156:
blacks... such as a happy-go-lucky gregariousness, a good-humoured argumentativeness which could spill over into threats of physical aggression, a propensity to be light-fingered, an incorrigible fondness for drinking, smoking and shooting dice.. and an entrenched aversion to work." They also incorporated surreal touches "which prefigured aspects of postwar comedy." Additionally, Whaley sang and Scott played
42:
155:
make-up, with exaggerated white lips and contorted facial expressions, and performed as a stereotype of an ignorant rural simpleton. In their act, they engaged "in an incessant to-and-fro stream of badinage, put-downs and punning humour", and "demonstrated some of the stereotypical conceptions of
197:. In 1941, their partnership was explored in a special radio programme on "these two famous coloured comedians who make you laugh and once had to hobo because they hadn't a penny in the world.... a story of courage, pathos, comedy, and tears."
140:, working in the northern United States in touring shows including the Dark Town Swells. In 1909, they travelled to England, originally intending to stay for no more than eight weeks, and made their first appearance in
151:, together with songs and dances, and rapidly became popular, remaining so for the next thirty years. Whaley was the smartly-dressed straight man, and Scott the clown. Scott – but not Whaley – applied
185:"their tangle-talk was often the result of inept script-reading." They also continued as Pussyfoot and Cuthbert in live theatre performances, and toured Europe and Australia. They performed in the 1934 film
204:
from the late 1930s, where he owned a hotel used by many visiting black entertainers. He died there in 1960, aged 83, and is remembered in the name of a
Brighton bus.
108:(22 September 1877 – 13 November 1960). They were the first black performers to take the leading roles in a British film, and usually performed in character as
200:
The pair split up in 1946, the year before Scott's death in London at the age of 67. Whaley briefly teamed up with another comedian, Chris Gill. Whaley had lived in
510:
262:
374:
319:
291:
207:
His son, Eddie Whaley Jr., performed on stage with his father as "Little Whaley", and, as a seven-year-old child, in the 1947 film
495:
505:
251:
500:
164:
to
Britain, and on one occasion a conductor described their music as impossible to play, so that Scott played it himself.
490:
213:. After military service in the United States, he took up a career as a performer in Britain, becoming a member of the
181:
between 1933 and 1946, and appeared in other programmes. Their scripts were written by Con West, but according to
177:
187:
432:
471:
346:
467:
191:, becoming the first black performers to star in a British film, and reprised their roles in the 1938 film
193:
330:
401:
121:
448:
370:
315:
287:
247:
284:
Grace, Beauty and Banjos: Peculiar Lives and
Strange Times of Music Hall and Variety Artistes
417:
214:
209:
133:
386:
65:
331:
Suyin Haynes, "Transatlantic stardom: African
American trailblazers in British film",
100:
from 1909, settled in
England, and remained popular for over thirty years. They were
484:
362:
182:
129:
71:
172:
244:
Black in the
British Frame: The Black Experience in British Film and Television
41:
157:
148:
137:
97:
93:
144:. They remained in the country, and premiered in London the following year.
168:
167:
Scott and Whaley both became
British citizens. From 1929, they appeared on
152:
141:
17:
201:
175:
the
Celebrated Koloured Komedy Kings. They featured in the popular show
125:
171:
as their characters
Pussyfoot (Scott) and Cuthbert (Whaley), sometimes
161:
160:. It was claimed that they were the first performers to introduce
263:"Entertainers of African descent at the Tivoli Theatre, Hull",
217:
in the late 1950s, before returning to live in the U.S..
