549:"; the first version of "Beautiful Love" included on the original LP was a second take. In fact, as Keepnews specifies, "this is not the usual case of a second attempt that immediately followed the first. ... Early in this date, played this number once; we both approved, and he moved on to something else. Much later, he decided to try a second 'Beautiful Love,' which he later preferred." "The Boy Next Door," on the other hand, was set aside at the time of the LP, because of the limited space available on the album.
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wrote, "Evans demands to be heard, seducing you with his indelibly emotional playing. ... The trio works magic here, breathing fresh air into standards such as 'How Deep Is the Ocean?' and 'Beautiful Love' and creating the illusion that these songs were written just so someone like Evans could play
230:
was finally recorded, it was not under happy circumstances. As Evans biographer Keith
Shadwick relates: "Tension ... simmered, particularly between Evans and the abrasive LaFaro, who made no secret of his disgust at Evans's addiction. LaFaro played on a borrowed instrument, while the pianist was
231:
quickly complaining of a headache, probably brought on by the strain in the studio." Nonetheless, the resulting album turned out to be an influential and enduring classic that "brilliantly illustrates innovative concept of 'simultaneous improvisation.'"
282:. Peter Pettinger comments that "Evans began it with an air of mystery, like the unveiling of a secret, the gentle introduction melting imperceptibly into the tune." Evans would record it again just a few weeks later with Adderley for the album
277:
notes that "you could trace Evans's entire career by studying his different interpretations of this composition over the years, documented by more than 30 recordings." Also included is the ballad-waltz "Elsa" composed by Evans's friend
521:, critic Thom Jurek said of the album: "Evans, with Paul Motian and Scott LaFaro, was onto something as a trio, exploring the undersides of melodic and rhythmic constructions that had never been considered by most. ...
1687:
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222:. The delay in making a new record was largely attributable to Evans's drug habit and resulting hepatitis, which led LaFaro to play and record in the meantime with
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1247:
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294:. A number of later live versions through 1975 are also in circulation, and Evans would record several other Zindars compositions through the years.
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In 2011, a new CD edition was released with two more bonus tracks, alternate takes of "How Deep Is the Ocean?" and "I Wish I Knew."
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305:" was "remarkable at the time for leaving the melody till the end." Unlike Evans's three previously released trio recordings,
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them. The highlight of the album is 'Elsa,' which is one of the most beautiful piano ballads on record."
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in 1961. It was the second and final studio album Evans recorded with his classic trio featuring
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is an extraordinary example of the reach and breadth of this trio at its peak."
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The album is a follow-up to the trio's first recording from two years earlier,
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The album was remastered and reissued on compact disc by
Riverside/
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in 1987 with two bonus tracks. In the liner notes, producer
1048:. Vol. 73, no. 22. Nielsen Business Media, Inc.
1688:
Turn Out the Stars: The Final
Village Vanguard Recordings
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Plays the Theme from The V.I.P.s and Other Great Songs
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The
Montreal Tapes: with Geri Allen and Paul Motian
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856:https://www.jazzdisco.org/bill-evans/discography/
2287:On Broadway Vol. 4 or The Paradox of Continuity
947:. USA: Random House/Rolling Stone. p. 73.
269:," which Evans had first recorded in 1958 with
239:The album's eight original tracks include five
355:
2032:
1143:
830:The Jazz Standards: A Guide to the Repertoire
8:
469:
431:
393:
16:1961 studio album by The Bill Evans Trio
265:session. The trio also covers Davis's own "
2039:
2025:
2017:
1150:
1136:
1128:
502:Jazz Critics Best Piano LP poll for 1961.
316:
27:
18:
1716:Consecration: The Final Recordings Part 2
832:, Oxford University Press (2012), p. 290.
288:and then revisit it a few years later on
1576:Bill Evans at the Montreux Jazz Festival
541:discusses these additional recordings, "
2191:Paul Motian and the Electric Bebop Band
1353:Bill Evans Trio with Symphony Orchestra
1123:Bill Evans Memorial Library discography
1118:Jazz Discography entries for Bill Evans
845:, Yale University Press (1998), p. 104.
