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264:, whose reflection on the Middle Ages and the method advocating the link between form, function and material came to permeate Grasset's work. In 1871 he moved to Paris and he started to design furniture, wallpapers, fabrics, and tapestries as well as ceramics and jewelry. He created architectural elements of woodwork that were integrated into buildings. His fine art decorative pieces were crafted from ivory, gold, and other precious materials in unique combinations, and his creations are considered a cornerstone of Art Nouveau motifs and patterns.
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With the growing popularity of French posters in the United States, Grasset was soon contacted by several
American companies. In the 1880s, he did his first American commission and more success led to his cover design for the 1892 Christmas issue of
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on 25 May 1845. He was raised in an artistic environment as the son of a cabinetmaker and sculptor who taught him at an early age how to use the chisel and the gouge. He studied drawing under
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In 1877 Eugène
Grasset turned to graphic design, producing income-generating products such as postcards and eventually postage stamps for both France and Switzerland. It was
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345:(1471) with the intention of using it to print a book on his own method for ornamental composition, inspired by the courses he gave to the Guérin school.
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In 1896 he published a dissertation on the use of plants in designs, that featured images of designs prepared by his students. Among his students were
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Eugène
Grasset: une certaine image de la femme : [exposition, Fondation Neumann, Gingins, 17 septembre 1998 - 31 janvier 1999]
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Grasset taught design at the École Guérin from 1890 to 1903, at the École d’Art graphique in the rue Madame from 1903 to 1904, at the
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recreated it in stained glass. Grasset's work for U.S. institutions helped pave the way for Art
Nouveau to dominate American art.
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Between 1869 and 1870, Grasset worked as a theater painter and sculptor in
Lausanne. Here he met
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acquired
Grasset's alphabet and obtained an official patent on 7 October 1897 for the
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Eugène Samuel
Grasset, poster for an exhibition of French decorative art at the
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213:(25 May 1845 – 23 October 1917) was a Swiss decorative artist who worked in
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455:("The Acid Thrower"), 1894, lithograph with hand-stencilled colours, for
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art, based on the work of
Viollet le Duc, that quickly became his
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to study architecture. After completing his education, he visited
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to help advertise their serialized story on the life of
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Academic staff of the Académie de la Grande Chaumière
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in Paris. Grasset had freely adapted the alphabet of
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Félix Gaudin: peintre-verrier et mosaïste, 1851-1930
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49:. Unsourced material may be challenged and removed.
217:in a variety of creative design fields during the
650:(1896), Public Domain Review, accessed 2019.05.01
312:. The "Wooly Horse" image proved so popular that
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619:(in French). Swiss Institute of Art Research.
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291:. Grasset's commercial work would be based
287:" logo used by the dictionary publishers,
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109:Learn how and when to remove this message
713:Publications by and about Eugène Grasset
648:Plants and Their Application to Ornament
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275:. Some of his works became part of the
384:, Aline Poitevin, Pierre Selmersheim,
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139:Eugène Grasset, from Joseph Uzanne,
47:adding citations to reliable sources
715:in the catalogue Helveticat of the
293:on the drawings of Viollet le Duc.
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253:designs. He became an admirer of
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241:(1828–1890) and in 1861 went to
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615:Murray Robertson, Anne (2016).
335:Académie de la Grande Chaumière
34:needs additional citations for
691:. Presses Univ Blaise Pascal.
664:Anne Murray Robertson (1998).
337:from 1904 to 1913, and at the
143:, vol III; Paris: Floury, 1897
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685:Jean-François Luneau (2006).
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658:General and cited references
556:Samantha Littlefield Huntley
521:Cantonal Museum of Fine Arts
400:Universal Exhibition of 1900
281:Jeanne d'Arc Sarah Bernhardt
406:typefoundry introduced the
239:Francois-Louis David Bocion
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742:19th-century Swiss artists
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777:Swiss emigrants to France
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762:Art Nouveau illustrators
601:Jean-François Luneau, p.
413:Grasset died in 1917 in
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717:Swiss National Library
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179:Sceaux, Hauts-de-Seine
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767:Artists from Lausanne
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558:, one of his students
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314:Louis Comfort Tiffany
235:Lausanne, Switzerland
211:Eugène Samuel Grasset
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787:Swiss poster artists
588:Murray Robertson, p.
575:Murray Robertson, p.
364:, Georges Bourgeot,
305:The Century Magazine
277:Maîtres de l'Affiche
233:Grasset was born in
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540:made the typeface,
509:by Grasset, c. 1891
458:L'Estampe originale
368:, Marcelle Gaudin,
16:Painter (1845–1917)
782:Swiss illustrators
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408:"Grasset" typeface
404:G. Peignot et Fils
370:Augusto Giacometti
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310:Napoleon Bonaparte
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677:978-88-8118-409-5
507:A La Place Clichy
494:, published 1887.
353:under the name, "
326:, enamel brooch,
300:Harper's Magazine
289:Éditions Larousse
204:Grafton Galleries
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58:"Eugène Grasset"
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32:This article
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41:Please help
36:verification
33:
737:1917 deaths
732:1845 births
515:Exhibitions
422:département
366:Paul Follot
324:Apparitions
223:Art Nouveau
191:Art Nouveau
152:25 May 1845
726:Categories
440:, c. 1892.
171:1917-10-24
99:April 2024
69:newspapers
670:. Skira.
563:Citations
285:dandelion
229:Biography
551:typeface
532:See also
525:Lausanne
488:La danse
351:typeface
225:design.
181:, France
156:Lausanne
549:Grasset
542:Grasset
527:, 2011.
417:in the
398:At the
355:Grasset
169: (
83:scholar
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415:Sceaux
392:, and
269:poster
251:poster
243:Zürich
206:, 1893
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273:forte
247:Egypt
187:Style
90:JSTOR
76:books
693:ISBN
672:ISBN
164:Died
149:Born
62:news
605:359
592:103
45:by
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