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Licensing Act 1737

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his knowledge of the theatre. Charles Heriot (d. 1972) was an actor and producer. Sir St Vincent Troubridge (1895–1963) was in the military as well as being a theatre historian. Ifan Kyrle Fletcher (d. 1969) was a theatre historian and antiquarian bookseller. Timothy Harward studied theatre and literature at university, becoming a theatre journalist for the
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In addition to reading plays and writing Reader's Reports for the Lord Chamberlain the Examiners were expected to visit theatres to ensure their safety and comfort and to see that the Lord Chamberlain's rules were carried out with regard to the licences. They were also required to appear at subpoenas
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for 30 years retiring in 1896 to become a journalist and drama critic for several London newspapers. Charles Brookfield was an actor, playwright and journalist. George Street was an essayist, novelist and playwright. Henry Game (d. 1966) trained as an artist, was an amateur actor and was known for
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Laws regulating theatre in the early 18th century were not strictly enforced. People had free rein to say anything they wanted through theatre, including all their troubles with the government. Free speech in theatre was seen as a threat to the government, facilitating the spread of revolutionary
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An Act to explain and amend so much of an Act made in the Twelfth Year of the Reign of Queen Anne, intituled, "An Act for reducing the Laws relating to Rogues, Vagabonds, sturdy Beggars, and Vagrants, into One Act of Parliament; and for the more effectual punishing such Rogues, Vagabonds, sturdy
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in the task of censoring all plays from 1737 to 1968. The Examiner read all plays which were to be publicly performed, produced a synopsis and recommended them for licence, consulting the Lord Chamberlain in cases of doubt. The act also created a legal distinction between categories of
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in law cases relating to licensing, and to examine Play Bills. From 1911 Examiners were required to write reports on plays for the Lord Chamberlain. A copy of the play script and Reader's Report were held by the Lord Chamberlain's office and are now held by the British Library in the
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and had an extensive knowledge of European literature and languages. George Redford (d. 1916), a playwright, resigned his post in 1913 to become the first president of the British Board of Film Censors. Ernest Bendall (1846–1924) had been a clerk in the
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was the Lord Chamberlain nearly 13,000 plays were licensed, an average of 820 a year; under 200 plays were refused a licence, an average of 12 per year.
1088: 1083: 71: 690: 173:. The Lord Chamberlain was the official censor and the office of Examiner of Plays was created under the Act. The Examiner assisted the 1058: 133: 1028: 761: 728: 251: 1046: 244: 198:. The power was used mostly with respect to matters of politics and religion (including blasphemy). It was certainly exercised by 603: 571: 542:
The Examiners had a variety of qualifications and experience for the position. Edward Pigott (1824–1895) was a journalist on the
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Beggars, and Vagrants, and sending them whither they ought to be sent," as relates to common Players of Interludes.
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First page of the Licensing Act of 1737, which established the office of Examiner of Plays
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The function of censorship of plays for performance (at least in London) fell to the
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The Lord Chamberlain regrets-- : a history of British theatre censorship
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Buck was granted "a portion of the powers previously vested" in the Church
114: 723:. London: Hodder & Stoughton. pp. 46–57, 119–125, 265–266. 140: 976:
Marriott, R.B. (27 June 1968). "For the benefit of the player".
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Drag: A History of Female Impersonation In The Performing Arts
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Dominic, Shellard; Nicholson, Steve; Handley, Miriam (2004).
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ideas. The act enhanced government control and censorship.
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There were 21 Examiners of Plays between 1738 and 1968.