771:
309:includes no originals by the pianist.
297:Pettinger notes that the treatment of
2311:Live at the Village Vanguard Vol. III
2111:It Should've Happened a Long Time Ago
908:
906:
875:
873:
322:
7:
2303:Live at the Village Vanguard Vol. II
1709:The Last Waltz: The Final Recordings
1639:Blue in Green: The Concert in Canada
1012:The Penguin Guide to Jazz Recordings
796:Bill Evans: Everything Happens to Me
464:The Penguin Guide to Jazz Recordings
255:," which had first been recorded by
243:and three modern jazz compositions.
1042:"Mulligan, Evans Cop Critics' Poll"
945:The Rolling Stone Jazz Record Guide
388:The Rolling Stone Jazz Record Guide
357:
761:Jack Matthews - mastering engineer
14:
2503:Albums produced by Orrin Keepnews
1444:The Tony Bennett/Bill Evans Album
1374:Further Conversations with Myself
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196:that was originally released by
819:, Riverside (1987), back cover.
798:, Backbeat Books (2002), p. 85.
1681:The Paris Concert: Edition Two
1674:The Paris Concert: Edition One
1527:Sunday at the Village Vanguard
1088:Bill Evans: How My Heart Sings
1066:Keepnews, Orrin, liner notes,
843:Bill Evans: How My Heart Sings
169:Sunday at the Village Vanguard
1:
2381:Tethered Moon Play Kurt Weill
1367:A Simple Matter of Conviction
1192:Tenderly: An Informal Session
974:Encyclopedia of Popular Music
426:Encyclopedia of Popular Music
2457:Live at the Village Vanguard
2295:Live at the Village Vanguard
2207:Reincarnation of a Love Bird
1304:The Gary McFarland Orchestra
1040:Rolontz, Bob (1961-08-14).
2519:
2343:The Windmills of Your Mind
1562:The Bill Evans Trio "Live"
1486:You Must Believe in Spring
1332:Stan Getz & Bill Evans
854:"Bill Evans Discography,"
2466:
2433:In the Year of the Dragon
2279:I Have the Room Above Her
1660:Live in Buenos Aires 1979
1590:You're Gonna Hear from Me
1311:Conversations With Myself
1297:The Solo Sessions, Vol. 2
1290:The Solo Sessions, Vol. 1
1199:Everybody Digs Bill Evans
1165:
1084:Pettinger, Peter (1998).
1070:, Riverside (1987), p. 2.
943:Swenson, J., ed. (1985).
714:"How Deep Is the Ocean?"
330:
327:
144:
26:
2498:Riverside Records albums
858:, Accessed 25 June 2024.
758:Bill Stoddard - engineer
2215:At the Village Vanguard
1555:Bill Evans at Town Hall
1206:On Green Dolphin Street
979:Oxford University Press
543:Beautiful Love (take 1)
2231:Flight of the Blue Jay
1569:California Here I Come
1548:At Shelly's Manne-Hole
681:How Deep Is the Ocean?
614:How Deep Is the Ocean?
535:Original Jazz Classics
303:How Deep Is the Ocean?
247:opens with a cover of
2389:Chansons d'Édith Piaf
1094:Yale University Press
2327:On Broadway Volume 5
2247:Play Monk and Powell
2183:On Broadway Volume 3
2159:On Broadway Volume 2
2151:On Broadway Volume 1
1409:The Bill Evans Album
1185:New Jazz Conceptions
747:Additional personnel
318:Professional ratings
104:60:00 (2011 reissue)
102:50:58 (1987 reissue)
2319:Time and Time Again
2263:Holiday for Strings
2103:The Story of Maryam
1898:Cannonball Adderley
1653:Getting Sentimental
1262:How My Heart Sings!
579:"Beautiful Love" (
319:
271:Cannonball Adderley
138:The Bill Evans Trio
42:The Bill Evans Trio
2397:Experiencing Tosca
2364:, Paul Motian and
1702:Turn Out the Stars
1507:We Will Meet Again
1479:I Will Say Goodbye
1395:From Left to Right
867:Pettinger, p. 105.
