375:. The 25-minute soundtrack is split into 21 tracks, with intentionally jarring edits between musical sections ensuring no recognisable patterns or beats last for much longer than a brief appearance. One journalist described the result as "a conveyor belt of sounds." The soundtrack is intricately layered, and throughout the music are "squelchy" Roland TB-303 sounds, pounding grooves, build-ups and breakdowns, 'searing' techno and acidic bass lines. The sounds of the soundtrack reflect the
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was also influenced by the soundtrack, and agreed to re-release it after a period of unavailability. They remastered the music from the original tapes and, on 28 January 2003, released it for the first time on CD and vinyl. Rephlex soon followed it with a compilation of other Brian Dougan productions
616:
wrote that
Rephlex's reissue of the soundtrack was "ar from an exercise in nostalgia," and instead "more like a labor of love." They referred to the soundtrack as an influential "acid lover's paradise" and wrote that, despite its short length, the album is "perfect for anyone looking to own a slice
667:
is "fun and interesting to listen to." Nonetheless, they wrote that the lack of "breadth" within the tracks meant that listeners would find it hard to engage with the music: "Just when the mind is about to wrap itself around a sumptuous rhythm or sound, a new track intrudes, resulting in a rather
262:
was a 1989 film created by video artists
Stakker, made up of Mark Mclean, Marek Paytel and Colin Scott. One of the British rave scene's earliest visual projects, the film was a "massive statement" that explored possibilities for audio-visual presentation, and featured colourful graphics, such as
400:
cartoons, due to the soundtrack's preference for "the most absurd squiggles, rubbery yanks, and rhythmic juxtapositions possible within the different patches of synth sound and editing capabilities." He described tracks 7-10–the longest on the album–as forming the "core" of the soundtrack, with
160:
38:
271:
regard it as "one of those early, computery, weirdy, acidy colourful things." Incorporating microcinematography from
Sinclair Stammers Post Production, the film's innovative usage of colourisation was achieved using the
244:
label, which had been inspired by the music. The album received positive reviews for its early acid techno sound and was hailed as innovative. It was followed by another release of early Brian
Dougans music,
652:
was "curious" and "very much of-its-time" in 1989, and had remained "not really all that deathless," it maintained a "certain thrill" and was "good enough fun." He felt parts of the music would anticipate
319:", regarded as one of the earliest examples of acid house to break into the mainstream, also originated from the producer's work with Stakker, and was described as a companion project. Released on VHS by
1700:
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in 1989 and became influential on other film-makers, although the soundtrack itself did not initially receive its own release. Over the years, the music proved influential on other producers, including
636:, Andy Beta noted the influence of the music on contemporary producers, and wrote that: "Either as a history lesson through the classic Acid noises of a decade back, or as just a good ol' mix,
627:"still sounds fresh, new and innovative." She commented that the release is "no nostalgic nod to the past," but instead "a testament to the timeless quality of solid electronic music."
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The 21 tracks throughout the soundtrack are not individually titled, instead being numbered as different parts of "Eurotechno" on the album release. According to Andy Beta of
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200:. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of
606:"an orgiastic 25 minute sequence of build ups, breakdowns, 303s and four to the floor beats." They praised Rephlex for "rescuing this unique moment in the history of
1522:
311:
music – in the basement of his college, and proceeded to feature it heavily in the production of the film's soundtrack. With its origins in the early days of
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proved influential. The music's tendency to eradicate recognisable patterns after a brief appearance proved influential on later day producers such as
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went on to become a "dance-culture classic" and a pioneering video for "bedroom digital production," even influencing a television advertisement for
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rhythms, but soon undergo "permutations" with "harsh powertools buzz" surrounding and cutting them. He compared the frenzy of "clashing sounds" to
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reflects the fragmented, fast-cut editing of the film by incorporating quick jumps between musical styles, including elements of
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style with TB-303 "squirts basso," while track 10 features noises and processed vocals akin to early
830:"Early techno HHHII Stakker Eurotechno rephlex – Independent on Sunday, The – Find Articles at BNET"
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2008:
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experiment and features rapidly shifting colourful computer graphics, reflecting the influence of
1647:
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288:." Although Scott felt the film was built on "fairly random editing," Pytel argued it to be a "
240:. The latter released the soundtrack on CD and vinyl for the first time in January 2003 on his
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that shift after their brief appearances, thus contributing to an intricately layered style.
