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Euthydikos Kore

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20: 649: 169: 181: 157: 133:. Described by Jeffrey Hurwit as 'an early classical statue in archaic dress', the Euthydikos kore exhibits a sense of volume and structure under the drapery that was novel. Since she is perhaps the last in the series of Acropolis korai and represents the beginning of the new style, the dating of the statue is of some significance. As stated, the bust was taken from a trench dug to the east of the Parthenon by 126:. The layout of the text meant that the viewer could read the most crucial part of the text from a frontal position ("Euthydikos... dedicated "), but required them to move around the sculpture in order to read the whole text. This movement of the viewer mirrors that of the chariots on the figure's himation. 141:
of this trench had been compromised the layer in which the kore was found in was taken to be the Perserschutt. However, as Andrew Stewart argues this layer may be Kimonian or Periklean backfill against the south wall. Further, Stewart maintains that the burning observed on the Euthydikos kore is in
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Though belonging to Kavvadias's finds the question of this kore's relationship to the Persian debris has been regularly raised, nevertheless support for a date of 480 remains, see M. Steskal, Der Zerstörungsbefund 480/79 der Athener Akropolis,
146:. He also notes that the kore is not facially mutilated, suggesting that it was not vandalised by the Persians. This implies that the kore’s date may be placed later in the 470s and that the Severe Style developed after the 82:
draped from the right shoulder. The himation was once decorated with painted bands which Winter discerns as depicting two four-horse chariots, wrapping around the figure's left shoulder and disappearing behind her hair. A
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The surviving statue consists of two parts; the upper torso and head and the lower legs, feet and base, with the middle missing. The complete statue would have stood at 1.28m. The upper part was found in 1882 east of the
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that the two pieces were related was a connection made by Winter. The figure stands with left leg advanced (“almost like a kouros”). Her right forearm, now missing, would have been raised. She wears a
492:"The Persian and Carthaginian Invasions of 480 B.C.E. and the Beginning of the Classical Style: Part 1, the Stratigraphy, Chronology, and Significance of the Acropolis Deposits" 888: 1123: 545: 397:
Fouquet, Johannes (2022). "Inscriptions and Bodily Kinaesthetics in Archaic and Early Classical Sculpture". In Dietrich, Nikolaus; Fouquet, Johannes (eds.).
628: 648: 62:. It is named after the dedication on the base of the sculpture, “Euthydikos son of Thaliarchos dedicated ”. It now stands in the Acropolis Museum. 1098: 1044: 1039: 143: 1113: 638: 406: 838: 1103: 728: 538: 480: 425: 387: 147: 55: 1024: 938: 51: 818: 633: 618: 578: 142:
fact colouration, that the kore can be grouped with the archaising Pig Relief and that the kore is by the same sculptor as the
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may have appeared above the rightmost chariot, marking it out as victorious, but it is no longer visible. She also wears a
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Dedications from the Athenian Akropolis. A Catalogue of the Inscriptions of the Sixth- Fifth c. B.C
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Sculpture: From Antiquity to the Middle Ages: From the Eighth Century BC to the Fifteenth Century
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capital, with the inscription, highlighted with red paint, running around the
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Image, Text, Stone : Intermedial Perspectives on Graeco-Roman Sculpture
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Stylistically the statue marks the transition from the late archaic to the
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are present. The throat and collarbone are both lightly indicated. The
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Archaic Marble Sculpture from the Acropolis: A Photographic Catalogue
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indicated. The lips are full, but with corners turning down and no
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wound twice around the head. The eyes are heavy-lidded with both
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Hence the statue is sometimes called "La Boudeuse" - the pouter.
527: 250:Î•Î„Î˜Î„Î”Î™ÎšÎŸÎŁ Ο ΘΑΛΙΑΡΧΟ ΑΝΕΘΕΚΕΝ, IG I 758, Raubitschek, DAA 56. 378:
Duby, Georges; Bruneau, Philippe; Daval, Jean-Luc (1999).
