 2372:. University of Chicago Press. 2348:from the original on 2023-11-09 2310:from the original on 2023-11-09 2296:. University of Chicago Press. 2202:from the original on 2023-11-09 2164:from the original on 2023-11-09 2126:from the original on 2012-03-21 2101:from the original on 2013-12-02 1990:from the original on 2013-12-02 1915:from the original on 2013-12-05 1840:from the original on 2013-12-05 1790:from the original on 2012-04-25 1765:from the original on 2023-11-09 1654:from the original on 2013-06-13 1584:from the original on 2012-03-13 1528:from the original on 2013-12-02 1498:from the original on 2013-12-19 1404:"Peintres de l'école d'Etaples" 1380:from the original on 2015-06-11 1355:from the original on 2013-12-03 1312:Spelled on the lips of the guns 50:or discuss these issues on the 2735:Australian National University 2097:. Worthpoint.com. 2008-02-24. 1960:Peintres Australiens à Etaples 1376:. Expertisez.com. 2013-01-24. 852:Boats on the strand at Étaples 609:Royal Canadian Academy of Arts 1: 4186:Brittain, Vera (2010-02-04). 3568:. Mutualart.com. 2005-08-31. 3493:. Mutualart.com. 2002-04-15. 3443:. Mutualart.com. 2000-08-30. 3291:"J D Fergusson – Paris Plage" 3168:. Christies.com. 2002-11-27. 3032:. Christies.com. 2004-06-04. 1524:. Digicoll.library.wisc.edu. 948:, Grace Joel (1865–1924) and 4297:History of the Pas-de-Calais 3832:. Awm.gov.au. Archived from 2892:Larsen, Wayne (2009-09-21). 2334:. Indiana University Press. 1958:Lesage, Jean-Claude (2000). 1933:Lesage, Jean-Claude (2007). 1173:the following year. In 1898 1165:other art colonies as well. 2366:Mathews, Marcia M. (1994). 2290:Mathews, Marcia M. (1994). 394:during the summer of 1909. 4313: 4123:Edwards, Bruce L. (2007). 1738:"The Fish Market, Etaples" 1605:. 2p2m.org. Archived from 1505:– via Kellscraft.com 1138:3 fisherwomen from Étaples 726:William Holt Yates Titcomb 645:William Holt Yates Titcomb 3675:. Mpfa.ie. Archived from 3343:. Globalartprints.co.uk. 3218:. Campbell-fine-art.com. 3007:. Amica.davidrumsey.com. 2966:King, Ross (2010-09-25). 2723:Mitchell, Avenel (1988). 1492:The American Woman Abroad 848:Charles-François Daubigny 819:John "Wichita Bill" Noble 324:Charles-François Daubigny 4129:. Greenwood Publishing. 3660:The Irish Impressionists 2972:. D & M Publishers. 1486:Blanche McManus (1911), 1260:Royal Army Medical Corps 580:Rainy weather at Étaples 524:Gallery 1: Light effects 342:, who was brought up in 3368:. 1st-Art-Gallery.com. 2593:. Cornwallartists.org. 1351:. 1st-Art-Gallery.com. 1171:Royal Hibernian Academy 950:Constance Jenkins Macky 518:Tudor St. George Tucker 92:WikiProject Visual arts 4192:. Little, Brown Book. 4051:IWM Collections Search 4017:IWM Collections Search 3983:IWM Collections Search 3949:IWM Collections Search 3745:"International studio" 3318:. Flickr. 2011-03-10. 2430:Lowrey, Carol (2007). 2144:Lowrey, Carol (2007). 2059:"The Couse Foundation" 1650:. Cwahi.concordia.ca. 1167:Sarah Cecilia Harrison 871:The harbour at Étaples 711:Fisher Girl of Picardy 674:Gallery 2: Fisher-folk 599:Rainy night in Étaples 542:Sunset over the Canche 488:to the south, through 315: 192:by rewriting it in an 4227:. Theotherpages.org. 3915:IWM Collection Search 3696:Campbell (1984), p.95 3416:"Public Auction List" 2813:. Artoftheprint.com. 2677:"Public Auction List" 1268:War Graves Commission 1082:John Duncan Fergusson 1071:Frank Morley-Fletcher 808:William Edouard Scott 743:Thomas Austen Brown, 629:Georgetown University 595:William Edouard Scott 435:synthesis of material 390:stopped there and in 313: 