468:, chastises his apprentice Francis "Frank" Quicksilver for his laziness and prodigality. Concerned with his reputation, he tells Quicksilver to consider his actions with the catchphrase, "Work upon that now!" (1.1.10-1). Touchstone also warns Quicksilver against dishonest business and bad company, but Quicksilver remains dismissive and defensive about his way of life. Contrastingly, Touchstone's second apprentice, Golding, is industrious and temperate. Touchstone expresses his great admiration for Golding's uprightness and hopes that Golding will marry Mildred, his mild and modest daughter.
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and
Petronel tell old Security to distract the lawyer Mr. Bramble so they can secretly take Bramble's wife on the voyage. Instead, Quicksilver disguises Winifred and brings her on the ship, fooling Security. Accompanied by Captain Seagull, Petronel and his fellow adventurers set sail for Virginia. They revel in the promise of abundant gold in Virginia and spend the night drinking while Petronel and Quicksilver conceal Winifred's identity from Bramble and Security. Their drunken dancing ends, however, when a storm hits their ship.
629:"And you shall live freely there ... with only a few industrious Scots, perhaps, who indeed are dispers'd over the face of the whole earth. But, as for them, there are no greater friends to Englishmen and England, when they are out on't, in the world, than they are. And, for my part, I would a hundred thousand of 'em were there, for we are all one countrymen now, ye know; and we should find ten times more comfort of them there than we do here." (3.3.29β35).
684:(1605) suggest that the Earl of Suffolk was influential in obtaining their release in November 1605. Additionally, Lord Aubigny may have also smoothed the matter through a large financial transaction from Robert Cecil to Sir James Murray, a Scottish knight and favorite courtier of the King, who had been particularly offended at the play's Scottish satire. After his release from prison, Ben Jonson threw a banquet for his friends in celebration.
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about his repentance of his schemes and dishonesty, whose change in character and denouncement of vice moves
Touchstone to amazement. Golding releases the criminals, including Security, who still laments his cuckoldry. Touchstone reinstates Quicksilver as his apprentice and Petronel as his son-in-law, covering the loss of their possessions and wealth. Gertrude reconciles with Petronel and the play ends happily.
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title. This line probably satirizes "King James's lavish grants of knighthood." While getting her dress tailored, Gertrude remarks, "Tailor
Poldavy, prithee, fit it, fit it: is this a right Scot? Does it clip close, and bear up round?" (1.2.39β40). This remark possibly references the perception that Scots accompanying King James invaded the English Court.
658:, and voluntary imprisoned himself with Chapman and Marston who had written it amongst them. The report was that they should then had their ears cut and noses." Marston was absent, and was not imprisoned with Chapman and Jonson. He may have avoided arrest because of his financial investment in the playing company.
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were issued within three months of its first publication. The popularity of the play and the looming possibility of censorship may have quickened the publication process. The surviving editions show evidence of deleted lines, missing passages, and altered passages. The censorship may have been issued
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Nearby in London, Golding has been promoted to Master Deputy
Alderman. He reports the shipwrecked voyagers have been arrested at Billingsgate for their crimes. Meanwhile, as a result of Petronel's deception, Gertrude sells her opulent clothes and pities her misfortune. Sympathetic towards Gertrude's
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Touchstone arrives with
Golding and Mildred who are now married. Gertrude pretentiously flaunts her higher rank and disdains her family's lower social status. Once Gertrude unsuspectingly signs away her dowry, Petronel makes hasty preparations to sail to Virginia. Before their departure, Quicksilver
616:
In Act 1, when Sir
Petronel's knighthood is questioned, Mistress Touchstone says, "Yes, that he is a knight! I know where he had money to pay the gentleman ushers and heralds their fees. Ay, that he is a knight!" (1.2.81β2). Mistress Touchstone attributes Sir Pentronel's legitimacy to his purchased
530:
Brought before
Golding and Touchstone, Petronel and Quicksilver admit their guilt in the charges brought against them, including Petronel's dishonest marriage, the dowry deception, and Quicksilver's thievery. Touchstone is appalled and refuses to have mercy on the voyagers. Quicksilver sings a song
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In Act 4, when
Quicksilver inquires about his whereabouts, he meets the First Gentleman, who has a Scots accent. The First Gentlemen remarks, "I ken well; he is one of my thirty-pound knights" (4.1.140). Like the reference in Act 1, this line mocks King James's selling of knighthoods and granting
480:
The morning after
Gertude and Petronel's costly wedding, Touchstone breaks Quicksilver's apprenticeship and dismisses him for his shameful gluttony and drunkenness. Unperturbed, Quicksilver mocks Touchstone and asserts that he will spend his new freedom going "eastward ho!β (2.1.100-2). Touchstone
539:
Scholars have attempted to determine the respective contributions of the three authors but have not reached a full consensus. Earlier scholars attributed act 1 to
Marston, acts 2β3 to Chapman, and act 5 to Jonson. More recently, however, scholars have suggested that the play's authorship was more
484:
