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Tito died in Venice on 26 June 1941 at the age of 81. His son, Luigi Tito (1907–1991) was also a noted painter. Luigi's son, Pietro
Giuseppe (Eppe) Tito (born 1959), is a noted sculptor. In September 2003, a retrospective exhibition of the works of Ettore, Luigi, and Pietro Giuseppe Tito was held at
909:
during World War II, with
Gigetto's studio one of the bases for the Venetian resistance. See Albanese and Borghi (2005) pp. 148 and 245. Dina (whose actual first name was Gioconda) had also studied painting at the Accademia in Venice. At one point she smuggled guns, which had been hidden in the
781:. The vault and its fresco were severely damaged by Austrian bombardment during World War I. The fresco was beyond repair, although a few pieces were salvaged and taken to the Accademia in Venice, and Tito was asked to create a replacement for the rebuilt vault. He chose as his subject
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360:(The Venetian Masters) was completed in 1937 and shown at the Venice Biennale in 1940. Considered his "spiritual testament", the painting depicts Venice personified as a young woman surrounded by the city's greatest artists (Tiepolo,
80:
captain and Luigia
Novello Tito. His mother was Venetian, and when he was a small boy the family returned to Venice where he was to live for the rest of his life. He began his art studies at an early age, first with the Dutch artist
197:
he painted at the Villa
Berlinghieri in Rome and the Palazzo Martinengo in Venice. By the late 19th century, he was also in demand for his drawings and sketches which illustrated several British and American magazines, including
85:, who was to become a lifelong friend, and then at the Accademia di Belle Arti where he had been accepted at the age of 12 before he had even reached the legal age for admission. At the Accademia he studied primarily under
234:
1194:
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Visi e figure in disegni italiani e stranieri dal
Cinquecento all'Ottocento / Faces and Figures in Foreign and Italian Drawings from the Sixteenth to the Nineteenth Century
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147:(Grand Gold Medal) at the 1903 Biennale. In 1909 an entire room at the Biennale was devoted to a retrospective of his work with 45 paintings and a bronze sculpture of
869:. The other three proverbs were: "Les paroles s'envolent, les ecrits restent", "On a souvent besoin de d'un plus petit que soi", and "Qui trop embrasse mal Ă©treint".
1260:(The Glory of Mary after the Council of Ephesus), painting by Ettore Tito on the nave ceiling of the Chiesa di Santa Maria di Nazareth in Venice, completed in 1934
1330:
1300:
193:, after 1900 he increasingly turned to mythological and symbolic subjects inspired by 18th-century Venetian painting, both for his oil paintings and for the
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One of the most important commissions in his later years came in 1929, when at the age of 70 he was asked to create a 400 square metre painting for the
789:, the painting was commissioned in 1929 and completed in 1934. Tito's son, Luigi, and several other young artists assisted him in its final execution.
325:
In 1894 Tito succeeded Pompeo
Molmenti as the Professor of Painting at the Accademia in Venice, a post he held until 1927. Amongst his pupils were
40:
in Venice and from 1894 to 1927 was the
Professor of Painting there. Tito exhibited widely and was awarded the Grand Prize in painting at the 1915
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1130:(catalog for the exhibition at the Loggia Rucellai, Florence, 30 April – 31 May 1970), Edizioni della Stampa della Stanza del Borgo, 1970
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Tito was one of a group of painters with close ties to the
English and American expatriate community in Venice which had its hub at the
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37:
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32:(17 December 1859 – 26 June 1941) was an Italian artist particularly known for his paintings of contemporary life and landscapes in
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as well as musicians and writers. He painted the portraits of many members of his circle and their families including: composer
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illustrations of four proverbs featuring depictions of emancipated women for a French magazine in the 1920s. One of them,
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who commissioned Tito to create a ceiling painting for the ballroom with allegorical depictions of Italy's conquest of
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1052:(catalog for the exhibition at the Fondazione Giorgio Cini, Venice, 5 September – 29 November 1998), Electa, 1998.
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While his earlier paintings were largely depictions of the people, everyday life, and landscapes of Venice and the
329:, Cesare Mainella, Lucillo Grassi, Giuseppe Ciardi, Giovanni Korompay, Guido Marussig, Domenico Failutti, and the
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Tito exhibited widely, and his work was popular beyond his native Italy. His paintings were to be seen in each
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Mazzato (2007) p.31. A colour reproduction of the painting can be found in Luser and
Mazzato (2003) p. 2.
