310:, where it was credited exclusively to Miles Davis. Here, it's co-credited to Davis and Evans. The pianist said that "it's my tune, even though Miles is credited ... for reasons only he understands. One day at Miles's apartment he wrote on some manuscript paper the symbols for G-minor and A-augmented. And he said, 'What would you do with that?' I didn't know, but I went home and wrote 'Blue in Green.'"
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260:, and others. Evans biographer Keith Shadwick notes that Motian at this point tended to avoid standard bop formulas and would "react instead to what he actually heard coming from the other two musicians," which "added in no small degree to the unique quality of Evans's first working trio."
567:—Evans' fifth record as a band leader—gets you every which way. At its least great, it is merely brilliant .... But what makes Evans extra-extra-special is the way his playing drags you in and shares the vulnerability at its core. Oh, the humanity!"
293:
Evans's composition "Peri's Scope" was inspired by his then-girlfriend, Peri
Cousins, who said the recording made her feel "immortal." It has gone on to be covered several dozens times, including by important jazz artists such as
557:
wrote, "the influential interpretations were far from routine or predictable at the time. LaFaro and Motian were nearly equal partners with the pianist in the ensembles .... A gem." Danny
Eccleston of
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Most notably, LaFaro's bass is promoted from a mere accompanying instrument to one of almost equal status to the piano, although not to the extent that it would be on later albums such as
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as "a magnificent example of lyrical touch." Shadwick refers to the album as establishing "the blueprint for every subsequent working trio that Evans would run."
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with four alternative takes as bonus tracks. In 2008, a 24-bit remastered edition was released by
Riverside as part of its "Keepnews Collection."
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290:. It would remain a staple of Evans's repertoire to the end of his career, with many later live recordings of it in circulation.
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as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist
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was high indeed, its fresh vistas possessed of a new subtlety in the execution." He also singles out the performance of "
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is one of Evans's more up-tempo and swinging albums, the presence of several ballads notwithstanding.
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with a new group, the first Bill Evans Trio, that helped change the direction of modern jazz.
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Evans biographer Peter
Pettinger says that "the plateau attained on
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302:(2011). The last track on the album is a new trio version of "
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Motian had recorded previously with Evans on his debut album,
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Turn Out the Stars: The Final
Village Vanguard Recordings
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and two years later would serve as the title track for
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Plays the Theme from The V.I.P.s and Other Great Songs
276:" had first been used as a vehicle for modern jazz by
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Eight months after his successful collaboration with
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The
Montreal Tapes: with Geri Allen and Paul Motian
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593:was released on compact disc in 1987 by Riverside/
826:https://www.jazzdisco.org/bill-evans/discography/
2320:On Broadway Vol. 4 or The Paradox of Continuity
894:Keepnews, Orrin, "Portrait in Jazz—Revisited,"
386:
2065:
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848:The Jazz Standards: A Guide to the Repertoire
272:and two Evans compositions. The Disney song "
8:
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484:
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23:1960 studio album by The Bill Evans Trio
883:https://secondhandsongs.com/work/120311/all
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323:
34:
25:
1749:Consecration: The Final Recordings Part 2
850:, Oxford University Press (2012), p. 381.
1609:Bill Evans at the Montreux Jazz Festival
2224:Paul Motian and the Electric Bebop Band
1386:Bill Evans Trio with Symphony Orchestra
1156:Bill Evans Memorial Library discography
1151:Jazz Discography entries for Bill Evans
804:
872:, Yale University Press (1998), p. 93.
2344:Live at the Village Vanguard Vol. III
2144:It Should've Happened a Long Time Ago
1055:"Bill Evans – Portrait In Jazz ★★★★★"
951:
949:
918:
916:
898:liner notes, Riverside (2008), p. 12.
