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243:. Not only is it much faster to locate the clips needed, keeping track of what can in some cases amount to a staggering amount of footage, is also much easier digitally. Also, editing film digitally is a non-destructive process, whereas the analog process requires the actual cutting and taping together of pieces of film as well as manual syncing of sound.
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computer display as the graphical UI for the product, one small preview video monitor, and one large rear-projected monitor containing "the cut" which was controlled by a custom controller. The controller, called the TouchPad, features a KEM-style shuttle knob, a trackball, and a host of buttons
260:
in the source material to gain an overview, thus increasing one's familiarity with it. Since undoing an edit is such a laborious process, there is a high incentive to get the best edit cut the first time. This process which is not necessary to the same extent with NLE solutions in which one edit
164:
ranging entirely from the consumer to professional markets. In many respects the EditDroid was a concept demonstration of the future of editing, with a LaserDisc being a good 1980s simulation of what digital access would eventually become, and an editing interface and workflow that was more like
128:
system which queues up the clips in the order needed from the LaserDisc players in the most efficient way, so as to minimize skipping. This however isn't always possible. So if the edits aren't sufficiently close, the system isn't always fast enough to cue up the next clip.
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labels that changes in function depending on what the system was doing. The EditDroid pioneered the use of the graphical display for editing—introducing the timeline as well as digital picture icons to identify raw source clips.
275:, a cheap method of recording LaserDiscs never surfaced. This lack made it exceedingly difficult and cumbersome to create the needed LaserDiscs for the EditDroid. Also at this time, the storage available on a
101:(NAB) 62nd Annual meeting in Las Vegas in 1984 concurrent with another editing tool that would compete with the EditDroid for all its years in production, the Montage Picture Processor.
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The EditDroid is obsolete by market standards, as the market for nonlinear editing systems has changed radically since its inception, with computer-based products like
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company. The company existed up through the mid-'80s to the early '90s in an attempt to move from analog editing methods to digital. EditDroid debuted at the
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format was brought to market in the late 1970s, first with the name of DiscoVision and later as LaserVision, and despite persistent promises from the
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Furthermore, many potential customers of the EditDroid were disappointed by the fact that while
Lucasfilm Ltd. were the creators of the EditDroid,
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clips on numerous occasions at tradeshows and at demonstrations. Lucas eventually used his EditDroids in the early '90s on his series
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had never in fact used the EditDroid on a movie. This fact stood in contrast to the fact that the EditDroid had been shown with
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mourns the loss of the older analog solutions. Analog editing requires the editor to frequently move back and forth or
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Inventing the Movies: Hollywood's Epic Battle
Between Innovation and the Status Quo, from Thomas Edison to Steve Jobs
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Inventing the Movies: Hollywood's Epic Battle
Between Innovation and the Status Quo, from Thomas Edison to Steve Jobs
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today's methods than any of the videotape linear or analog nonlinear products leading up to the Avid/1 in 1990.
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There are numerous advantages of using a digital editing solution over the older analog solutions, such as the
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Furthermore, LaserDisc has a fixed resolution, whereas film can be focused to look ideal at any display size.
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in 1987 and subsequent redevelopment of the product for seven years, the software was eventually sold to
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spin-off company, the Droid Works and
Convergence Corporation who formed a
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Aside from the technological advantages of digital editing, in his book
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The EditDroid was never a commercial success and after the close of
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613:(John Buck 2018). (incl complete Editdroid storyline)(Tablo Books
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625:(Free public access to Timeline, the history of editing Analog 1)
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The
Healthy Edit: Creative Techniques for Perfecting Your Movie
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465:(2nd ed.). Los Angeles, California: Silman-James Press.
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In the blink of an eye : a perspective on film editing
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in 1993. Only 24 EditDroid systems were ever produced.
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Droidmaker: George Lucas and the
Digital Revolution
124:-based, relying on several LaserDisc players and a
1980:Indiana Jones and the Kingdom of the Crystal Skull
901:Indiana Jones and the Kingdom of the Crystal Skull
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279:was prohibitively small and extremely expensive.
2052:Star Wars: From the Adventures of Luke Skywalker
523:Skywalking: The Life and Films of George Lucas
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16:Computerized analog non-linear editing system
8:
1754:Star Wars: Episode III – Revenge of the Sith
1744:Star Wars: Episode II – Attack of the Clones
261:point can be made and undone very quickly.
