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He is the editor of
Edgewise Press, a small press art publication house founded by Milazzo in 1995. It maintains editorial offices in New York and Paris and is dedicated to publishing small, uniformly packaged, paperback books on art criticism, art theory, aesthetics, philosophy, fiction and poetry.
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and
Richard Milazzo in the early 1980s in New York City, brought to prominence a new generation of artists through their copious writings and curatorial activities. It was their exhibitions and writings that originally fashioned the theoretical context for a new kind of neo (or post)
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Peter Halley, Director of
Graduate Studies in Painting and Printmaking at the Yale University School of Art, has been anthologized in Peter Halley: Selected Essays 1981–2001, Edgewise Press in 2013.
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150:. It was through this context that the work of many of the artists associated with Neo-Conceptualism (or what some of the critics reductively called Simulationism and
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Collins, Tricia and
Milazzo, Richard (1986) "The New Sleep: Stasis and the Image-Bound Environment," Differentia: Review of Italian Thought: Vol. 1, Article 16.
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Collins, Tricia and
Milazzo, Richard (1991) "Everything Changed More than Once," Differentia: Review of Italian Thought: Vol. 5, Article 8.
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Since 1982, he has worked internationally as a critic and curator in the art world. In the early 1980s, he co-published and co-edited
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is a critic, curator, publisher, independent scholar and poet from New York City. In the 1970s, he was the editor and co-publisher of
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in 1988 and 1989. They were reissued in an
Italian edition by Campanotto Editore in Udine in 2005. In 2014 Milazzo authored the book
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Richard
Milazzo (2014). "Peter Nagy: Entertainment Erases History. Works 1982 to 2004 to the Present". Brooklyn: Eisbox Projects.
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Language at the
Boundaries: Philosophy, Literature, and the Poetics of Culture
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Peter Nagy: Entertainment Erases
History (Works 1982 to 2004 to the Present)
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It's all true: Imagining New York's East
Village art scene of the 1980s
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274:, University of Maryland, College Park, Dissertations Publishing, 1999
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Hyperframes : un discorso sulla post-appropriazione in arte
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The idea of neo-conceptual art (sometimes later termed
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Art at the End of the Social : Rooseum catalogue
69:. In the 1970s, he earned an M.A. for his thesis on
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Allan McCollum interview with Collins & Milazzo
113:, the lectures they delivered as Senior Critics at
111:Hyperframes: A Post-Appropriation Discourse in Art
420:ART; Now on View, New Work by Freelance Curators
342:Artists' Magazines: An Alternative Space for Art
101:Among the many publications of those years were
37:. He is the co-founding publisher and editor of
442:Lotringer, Sylvere; Cohen, Sande (2013-02-01).
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376:, University of Chicago Press, 2003, p. 116
248:, University of Chicago Press, 2003, p. 191
91:Effects : Magazine for New Art Theory
142:; one that argued simultaneously against
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488:Collins & Milazzo at specific object
109:(Malmö, Sweden: The Rooseum, 1988); and
316:Pasian di Prato : Campanotto, 2005
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103:Radical Consumption and the New Poverty
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432:DAN CAMERON ON Collins & Milazzo
389:"Get Me Rewrite" - New York Magazine
207:"Get Me Rewrite" - New York Magazine
105:(New York: New Observations, 1987);
41:. In the 1980s, under the rubric of
392:. New York Media, LLC. pp. 29–
556:American people of Italian descent
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61:Richard Milazzo is a graduate of
47:Collins & Milazzo Exhibitions
571:Small press publishing companies
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57:Life and work and Edgewise Press
210:. New York Media. pp. 29–
154:) was first brought together.
53:essays on art and art theory.
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67:Franklin and Marshall College
448:. Routledge. pp. 148–.
374:Unpackaging Art of the 1980s
345:. MIT Press. pp. 258–.
246:Unpackaging Art of the 1980s
107:Art at the End of the Social
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386:Amy Virshup (1988-01-25).
261:, Henk Slager, 1997, p. 69
234:. Coo Press Limited. 1989.
204:Amy Virshup (1988-01-25).
270:Kirwin, Elizabeth Seton,
259:The Photographic Paradigm
45:, he co-curated numerous
518:The official website of
445:French Theory in America
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312:GianCarlo Pagliasso,
125:Collins & Milazzo
121:for Eisbox Projects.
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536:American art critics
339:Allen, Gwen (2011).
257:Annette W. Balkema,
561:Cultural historians
180:Post-conceptual art
131:post-conceptual art
35:Out of London Press
325:Peter Carravetta,
49:and co-wrote with
372:Alison Pearlman,
329:, Bloomberg Press
244:Alison Pearlman,
144:Neo-Expressionism
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152:Neo Geo
94:in the
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