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is still quite quick and efficient work, even for a time machine." Ned
Raggett of
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315:, it was one of the producer's earliest projects. Dougan's 1988 acid house hit "
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noted that the release would appeal to dedicate fans of
Dougans' later project
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scene of the era. The liner notes of the album release refer to it as an
1129:"The Future Sound of London - Welcome to the Galaxial Pharmaceutical v7"
805:"The Future Sound of London - Welcome to the Galaxial Pharmaceutical v7"
577:. For instance, track 9 has been cited as a predecessor to Aphex Twin's
2170:
1104:"Stakker Humanoid: how the Future Sound of London won hearts and minds"
1041:
808:
584:
264:
241:
128:
674:
referred to the soundtrack as "istoric stuff" in a three-star review.
401:
metallic, droning keyboards and unabated beats. Track 9 features an
338:
45:
682:
All music written by Brian
Dougans, Mark McClean and Colin Scott
561:
Despite never originally receiving its own release, the music in
1701:
A Monstrous
Psychedelic Bubble Exploding in Your Mind: Volume 3
1694:
A Monstrous
Psychedelic Bubble Exploding in Your Mind: Volume 2
1687:
A Monstrous
Psychedelic Bubble Exploding in Your Mind: Volume 1
1458:
2065:
The Far-Out Son of Lung and the Ramblings of a Madman
392:, the frequencies in the music quickly distort into
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1655:
The Peppermint Tree and Seeds of Superconsciousness
1625:
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106:
73:
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57:
44:
30:
184:refers to the musical soundtrack by English group
208:. The 25-minute soundtrack was recorded using a
1171:: CS1 maint: others in cite AV media (notes) (
1054:: CS1 maint: others in cite AV media (notes) (
663:felt that, as an item of "audio anthropology,"
284:magazine referred to the film as "audio-visual
267:, cut-and-pasted and edited with quick shifts.
441:
1470:
8:
2226:Experimental music albums by English artists
617:of dance-music history." Christine Hsieh of
529:
491:
2128:Papua New Guinea (Herd & White Remixes)
192:of the same name. The original film was an
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1253:"Stigma in Epilepsy - Feature Article"
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898:
1003:K, T-Cut; Goodyer, Tim (March 1990).
965:
963:
807:. Secondthought.co.uk. Archived from
422:
7:
1439:from the original on 15 January 2006
16:For the associated music genre, see
1755:Teachings from the Electronic Brain
1282:Hsieh, Christine (1 January 2003).
1102:Aitken, Stuart (11 November 2003).
443:
14:
668:detached listening experience."
531:
493:
755:Adapted from the liner notes of
580:Selected Ambient Works Volume II
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25:2003 studio album by Stakker
915:Beta, Andy (24 February 2003).
774:Mark Pytel – executive producer
1:
2100:Papua New Guinea Translations
1076:Khider, I (1 February 2003).
746:"Eurotechno (Part 21)" – 1:29
743:"Eurotechno (Part 20)" – 1:49
740:"Eurotechno (Part 19)" – 1:02
737:"Eurotechno (Part 18)" – 0:19
734:"Eurotechno (Part 17)" – 1:06
731:"Eurotechno (Part 16)" – 2:05
728:"Eurotechno (Part 15)" – 1:06
725:"Eurotechno (Part 14)" – 0:42
722:"Eurotechno (Part 13)" – 1:05
719:"Eurotechno (Part 12)" – 0:57
716:"Eurotechno (Part 11)" – 0:46
713:"Eurotechno (Part 10)" – 1:44
1429:"The Future Sound of London"
710:"Eurotechno (Part 9)" – 2:26
707:"Eurotechno (Part 8)" – 1:28
704:"Eurotechno (Part 7)" – 2:40
701:"Eurotechno (Part 6)" – 0:34
698:"Eurotechno (Part 5)" – 0:17
695:"Eurotechno (Part 4)" – 1:09
692:"Eurotechno (Part 3)" – 0:54
689:"Eurotechno (Part 2)" – 0:59
686:"Eurotechno (Part 1)" – 1:11
583:. Aphex Twin's record label
188:for their 1989 experimental
971:"Stakker Eurotechno (1989)"
785:Rephlex Records discography
413:Album release and reception
307:– a synthesiser pivotal to
2242:
2107:The Mello Hippo Disco Show
1486:The Future Sound of London
646:The Future Sound of London
206:The Future Sound of London
15:
2216:2000s instrumental albums
1492:
1404:"Friday, 31 January 2003"
630:In a positive review for
610:from its original fate."