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in 1660. During the creation of the Licensing of 1737,
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British legislation restricting free speech in theaters
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Sir St Vincent 169:, which was itself replaced by the 721:The Lord Chamberlain's blue pencil 25: 685:. University of Wisconsin Press. 431:Senior (Sole) Examiner 1920-1930 1089:Censorship in the United Kingdom 572:Censorship in the United Kingdom 46: 965:. 18 December 1963. p. 12. 950:. 22 November 1972. p. 18. 830:. 15 November 1916. p. 15. 677:Liesenfeld, Vincent J. (1984). 380:Pigott, Edward Frederick Smyth 961:"Sir St. Vincent Troubridge". 905:. 2 November 1936. p. 19. 890:. 21 October 1913. p. 11. 811:"Death of Mr. E.F.S. Pigott". 336:Known as 'Colman the Younger' 1: 1084:Theatre of the United Kingdom 920:. 5 November 1936. p. 9. 826:"Death of Mr. G.A. Redford". 503:Assistant Examiner 1952-1963 1023:. New York City: NYU Press. 995:. 3 January 1969. p. 8. 621:UK public library membership 250:In the years 1922–1938 when 194:by the time of the reign of 946:"Mr Charles David Heriot". 875:. 15 July 1924. p. 10. 860:. 15 July 1924. p. 16. 845:. 19 July 1924. p. 17. 841:"Joint Examiner of Plays". 212:stage plays were prohibited 53:Parliament of Great Britain 1110: 1039:The Licensing Act of 1737. 815:. 2 March 1895. p. 9. 549:Paymaster-General's Office 491:Senior Examiner 1947-1968 477:Senior Examiner 1953-1958 448:Senior Examiner 1936-1953 32:United Kingdom legislation 886:"Mr Charles Brookfield". 873:Sheffield Daily Telegraph 681:The Licensing Act of 1737 582:Lord Chamberlain's Office 560:Regent Street Polytechnic 446:Joint Examiner 1930-1936 434:Joint Examiner 1930–1936 429:Joint Examiner 1914-1920 416:Joint Examiner 1914-1920 45: 40: 635:Court of High Commission 458:Jones, Rev. Albert Evans 245:Lord Chamberlain's Plays 163:Kingdom of Great Britain 1037:Liesenfeld, Vincent J. 719:Johnston, John (1990). 413:Bendall, Ernest Alfred 791:British History Online 785:Bucholz, R.O. (2006). 146: 1015:Baker, Roger (1994). 916:"Cues and comments". 613:10.1093/ref:odnb/3821 522:Kyrle Fletcher, Ifan 369:Donne, William Bodham 320:Assisted by his wife 157:. c. 28) is a former 144: 991:"Mr I.K. Fletcher". 901:"Mr George Street". 856:"Mr. E.A. Bendall". 224:Master of the Revels 192:Master of the Revels 1059:The text of the act 536:Assistant Examiner 525:Assistant Examiner 514:Assistant Examiner 489:Examiner 1937-1958 475:Examiner 1936-1953 401:Brookfield, Charles 390:Redford, George A. 261: 37: 993:The Times (London) 963:The Times (London) 948:The Times (London) 933:The Times (London) 903:The Times (London) 888:The Times (London) 858:The Times (London) 279:Chetwynd, William 260: 252:The Earl of Cromer 229:Purpose of the Act 151:Licensing Act 1737 147: 36:Licensing Act 1737 692:978-0-299-09810-0 619:(Subscription or 540: 539: 533:Harward, Timothy 471:Dearmer, Geoffrey 238:Examiner of Plays 222:was the standing 208:English Civil War 196:Queen Elizabeth I 171:Theatres Act 1968 167:Theatres Act 1843 159:Act of Parliament 139: 138: 120:Theatres Act 1843 108:Vagrants Act 1713 99:Other legislation 41:Act of Parliament 18:Examiner of Plays 16:(Redirected from 1101: 1034: 1022: 997: 996: 988: 982: 981: 973: 967: 966: 958: 952: 951: 943: 937: 936: 928: 922: 921: 913: 907: 906: 898: 892: 891: 883: 877: 876: 868: 862: 861: 853: 847: 846: 838: 832: 831: 823: 817: 816: 808: 802: 801: 799: 797: 782: 776: 775: 749: 743: 742: 716: 697: 696: 684: 674: 659: 656: 650: 644: 638: 631: 625: 624: 616: 598: 577:Lord Chamberlain 558:and lecturer at 486:Heriot, Charles 307:Deputy Examiner 294:Deputy Examiner 262: 175:Lord Chamberlain 127:Status: Repealed 50: 49: 38: 21: 1109: 1108: 1104: 1103: 1102: 1100: 1099: 1098: 1094:1737 in theatre 1064: 1063: 1055: 1031: 1014: 1006: 1004:Further reading 1001: 1000: 990: 989: 985: 975: 974: 970: 960: 959: 955: 