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94:. He painted portraits and had several pupils later on in his own workshop. His registered pupils were Dirck van Cats, Cornelis de Jongh, Gijsbrecht Joosten, Pancras van Nispen,
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According to Karel van Mander he was a painter from The Hague who had travelled to Italy and had returned home shortly before the
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was written. Van Mander mentioned him together with another painter from The Hague, named
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According to the RKD he was a pupil of his father, the painter
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himself. His father worked together with the painter
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86:(probably another family member) and
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130:Digital library for Dutch literature
31:Everard "Evert" Crynsz. van der Maes
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172:Everard Crynsz. van der Maes
158:Everard Crynsz. van der Maes
118:Everard Crynsz. van der Maes
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141:Crijn Coensz. van der Maes
80:Crijn Coensz. van der Maes
201:Dutch Golden Age painters
75:as being a good painter.
16:Dutch painter (1577–1647)
128:, 1604, courtesy of the
84:Quirijn Coenraetsz. Maes
211:Painters from The Hague
92:Anthonie van Ravesteyn
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206:Dutch male painters
25:Johan van Wassenaer
96:Joris van Schooten
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57:Musée Sainte-Croix
53:Jesus on the cross
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122:Karel van Mander
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88:Karel van Mander
43:Dutch Golden Age
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185:Categories
143:in the RKD
115:(in Dutch)
102:References
73:Ravesteyn
63:Biography
45:painter.
41:), was a
39:The Hague
35:The Hague
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33:(1577,
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174:on
162:RKD
124:'s
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