339: 337: 288: 286: 328: 1053: 1017: 906: 871: 762: 656: 561: 418:The Art and Culture of Early Greece, 1100–480 B.C 47:type, c 490–480 BCE, that once stood amongst the 304: 889:Museum of the Center for the Acropolis Studies 539: 8: 115:are depicted on the sculpture’s bare feet. 766: 546: 532: 524: 401:. Berlin: De Gruyter. pp. 144–177. 444:Payne, H.; Mackworth-Young, G. (1950). 343: 292: 277: 228: 221: 202: 152: 420:. New York: Cornell University Press. 316: 259:statue inv. no. Akr 686, base Akr 609. 70:and the lower part in 1886-7 near the 7: 1124:Archaeological discoveries in Attica 268:K. Winter, J.d.I., II, 1887, p. 216. 150:and perhaps as a consequence of it. 473:The Severe Style in Greek Sculpture 471:Ridgway, Brunilde Sismondo (1970). 1045:Siege of the Acropolis (1826–1827) 1040:Siege of the Acropolis (1821–1822) 14: 371:Catalogue of the Acropolis Museum 23:Euthydikos Kore. Photographed by 1025:Achaemenid destruction of Athens 939:Korai of the Acropolis of Athens 647: 329:Payne & Mackworth-Young 1950 179: 167: 155: 1099:5th-century BC Greek sculptures 839:Louis-François-SĂ©bastien Fauvel 619:Choragic Monument of Thrasyllos 609:Theatre of Dionysus Eleuthereus 496:American Journal of Archaeology 744:Church of Panagia Atheniotissa 684:Sanctuary of Artemis Brauronia 475:. Princeton University Press. 305:Duby, Bruneau & Daval 1999 54:. It was destroyed during the 1: 1114:Sculptures of women in Greece 1035:Siege of the Acropolis (1687) 16:Greek sculpture c 490–480 BCE 464:Korai, Greek Archaic Maidens 453:Raubitscheck, A. E. (1949). 58:of 480 BCE and found in the 1104:Marble sculptures in Greece 749:Temple of Roma and Augustus 734:Choragic Monument of Nikias 416:Hurwit, Jeffrey M. (1985). 1140: 934:Pediments of the Parthenon 462:Richter, G. M. A. (1968). 824:Giovanni Battista Lusieri 769: 719:Sanctuary of Zeus Polieus 645: 929:Metopes of the Parthenon 589:Odeon of Herodes Atticus 1030:Sack of Athens (267 AD) 135:Panagiotis Efstratiadis 979:Nike Fixing her Sandal 704:Altar of Athena Polias 604:Sanctuary of Asclepius 186:Base with inscription. 28: 584:Temple of Athena Nike 508:10.3764/aja.112.3.377 435:Karakasi, K. (2003). 43:marble statue of the 22: 1089:Sculptures in Athens 999:Athena Marsyas Group 884:Old Acropolis Museum 854:Panagiotis Kavvadias 829:Reverend Philip Hunt 714:Sanctuary of Pandion 679:Old Temple of Athena 490:Stewart, A. (2008). 382:. Cologne: Taschen. 369:Dickins, G. (1912). 137:in 1882, though the 118:The base is a round 1009:Three-Bodied Daemon 1004:Nike of Callimachus 594:Pedestal of Agrippa 555:Acropolis of Athens 280:, p. 21, n.13. 103:. In the ears both 25:FrĂ©dĂ©ric Boissonnas 814:Francesco Morosini 231:, pp. 99–100. 78:and a short Ionic 29: 1119:Statues in Greece 1076: 1075: 867: 866: 849:Kyriakos Pittakis 724:Odeon of Pericles 657:Former structures 562:Extant structures 408:978-3-11-077569-3 331:, pp. 40–42. 