Quicksilver meets with Security, an old usurer and pander who is married to a young woman named Winifred. Quicksilver devises how he will climb the social ladder and get wealthy without inconvenience or labor. Petronel arrives and expresses his desire to leave London, especially since he cannot
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In the confusion of the storm, Security sees Winifred escape with Petronel in a lifeboat, suspecting that she has cheated on him. Separated from Quicksilver and Petronel, Security washes ashore on Cuckold's Haven where he stays in a nearby tavern. Winifred also arrives at the tavern along with
649:
references. In August 1605, when the play premiered, King James I was travelling to Oxford with courtiers including the Lord Chamberlain "whose permission should have been obtained before the comedy was performed." Staging boldly satirical plays without licence had been done before by playing
471:
Touchstone's second daughter, Gertrude, is engaged to the fraudulent Sir Petronel Flash, a knight who possesses a title but is bankrupt. Unlike her sister, Gertrude is vain and lascivious, preoccupied with opulent fashion and advancing her social status by marrying Petronel. After reluctantly
596:, who was also involved in play licensing until 1610. The printed text of 1605 does not represent the full and offensive stage production of that year, though critics have disagreed as to whether the hostile official reaction was provoked more by the stage version or by the text.
620:
In Act 2, Quicksilver remarks, " could have been made a lady by a Scotch knight, and never ha' married him" (2.3.68β9). This line references a practice in Scotland where "notorious cohabitation" is accepted as "matrimonial engagement without formal ceremony."
29:
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In the twentieth century, the play was produced on radio adaptions and university stages, but remained neglected on professional stages. Only three professional productions between 1951 and 1983 were performed by Bernard Miles' original
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about Touchstone, a London goldsmith, and his two apprentices, Quicksilver and Golding. The play is highly satirical about social customs in early modern London, and its anti-Scottish satire resulted in a notorious scandal in which
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In Act 3, Captain Seagull describes Virginia, the new country that is their destination. While explaining the other inhabitants in the new country, Seagull hints that he wishes for all of the King's Scotsmen to leave England:
518:. Quicksilver tells Petronel and Captain Seagull that he will use his goldsmithing skills to create counterfeit money. Back in the tavern, Winifred lies to Security to cover up her affair with Petronel.
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tolerate Gertrude or her expensive tastes. He confesses that "all the castles I have are built with air" (2.3.7). Quicksilver persuades Petronel to use Gertrude's dowry to fund their voyage to
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granting Gertude's inheritance, Touchstone heartily gives Golding permission to marry Mildred. Anticipating a successful match, Touchstone praises the engaged couple for their virtues.
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These lines particularly angered Sir James Murray and were consequently omitted from the first quarto publication.
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The New Intellectuals: A Survey and Bibliography of Recent Studies in English Renaissance Drama
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issued by Aspley to meet the high demands for the play. In total, three more print editions of
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in 2002 with a positive critical reception. The play was also produced in 2006 by the
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also references, even parodies, popular plays performed by adult companies such as
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Chapman, George; Jonson, Ben; Marston, John (2012). Bevington, David (ed.).
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situation, Mistress Touchstone advises her daughter to seek Mildred's help.
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promotes his new son-in-law, Golding, to a member of the guild.
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979:. 11 Volumes, Oxford, Clarendon Press, 1925β54; Vol. 1, p. 143.
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The Memorable Masque of the Middle Temple and Lincoln's Inn
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The Entertainment of the Kings of Great Britain and Denmark
1003:. 4 Volumes, Oxford, Clarendon Press, 1923; Vol. 3, p. 254.
897:. Cambridge: Cambridge University Press. pp. 531β534.
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Stage play by George Chapman, Ben Jonson, and John Marston
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A Private Entertainment of the King and Queen on May-Day
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The Cambridge Edition of the Works of Ben Jonson Online
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The Cambridge Edition of the Works of Ben Jonson Online
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The Cambridge Edition of the Works of Ben Jonson Online
939:. Vol. 2. Cambridge: Cambridge University Press.
711:. After David Garrick's 1751 production in London and
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Quicksilver's lover, later employed as Gertrude's maid
1096:. Cambridge: Cambridge University Press. p. 69.
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was offended and the play's authors were imprisoned.
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The Conspiracy and Tragedy of Charles, Duke of Byron
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The Conspiracy and Tragedy of Charles, Duke of Byron
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959:Logan, Terence P., and Denzell S. Smith, eds.
