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the-century village. Each character distinguished him/herself by rebelliously pursuing a dream or lifestyle against all odds and in defiance of conformity, their ageless celebration of youth and individuality embodying the very spirit of Rock’n’Roll." However, Wirtz became involved in a contractual dispute with EMI, and the ending of the
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According to Mark Wirtz, the song comes from a dream he had about an ageing door-to-door grocer named Jack in a small, turn of the 20th century village, who was mocked by the children as he was taken for granted by the town folk. When Jack unexpectedly died, the town folk reacted with anger about the
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to help develop the project. He continued to work on the project, which he intended to be "a kaleidoscope of stories, a bouquet of allegorical, tragiccomic tales about a variety of characters and their fate, all related to each other by the common thread of living in the same imaginary turn-of
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According to Wirtz, EMI treated the single as a one-off novelty, and refused to give the go-ahead for a full album until there had been a second hit single. Wirtz turned down an offer from
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was EMI’s blind and stubborn procrastination and political tomfoolery, which ultimately shot us all to shit. Nevertheless, even in its incomplete form and ultimate failure,
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inconvenience of now having to be self-reliant about their staple provisions, while the children were heartbroken, in truth having loved and appreciated Jack all the while.
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entered the history books as a bright torch and shining star, having set a precedent and broken down barriers to pave the way for others to succeed where I had failed."
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374:, who loved it and played it on his show. After its eventual release, it climbed the UK singles chart, reaching number 2 in September 1967 (behind "
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on guitar. At first, EMI executives were critical of the use of children's voices on a supposedly "rock" record, but Wirtz played an
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led to changes in the company's marketing approach. The second single from the proposed
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800:"A+Teenage+Opera"&cat=s Keith West – Excerpt from "A Teenage Opera""
732:"A+Teenage+Opera"&cat=s Keith West – Excerpt from "A Teenage Opera""
715:"A+Teenage+Opera"&cat=s Keith West – Excerpt from "A Teenage Opera""
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604:(19th ed.). London: Guinness World Records Limited. p. 596.
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The Irish Charts – Search
Results – Excerpt from A Teenage Opera"
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In 2000, Wirtz wrote: "Quintessentially, what killed
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Joel
Whitburn's Bubbling Under the Hot 100 1959–1981
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749:Keith West – Excerpt from "A Teenage Opera""
817:"flavour of new zealand - search listener"
637:. Archived from the original on 2012-12-31
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635:"The Story Behind "The Teenage Opera""
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314:. The single was part of a bigger "
44:adding citations to reliable sources
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697:"Every AMR Top 100 Single in 1968"
425:'s song 'Our Tune' from the album
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865:. Record Research. p. 179.
783:Nederlandse Top 40 – Keith West"
601:British Hit Singles & Albums
124:"Excerpt from 'A Teenage Opera'"
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31:needs additional citations for
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300:Excerpt from 'A Teenage Opera'
279:Excerpt from 'A Teenage Opera'
159:"Theme From 'A Teenage Opera'"
55:"Excerpt from A Teenage Opera"
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829:. Retrieved
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175:28 July 1967
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38:Please help
33:verification
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736:Ultratop 50
478:Ultratop 50
452:Australia (
346:Mood Mosaic
251:Producer(s)
903:1967 songs
887:Categories
831:2021-03-25
641:2016-09-30
585:References
551:UK Singles
480:Flanders)
358:Steve Howe
308:Mark Wirtz
304:Keith West
264:Keith West
257:Mark Wirtz
222:Parlophone
143:Keith West
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500:Ireland (
488:Germany (
476:Belgium (
464:Austria (
447:position
372:John Peel
650:cite web
539:Listener
354:Tomorrow
180:Recorded
172:Released
683:MusicVf
396:Radio 1
362:acetate
322:History
288:(1967)
283:(1967)
243:Hopkins
239:Philwit
80:scholar
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286:"Sam"
224:R 5623
200:Length
151:B-side
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445:Peak
183:1967
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