197:Explanatory notes 162:Reassembled Kore. 93:Lacrimal caruncle 52:votive sculptures 1131: 1109:Acropolis Museum 1054:Related articles 924:Athena Promachos 919:Parthenon Frieze 914:Athena Parthenos 879:Acropolis Museum 859:Nikolaos Balanos 767: 754:Parthenon mosque 651: 629:Cave Sanctuaries 548: 541: 534: 525: 519: 486: 467: 458: 449: 440: 431: 412: 393: 374: 356: 353: 347: 341: 332: 326: 320: 314: 308: 302: 296: 290: 281: 275: 269: 266: 260: 257: 251: 248: 242: 238: 232: 226: 210: 207: 183: 171: 159: 56:Persian invasion 1139: 1138: 1134: 1133: 1132: 1130: 1129: 1128: 1079: 1078: 1077: 1072: 1049: 1013: 989:Procne and Itys 974:Mourning Athena 949:Euthydikos Kore 902: 863: 758: 674:Older Parthenon 652: 643: 599:Stoa of Eumenes 557: 552: 522: 489: 483: 470: 461: 452: 443: 434: 428: 415: 409: 396: 390: 377: 368: 364: 359: 354: 350: 342: 335: 327: 323: 315: 311: 303: 299: 291: 284: 276: 272: 267: 263: 258: 254: 249: 245: 239: 235: 227: 223: 219: 214: 213: 208: 204: 199: 194: 187: 184: 175: 172: 163: 160: 33:Euthydikos Kore 17: 12: 11: 5: 1137: 1135: 1127: 1126: 1121: 1116: 1111: 1106: 1101: 1096: 1091: 1081: 1080: 1074: 1073: 1071: 1070: 1065: 1057: 1055: 1051: 1050: 1048: 1047: 1042: 1037: 1032: 1027: 1021: 1019: 1015: 1014: 1012: 1011: 1006: 1001: 996: 994:Lemnian Athena 991: 986: 981: 976: 971: 966: 961: 956: 951: 946: 941: 936: 931: 926: 921: 916: 910: 908: 904: 903: 901: 900: 898:British Museum 891: 886: 881: 875: 873: 869: 868: 865: 864: 862: 861: 856: 851: 846: 841: 836: 834:Jacques Carrey 831: 826: 821: 816: 811: 806: 801: 796: 791: 786: 781: 776: 770: 764: 760: 759: 757: 756: 751: 746: 741: 736: 731: 729:Frankish Tower 726: 721: 716: 711: 706: 701: 696: 691: 686: 681: 676: 671: 666: 660: 658: 654: 653: 646: 644: 642: 641: 639:Infrastructure 636: 631: 626: 621: 616: 611: 606: 601: 596: 591: 586: 581: 576: 571: 565: 563: 559: 558: 553: 551: 550: 543: 536: 528: 521: 520: 502:(3): 377–412. 487: 481: 468: 459: 450: 441: 432: 426: 413: 407: 394: 388: 375: 365: 363: 360: 358: 357: 348: 346:, p. 394. 333: 321: 319:, p. 325. 309: 297: 295:, p. 156. 282: 270: 261: 252: 243: 233: 220: 218: 215: 212: 211: 201: 200: 198: 195: 193: 190: 189: 188: 185: 178: 176: 173: 166: 164: 161: 154: 15: 13: 10: 9: 6: 4: 3: 2: 1136: 1125: 1122: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1086: 1084: 1069: 1066: 1064: 1063: 1059: 1058: 1056: 1052: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1022: 1020: 1016: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 985: 984:Persian Rider 982: 980: 977: 975: 972: 970: 967: 965: 962: 960: 957: 955: 952: 950: 947: 945: 942: 940: 937: 935: 932: 930: 927: 925: 922: 920: 917: 915: 912: 911: 909: 905: 899: 895: 894:Elgin Marbles 892: 890: 887: 885: 882: 880: 877: 876: 874: 870: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 795: 792: 790: 787: 785: 782: 