841:Pettinger, Peter,
693:"Sweet and Lovely"
585:Egbert Van Alstyne
496:The album won the
317:
2493:Bill Evans albums
2475:
2474:
2063:Conception Vessel
2014:
2013:
1988:Monica Zetterlund
1777:Flamenco Sketches
1625:Re: Person I Knew
1604:The Tokyo Concert
1493:New Conversations
1227:Know What I Mean?
1213:The Ivory Hunters
1026:978-0-141-03401-0
794:Shadwick, Keith,
785:, March 27, 1961.
711:"Beautiful Love"
698:The Boy Next Door
686:"I Wish I Knew" (
623:"I Wish I Knew" (
568:"Haunted Heart" (
547:The Boy Next Door
505:David Rickert of
494:
493:
301:'s classic song "
285:Know What I Mean?
262:Birth of the Cool
198:Riverside Records
181:
180:
177:
176:
120:
52:End of March 1961
2510:
2420:and Paul Motian)
2362:Masabumi Kikuchi
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2034:
2027:
2018:
1983:Toots Thielemans
1840:Philly Joe Jones
1220:Portrait in Jazz
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1138:
1129:
1107:
1091:
1071:
1064:
1058:
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1015:(9th ed.).
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977:(4th ed.).
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880:Rickert, David.
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807:Shadwick, p. 86.
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717:"I Wish I Knew"
636:Sweet and Lovely
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219:Portrait in Jazz
151:Portrait in Jazz
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60:February 2, 1961
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2335:Lost in a Dream
2239:Trio 2000 + One
2175:Motian in Tokyo
2050:
2045:
2015:
2010:
1998:
1992:
1943:Freddie Hubbard
1890:
1884:
1820:Jack DeJohnette
1802:
1796:
1784:Time Remembered
1756:Waltz for Debby
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1727:
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1541:Time Remembered
1534:Waltz for Debby
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1360:Intermodulation
1339:Waltz for Debby
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1078:Further reading
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1027:
1019:. p. 456.
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663:"Haunted Heart"
657:
655:2011 CD reissue
570:Arthur Schwartz
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224:Ornette Coleman
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188:is an album by
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71:(New York City)
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2271:Garden of Eden
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2006:Tribute albums
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1973:George Russell
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1695:Letter to Evan
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1465:Together Again
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1112:External links
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988:978-0195313734
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890:All About Jazz
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753:Orrin Keepnews
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668:Beautiful Love
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508:All About Jazz