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on exhibit. (Entire rooms devoted to his work were also presented at the 1922, 1930 and 1936 Biennali.)
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for the entry hall, with allegorical allusions to the family's history as well as scenes depicting
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Memoria resistente: La lotta partigiana a
Venezia e provincia nel ricordo dei protagonisti
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Giovanola, Luigi, "La mostra individuale di Ettore Tito alla Galleria Pesaro di Milano",
1038:, first published by the Biennale di Venezia, 1909, reprinted by Ayer Publishing, 1971.
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from its inception in 1895 until 1914 and again in 1920 when the Biennale resumed after
1153:, Bergamo: Istituto italiano d'arti grafiche, 1919, Volume: 49 No. 10, pp. 139–144
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Chiesa di Santa Maria di Nazareth (Chiesa degli Scalzi), Venice (completed 1934) – The
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170:(The Cable), won the Grand Prize at the Exposition Universelle et Internationale in
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and the Palazzotto Tito in Venice, were also gathering places for artists such as
600:(Autumn - portrait of Tito's sons) (1914) Galleria Nazionale d'Arte Moderna, Rome
1190:, Banca del Veneziano - Edizioni Trart, 2003 (in Italian, accessed 7 April 2010)
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534:(The Love Letter) (1907) Frugone Collection, Museo Villa Grimaldi Fassio, Genoa
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in 1910, and in 1915 he was awarded the Grand Prize in Italian painting at the
1101:, Vol. XVII, Number 3, December 1909, pp. 240–252 (accessed 7 April 2010)
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Many of Tito's paintings are held in private collections, most notably the
493:(The Birth of Venus) (1903) Galleria Internazionale d'Arte Moderna, Venice
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Tito's portrait of Wolf-Ferrari is reproduced in Girardi (2007) p. 131.
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574:(Lagoon) (1910) Frugone Collection, Museo Villa Grimaldi Fassio, Genoa
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and died in Venice, the city which was his home for most of his life.
1268:(The Venetian Masters), Tito's last major painting, completed in 1937
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Omaggio ai Tito. Opere scelte di Ettore, Luigi, Pietro Giuseppe Tito.
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in San Francisco. An exhibit of 18 of his canvases was also held in
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Albanese, Roberto, "La breve stagione artistica di Rita D'Aronco",
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Villa Berlinghieri, Rome (painted 1917) – Tito created a series of
1123:, Fondazione Venezia 2000, 10 January 2008 (accessed 1 April 2010)
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1072:, 7 September 1998, p. 25 (in Italian, accessed 7 April 2010)
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Heaven helps those who help themselves; Aide-toi. Le ciel t'aidera
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Tito's illustration of the original production of Verdi's opera,
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In a departure from his usual style, he produced slightly risqué
1210:, Bergamo, Instituto italiano d'arti grafiche, 1903, p. 156
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Romano (1997) p. 195. See also Lucco and De Grassi (2002) p. 831
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485:
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110:
1088:, 5 September 1914, Part 3, p. 4 (accessed 7 April 2010)
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the Council of Ephesus proclamation of Mary the Mother of God
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Both Dina and Gigetto Velluti were to become active in the
1201:, 2007, pp. 28–37 (in Italian, accessed 7 April 2010)
742:, Venice (painted 1921) – The 16th century palazzo on the
568:(The Cable) (1909) Galleria Nazionale d'Arte Moderna, Rome
516:) (1906) Frugone Collection, Museo Villa Grimaldi Fassio,
227:("Heaven helps those who help themselves") is held at the
266:. Over the years, the family's properties, Villa Tito in
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Archives of Venetian painting: Ettore Tito (1859 - 1941)
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the transportation by angels of the Virgin Mary's house
620:(Air and Water) (1922) Art Gallery of New South Wales,
468:) (1897) Galleria Internazionale d'Arte Moderna, Venice
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collection. Those permanently held in museums include:
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in 1926, the year in which he was made a member of the
97:
His first major success came in 1887 when his painting
1036:
Catalog of the Venice Biennale: Eighth Exhibition 1909
806:
Dal Pozzo (1970) p. 134; Bettagno (1998) pp. 19 and 96
1110:
Un patrimonio per la cittĂ : La collezione Antonveneta
631:(1926) Galleria Internazionale d'Arte Moderna, Venice
1116:, September 2009 (in Italian, accessed 7 April 2010)
815:
Mazzato (2007) p. 31. See also Adelson (2006) p. 212
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Ambassador to Italy and was undergoing restoration.