945: 944: 940: 930: 929: 925: 915: 914: 910: 900: 899: 895: 885: 884: 880: 870: 869: 865: 855: 854: 850: 840: 839: 835: 825: 824: 820: 810: 809: 805: 795: 793: 784: 783: 779: 764: 751: 750: 746: 731: 718: 717: 700: 693: 676: 675: 662: 657: 653: 645: 641: 632: 628: 618: 600: 599: 595: 590: 568: 511:Coles, Maurice 345:Kemble, Charles 240: 231: 188: 128: 55: 47: 33: 28: 23: 22: 15: 12: 11: 5: 1107: 1105: 1097: 1096: 1091: 1086: 1081: 1076: 1066: 1065: 1062: 1061: 1054: 1053:External links 1051: 1050: 1049: 1035: 1030:978-0814712535 1029: 1012: 1005: 1002: 999: 998: 983: 968: 953: 938: 923: 908: 893: 878: 863: 848: 833: 818: 803: 777: 763:978-0712348652 762: 744: 730:978-0340525296 729: 698: 691: 660: 651: 639: 626: 592: 591: 589: 586: 585: 584: 579: 574: 567: 564: 538: 537: 534: 531: 527: 526: 523: 520: 516: 515: 512: 509: 505: 504: 501: 498: 494: 493: 487: 484: 480: 479: 473: 468: 464: 463: 460: 455: 451: 450: 444: 441: 437: 436: 427: 425:Street, George 422: 418: 417: 414: 411: 407: 406: 403: 398: 394: 393: 391: 388: 384: 383: 381: 378: 374: 373: 371: 366: 362: 361: 359: 354: 350: 349: 347: 342: 338: 337: 334: 332:Colman, George 329: 325: 324: 318: 313: 309: 308: 305: 303:Capell, Edward 300: 296: 295: 292: 287: 283: 282: 280: 277: 273: 272: 269: 266: 239: 236: 230: 227: 220:Robert Walpole 187: 184: 137: 136: 130: 129: 126: 123: 122: 117: 111: 110: 105: 101: 100: 96: 95: 92: 86: 85: 81: 80: 74: 68: 67: 63: 57: 56: 51: 43: 42: 31: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1106: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1079:British drama 1077: 1075: 1072: 1071: 1069: 1060: 1057: 1056: 1052: 1048: 1047:0-299-09810-9 1044: 1040: 1036: 1032: 1026: 1021: 1020: 1013: 1011: 1008: 1007: 1003: 994: 987: 984: 979: 972: 969: 964: 957: 954: 949: 942: 939: 935:. p. 16. 934: 927: 924: 919: 912: 909: 904: 897: 894: 889: 882: 879: 874: 867: 864: 859: 852: 849: 844: 837: 834: 829: 822: 819: 814: 807: 804: 792: 788: 781: 778: 773: 769: 765: 759: 755: 748: 745: 740: 736: 732: 726: 722: 715: 713: 711: 709: 707: 705: 703: 699: 694: 688: 683: 682: 673: 671: 669: 667: 665: 661: 655: 652: 648: 643: 640: 636: 630: 627: 622: 614: 610: 606: 605: 597: 594: 587: 583: 580: 578: 575: 573: 570: 569: 565: 563: 561: 557: 556: 550: 545: 535: 532: 529: 528: 524: 521: 518: 517: 513: 510: 507: 506: 502: 499: 496: 495: 492: 488: 485: 482: 481: 478: 474: 472: 469: 466: 465: 462:Welsh Reader 461: 459: 456: 453: 452: 449: 445: 442: 439: 438: 435: 432: 428: 426: 423: 420: 419: 415: 412: 409: 408: 404: 402: 399: 396: 395: 392: 389: 386: 385: 382: 379: 376: 375: 372: 370: 367: 364: 363: 360: 358: 355: 352: 351: 348: 346: 343: 340: 339: 335: 333: 330: 327: 326: 323: 319: 317: 316:Larpent, John 314: 311: 310: 306: 304: 301: 298: 297: 293: 291: 290:Odell, Thomas 288: 285: 284: 281: 278: 275: 274: 270: 267: 264: 263: 258: 255: 253: 248: 246: 237: 235: 228: 226: 225: 221: 217: 213: 209: 205: 201: 200:Edmund Tylney 197: 193: 185: 183: 181: 176: 172: 168: 164: 160: 156: 152: 143: 135: 131: 124: 121: 118: 116: 112: 109: 106: 102: 97: 93: 91: 87: 82: 78: 75: 73: 69: 64: 62: 58: 54: 44: 39: 30: 19: 1038: 1018: 992: 986: 977: 971: 962: 956: 947: 941: 932: 926: 917: 911: 902: 896: 887: 881: 872: 871:"Obituary". 866: 857: 851: 842: 836: 827: 821: 812: 806: 794:. 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Index

Examiner of Plays
Parliament of Great Britain
Long title
Citation
10 Geo. 2
Royal assent
Vagrants Act 1713
Repealed by
Theatres Act 1843
Text of statute as originally enacted

10 Geo. 2
Act of Parliament
Kingdom of Great Britain
Theatres Act 1843
Theatres Act 1968
Lord Chamberlain
"legitimate theatre" and "illegitimate theatre"
Master of the Revels
Queen Elizabeth I
Edmund Tylney
George Buck
English Civil War
stage plays were prohibited
Restoration
Robert Walpole
Master of the Revels
Lord Chamberlain's Plays
The Earl of Cromer
Odell, Thomas

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