329:
7:
2336:Live at the Village Vanguard Vol. II
1742:The Last Waltz: The Final Recordings
1672:Blue in Green: The Concert in Canada
1092:The Penguin Guide to Jazz Recordings
1030:"Essential Jazz Albums of the 1950s"
910:: September 15, 1960 Vol. 27, No. 19
813:Bill Evans: Everything Happens to Me
517:The Penguin Guide to Jazz Recordings
388:
666:"Peri's Scope" (Bill Evans) – 3:15
14:
2536:Albums produced by Orrin Keepnews
1477:The Tony Bennett/Bill Evans Album
1407:Further Conversations with Myself
732:"Come Rain or Come Shine" - 3:23
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815:, Backbeat Books (2002), p. 82.
671:What Is This Thing Called Love?
280:two years earlier on his album
1714:The Paris Concert: Edition Two
1707:The Paris Concert: Edition One
1560:Sunday at the Village Vanguard
870:Bill Evans: How My Heart Sings
252:, as well as in groups led by
240:Sunday at the Village Vanguard
1:
2414:Tethered Moon Play Kurt Weill
1400:A Simple Matter of Conviction
1225:Tenderly: An Informal Session
997:Encyclopedia of Popular Music
431:Encyclopedia of Popular Music
193:is the fifth studio album by
2490:Live at the Village Vanguard
2328:Live at the Village Vanguard
2240:Reincarnation of a Love Bird
1337:The Gary McFarland Orchestra
724:Bonus tracks on CD reissue:
697:Someday My Prince Will Come
274:Someday My Prince Will Come
2552:
2376:The Windmills of Your Mind
1595:The Bill Evans Trio "Live"
1519:You Must Believe in Spring
1365:Stan Getz & Bill Evans
824:"Bill Evans Discography,"
15:
2499:
2466:In the Year of the Dragon
2312:I Have the Room Above Her
1693:Live in Buenos Aires 1979
1623:You're Gonna Hear from Me
1344:Conversations With Myself
1330:The Solo Sessions, Vol. 2
1323:The Solo Sessions, Vol. 1
1232:Everybody Digs Bill Evans
1198:
859:"Bill Evans Discography."
337:
334:
268:The album includes seven
149:
33:
2531:Riverside Records albums
885:, Accessed 23 June 2024.
828:, Accessed 23 June 2024.
731:
633:, Johnny Mercer) – 6:00
549:Reviewing the album for
18:Portrait in Jazz (essay)
2248:At the Village Vanguard
1588:Bill Evans at Town Hall
1239:On Green Dolphin Street
1002:Oxford University Press
794:George Horn – mastering
791:Jack Higgins – engineer
741:"Blue in Green" – 4:26
738:"Blue in Green" – 4:39
735:"Autumn Leaves" - 5:25
608:Come Rain or Come Shine
288:an album by Miles Davis
2264:Flight of the Blue Jay
1602:California Here I Come
1581:At Shelly's Manne-Hole
595:Original Jazz Classics
75:Reeves Sound Studios,
2422:Chansons d'Édith Piaf
2360:On Broadway Volume 5
2280:Play Monk and Powell
2216:On Broadway Volume 3
2192:On Broadway Volume 2
2184:On Broadway Volume 1
1442:The Bill Evans Album
1218:New Jazz Conceptions
780:Additional personnel
718:, Bill Evans) – 5:25
325:Professional ratings
249:New Jazz Conceptions
2352:Time and Time Again
2296:Holiday for Strings
2136:The Story of Maryam
1931:Cannonball Adderley
1686:Getting Sentimental
1295:How My Heart Sings!
653:When I Fall in Love
326:
143:The Bill Evans Trio
49:The Bill Evans Trio
16:For the essay, see
2430:Experiencing Tosca
2397:, Paul Motian and
1735:Turn Out the Stars
1540:We Will Meet Again
1512:I Will Say Goodbye
1428:From Left to Right
956:Eccleston, Danny.
868:Pettinger, Peter,
324:
109:61:13 (CD reissue)
2526:Bill Evans albums
2508:
2507:
2096:Conception Vessel
2047:
2046:
2021:Monica Zetterlund
1810:Flamenco Sketches
1658:Re: Person I Knew
1637:The Tokyo Concert
1526:New Conversations
1260:Know What I Mean?