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338:All About Jazz
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259:on the second
241:jazz standards
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131:Orrin Keepnews
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2452:(Haden, 1989)
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2373:First Meeting
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2148:
2145:
2144:
2140:
2137:
2136:
2132:
2129:
2128:
2124:
2121:
2120:
2119:Jack of Clubs
2116:
2113:
2112:
2108:
2105:
2104:
2100:
2097:
2096:
2092:
2089:
2088:
2084:
2081:
2080:
2076:
2073:
2072:
2068:
2065:
2064:
2060:
2059:
2057:
2053:
2049:
2042:
2037:
2035:
2030:
2028:
2023:
2022:
2019:
2007:
2004:
2003:
2001:
1995:
1989:
1986:
1984:
1981:
1979:
1976:
1974:
1971:
1969:
1968:Claus Ogerman
1966:
1964:
1961:
1959:
1956:
1954:
1951:
1949:
1946:
1944:
1941:
1939:
1936:
1934:
1931:
1929:
1926:
1924:
1921:
1919:
1918:Kenny Burrell
1916:
1914:
1911:
1909:
1906:
1904:
1901:
1899:
1896:
1895:
1893:
1887:
1881:
1878:
1876:
1873:
1871:
1868:
1866:
1865:Michael Moore
1863:
1861:
1858:
1856:
1855:Joe LaBarbera
1853:
1851:
1848:
1846:
1843:
1841:
1838:
1836:
1833:
1831:
1830:Chuck Israels
1828:
1826:
1823:
1821:
1818:
1816:
1813:
1811:
1808:
1807:
1805:
1799:
1792:
1788:
1785:
1781:
1778:
1774:
1771:
1770:Blue in Green
1767:
1764:
1760:
1757:
1753:
1752:
1750:
1748:
1744:
1738:
1737:
1733:
1732:
1730:
1724:
1718:
1717:
1713:
1711:
1710:
1706:
1704:
1703:
1699:
1697:
1696:
1692:
1690:
1689:
1685:
1683:
1682:
1678:
1676:
1675:
1671:
1669:
1668:
1664:
1662:
1661:
1657:
1655:
1654:
1650:
1648:
1647:
1643:
1641:
1640:
1636:
1634:
1633:
1632:But Beautiful
1629:
1627:
1626:
1622:
1620:
1619:
1615:
1613:
1612:
1611:Half Moon Bay
1608:
1606:
1605:
1601:
1599:
1598:
1594:
1592:
1591:
1587:
1585:
1584:
1580:
1578:
1577:
1573:
1571:
1570:
1566:
1564:
1563:
1559:
1557:
1556:
1552:
1550:
1549:
1545:
1543:
1542:
1538:
1536:
1535:
1531:
1529:
1528:
1524:
1523:
1521:
1515:
1509:
1508:
1504:
1502:
1501:
1497:
1495:
1494:
1490:
1488:
1487:
1483:
1481:
1480:
1476:
1474:
1473:
1472:Crosscurrents
1469:
1467:
1466:
1462:
1460:
1459:
1455:
1453:
1452:
1451:Alone (Again)
1448:
1446:
1445:
1441:
1439:
1438:
1434:
1432:
1431:
1427:
1425:
1424:
1420:
1418:
1417:
1413:
1411:
1410:
1406:
1404:
1403:
1399:
1397:
1396:
1392:
1390:
1389:
1385:
1383:
1382:
1378:
1376:
1375:
1371:
1369:
1368:
1364:
1362:
1361:
1357:
1355:
1354:
1350:
1348:
1347:
1343:
1341:
1340:
1336:
1334:
1333:
1329:
1327:
1326:
1322:
1320:
1319:
1315:
1313:
1312:
1308:
1306:
1305:
1301:
1299:
1298:
1294:
1292:
1291:
1287:
1285:
1284:
1280:
1278:
1277:
1273:
1271:
1270:
1266:
1264:
1263:
1259:
1257:
1256:
1252:
1250:
1249:
1245:
1243:
1242:
1238:
1236:
1235:
1231:
1229:
1228:
1224:
1222:
1221:
1217:
1215:
1214:
1210:
1208:
1207:
1203:
1201:
1200:
1196:
1194:
1193:
1189:
1187:
1186:
1182:
1181:
1179:
1173:
1169:
1164:
1160:
1153:
1148:
1146:
1141:
1139:
1134:
1133:
1130:
1124:
1121:
1119:
1116:
1115:
1111:
1105:
1103:0-300-07193-0
1099:
1095:
1090:
1089:
1082:
1081:
1077:
1069:
1063:
1060:
1055:
1051:
1047:
1043:
1036:
1033:
1028:
1022:
1018:
1014:
1013:
1008:
1007:Morton, Brian
1004:
1003:Cook, Richard
998:
995:
990:
984:
980:
976:
975:
970:
969:Larkin, Colin
964:
961:
956:
954:0-394-72643-X
950:
946:
939:
936:
924:
920:
918:
913:Jurek, Thom.