4091:. HarperCollins UK. 2411:on November 20, 2008 2122:. Wolfsfineart.com. 1204:William Gerard Barry 1190:Gallery 6: Interiors 1037:c) British and Irish 972:Gallery 4: Exteriors 918:b) British colonials 510:Jean-François Millet 506:Jules Bastien-Lepage 504:of such painters as 300:Treaty of Versailles 4043:Imperial War Museum 4009:Imperial War Museum 3975:Imperial War Museum 3941:Imperial War Museum 3907:Imperial War Museum 3518:. Intofineart.com. 3393:. Wikigallery.org. 1786:. Img.assd.com.au. 1547:"Louis Paul Dessar" 1410:on 18 February 2011 1078:Scottish Colourists 1044:Philip Wilson Steer 986:Philip Wilson Steer 804:Henry Ossawa Tanner 745:Shrimpers returning 730:Market Day, Étaples 414:Styles and subjects 2701:Jean-Claude Lesage 1580:. Adb.anu.edu.au. 1295:Verses of a V.A.D. 1287:Spirits in Bondage 1157:Étaples fisherfolk 1153:William Lee Hankey 1059:William Lee Hankey 1009:November – Étaples 957:Eric Spencer Macky 930:Arthur Baker-Clack 905:Arthur Baker-Clack 775:Homer Dodge Martin 633:William Lee Hankey 561:Moonlight, Étaples 494:Post Impressionism 445:to the main topic. 439:verifiably mention 433:possibly contains 364:Francis Tattegrain 316: 244:Étaples art colony 194:encyclopedic style 181:is written like a 18:Etaples art colony 3658:Julian Campbell, 2744:978-0-522-84459-7 2248:Missing or empty 1944:978-2-904959-18-9 1467:on April 11, 2010 1258:, who was in the 1101:Gallery 5: Prints 1094:Étaples: Pictures 1024:Louis Paul Dessar 617:James Peter Quinn 514:Louis Paul Dessar 486:artists' colonies 478: 477: 470: 392:Montreuil-sur-mer 376:L. Birge Harrison 240: 239: 232: 222: 221: 214: 164: 163: 156: 130:used on Knowledge 128:encyclopedic tone 109: 108: 65: 16:(Redirected from 4304: 4272: 4271: 4269: 4267: 4246: 4240: 4239: 4237: 4236: 4221: 4215: 4214: 4212: 4211: 4183: 4177: 4176: 4174: 4173: 4158: 4152: 4151: 4149: 4148: 4120: 4114: 4113: 4111: 4110: 4082: 4076: 4073: 4067: 4066: 4064: 4062: 4039: 4033: 4032: 4030: 4028: 4005: 3999: 3998: 3996: 3994: 3971: 3965: 3964: 3962: 3960: 3937: 3931: 3930: 3928: 3926: 3903: 3897: 3896: 3894: 3893: 3878: 3872: 3871: 3869: 3868: 3854: 3848: 3847: 3845: 3844: 3838: 3831: 3822: 3816: 3815: 3813: 3812: 3806: 3795: 3787: 3781: 3780: 3778: 3777: 3762: 3756: 3755: 3753: 3752: 3747:. 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Hudson Hills. 2427: 2421: 2420: 2418: 2416: 2407:. Archived from 2401: 2395: 2394: 2392: 2391: 2363: 2357: 2356: 2354: 2353: 2325: 2319: 2318: 2316: 2315: 2287: 2278: 2277: 2275: 2274: 2264: 2258: 2257: 2251: 2246: 2244: 2236: 2234: 2232: 2223:. Archived from 2217: 2211: 2210: 2208: 2207: 2179: 2173: 2172: 2170: 2169: 2150:. Hudson Hills. 2141: 2135: 2134: 2132: 2131: 2116: 2110: 2109: 2107: 2106: 2091: 2085: 2080: 2074: 2073: 2071: 2070: 2055: 2049: 2048: 2046: 2045: 2040:on July 11, 2012 2030: 2024: 2023: 2021: 2020: 2005: 1999: 1998: 1996: 1995: 1980: 1974: 1973: 1955: 1949: 1948: 1930: 1924: 1923: 1921: 1920: 1905: 1899: 1898: 1896: 1895: 1880: 1874: 1873: 1871: 1870: 1855: 1849: 1848: 1846: 1845: 1830: 1824: 1823: 1821: 1820: 1805: 1799: 1798: 1796: 1795: 1780: 1774: 1773: 1771: 1770: 1755: 1749: 1748: 1746: 1745: 1740:. 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Following the 235: 228: 217: 210: 206: 203: 197: 174: 173: 166: 159: 152: 148: 145: 139: 138:for suggestions. 