780: 777: 775: 772: 771: 768: 765: 761: 755: 752: 750: 747: 745: 742: 740: 737: 735: 732: 730: 727: 725: 722: 720: 717: 715: 712: 710: 707: 705: 702: 700: 697: 695: 692: 690: 687: 685: 682: 680: 677: 675: 672: 670: 667: 665: 664:Pelasgic wall 662: 661: 659: 655: 650: 640: 637: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 580: 577: 575: 572: 570: 567: 566: 564: 560: 556: 549: 544: 542: 537: 535: 530: 529: 526: 517: 513: 509: 505: 501: 497: 493: 488: 484: 482:9780691100739 478: 474: 469: 465: 460: 456: 451: 447: 442: 438: 437:Archaic Korai 433: 429: 427:9780801494017 423: 419: 414: 410: 404: 400: 395: 391: 389:9783822870594 385: 381: 376: 372: 367: 366: 361: 352: 349: 345: 340: 338: 334: 330: 325: 322: 318: 313: 310: 307:, p. 41. 306: 301: 298: 294: 289: 287: 283: 279: 274: 271: 265: 262: 256: 253: 247: 244: 237: 234: 230: 225: 222: 216: 206: 203: 196: 191: 182: 177: 170: 165: 158: 153: 151: 149: 145: 140: 136: 132: 127: 125: 121: 116: 114: 110: 106: 102: 101:archaic smile 98: 94: 90: 86: 81: 77: 73: 69: 63: 61: 57: 53: 50: 46: 42: 38: 34: 26: 21: 1062:Perserschutt 1060: 969:Moschophoros 948: 944:Antenor Kore 774:Themistocles 669:Hekatompedon 499: 495: 472: 463: 454: 445: 436: 417: 398: 379: 373:. Cambridge. 370: 362:Bibliography 351: 344:Stewart 2008 324: 312: 300: 293:Fouquet 2022 278:Ridgway 1970 273: 264: 255: 246: 236: 229:Richter 1968 224: 205: 139:stratigraphy 131:Severe Style 128: 120:Doric column 117: 64: 60:Perserschutt 32: 30: 964:Peplos Kore 954:Kritios Boy 844:Ludwig Ross 794:Callicrates 699:Arrephorion 694:Pandroseion 689:Chalkotheke 574:Erechtheion 317:Hurwit 1985 113:metatarsals 72:Erechtheion 1083:Categories 819:Lord Elgin 709:Eleusinion 624:BeulĂ© Gate 614:Aglaureion 466:. Phaidon. 217:References 148:Median War 144:Blonde Boy 109:antitragus 35:is a late 907:Sculpture 809:Mardonius 799:Mnesikles 739:Klepsydra 634:Peripatos 579:Propylaia 569:Parthenon 516:161825487 68:Parthenon 49:Akropolis 959:Kore 670 804:Xerxes I 779:Pericles 439:. Getty. 80:himation 896:at the 872:Museums 789:Ictinus 784:Phidias 355:Akr 581 97:canthus 37:archaic 27:, 1919. 1018:Events 763:People 514:  479:  424:  405:  386:  174:Torso. 124:abacus 105:tragus 89:taenia 76:chiton 41:Parian 1094:Korai 1068:Moria 512:S2CID 241:2004. 192:Notes 477:ISBN 422:ISBN 403:ISBN 384:ISBN 107:and 95:and 85:Nike 45:kore 31:The 504:doi 500:112 1085:: 510:. 498:. 494:. 336:^ 285:^ 39:, 547:e 540:t 533:v 518:. 506:: 485:. 457:. 448:. 430:. 411:. 392:.

Index


Frédéric Boissonnas
archaic
Parian
kore
Akropolis
votive sculptures
Persian invasion
Perserschutt
Parthenon
Erechtheion
chiton
himation
Nike
taenia
Lacrimal caruncle
canthus
archaic smile
tragus
antitragus
metatarsals
Doric column
abacus
Severe Style
Panagiotis Efstratiadis
stratigraphy
Blonde Boy
Median War
Reassembled Kore.
Torso.

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