909:
907:
903:
891:
887:
885:
876:
874:
870:
864:
861:
857:
851:
848:
844:
838:
835:
831:
825:
822:
818:
813:
810:
804:
801:
797:
791:
788:
784:
780:
775:
772:
765:
760:
757:
754:
751:
750:
746:
741:
738:
735:
732:
729:
726:
725:
721:
716:
713:
710:
707:
703:
699:
695:
692:
689:
685:
682:
678:
675:
672:
669:
665:
662:
659:
658:
654:
649:
645:
641:
637:
633:
630:
626:
622:
619:
618:Irving Berlin
615:
611:
608:
604:
600:
597:
593:
590:
586:
582:
578:
575:
571:
567:
564:
560:
559:
556:Track listing
555:
553:
550:
548:
544:
540:
536:
528:
526:
524:
520:
519:
513:
510:
509:
503:
501:
500:
468:
466:
465:
461:
460:
430:
428:
427:
423:
422:
392:
390:
389:
385:
384:
354:
352:
351:
347:
346:
342:
340:
339:
335:
334:
326:
323:Review scores
321:
312:
310:
308:
304:
300:
299:Irving Berlin
295:
293:
292:
287:
286:
281:
276:
272:
268:
264:
263:
258:
254:
250:
246:
242:
234:
232:
229:
225:
221:
220:
211:
209:
207:
203:
199:
195:
191:
187:
186:
171:
170:
166:
162:
161:
157:
153:
152:
148:
147:
143:
139:
135:
132:
129:
127:
123:
116:
113:
111:
107:
100:(original LP)
90:
86:
83:
80:
78:
74:
70:
67:
63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
2455:
2447:
2439:
2431:
2423:
2395:
2387:
2379:
2371:
2366:Gary Peacock
2341:
2333:
2325:
2317:
2309:
2301:
2293:
2285:
2277:
2269:
2261:
2253:
2245:
2237:
2229:
2221:
2213:
2205:
2197:
2189:
2181:
2173:
2165:
2157:
2149:
2141:
2135:One Time Out
2133:
2125:
2117:
2109:
2101:
2093:
2085:
2077:
2069:
2061:
1958:Shelly Manne
1908:Tony Bennett
1880:Gary Peacock
1870:Marty Morell
1860:Scott LaFaro
1850:Teddy Kotick
1835:Marc Johnson
1815:Larry Bunker
1810:Monty Budwig
1747:Compositions
1736:Piano Player
1734:
1714:
1707:
1700:
1693:
1686:
1679:
1672:
1665:
1658:
1651:
1646:Montreux III
1644:
1637:
1630:
1623:
1618:Since We Met
1616:
1609:
1602:
1595:
1588:
1581:
1574:
1567:
1560:
1553:
1546:
1539:
1532:
1525:
1505:
1498:
1491:
1484:
1477:
1470:
1463:
1458:Quintessence
1456:
1449:
1442:
1435:
1428:
1421:
1414:
1407:
1400:
1393:
1386:
1379:
1372:
1365:
1358:
1351:
1344:
1337:
1330:
1323:
1316:
1309:
1302:
1295:
1288:
1281:
1274:
1267:
1260:
1253:
1248:Undercurrent
1246:
1239:
1234:Explorations
1233:
1232:
1225:
1218:
1211:
1204:
1197:
1190:
1183:
1087:
1068:Explorations
1067:
1062:
1045:
1035:
1010:
997:
973:
963:
944:
938:
926:. Retrieved
919:> Review"
917:Explorations
916:
893:. Retrieved
886:> Review"
884:Explorations
883:
863:
850:
842:
837:
829:
828:Gioia, Ted,
824:
817:Explorations
816:
812:
803:
795:
790:
782:
774:
734:Scott LaFaro
688:Harry Warren
648:Harry Tobias
644:Jules LeMare
625:Harry Warren
596:Earl Zindars
589:Victor Young
574:Howard Dietz
551:
532:
523:Explorations
522:
516:
515:Writing for
514:
506:
504:
497:
495:
462:
424:
386:
348:
343:(no rating)
336:
307:Explorations
306:
296:
289:
283:
280:Earl Zindars
260:
245:Explorations
244:
238:
228:Explorations
227:
217:
215:
204:on bass and
202:Scott LaFaro
185:Explorations
184:
183:
182:
167:
160:Explorations
159:
158:
149:
37:Studio album
22:Explorations
2488:1961 albums
2469:Discography
2048:Paul Motian
1963:Warne Marsh
1953:Harold Land
1928:Miles Davis
1875:Paul Motian
1825:Eddie Gómez
1791:Peace Piece
1726:Compilation
1597:Montreux II
1416:Living Time
1283:Loose Blues
1168:Discography
779:"Jazz LP's"
740:Paul Motian
706:Ralph Blane
702:Hugh Martin
640:Gus Arnheim
629:Mack Gordon
607:Miles Davis
563:John Carisi
257:Miles Davis
249:John Carisi
206:Paul Motian
2482:Categories
2414:Geri Allen
2167:Bill Evans
2127:Misterioso
1948:Lee Konitz
1923:Ron Carter
1903:Chet Baker
1889:Associated
1763:Funkallero
1667:Homecoming
1388:What's New
1255:Moon Beams
1159:Bill Evans
766:References
755:- producer
728:Bill Evans
581:Wayne King
561:"Israel" (
235:Repertoire
212:Background
208:on drums.