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540:collaborative, since numerous passages
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1152:. Cambridge University Press. 2014.
379:the keeper of the Counter, a prison
1496:A Challenge at Tilt, at a Marriage
1094:The Shakespearian Stage, 1574-1642
248:of the Blue Tavern in Billingsgate
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1608:The Masque of Owls at Kenilworth
1566:The Entertainment at Blackfriars
239:adventurers with Captain Seagull
1175:Digital Fascimile of the Quarto
1069:Nicol, David (September 2002).
652:William Drummond of Hawthornden
1772:The Blind Beggar of Alexandria
1012:Logan and Smith, pp. 146, 218.
977:Ben Jonson: The Complete Works
569:Children of the Queen's Revels
514:, a northern peninsula in the
115:. The play's title alludes to
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1849:The Revenge of Bussy D'Ambois
1545:Pleasure Reconciled to Virtue
1075:Early Modern Literary Studies
854:. Cambridge University Press.
848:"Eastward Ho!: Textual Essay"
826:. Cambridge University Press.
820:"Eastward Ho!: Stage History"
507:Drawer, one of the voyagers.
464:William Touchstone, a London
1702:Sons of Ben (literary group)
1412:The Entertainment at Althorp
1305:EpicΕne, or The Silent Woman
567:who premiered the work, the
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1454:The Hue and Cry After Cupid
1263:Every Man out of His Humour
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1988:Parasitaster, or The Fawn
1956:Jack Drum's Entertainment
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1503:The Irish Masque at Court
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846:Gossett, Suzanne (2014).
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547:In early September 1605,
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864:Logan and Smith, p. 146.
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154:a goldsmith of Cheapside
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1821:An Humorous Day's Mirth
1552:For the Honour of Wales
1517:The Golden Age Restored
1419:The Masque of Blackness
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135:in response that year.
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2020:The Insatiate Countess
1856:Rollo Duke of Normandy
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1361:Rollo Duke of Normandy
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1440:The Masque of Beauty
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2004:The Dutch Courtesan
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186:Francis Quicksilver
159:Mistress Touchstone
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118:Westward Ho!
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64:John Marston
50:is an early
47:Eastward Ho!
46:
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41:Eastward Hoe
40:
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34:Eastward Hoe
33:
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1959:(1599β1600)
1951:(1599β1600)
1347:The New Inn
1168:Eastward Ho
656:Eastward Ho
333:to Gertrude
235:Scapethrift
106:Tamburlaine
86:city comedy
2043:1605 plays
2037:Categories
1379:(fragment)
1215:Ben Jonson
796:References
701:Nahum Tate
594:George Buc
577:George Eld
324:city women
150:Touchstone
139:Characters
91:King James
60:Ben Jonson
1765:All Fools
1629:Chloridia
1277:Poetaster
559:into the
466:goldsmith
435:Constable
431:Messenger
366:Gentleman
359:Gentleman
287:Scrivener
1999:(1604β5)
1983:(1603β4)
1668:To Celia
1426:Hymenaei
754:See also
730:revived
703:revised
647:Scottish
555:entered
487:Virginia
455:Synopsis
439:Officers
421:Prisoner
414:Prisoner
393:Holdfast
329:Coachman
317:Mistress
310:Mistress
301:Bettrice
296:a tailor
275:a lawyer
262:Winifred
253:Security
231:Spendall
52:Jacobean
1828:May Day
1685:Related
1389:Masques
1298:Volpone
1177:at the
742:in the
681:Sejanus
600:Scandal
588:by the
581:quartos
384:Slitgut
292:Poldavy
271:Bramble
204:Sindefy
195:Golding
177:Mildred
168:Gertude
2023:(1608)
2015:(1606)
2007:(1605)
1991:(1604)
1975:(1601)
1967:(1600)
1943:(1599)
1873:Poetry
1170:online
1100:
1049:
943:
901:
516:Thames
444:
437:, and
423:(Toby)
418:Second
402:Friend
363:Second
347:Potkin
338:Hamlet
244:Drawer
112:Hamlet
1924:Plays
1756:Plays
1744:Works
1653:Poems
1227:Plays
1219:works
526:Act 5
502:Act 4
493:Act 3
476:Act 2
460:Act 1
411:First
356:First
320:Gazer
1098:ISBN
1081:(2).
1047:ISBN
941:ISBN
899:ISBN
726:The
551:and
427:Page
375:Wolf
361:and
315:and
313:Fond
233:and
125:and
109:and
76:1605
62:and
1926:by
1746:by
746:in
121:by
44:or
2039::
1148:.
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1061:^
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1916:e
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1221:)
1217:(
1207:e
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1193:v
1134:.
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1079:8
1055:.
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907:.
23:.
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