136:. They met in 1905 and joined together as a comedy
132:, and sang on the streets. Harry Scott was born in
77:
64:
56:
48:
32:
124:, but fled the family for whom he had become a
8:
278:
276:
274:
104:(18 November 1879 – 22 June 1947) and
306:
304:
302:
300:
40:
29:
418:"Names on the buses: 837 Eddie Whaley",
238:
236:
234:
232:
230:
226:
433:"Music Hall duo Scott & Whaley",
128:after his parents died, travelled to
7:
468:Scott and Whaley performing in 1933
369:, B.T. Batsford Ltd, London, 1985,
420:Brighton & Hove names on buses
25:
511:American expatriates in England
314:, Routledge, 2017, pp.197-203,
312:Blackface Minstrelsy in Britain
1:
347:Search, "Scott and Whaley",
246:, Bloomsbury, 2005, pp.2-4,
449:""Joseph Anthony" traced",
27:African American comedy duo
527:
454:. Retrieved 28 March 2021
439:. Retrieved 28 March 2021
423:. Retrieved 28 March 2021
408:. Retrieved 28 March 2021
406:, Issue 914, 8 April 1941
392:. Retrieved 28 March 2021
353:. Retrieved 28 March 2021
337:. Retrieved 29 March 2021
268:. Retrieved 28 March 2021
120:Eddie Whaley was born in
92:were an African American
39:
367:The Golden Age of Radio
496:English male comedians
451:Powell-Pressburger.org
286:, Oberon Books, 1998,
110:Pussyfoot and Cuthbert
96:who played in British
506:Music hall performers
387:"Take Off That Hat",
265:Africans in Yorkshire
501:American comedy duos
435:My Brighton and Hove
282:Michael Kilgarriff,
149:cross-talking comedy
102:Harry Clifford Scott
491:English comedy duos
310:Michael Pickering,
122:Montgomery, Alabama
106:Edward Peter Whaley
335:, 30 November 2016
188:Kentucky Minstrels
178:Kentucky Minstrels
437:, 23 October 2008
194:Take Off That Hat
87:
86:
16:(Redirected from
518:
455:
446:
440:
430:
424:
415:
409:
402:"Partnerships",
399:
393:
384:
378:
360:
354:
344:
338:
328:
322:
308:
295:
280:
269:
260:
254:
242:Stephen Bourne,
240:
90:Scott and Whaley
44:
35:
34:Scott and Whaley
30:
21:
526:
525:
521:
520:
519:
517:
516:
515:
481:
480:
470:(introduced by
464:
459:
458:
447:
443:
431:
427:
416:
412:
400:
396:
385:
381:
361:
357:
345:
341:
329:
325:
309:
298:
281:
272:
261:
257:
241:
228:
223:
215:Deep River Boys
210:Black Narcissus
147:They performed
134:Cleveland, Ohio
118:
82:
60:1905–1946
52:U.S. (later UK)
33:
28:
23:
22:
15:
12:
11:
5:
524:
522:
514:
513:
508:
503:
498:
493:
483:
482:
479:
478:
463:
462:External links
460:
457:
456:
441:
425:
410:
394:
379:
355:
339:
323:
296:
270:
255:
225:
224:
222:
219:
117:
114:
85:
84:
79:
78:Former members
75:
74:
68:
62:
61:
58:
54:
53:
50:
46:
45:
37:
36:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
523:
512:
509:
507:
504:
502:
499:
497:
494:
492:
489:
488:
486:
477:
476:British Pathe
473:
472:Leonard Henry
469:
466:
465:
461:
453:
452:
445:
442:
438:
436:
429:
426:
422:
421:
414:
411:
407:
405:
398:
395:
391:
390:
383:
380:
376:
375:0-7134-4235-2
372:
368:
364:
363:Denis Gifford
359:
356:
352:
350:
343:
340:
336:
334:
327:
324:
321:
320:9781351573528
317:
313:
307:
305:
303:
301:
297:
293:
292:1-84002-116-0
289:
285:
279:
277:
275:
271:
267:
266:
259:
256:
253:
249:
245:
239:
237:
235:
233:
231:
227:
220:
218:
216:
212:
211:
205:
203:
198:
196:
195:
190:
189:
184:
183:Denis Gifford
180:
179:
174:
170:
165:
163:
159:
154:
150:
145:
143:
139:
135:
131:
127:
123:
115:
113:
111:
107:
103:
99:
95:
91:
80:
76:
73:
69:
67:
63:
59:
55:
51:
47:
43:
38:
31:
19:
475:
450:
444:
434:
428:
419:
413:
403:
397:
388:
382:
366:
358:
351:, BBC Genome
348:
342:
332:
326:
311:
294:, pp.136-137
283:
264:
258:
243:
208:
206:
199:
192:
186:
176:
166:
146:
119:
109:
105:
101:
89:
88:
83:Eddie Whaley
57:Years active
18:Eddie Whaley
404:Radio Times
349:Radio Times
98:music halls
81:Harry Scott
49:Nationality
485:Categories
252:0826478980
221:References
158:jazz piano
138:double act
94:comedy duo
72:minstrelsy
173:billed as
169:BBC radio
153:blackface
142:Sheffield
202:Brighton
130:New York
126:houseboy
70:Comedy,
162:ragtime
116:Careers
377:, p.63
373:
318:
290:
250:
66:Genres
371:ISBN
316:ISBN
288:ISBN
248:ISBN
474:),
389:BFI
333:BFI
487::
365:,
299:^
273:^
229:^
112:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