430:
427:
227:The film was released by
173:
169:
157:
153:
144:
35:
1832:From the Archives Vol. 7
1825:From the Archives Vol. 6
1818:From the Archives Vol. 5
1811:From the Archives Vol. 4
1776:From the Archives Vol. 3
1769:From the Archives Vol. 2
1762:From the Archives Vol. 1
1641:The Isness/The Otherness
295:The music and sound for
1973:Principles of Motion EP
1790:Zeebox 1984-1987 Vol. 2
1783:Zeebox 1984-1987 Vol. 1
1196:"Electric Independence"
878:"Review by Ned Raggett"
2221:2003 soundtrack albums
2191:Rephlex Records albums
1378:"Stacker - Eurotechno"
648:. He wrote that while
352:
2142:Stakker Humanoid 2007
2093:Papua New Guinea 2001
2086:Stakker Humanoid 2001
1619:Amorphous Androgynous
1351:"Stakker: Eurotechno"
876:Raggett, Ned (2003).
771:Mark McClean – sounds
342:
2016:Stakker Humanoid '92
1885:Your Body Sub Atomic
1565:The Woodlands of Old
1078:"Stakker Eurotechno"
917:"Stakker Eurotechno"
768:Colin Scott – sounds
418:Professional ratings
280:and Quantel Encore.
61:27 January 2003 (UK)
2023:People Livin' Today
1551:The San Monta Tapes
1233:(227–232): 72. 2003
1167:cite AV media notes
1050:cite AV media notes
419:
371:and foreshadows of
251:, later that year.
2201:Acid techno albums
1648:Alice in Ultraland
1634:Tales of Ephidrina
1320:on 1 December 2008
1157:(liner). Stakker.
1040:(liner). Stakker.
1005:"Sound And Vision"
948:(131–34): 73. 2003
850:on 1 December 2008
417:
353:
321:Virgin Video Music
229:Virgin Video Music
2206:Acid house albums
2151:
2150:
2079:We Have Explosive
1895:Singles & EPs
1797:By Any Other Name
1710:
1709:
1669:The Cartel Vol. 2
1662:The Cartel Vol. 1
1544:Hand-Made Devices
1314:"Remixmag review"
1202:. 1 December 2003
1011:(Mar 1990): 32–33
559:
558:
394:four-on-the-floor
347:incorporates the
177:
176:
2233:
1994:Papua New Guinea
1987:Papua New Guinea
1945:You Took My Love
1903:Stakker Humanoid
1623:
1593:Environment Five
1479:
1472:
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1456:
1449:
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1446:
1444:
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1414:
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1384:. 1 January 2003
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1336:
1330:
1329:
1327:
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1316:. Archived from
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1290:. Archived from
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1177:
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1135:on 10 April 2014
1131:. Archived from
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1009:Music Technology
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977:. Archived from
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846:. Archived from
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811:on 13 March 2012
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575:Bogdan Raczynski
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317:Stakker Humanoid
299:was credited to
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2121:The Witchfinder
1938:So This Is Love
1890:
1844:
1735:
1706:
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1607:Environment 6.5
1600:Environment Six
1572:Environments II
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1339:Allmusic review
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1307:
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1284:"Artist Albums"
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981:on 30 July 2018
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844:"Artist Albums"
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657:. I. Khider of
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263:multi-coloured
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2186:Stakker albums
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2156:
2155:External links
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2037:Liquid Insects
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2019:
2012:
2005:
2002:Fuzzy Logic EP
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1871:Sessions 84–88
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1433:Second Thought
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1294:on 22 May 2006
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591:Sessions 84-88
588:from the era,
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432:
429:
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365:Detroit techno
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333:
278:Quantel Mirage
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248:Sessions 84-88
222:Detroit techno
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164:Cover sticker.
