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Ecomuseum

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prospect of exchange or collaboration with the visitors. During the Forum "it was proposed to establish an International Platform for exchanges and experience sharing", and "decided to create a permanent international Working Group to keep watch and make proposals on the theme territory-heritage-landscape." In the early 2017 on the basis of ideas, issues and debates raised by participants during the Forum a common vision was drawn and a provisional
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characteristics. As many more ecomuseums are established across the world the idea has been growing and the changes in the approach towards the philosophy are reflected in the reactions of the communities involved. In recent time particular significance is the rise in ecomuseology in India, China, Taiwan, Japan, Thailand, Vietnam and Cambodia, with significant increase in Italy, Poland, the Czech Republic and Turkey.
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In 2016 inside the 24th ICOM General Conference "Museums and cultural landscape" of Milan, the first Forum of ecomuseums and community museums took place. The goals of the forum were to share experiences, questions and difficulties that ecomuseums face; to share their future projects; to envisage any
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is a central issue for ecomuseums and it implies also to increase the value of a place instead of diminishing it. Evidence from best practices identifies in this process two key elements: place-based development, as previously described, and the improvement of local networks, where ecomuseums have to
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First by creating a new sense of place. An ecomuseum consists of a specific geographic area, either rural or urban. It is not just a building that displays valued items even though communities often have a facility or defined space that serves as an information and activities center. For example, the
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Collections include intangible heritage such as traditional lifestyles, local skills and oral history, shared experiences and values, as well as tangible heritage such as important sites and buildings and archival materials. Usually collections are not gathered together inside a museum building but
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In 1985, the entire issue of Museum International Quarterly, the UNESCO periodical, was devoted to the ecomuseum concept. Titled “Images of the Ecomuseum,” the journal opened with Georges Henri Rivière’s article, “Evolutive definition of the ecomuseum,” followed by Hugues de Varine’s editorial,
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In the 1960s and ‘70s, a new kind of museum, known as ecomuseums, emerged throughout Europe, predominately in France. Based on belief that museums and communities should be related to the whole of life, ecomuseums focused on integrating the family home with other aspects of a community. Similar
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aims at “connecting all national Ecomuseums and Community Museums and their networks, existing or to be established, and all other heritage and landscape NGOs, in a virtual and interactive space” and at the “production of a multilingual documentary and a bibliographic pool of resources on
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The ecomuseum phenomenon has grown dramatically over the years, with no one ecomuseum model but rather an entire philosophy that has been adapted and molded for use in a variety of situations. Many museologists have sought to define the distinctive features of ecomuseums, listing their
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The second way ecomuseums differed from traditional museums is in the role of the people who live in the area and share a common culture. Residents define the community’s collections, not outside experts, and take responsibility for their care.
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In 1991, following a five-year educational program guided by the Smithsonian Institution’s Center for Museum Studies, along with René Rivard, Shayne del Cohen and other consultants, the first ecomuseum in the United States opened at the
297:(translated from O’odham as ‘Our Way’), the museum became a community education center that prompted the study of Ak-Chin prehistoric presence in the Sonora Desert and of their endeavors to develop in this arid environment. 199:, an ecomuseum's overarching purpose was to develop a strong sense of common identity. Thus ecomuseums established a new role for museums as mediator in the process of cultural transition and the development of communities. 345:
involvement does not mean that local administrations, a unique historical heritage of European democracy, are irrelevant. On the contrary their role, to be effective, must involve people, going beyond the narrow circle of
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means to go beyond the formal aspect of an ecomuseum, beyond a simple set course, designed on paper; it is about designing real actions, able to change our society and improve our landscape. Community means a group with:
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Ecomuseums are an important medium through which a community can take control of its heritage and enable new approaches to make meaning out of conserving its local distinctiveness.
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See Andrea Hauenschild, 1998, Claims and Reality of New Museology: Case Studies in Canada, the United States and Mexico. Center for Museum Studies, Smithsonian Institution, 1990;
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An Ecomuseum is a dynamic way in which communities preserve, interpret, and manage their heritage for a sustainable development. An Ecomuseum is based on a community agreement.
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means a mutual consent, implying reciprocal commitments between local players. The Polish national meeting, once more, put forward the idea of “voluntary meeting of people”.
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means that reading and communicating heritage values, providing new interpretations of it and raising its profile, are part of the day-to-day activity for ecomuseums.
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is very close to Place as a notion, including history of inhabitants and things, what is visible and what it is not, tangibles and intangibles, memories and future.
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in Montreal’s Centre-Sud has converted a large former public bath to hold its exhibitions and other cultural or community activities and to house ecomuseum offices.
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Nancy J. Fuller, “The Museum as a Vehicle for Community Empowerment,” in Museums and Communities, The Politics of Public Culture (SI Press 1992), pp. 327-365.
544:"The museum in the service of man: Today and tomorrow. The museum's educational and cultural role : The papers from the Ninth General Conference of ICOM" 185:
in Washington, D.C., and the Casa del Museo in suburban Mexico City which served as the prototype for hundreds of ‘museos comunitarios’ throughout Mexico.
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For a synthetic view on ecomuseum definitions, see: Gerard Corsane, Peter Davis, Sarah Elliott, Maurizio Maggi, Donatella Murtas & Sally Rogers,
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In the early 2017 the world platform for exchange and experience sharing between ecomuseums and community museums was published. The platform called
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Santo, R. D., Baldi, N., Duca, A. D. and Rossi, A. (2017), The Strategic Manifesto of Italian Ecomuseums. Museum, 69: 86–95. doi:10.1111/muse.12153
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Santo, R. D., Baldi, N., Duca, A. D. and Rossi, A. (2017), The Strategic Manifesto of Italian Ecomuseums. Museum, 69: 86–95. doi:10.1111/muse.12153
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See René Rivard, “Opening up the Museum,” The Sourcebook (American Association of Museums Annual Meeting, Chicago, IL, 11 May 1990), pp. 27-47.
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René Rivard, “Opening up the Museum,” The Sourcebook (American Association of Museums Annual Meeting, Chicago, IL, 11 May 1990), pp. 27-47.
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Interchangeable roles: public officers, representatives, volunteers and other local actors are all playing a vital role in an ecomuseum.
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https://www.worldcat.org/title/claims-and-reality-of-new-museology-case-studies-in-canada-the-united-states-and-mexico/oclc/41984525
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focused on the identity of a place, largely based on local participation and aiming to enhance the welfare and development of
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beliefs during this period helped generate neighborhood museums in the United States and Mexico. Examples include the
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Often created in response to external forces that held the potential for bringing radical change to an area, such as
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The ecomuseum concept was promoted in North America through the efforts of René Rivard, a Canadian museologist, and
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Ecomuseums: A study of how agents gain socio-cultural capital through participation within Flodden 1513 Ecomuseum
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Ecomuseums: A study of how agents gain socio-cultural capital through participation within Flodden 1513 Ecomuseum
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Although organized independently of each other, many of these museums were influenced by the philosophy of
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Raymond de la Rocha Mille, Museums without Walls: The Museology of Georges Henri Rivière, available at
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Shayne del Cohen, Our story Inc., Northern Nevada African American Firefighter Museum. 2022;
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This means that the three essential dimensions of a museum are radically transformed so that
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Museum = building + collections + visitors and Ecomuseums = territory + heritage + community.
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There are presently about 300 operating ecomuseums in the world; about 200 are in
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https://www.ourstoryinc.com/northern-nevada-african-american-firefighter-museum
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Hugues de Varine compared museums and ecomuseums in the following equations:
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Marie-Odile de Bary, André Desvalles, Françoise Wasserman (editors), 1994,
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Ecomuseums and cultural landscapes. State of the art and future prospects
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Thus, ecomuseums differ from mainstream museums in significant ways:
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2016 Milan cooperation Charter “Ecomuseums and cultural landscape”
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Ecomuseum Evaluation: Experiences in Piemonte and Liguria, Italy
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What does "ecomuseum" mean for the contemporary museology (PDF)
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play a key role as catalysts of social capital development.
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Ecomuseums.com (Ecomuseum Studies & Discussions)
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without Walls the Museology of Georges Henri Riviere.
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In 1971, during the 9th triennial Conference of the
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World platform for ecomuseums and community museums
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Santarcangelo di Romagna, Italy: Maggioli. 8: 354:Preservation, interpretation and management 978: 964: 956: 476:"WEB LINKS and BIBLIOGRAPHY on ECOMUSEUMS" 109:Learn how and when to remove this message 16:Museum focused on the identity of a place 744:Strategic document of Italian ecomuseums 604:https://www.mdpi.com/2071-1050/8/12/1310 522:https://www.academia.edu/7555749/Museums 474:Perrier-Latour, Clémence (2005-12-08). 440: 399:ecomuseology and its best practices”. 833:Melbourne's Living Museum of the West 7: 1580: 47:adding citations to reliable sources 937:Ecomuseo del Paesaggio di Parabiago 786:FEMS (Fédération écomusées, France) 377:The 2016 Milan Cooperation Charter 14: 912:Kuća o batani - Casa della batana 218:“The word Ecomuseum and beyond." 190:Georges Henri Rivière (1897–1985) 137:, the concept being developed by 1579: 1570: 1569: 1559: 1127:Traditional ecological knowledge 1073: 480:International Council of Museums 430:Ecomuseums and Community Museums 204:International Council of Museums 23: 1425:Science, technology and society 670:Porter, Hilary (July 3, 2017). 34:needs additional citations for 1: 1266:Religion and environmentalism 815:Ceumannan – Staffin Ecomuseum 556:Museum Vol 37. No. 148, 1985. 464:, Leicester University Press. 426:, Francophile and visionnaire 293:in Maricopa, Arizona. Called 1329:Environmental interpretation 858:Suojia Miao people ecomuseum 810:Cateran Ecomuseum (Scotland) 462:Ecomuseums: a sense of place 1302:Environmental communication 906:Karaganda Ecological Museum 384:“Milan Cooperation Charter” 321:, Trento (Italy), May 2004 133:. 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Index


verification
improve this article
adding citations to reliable sources
"Ecomuseum"
news
newspapers
books
scholar
JSTOR
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museum
local communities
France
Georges Henri Rivière
Hugues de Varine
cultural heritage
Europe
France
Italy
Spain
Poland
Anacostia Community Museum
Georges Henri Rivière (1897–1985)
gentrification
International Council of Museums
Hugues de Varine
(UNESCO)
Écomusée du fier monde
in situ

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