644:Studies for Frescoes for Villa Berlinghieri (1917)
143:(City of Venice Prize) at the 1897 Biennale and a
754:. The palazzo is still owned by the Volpi family.
740:Palazzo D'Anna Viaro Martinengo Volpi di Misurata
732:. As of 2010, the villa was the residence of the
1093:"The art of Ettore Tito, modern Italian painter"
503:) (1905), Galleria d'Arte Moderna "Ricci Oddi",
1028:, Nerosubianco Edizioni, 2007, pp. 167–171
910:pedestals of statues at the Accademia, for the
162:in Paris and was subsequently purchased by the
1272:Illustrated biographical sketch of Ettore Tito
36:and the surrounding region. He trained at the
1207:L'Arte mondiale alla V Esposizione di Venezia
604:
302:; artist Nerina Pisani Volpi (whose husband,
8:
1033:"Sala 7 – Mostra individuale di Ettore Tito"
1177:Lucco, Mauro and De Grassi, Massimo (eds.)
559:(The Dunes) (1909) Galleria d'Arte Moderna
101:(a depiction of the old fish market on the
1167:, 2007 (in Italian, accessed 7 April 2010)
761:vault of the church had a large fresco by
1326:Accademia di Belle Arti di Venezia alumni
1257:Gloria di Maria dopo il Concilio di Efeso
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787:Gloria di Maria dopo il Concilio di Efeso
1137:, September 1998 (accessed 7 April 2010)
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76:, on 17 December 1859 to Ubaldo Tito, a
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1215:Annuario della Reale Accademia d'Italia
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434:(The Old Fish Market in Venice) (1887)
176:Panama–Pacific International Exposition
42:Panama–Pacific International Exposition
1184:Luser, Federica and Mazzato, Matteo,
1140:Galleria d'Arte Moderna "Ricci Oddi",
553:(The Bath) (1909) Musée d'Orsay, Paris
456:Galleria Internazionale d'Arte Moderna
48:. In 1926 he was made a member of the
1331:Members of the Royal Academy of Italy
1080:"Venice's Interrupted Art Exhibition"
856:Reale Accademia d'Italia (1942) p. 59
7:
1006:Albanese, Giulia and Borghi, Marco,
1301:People from Castellammare di Stabia
1174:(in Italian, accessed 8 April 2010)
1172:Ristrutturazione Villa Berlinghieri
1144:(in Italian, accessed 7 April 2010)
1012:, Nuova Dimensione Edizioni, 2005.
767:Trasporto della Santa Casa a Loreto
310:; the children of Edith and Cosimo
628:Portrait of the Marchesa Malacrida
592:Galleria d'Arte Moderna Ricci Oddi
544:) (1909) Galleria d'Arte Moderna,
14:
1341:20th-century Italian male artists
1336:19th-century Italian male artists
1195:I Tito: un secolo e mezzo di arte
436:Galleria Nazionale d'Arte Moderna
346:Chiesa di Santa Maria di Nazareth
107:Galleria Nazionale d'Arte Moderna
865:See Victoria and Albert Museum,
671:
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657:
650:
525:(1906) Galleria d'Arte Moderna,
348:in Venice to replace the one by
89:and graduated at the age of 17.
1179:Pittura nel Veneto: L'Ottocento
996:, Yale University Press, 2006.
914:' attack on the Teatro Goldoni.