1246:The Ivory Hunters
1128:Pettinger, p. 95.
1119:Pettinger, p. 93.
1106:978-0-141-03401-0
811:Shadwick, Keith,
726:
547:
546:
230:, Evans recorded
186:
185:
182:
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156:The Ivory Hunters
125:
67:December 28, 1959
2543:
2453:and Paul Motian)
2395:Masabumi Kikuchi
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2060:
2051:
2016:Toots Thielemans
1873:Philly Joe Jones
1253:Portrait in Jazz
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1138:
1137:Shadwick, p. 82.
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1095:(9th ed.).
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1000:(4th ed.).
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968:. Archived from
960:Portrait in Jazz
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927:Portrait in Jazz
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896:Portrait in Jazz
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881:"Peri's Scope,"
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591:Portrait in Jazz
565:Portrait In Jazz
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283:Dave Digs Disney
232:Portrait in Jazz
190:Portrait in Jazz
165:Portrait in Jazz
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2368:Lost in a Dream
2272:Trio 2000 + One
2208:Motian in Tokyo
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1976:Freddie Hubbard
1923:
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1853:Jack DeJohnette
1835:
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1817:Time Remembered
1789:Waltz for Debby
1774:
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1574:Time Remembered
1567:Waltz for Debby
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1393:Intermodulation
1372:Waltz for Debby
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1099:. p. 456.
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972:on May 22, 2011
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837:Shadwick, p. 82
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701:Frank Churchill
686:Richard Rodgers
631:Jacques Prévert
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580:Richard Rodgers
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1063:. 22 July 2019
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2277:
2274:
2273:
2269:
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2265:
2261:
2258:
2257:
2256:Sound of Love
2253:
2250:
2249:
2245:
2242:
2241:
2237:
2234:
2233:
2229:
2226:
2225:
2221:
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2209:
2205:
2202:
2201:
2197:
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2189:
2186:
2185:
2181:
2178:
2177:
2173:
2170:
2169:
2165:
2162:
2161:
2157:
2154:
2153:
2152:Jack of Clubs
2149:
2146:
2145:
2141:
2138:
2137:
2133:
2130:
2129:
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2040:
2037:
2036:
2034:
2028:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
2001:Claus Ogerman
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1959:
1957:
1954:
1952:
1951:Kenny Burrell
1949:
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1944:
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1932:
1929:
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1926:
1920:
1914:
1911:
1909:
1906:
1904:
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1899:
1898:Michael Moore
1896:
1894:
1891:
1889:
1888:Joe LaBarbera
1886:
1884:
1881:
1879:
1876:
1874:
1871:
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1866:
1864:
1863:Chuck Israels
1861:
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1844:
1841:
1840:
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1832:
1825:
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1811:
1807:
1804:
1803:Blue in Green
1800:
1797:
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1786:
1785:
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1777:
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1666:
1665:But Beautiful
1662:
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1646:
1645:
1644:Half Moon Bay
1641:
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1506:
1505:Crosscurrents
1502:
1500:
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1493:
1492:
1488:
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1485:
1484:Alone (Again)
1481:
1479:
