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to plot, stage directions, lighting, costuming, props, and sets, as well as to the music, drawn from fragments of the 18th and 19th century repertoire and intermittently drowned out by a taped Opera Mix, "as if you were shouting to someone on the opposite side of the street and a large truck passes
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There is no conductor; performers are instead guided by large projections of a digital clock according to strict time intervals. Cage even went so far as to hand out two separate sets of librettos to the audience at the premiere, themselves culled from previous operatic works.
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and the nineteen singers share the space with dancers. Cage said "What I wanted to do was to have the programs such that if twelve people were sitting in a row each one would be looking at a different
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begins "Dressed as an Irish princess, he gives birth; they plot to overthrow the French." The area of the stage is divided into 64 quadrants corresponding to the
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The libretto, in twenty-four scenarios, likewise juxtaposes traditional operatic episodes: the
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in New York was the last performance attended by Cage before his death on August 12, 1992.
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Records issued a 2-CD set of "Europeras III and IV" in 1995: catalog # 37/38.
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and premiered in 1990, subsequently touring. Both prominently feature
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for pianist, two singers, lighting and tape, premiered May 21, 1991 in
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Records issued a CD of 'Europera V" in 1994: catalog #36.
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No recordings have yet been released of "Europeras I and II."
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168:: A Light- and Soundscape As Musical Manifesto
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99:piece for singer, gramophone and table lamp.
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48:Europeras I and II were premiered by the
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428:But What About the Noise ...
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106:Europera V
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166:Europeras
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