Knowledge (XXG)

Everyman Cinema, Hampstead

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29: 112: 143:, which he surveyed from the splendour of the Cipriani Hotel. His staff, principally projectionist Tom Robinson and manager Dennis Lloyd, stayed with him for decades. Usherettes were all part-time and were an extraordinary mix – some were wartime refugees, others local au pairs, language students and so on. One woman who worked in the cash desk selling tickets owned the West End furniture store Heals. 139:. The Everyman had been bought by a local solicitor, James Fairfax-Jones. "FJ", as he was known, lived with wife, Tessara (Tess), in a sprawling manor house in the secluded Vale of Health. He ran the Everyman as a hobby rather than as a business, hoping that its 302 seats would generate enough money to pay the staff and the overheads as well as his annual treat – attending the 146:
Fairfax-Jones died in April 1973. His son, Martin, took over as Managing Director of the cinema, which was programmed until 1977 by one of its managers, Adrian Turner, and subsequently by Tony Dalton and Peter Howden. Since 1933 the Everyman always showed a wide range of movies in repertory seasons
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The venue features two public screens (a 122-seat room with club suites, gallery seating and a vaulted ceiling; and a more intimate 72-seat screen), as well as a private hire room, a licensed bar and restaurant, Sony Digital 4K projectors, and Dolby Digital surround sound.
204:, credited as a founder of the slasher genre, mentions the cinema twice by name. Two original posters for the film used to hang in the lobby but since the cinema was refurbished during August-September 2022, these have been kept in storage. 361: 381: 147:- the Marx Brothers, the Maxim Gorky Trilogy, Jean-Luc Godard, Humphrey Bogart and Ingmar Bergman being especially popular with the local Hampstead crowd. Local residents such as 309: 356: 317: 253: 222: 376: 71:
The building was first opened as the Hampstead Drill Hall and Assembly Rooms in the 1880s. Later it was transformed into a theatre, the
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When the cinema was threatened with closure in 2000, it was bought by entrepreneur Daniel Broch as the flagship for the new
28: 366: 75:, which opened in 1920 under the direction of Norman MacDermott (1890–1977), with the first British production of 89: 165: 200: 172:
In the 1980s, the Everyman had various owners, with one turning the basement into the second auditorium.
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The Everyman opened as a cinema on Boxing Day 1933. The opening programme consisted of Rene Clair's
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It shows new releases, as well as classic films and special events, such as the
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group, a boutique independent cinema chain, located in Holly Bush Vale,
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Going to pieces : the rise and fall of the slasher film, 1978-1986
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Everymania: The History of the Everyman Theatre Hampstead, 1920–26
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The cinema is referred to in the song, "Hampstead Incident" by
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Norman MacDermott (Society for Theatre Research, April 1975)
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group, a company that has seen subsequent rapid expansion.
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Buildings and structures in the London Borough of Camden
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Cinema and former theatre in Hampstead, London, England
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Tourist attractions in the London Borough of Camden
223:"Everyman cinema faced with closure over losses" 310:New York Public Library for the Performing Arts 59:, film festivals, live Q&As, and seasons. 8: 308:, held by the Billy Rose Theatre Division, 97:. Another notable performance is that of 301:The Everyman Hampstead Official Website 213: 357:Buildings and structures in Hampstead 7: 306:Everyman Theatre records, 1920–1923 221:McLeod, Maurice (25 October 1999). 14: 108:which was first performed there. 163:brought her two children to see 1: 198:psychological-horror classic 40:is the original site of the 19:For the Everyman Group, see 53:New York Metropolitan Opera 398: 377:Theatres completed in 1920 18: 372:Former theatres in London 48:, in North West London. 248:. Jefferson: Mcfarland. 242:Rockoff, Adam (2012). 116: 33: 114: 85:Los intereses creados 81:The Bonds of Interest 57:National Theatre Live 31: 159:were regulars. HRH 141:Venice Film Festival 329: /  183:Cultural references 95:George Bernard Shaw 32:The Everyman Cinema 117: 90:You Never Can Tell 38:Everyman Hampstead 34: 367:Cinemas in London 255:978-0-7864-6932-1 161:Princess Margaret 77:Jacinto Benavente 389: 344: 343: 341: 340: 339: 334: 333:51.556°N 0.179°W 330: 327: 326: 325: 322: 268: 267: 239: 233: 232: 218: 177:Everyman Cinemas 125:Turbulent Timber 73:Everyman Theatre 42:Everyman Cinemas 21:Everyman Cinemas 397: 396: 392: 391: 390: 388: 387: 386: 347: 346: 337: 335: 331: 328: 323: 320: 318: 316: 315: 297: 277: 275:Further reading 272: 271: 256: 241: 240: 236: 228:The Independent 220: 219: 215: 210: 185: 69: 24: 17: 12: 11: 5: 395: 393: 385: 384: 379: 374: 369: 364: 359: 349: 348: 338:51.556; -0.179 313: 312: 303: 296: 295:External links 293: 292: 291: 276: 273: 270: 269: 254: 234: 212: 211: 209: 206: 196:Michael Powell 184: 181: 137:Paramount News 68: 65: 15: 13: 10: 9: 6: 4: 3: 2: 394: 383: 380: 378: 375: 373: 370: 368: 365: 363: 360: 358: 355: 354: 352: 345: 342: 311: 307: 304: 302: 299: 298: 294: 290: 289:0-85430-024-4 286: 282: 279: 278: 274: 265: 261: 257: 251: 247: 246: 238: 235: 230: 229: 224: 217: 214: 207: 205: 203: 202: 197: 192: 190: 182: 180: 178: 173: 170: 168: 167: 162: 158: 154: 153:Peter O'Toole 150: 144: 142: 138: 134: 130: 126: 122: 113: 109: 107: 105: 100: 96: 92: 91: 86: 82: 78: 74: 66: 64: 60: 58: 54: 49: 47: 43: 39: 30: 26: 22: 314: 280: 244: 237: 226: 216: 199: 193: 186: 174: 171: 166:High Society 164: 157:Melvyn Bragg 149:John Gielgud 145: 135:cartoon and 129:Mack Sennett 124: 120: 118: 102: 88: 84: 80: 72: 70: 61: 50: 37: 35: 25: 336: / 201:Peeping Tom 99:Noël Coward 351:Categories 321:51°33′22″N 208:References 131:comedy, a 121:Le Million 104:The Vortex 324:0°10′44″W 264:753637319 231:. London. 194:The 1960 87:, 1907). 46:Hampstead 115:Screen 1 189:Donovan 67:History 287:  262:  252:  133:Disney 285:ISBN 260:OCLC 250:ISBN 155:and 127:, a 36:The 101:'s 79:'s 353:: 258:. 225:. 169:. 151:, 123:, 55:, 266:. 106:, 83:( 23:.

Index

Everyman Cinemas

Everyman Cinemas
Hampstead
New York Metropolitan Opera
National Theatre Live
Jacinto Benavente
You Never Can Tell
George Bernard Shaw
Noël Coward
The Vortex

Mack Sennett
Disney
Paramount News
Venice Film Festival
John Gielgud
Peter O'Toole
Melvyn Bragg
Princess Margaret
High Society
Everyman Cinemas
Donovan
Michael Powell
Peeping Tom
"Everyman cinema faced with closure over losses"
The Independent
Going to pieces : the rise and fall of the slasher film, 1978-1986
ISBN
978-0-7864-6932-1

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