207:. Unsourced material may be challenged and
153:are spliced together in the correct order.
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145:Once the entire movie has been edited, an
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1734:Star Wars: Episode I – The Phantom Menace
871:Star Wars: Episode I – The Phantom Menace
227:Learn how and when to remove this message
69:Learn how and when to remove this message
1116:Lego Star Wars: The Freemaker Adventures
325:
323:
32:This article includes a list of general
319:
1311:Caravan of Courage: An Ewok Adventure
991:Indiana Jones and the Dial of Destiny
7:
1910:Indiana Jones and the Temple of Doom
1374:Star Tours – The Adventures Continue
771:Indiana Jones and the Temple of Doom
429:. Taylor & Francis. p. 35.
205:adding citations to reliable sources
99:National Association of Broadcasters
89:(NLE) system which was developed by
581:: Digital zoo, 1984, archived from
2011:The Young Indiana Jones Chronicles
1960:Indiana Jones and the Last Crusade
1835:Electronic Labyrinth: THX 1138 4EB
1364:ExtraTERRORestrial Alien Encounter
1076:The Young Indiana Jones Chronicles
851:Indiana Jones and the Last Crusade
295:The Young Indiana Jones Chronicles
38:it lacks sufficient corresponding
14:
1815:Anyone Lived in a Pretty How Town
891:Episode III – Revenge of the Sith
881:Episode II – Attack of the Clones
1236:Star Wars: Young Jedi Adventures
981:Star Wars: The Rise of Skywalker
791:Mishima: A Life in Four Chapters
611:Timeline, the history of editing
571:"Lights, Cameras... Computers",
177:
23:
542:Timeline: A History of Editing
1:
2222:Lucas Museum of Narrative Art
821:Tucker: The Man and His Dream
395:. Scott Kirsner. p. 82.
336:. Scott Kirsner. p. 80.
2154:Bald: The Making of THX 1138
1468:Industrial Light & Magic
1022:Star Wars: Duel of the Fates
951:Rogue One: A Star Wars Story
941:Star Wars: The Force Awakens
506:, San Francisco, CA: Triad,
273:Music Corporation of America
169:Advantages and disadvantages
1930:Ewoks: The Battle for Endor
1582:(EVP, Franchise Management)
1321:Ewoks: The Battle for Endor
1126:Star Wars Forces of Destiny
1001:The Mandalorian & Grogu
367:. Lucasfilm. Archived from
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2274:Film and video technology
2236:The Star Wars Corporation
2021:Star Wars: The Clone Wars
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911:Star Wars: The Clone Wars
667:
525:, New York, NY: Da Capo,
85:is a computerized analog
1943:(1986, short attraction)
1176:Star Wars: The Bad Batch
961:Star Wars: The Last Jedi
423:Rosenberg, John (2013).
1890:Raiders of the Lost Ark
1880:The Empire Strikes Back
971:Solo: A Star Wars Story
741:Raiders of the Lost Ark
731:The Empire Strikes Back
675:The Walt Disney Company
498:Rubin, Michael (2005),
389:Kirsner, Scott (2008).
330:Kirsner, Scott (2008).
53:more precise citations.
1678:Awards and nominations
721:More American Graffiti
521:Pollack, Dale (1999),
457:Murch, Walter (2001).