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1087:Morton, Brian
1084:
1083:Cook, Richard
1078:
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1027:
1021:
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1013:
1007:
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993:
992:Larkin, Colin
987:
984:
971:
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712:Blue in Green
709:
706:
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691:
687:
683:
679:
676:
672:
668:
665:
662:
661:Edward Heyman
658:
654:
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647:
646:Carolyn Leigh
643:
639:
635:
632:
628:
624:
623:Autumn Leaves
620:
617:
616:Johnny Mercer
613:
609:
605:
604:
601:Track listing
600:
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585:
583:
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561:
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423:
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416:
415:
385:
383:
380:
379:
349:
347:
346:
342:
341:
333:
330:Review scores
328:
319:
317:
315:
311:
309:
305:
304:Blue in Green
301:
297:
291:
289:
285:
284:
279:
275:
271:
263:
261:
259:
255:
251:
250:
244:
242:
241:
235:
233:
229:
228:
224:on the album
223:
215:
213:
211:
207:
203:
199:
196:
192:
191:
176:
175:
171:
167:
166:
162:
158:
157:
153:
152:
148:
144:
140:
137:
134:
132:
128:
121:
118:
116:
112:
107:(original LP)
97:
93:
90:
87:
85:
81:
78:
77:New York City
74:
70:
66:
62:
58:
54:
50:
45:
41:
37:
32:
27:
19:
2488:
2480:
2472:
2464:
2456:
2428:
2420:
2412:
2404:
2399:Gary Peacock
2374:
2366:
2358:
2350:
2342:
2334:
2326:
2318:
2310:
2302:
2294:
2286:
2278:
2270:
2262:
2254:
2246:
2238:
2230:
2222:
2214:
2206:
2198:
2190:
2182:
2174:
2168:One Time Out
2166:
2158:
2150:
2142:
2134:
2126:
2118:
2110:
2102:
2094:
1991:Shelly Manne
1941:Tony Bennett
1913:Gary Peacock
1903:Marty Morell
1893:Scott LaFaro
1883:Teddy Kotick
1868:Marc Johnson
1848:Larry Bunker
1843:Monty Budwig
1780:Compositions
1769:Piano Player
1767:
1747:
1740:
1733:
1726:
1719:
1712:
1705:
1698:
1691:
1684:
1679:Montreux III
1677:
1670:
1663:
1656:
1651:Since We Met
1649:
1642:
1635:
1628:
1621:
1614:
1607:
1600:
1593:
1586:
1579:
1572:
1565:
1558:
1538:
1531:
1524:
1517:
1510:
1503:
1496:
1491:Quintessence
1489:
1482:
1475:
1468:
1461:
1454:
1447:
1440:
1433:
1426:
1419:
1412:
1405:
1398:
1391:
1384:
1377:
1370:
1363:
1356:
1349:
1342:
1335:
1328:
1321:
1314:
1307:
1300:
1293:
1286:
1281:Undercurrent
1279:
1272:
1267:Explorations
1265:
1258:
1252:
1251:
1244:
1237:
1230:
1223:
1216:
1133:
1124:
1115:
1090:
1077:
1065:. Retrieved
1058:
1049:
1037:. Retrieved
1033:
1020:
996:
986:
974:. Retrieved
970:the original
962:> Review"
959:
936:. Retrieved
929:> Review"
926:
903:
895:
890:
877:
869:
864:
855:
847:
846:Gioia, Ted,
842:
833:
820:
812:
807:
761:Scott LaFaro
723:
721:
657:Victor Young
627:Joseph Kosma
612:Harold Arlen
590:
589:
571:
569:
564:
563:commented, "
558:
548:
515:
477:
429:
424:(no rating)
417:
343:
313:
312:
308:Kind of Blue
307:
292:
281:
278:Dave Brubeck
267:
247:
245:
238:
236:
231:
227:Kind of Blue
225:
219:
208:and drummer
206:Scott LaFaro
189:
188:
187:
174:Explorations
172:
164:
163:
154:
44:Studio album
2521:1960 albums
2502:Discography
2081:Paul Motian
1996:Warne Marsh
1986:Harold Land
1961:Miles Davis
1908:Paul Motian
1858:Eddie Gómez
1824:Peace Piece
1759:Compilation
1630:Montreux II
1449:Living Time
1316:Loose Blues
1201:Discography
1034:tomhull.com
770:Paul Motian
716:Miles Davis
705:Larry Morey
690:Lorenz Hart
675:Cole Porter
555:Scott Yanow
300:Chick Corea
298:(1990) and
296:Fred Hersch
222:Miles Davis
210:Paul Motian
2515:Categories
2447:Geri Allen
2200:Bill Evans
2160:Misterioso
1981:Lee Konitz
1956:Ron Carter
1936:Chet Baker
1922:Associated
1796:Funkallero
1700:Homecoming
1421:What's New
1288:Moon Beams
1192:Bill Evans
799:References
788:– producer
752:Bill Evans
642:Cy Coleman
638:Witchcraft
264:Repertoire
254:Tony Scott
216:Background
202:Bill Evans
145:chronology
124:RLP 12-315
2409:(1990–91)
2120:Le Voyage
2011:Zoot Sims
1966:Stan Getz
1924:musicians
1878:Sam Jones
1616:Jazzhouse
1470:Intuition
1463:Symbiosis
1456:Eloquence
1435:Quiet Now
1302:Interplay
1039:March 12,
1026:Hull, Tom
908:Down Beat
746:Personnel
553:, critic
320:Reception
120:Riverside
2474:Segments
2387:Tethered
2032:articles
1971:Jim Hall
1533:Affinity
1379:Trio '65
1089:(2008).