194:Bill Evans
140:chronology
69:Bell Sound
2376:(1990–91)
2087:Le Voyage
1978:Zoot Sims
1933:Stan Getz
1891:musicians
1845:Sam Jones
1583:Jazzhouse
1437:Intuition
1430:Symbiosis
1423:Eloquence
1402:Quiet Now
1269:Interplay
1054:0006-2510
1046:Billboard
783:Billboard
722:Personnel
650:) – 5:52
631:) – 4:39
620:) – 3:31
609:) – 5:49
598:) – 5:10
591:) – 6:04
576:) – 3:28
565:) – 6:12
499:Billboard
313:Reception
275:Ted Gioia
115:Riverside
2441:Segments
2354:Tethered
1999:articles
1938:Jim Hall
1500:Affinity
1346:Trio '65
1009:(2008).
971:(2007).
928:June 28,
923:Allmusic
895:June 28,
676:"Nardis"
660:"Israel"
594:"Elsa" (
529:Reissues
518:AllMusic
350:AllMusic
291:Trio '65
192:pianist
126:Producer
57:Recorded
49:Released
39: by
2199:Trioism
2071:Tribute
1997:Related
1803:members
1325:Trio 64
1276:Empathy
1241:Nirvana
1017:Penguin
742:- drums
730:- piano
545:" and "
226:. When
173:(1961)
164:(1961)
155:(1959)
119:RLP 351
2460:(1990)
2444:(1989)
2436:(1989)
2428:(1987)
2425:Etudes
2400:(2002)
2392:(1999)
2384:(1994)
2346:(2010)
2338:(2009)
2330:(2008)
2322:(2006)
2314:(2006)
2306:(2006)
2298:(2006)
2290:(2005)
2282:(2004)
2274:(2004)
2266:(2001)
2258:(2000)
2255:Europe
2250:(1998)
2242:(1997)
2234:(1996)
2226:(1995)
2218:(1995)
2210:(1994)
2202:(1993)
2194:(1992)
2186:(1991)
2178:(1991)
2170:(1990)
2162:(1989)
2154:(1988)
2146:(1988)
2138:(1987)
2130:(1986)
2122:(1984)
2114:(1984)
2106:(1983)
2098:(1981)
2090:(1979)
2082:(1977)
2074:(1974)
2066:(1972)
2055:Albums
1728:albums
1519:albums
1177:albums
1175:Studio
1100:
1052:
1023:
985:
951:
736:- bass
673:"Elsa"
603:Nardis
331:Rating
328:Source
267:Nardis
253:Israel
88:Length
65:Studio
2095:Psalm
2079:Dance
1381:Alone
110:Label
77:Genre
2408:Trio
2356:Moon
1801:Band
1517:Live
1098:ISBN
1050:ISSN
1021:ISBN
983:ISBN
949:ISBN
930:2011
897:2011
251:'s "
190:jazz
82:Jazz
700:" (
638:" (
616:" (
605:" (
2484::
2416:,
2368:)
1096:.
1092:.
1044:.
1005:;
981:.
921:.
905:^
888:.
872:^
781:,
704:,
670:"
646:,
642:,
627:,
587:,
583:,
572:,
273:.
97:48
93:39
2412:(
2360:(
2040:e
2033:t
2026:v
1793:"
1789:"
1786:"
1782:"
1779:"
1775:"
1772:"
1768:"
1765:"
1761:"
1758:"
1754:"
1151:e
1144:t
1137:v
1106:.
1056:.
1029:.
991:.
957:.
932:.
915:"
899:.
882:"
708:)
696:"
690:)
683:"
679:"
666:"
634:"
612:"
601:"
95::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