249:In the Blink of an Eye
2014:(1992–96 / 1999–2001)
1166:The Book of Boba Fett
1086:Star Wars: Clone Wars
841:The Land Before Time
201:improve this section
2199:Lucasfilm Animation
2055:(1976, credit only)
1858:(1968, documentary)
1848:(1967, documentary)
1828:(1967, documentary)
1808:(1966, documentary)
1482:Lucasfilm Animation
671:Walt Disney Studios
605:on October 29, 2013
540:Buck, John (2018),
2094:Franchises created
1920:The Ewok Adventure
1900:Return of the Jedi
751:Return of the Jedi
289:Return of the Jedi
147:Edit Decision List
87:non-linear editing
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2171:American Zoetrope
2163:Light & Magic
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2031:Star Wars Detours
2002:TV series created
1970:Radioland Murders
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1196:Light & Magic
1046:Star Wars: Droids
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861:Radioland Murders
761:Twice Upon a Time
701:American Graffiti
365:"Company History"
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186:This section
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162:Final Cut Pro
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59:December 2014
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2279:Film editing
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2019:
2009:
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1775:Look at Life
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1671:Bibliography
1652:George Lucas
1605:
1564:George Lucas
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440:. Retrieved
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391:
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373:. Retrieved
369:the original
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347:. Retrieved
332:
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287:
284:George Lucas
281:
266:
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254:Walter Murch
247:
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223:
214:
199:Please help
187:
155:
144:
131:
119:
105:
103:
82:
80:
65:
56:
37:
2136:(1973–1979)
2082:Shadow Star
2072:Shadow Dawn
2062:Shadow Moon
1825:The Emperor
1664:Filmography
1574:(President)
1435:productions
1256:The Acolyte
1179:(2021–2024)
684:Productions
51:introducing
2268:Categories
1940:Captain EO
1599:StageCraft
1519:SoundDroid
1386:Franchises
1354:Star Tours
1344:Captain EO
1333:Theme park
1136:Resistance
1013:Unproduced
574:Lunch time
566:Droidmaker
472:1879505622
375:2012-02-20
314:References
308:SoundDroid
267:While the
34:references
2289:LaserDisc
2284:Lucasfilm
2192:LucasArts
2178:Lucasfilm
2103:Star Wars
2034:(unaired)
1855:Filmmaker
1724:Star Wars
1610:(2000−01)
1566:(Founder)
1512:EditDroid
1460:Divisions
1395:Star Wars
1229:(2022–23)
1169:(2021–22)
1139:(2018–20)
1129:(2017–18)
1119:(2016–17)
1109:(2014–18)
1099:(2008–20)
1089:(2003–05)
1079:(1992–96)
1069:(1990–93)
1059:(1985–86)
1049:(1985–86)
1037:TV series
921:Red Tails
801:Labyrinth
711:Star Wars
661:Lucasfilm
599:Lucasfilm
579:Australia
277:hard disk
269:LaserDisc
252:, editor
188:does not
122:LaserDisc
91:Lucasfilm
83:EditDroid
2252:Edutopia
1795:Freiheit
1704:THX 1138
1444:THX 1138
1302:TV films
481:47225020
442:12 April
408:12 April
349:12 April
302:See also
126:database
116:Features
2145:Related
1845:6-18-67
1805:1:42.08
1695:Feature
1433:Related
1278:Unaired
1156:Visions
241:Moviola
209:removed
194:sources
47:improve
2123:Willow
2085:(2000)
2075:(1996)
2065:(1995)
1993:(2015)
1983:(2008)
1973:(1994)
1963:(1989)
1953:(1988)
1950:Willow
1913:(1984)
1903:(1983)
1893:(1981)
1883:(1980)
1838:(1967)
1818:(1967)
1798:(1966)
1788:(1966)
1785:Herbie
1778:(1965)
1757:(2005)
1747:(2002)
1737:(1999)
1727:(1977)
1717:(1973)
1707:(1971)
1556:People
1447:(1971)
1413:Willow
1377:(2011)
1367:(1995)
1357:(1987)
1347:(1986)
1324:(1985)
1314:(1984)
1269:(2024)
1259:(2024)
1246:Ahsoka
1226:Willow
1199:(2022)
1189:(2022)
1106:Rebels
1004:(2026)
994:(2023)
984:(2019)
974:(2018)
964:(2017)
954:(2016)
944:(2015)
934:(2015)
924:(2012)
914:(2008)
904:(2008)
894:(2005)
884:(2002)
874:(1999)
864:(1994)
854:(1989)
844:(1988)
834:(1988)
831:Willow
824:(1988)
814:(1986)
804:(1986)
794:(1985)
784:(1985)
781:Latino
774:(1984)
764:(1983)
754:(1983)
744:(1981)
734:(1980)
724:(1979)
714:(1977)
704:(1973)
617:
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510:
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469:
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36:, but
2213:Pixar
1766:Short
1591:Other
1535:Pixar
1335:films
1206:Andor
1056:Ewoks
692:Films
258:scrub
137:with
134:Sun-1
615:ISBN
546:ISBN
527:ISBN
508:ISBN
477:OCLC
467:ISBN
444:2020
431:ISBN
410:2020
397:ISBN
351:2020
338:ISBN
192:any
190:cite
160:and
151:film
81:The
2245:THX
2185:ILM
1542:THX
203:by
139:LED
2270::
621:).
597:,
577:,
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475:.
322:^
298:.
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43:.
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