1060:Jazzwise
1028:(n.d.).
994:(2007).
976:June 28,
938:June 28,
933:AllMusic
707:) – 4:57
692:) – 5:09
677:) – 4:36
663:) – 4:57
648:) – 4:37
618:) – 3:24
586:Reissues
572:Portrait
551:AllMusic
479:Jazzwise
468:Tom Hull
382:AllMusic
345:DownBeat
200:pianist
195:American
131:Producer
64:Recorded
56:Released
46: by
2232:Trioism
2104:Tribute
2030:Related
1836:members
1358:Trio 64
1309:Empathy
1274:Nirvana
1097:Penguin
1067:30 July
178:(1961)
169:(1960)
160:(1959)
2493:(1990)
2477:(1989)
2469:(1989)
2461:(1987)
2458:Etudes
2433:(2002)
2425:(1999)
2417:(1994)
2379:(2010)
2371:(2009)
2363:(2008)
2355:(2006)
2347:(2006)
2339:(2006)
2331:(2006)
2323:(2005)
2315:(2004)
2307:(2004)
2299:(2001)
2291:(2000)
2288:Europe
2283:(1998)
2275:(1997)
2267:(1996)
2259:(1995)
2251:(1995)
2243:(1994)
2235:(1993)
2227:(1992)
2219:(1991)
2211:(1991)
2203:(1990)
2195:(1989)
2187:(1988)
2179:(1988)
2171:(1987)
2163:(1986)
2155:(1984)
2147:(1984)
2139:(1983)
2131:(1981)
2123:(1979)
2115:(1977)
2107:(1974)
2099:(1972)
2088:Albums
1761:albums
1552:albums
1210:albums
1208:Studio
1103:
1008:
338:Rating
335:Source
95:Length
72:Studio
2128:Psalm
2112:Dance
1414:Alone
774:drums
756:piano
578:" by
115:Label
84:Genre
2441:Trio
2389:Moon
1834:Band
1550:Live
1101:ISBN
1069:2020
1041:2020
1006:ISBN
978:2011
966:Mojo
940:2011
765:bass
560:Mojo
419:Mojo
198:jazz
89:Jazz
59:1960
714:" (
699:" (
684:" (
673:" (
655:" (
640:" (
625:" (
610:" (
2517::
2449:,
2401:)
1085:;
1057:.
1032:.
1004:.
964:.
948:^
931:.
915:^
772:–
763:–
754:–
703:,
688:,
659:,
644:,
629:,
614:,
472:A−
256:,
212:.
104:20
100:43
2445:(
2393:(
2073:e
2066:t
2059:v
1826:"
1822:"
1819:"
1815:"
1812:"
1808:"
1805:"
1801:"
1798:"
1794:"
1791:"
1787:"
1184:e
1177:t
1170:v
1109:.
1071:.
1043:.
1014:.
980:.
958:"
942:.
925:"
710:"
695:"
680:"
669:"
651:"
636:"
621:"
606:"
102::
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