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2009:Pulse Four EP
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1804:The Pulse EPs
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1626:Studio albums
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1515:Studio albums
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1505:Brian Dougans
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763:Brian Dougans
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678:Track listing
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423:Review scores
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398:Carl Stalling
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361:Chicago house
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355:The music of
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349:Roland TB-303
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343:The music on
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218:Chicago house
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202:Brian Dougans
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2014:
2007:
2000:
1993:
1985:
1978:
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1964:
1957:
1952:The Pulse EP
1950:
1943:
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1740:Compilations
1728:
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1679:Compilations
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1558:Environments
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1503:
1498:Garry Cobain
1496:
1441:. Retrieved
1432:
1423:
1411:. Retrieved
1407:
1398:
1386:. Retrieved
1381:
1354:
1345:
1334:
1322:. Retrieved
1318:the original
1308:
1296:. Retrieved
1292:the original
1287:
1260:. Retrieved
1256:
1247:
1235:. Retrieved
1230:
1204:. Retrieved
1199:
1159:Virgin Video
1154:
1149:
1137:. Retrieved
1133:the original
1123:
1111:. Retrieved
1108:The Guardian
1107:
1097:
1085:. Retrieved
1081:
1037:
1013:. Retrieved
1008:
983:. Retrieved
979:the original
974:
950:. Retrieved
945:
936:
924:. Retrieved
920:
885:. Retrieved
881:
852:. Retrieved
848:the original
838:
824:
813:. Retrieved
809:the original
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571:Squarepusher
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296:
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269:Future Music
268:
259:
258:
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234:Squarepusher
226:
198:rave culture
180:
179:
178:
46:Studio album
22:
2211:Rave albums
2196:2003 albums
2135:Archived EP
1849:Solo albums
1715:Live albums
1537:Dead Cities
1523:Accelerator
946:FutureMusic
655:Ibiza house
623:wrote that
381:acid techno
373:Ibiza house
369:dance music
367:, European
335:Composition
286:avant-garde
204:, later of
194:avant-garde
140:Marek Pytel
93:avant-garde
83:Acid techno
2180:Categories
2165:Eurotechno
2072:My Kingdom
2030:Metropolis
1980:Pulse 3 EP
1959:Pulse 2 EP
1864:Eurotechno
1839:Archived 8
1155:Eurotechno
1038:Eurotechno
815:2012-02-15
791:References
757:Eurotechno
665:Eurotechno
650:Eurotechno
638:Eurotechno
625:Eurotechno
604:Eurotechno
567:Aphex Twin
563:Eurotechno
377:acid house
357:Eurotechno
345:Eurotechno
329:Pot Noodle
325:Eurotechno
313:Madchester
309:acid house
297:Eurotechno
260:Eurotechno
238:Aphex Twin
214:acid house
190:short film
181:Eurotechno
88:acid house
31:Eurotechno
2058:Lifeforms
1878:4 Forests
1748:Earthbeat
1730:ISDN Show
1617:Albums as
1530:Lifeforms
1408:Angelfire
1356:Pitchfork
1227:"Reviews"
942:"Stakker"
921:Pitchfork
751:Personnel
633:Pitchfork
474:Pitchfork
407:808 State
389:Pitchfork
323:in 1989,
290:formalist
18:Eurodance
2114:Divinity
2051:Expander
1437:Archived
1435:. 2006.
1231:The Wire
882:AllMusic
779:See also
765:– sounds
660:Exclaim!
642:AllMusic
599:The Wire
437:AllMusic
383:record.
292:" work.
265:polygons
136:Producer
66:Recorded
58:Released
48: by
2171:Discogs
2044:Cascade
1917:Tonight
1443:29 July
1413:29 July
1388:28 July
1324:14 June
1298:29 July
1262:30 July
1237:29 July
1206:28 July
1161:. 1989.
1113:30 July
1087:29 July
1082:Exclaim
1044:. 2003.
1042:Rephlex
1015:29 July
985:29 July
952:29 July
926:29 July
887:29 July
854:14 June
602:called
585:Rephlex
403:ambient
242:Rephlex
186:Stakker
129:Rephlex
51:Stakker
1924:A.S.T.
1857:Global
1139:16 May
479:7.6/10
431:Rating
428:Source
149:Detail
107:Length
1382:Uncut
1288:Remix
671:Uncut
620:Remix
524:Uncut
486:Remix
124:Label
75:Genre
1996:(CD)
1910:Slam
1723:ISDN
1445:2018
1415:2018
1390:2018
1326:2008
1300:2018
1264:2018
1239:2018
1208:2018
1200:Vice
1173:link
1141:2018
1115:2018
1089:2018
1056:link
1017:2018
987:2018
954:2018
928:2018
889:2018
856:2008
613:Vice
608:rave
573:and
255:Film
236:and
220:and
98:rave
69:1989
2169:at
975:BFI
274:CVI
2182::
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