134:See Knowledge's 119: 118: 111: 104: 101: 95: 76: 75: 68: 57: 35: 34: 27: 21: 4312: 4311: 4307: 4306: 4305: 4303: 4302: 4301: 4287:Artist colonies 4277: 4276: 4275: 4265: 4263: 4248: 4247: 4243: 4234: 4232: 4223: 4222: 4218: 4209: 4207: 4200: 4185: 4184: 4180: 4171: 4169: 4160: 4159: 4155: 4146: 4144: 4137: 4122: 4121: 4117: 4108: 4106: 4099: 4084: 4083: 4079: 4074: 4070: 4060: 4058: 4041: 4040: 4036: 4026: 4024: 4007: 4006: 4002: 3992: 3990: 3973: 3972: 3968: 3958: 3956: 3939: 3938: 3934: 3924: 3922: 3905: 3904: 3900: 3891: 3889: 3880: 3879: 3875: 3866: 3864: 3856: 3855: 3851: 3842: 3840: 3836: 3829: 3825:Betty Snowden. 3824: 3823: 3819: 3810: 3808: 3804: 3793: 3789: 3788: 3784: 3775: 3773: 3764: 3763: 3759: 3750: 3748: 3743: 3742: 3738: 3729: 3727: 3720: 3705: 3704: 3700: 3695: 3691: 3682: 3680: 3671: 3670: 3666: 3657: 3653: 3644: 3642: 3629: 3628: 3624: 3615: 3613: 3600: 3599: 3595: 3588: 3584: 3575: 3573: 3564: 3563: 3559: 3550: 3548: 3539: 3538: 3534: 3525: 3523: 3514: 3513: 3509: 3500: 3498: 3489: 3488: 3484: 3475: 3473: 3464: 3463: 3459: 3450: 3448: 3439: 3438: 3434: 3425: 3423: 3414: 3413: 3409: 3400: 3398: 3389: 3388: 3384: 3375: 3373: 3364: 3363: 3359: 3350: 3348: 3339: 3338: 3334: 3325: 3323: 3314: 3313: 3309: 3300: 3298: 3289: 3288: 3284: 3275: 3273: 3264: 3263: 3259: 3250: 3248: 3239: 3238: 3234: 3225: 3223: 3214: 3213: 3209: 3200: 3198: 3189: 3188: 3184: 3175: 3173: 3164: 3163: 3159: 3150: 3148: 3139: 3138: 3134: 3127: 3123: 3114: 3112: 3099: 3098: 3094: 3085: 3083: 3074: 3073: 3069: 3060: 3058: 3053: 3052: 3048: 3039: 3037: 3028: 3027: 3023: 3014: 3012: 3003: 3002: 2998: 2989: 2987: 2980: 2965: 2964: 2960: 2951: 2949: 2940: 2939: 2935: 2928: 2924: 2915: 2913: 2906: 2891: 2890: 2886: 2877: 2875: 2866: 2865: 2861: 2852: 2850: 2846: 2839: 2834: 2833: 2829: 2820: 2818: 2809: 2808: 2804: 2795: 2793: 2784: 2783: 2779: 2770: 2768: 2745: 2722: 2721: 2717: 2710: 2706: 2699: 2695: 2686: 2684: 2675: 2674: 2670: 2661: 2659: 2654:. Daao.org.au. 2650: 2649: 2645: 2638: 2634: 2625: 2623: 2614: 2613: 2609: 2600: 2598: 2589: 2588: 2584: 2575: 2573: 2564: 2563: 2559: 2550: 2548: 2541: 2526: 2525: 2521: 2512: 2510: 2506: 2502: 2501: 2497: 2491: 2487: 2478: 2476: 2471:. Arcadja.com. 2467: 2466: 2462: 2453: 2451: 2444: 2429: 2428: 2424: 2414: 2412: 2403: 2402: 2398: 2389: 2387: 2380: 2365: 2364: 2360: 2351: 2349: 2342: 2327: 2326: 2322: 2313: 2311: 2304: 2289: 2288: 2281: 2272: 2270: 2266: 2265: 2261: 2247: 2237: 2230: 2228: 2227:on May 17, 2012 2219: 2218: 2214: 2205: 2203: 2196: 2181: 2180: 2176: 2167: 2165: 2158: 2143: 2142: 2138: 2129: 2127: 2118: 2117: 2113: 2104: 2102: 2093: 2092: 2088: 2081: 2077: 2068: 2066: 2057: 2056: 2052: 2043: 2041: 2032: 2031: 2027: 2018: 2016: 2015:on July 7, 2012 2007: 2006: 2002: 1993: 1991: 1982: 1981: 1977: 1970: 1957: 1956: 1952: 1945: 1932: 1931: 1927: 1918: 1916: 1907: 1906: 1902: 1893: 1891: 1882: 1881: 1877: 1868: 1866: 1857: 1856: 1852: 1843: 1841: 1836:. Arcadja.com. 1832: 1831: 1827: 1818: 1816: 1807: 1806: 1802: 1793: 1791: 1782: 1781: 1777: 1768: 1766: 1757: 1756: 1752: 1743: 1741: 1736: 1735: 1731: 1722: 1720: 1711: 1710: 1706: 1697: 1695: 1691: 1690: 1686: 1677: 1675: 1671: 1670: 1666: 1657: 1655: 1646: 1645: 1641: 1632: 1630: 1626: 1625: 1621: 1612: 1610: 1601: 1600: 1596: 1587: 1585: 1571: 1570: 1566: 1556: 1554: 1545: 1544: 1540: 1531: 1529: 1520: 1519: 1510: 1501: 1499: 1485: 1484: 1480: 1470: 1468: 1459: 1458: 1454: 1445: 1443: 1439: 1432: 1430:"Gorry Gallery" 1428: 1427: 1423: 1413: 1411: 1402: 1401: 1392: 1383: 1381: 1372: 1371: 1367: 1358: 1356: 1347: 1346: 1342: 1338: 1237: 1230: 1227:Rogation Sunday 1220: 1211: 1201: 1188: 1160: 1150: 1141: 1131: 1122: 1112: 1099: 1031: 1028:Summer Sunlight 1021: 1012: 1002: 993: 983: 937:E. 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