484:(1902) Museo de Arte Italiano,
878:Adelson (2006) pp. 150 and 212
838:Barbiera (1909/1971) pp. 41-43
639:
432:La pescheria vecchia a Venezia
372:) who pay homage to her while
1:
1321:20th-century Italian painters
1311:19th-century Italian painters
158:won a Gold medal at the 1900
1048:Bettagno, Alessandro (ed.),
950:See Luser and Mazzato (2003)
1165:Teatro La Fenice di Venezia
907:Italian resistance movement
418:(The Birth of Venus) (1903)
99:Pescheria vecchia a Venezia
74:Kingdom of the Two Sicilies
1357:
1213:Reale Accademia d'Italia,
1199:Rive: uomini, arte, natura
1126:Dal Pozzo, Liliana (ed.),
1064:"Simbolista, ma così così"
497:Dopo la pioggia a Chioggia
229:Victoria and Albert Museum
225:Aide-toi, le ciel t'aidera
16:Italian artist (1859-1941)
1133:Fondazione Giorgio Cini,
1085:Boston Evening Transcript
1076:Burrage, Mildred Giddings
642:
258:and was a friend of both
1234:Sgarbi, Vittorio (ed.),
1156:Girardi, Michele (ed.),
610:(Self-portrait) (1919),
264:Isabella Stewart Gardner
68:Ettore Tito was born in
977:Mazzato (2007) p. 32-33
941:Comune di Padova (2009)
356:. His last major work,
335:Cagnaccio di San Pietro
141:Premio CittĂ di Venezia
70:Castellammare di Stabia
54:Castellammare di Stabia
38:Accademia di Belle Arti
24:Ettore Tito (1859–1941)
1121:Luigi Tito (1907-1991)
1050:Ettore Tito, 1859-1941
896:Albanese (2007) p. 169
605:
420:
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184:Royal Academy of Italy
160:Exposition Universelle
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87:Pompeo Marino Molmenti
50:Royal Academy of Italy
26:
1316:Italian male painters
1306:Artists from Campania
1170:Impresa Carlo Poggi,
1031:Barbiera, Raffaello,
1025:Rendiconti Cuneo 2007
847:Bettagno (1998) p. 21
829:Adelson (2006) p. 212
612:Galleria degli Uffizi
413:
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145:Grande Medaglia d'Oro
119:
22:
1091:Caffin, Charles H.,
1062:Bossaglia, Rossana,
932:Sgarbi (2002) p. 207
794:Notes and references
590:(The Nymphs) (1911)
491:La nascita di Venere
442:Breezy Day in Venice
416:La nascita di Venere
288:Ermanno Wolf-Ferrari
1265:I maestri veneziani
1158:Programma di Sala:
1119:Dal Bon, Giovanna,
1069:Corriere della Sera
959:Impresa Carlo Poggi
718:Fruits of the Earth
682:Fruits of the Earth
499:(After the Rain in
446:Museum of Fine Arts
358:I maestri veneziani
260:John Singer Sargent
250:, 18 February 1893)
207:Scribner's Magazine
164:Musée du Luxembourg
52:. Tito was born in
1276:Eugenio Da Venezia
1274:on the website of
1236:Surrealismo padano
1224:, Marsilio, 1997.
421:
327:Eugenio Da Venezia
268:Riviera del Brenta
252:
129:
58:province of Naples
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1217:, Volume 13, 1942
1193:Mazzato, Matteo,
1160:La vedova scaltra
990:Adelson, Warren,
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538:Amore e le Parche
425:Banca Antonveneta
308:Raimondo D'Aronco
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1204:Pica, Vittorio,
993:Sargent's Venice
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1296:1941 deaths
1291:1859 births
785:. Entitled
744:Grand Canal
354:World War I
272:Anders Zorn
247:The Graphic
201:The Graphic
180:Los Angeles
137:World War I
30:Ettore Tito
1285:Categories
1104:Comune di
614:, Florence
594:, Piacenza
510:L'amazzone
370:Tintoretto
280:Luigi Nono
912:partisans
566:La gomena
523:Baccanale
406:Paintings
380:look on.
378:harlequin
320:Sarabande
168:La gomena
64:Biography
1150:Emporium
775:Nazareth
588:Le ninfe
561:Florence
551:Il bagno
505:Piacenza
501:Chioggia
482:The Wave
474:(1898)
472:Chioggia
464:(On the
458:, Venice
448:, Boston
362:Veronese
333:painter
312:Rucellai
241:Falstaff
221:Art Deco
172:Brussels
156:Chioggia
154:Abroad,
123:Chioggia
985:Sources
763:Tiepolo
714:frescos
598:Autunno
580:(1911)
557:Le dune
546:Palermo
478:, Paris
452:Autunno
444:(1891)
374:Goldoni
350:Tiepolo
344:of the
294:; poet
149:Pegasus
56:in the
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1228:
1106:Padova
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1016:
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779:Loreto
730:Repose
728:, and
703:Repose
636:Murals
622:Sydney
572:Laguna
542:Parcae
514:Amazon
466:Lagoon
438:, Rome
376:and a
366:Titian
282:, and
210:, and
195:murals
191:Veneto
126:(1898)
103:Rialto
93:Career
34:Venice
773:from
752:Libya
726:Study
696:Study
527:Milan
518:Genoa
512:(The
401:Works
384:Death
342:vault
318:(The
213:Punch
1240:ISBN
1226:ISBN
1054:ISBN
1040:ISBN
1014:ISBN
998:ISBN
759:nave
722:Play
689:Play
486:Lima
395:Stra
389:the
368:and
262:and
111:Rome
777:to
393:in
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109:in
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244:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
